UPC · Release
Guido Cantelli
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The UPC for “Icon - Fiery Angel of the Podium” by Guido Cantelli is 5099967904358. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-02-01. This release contains 80 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ein musikalischer Spaß, K. 522: I. Allegro | — | ||
| 2 | Ein musikalischer Spaß, K. 522: II. Menuetto. Maestoso | — | ||
| 3 | Ein musikalischer Spaß, K. 522: III. Adagio cantabile | — | ||
| 4 | Ein musikalischer Spaß, K. 522: IV. Presto | — | ||
| 5 | Symphony no. 29 in A Major, K. 201: I. Allegro moderato | — | ||
| 6 | Symphony no. 29 in A Major, K. 201: II. Andante | — | ||
| 7 | Symphony no. 29 in A Major, K. 201: III. Menuetto | — | ||
| 8 | Symphony no. 29 in A Major, K. 201: IV. Allegro con spirito | — | ||
| 9 | Symphony no. 5 in C Minor, Op. 67: II. Andante con moto | — | ||
| 10 | Symphony no. 5 in C Minor, Op. 67: III. Allegro | — | ||
| 11 | Symphony no. 5 in C Minor, Op. 67: IV. Allegro - Presto | — | ||
| 2-1 | Symphony no. 7 in A Major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-2 | Symphony no. 7 in A Major, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7 in A Major, op. 92: III. Presto - Assai meno presto | — | ||
| 2-4 | Symphony no. 7 in A Major, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-6 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 2-7 | Overture : La gazza ladra - 1994 Remastered Version | — | ||
| 2-8 | L’assedio di Corinto: Sinfonia | — | ||
| 3-1 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: I. Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: II. Andante con moto | — | ||
| 3-3 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: III. Con modo moderato | — | ||
| 3-4 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: IV. Saltarello. Presto | — | ||
| 3-5 | Symphony no. 4 in D Minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 3-6 | Symphony no. 4 in D Minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 3-7 | Symphony no. 4 in D Minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 3-8 | Symphony no. 4 in D Minor, op. 120: IV. Langsam - Presto | — | ||
| 3-9 | Paganiniana, op. 65: I. Allegro agitato | — | ||
| 3-10 | Paganiniana, op. 65: II. Polachetta | — | ||
| 3-11 | Paganiniana, op. 65: III. Romanza | — | ||
| 3-12 | Paganiniana, op. 65: IV. Tarantella | — | ||
| 4-1 | Symphony no. 1 in C Minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 4-2 | Symphony no. 1 in C Minor, op. 68: II. Andante sostenuto | — | ||
| 4-3 | Symphony no. 1 in C Minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4-4 | Symphony no. 1 in C Minor, op. 68: IV. Finale. Adagio | — | ||
| 4-5 | Symphony no. 3 in F Major, op. 90: I. Allegro con brio | — | ||
| 4-6 | Symphony no. 3 in F Major, op. 90: II. Andante | — | ||
| 4-7 | Symphony no. 3 in F Major, op. 90: III. Poco allegretto | — | ||
| 4-8 | Symphony no. 3 in F Major, op. 90: IV. Allegro | — | ||
| 5-1 | Romeo and Juliet, Fantasy Overture | — | ||
| 5-2 | Symphony no. 5 in E Minor, op. 64: I. Andante - Allegro con anima | — | ||
| 5-3 | Symphony no. 5 in E Minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 5-4 | Symphony no. 5 in E Minor, op. 64: III. Valse. Allegro moderato | — | ||
| 5-5 | Symphony no. 5 in E Minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace | — | ||
| 6-1 | Siegfried Idyll | — | ||
| 6-2 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 6-3 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 6-4 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 6-5 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso | — | ||
| 7-1 | Prélude à l’après‐midi d’un faune, CD 87, L. 86 | — | ||
| 7-2 | Nocturnes, CD 98, L. 91: no. 1, Nuages | — | ||
| 7-3 | Nocturnes, CD 98, L. 91: no. 2, Fêtes | — | ||
| 7-4 | La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | — | ||
| 7-5 | La Mer, CD 111, L. 109: II. Jeux de vagues | — | ||
| 7-6 | La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | — | ||
| 7-7 | Le Martyre de Saint Sébastien, CD 130, L. 124: I. La cour des lys (Instrumental Version) | — | ||
| 7-8 | Le Martyre de Saint Sébastien, CD 130, L. 124: II. Danse extatique (Instrumental Version) | — | ||
| 7-9 | Le Martyre de Saint Sébastien, CD 130, L. 124: III. La passion (Instrumental Version) | — | ||
| 7-10 | Le Martyre de Saint Sébastien, CD 130, L. 124: IV. Le bon pasteur (Instrumental Version) | — | ||
| 7-11 | Pavane pour une infante défunte, M. 19 | — | ||
| 8-1 | L’Apprenti sorcier - 1993 Remastered Version | — | ||
| 8-2 | Suite no. 2 from El sombrero de tres picos: I. Los vecinos | — | ||
| 8-3 | Suite no. 2 from El sombrero de tres picos: II. Danza del molinero. Farruca | — | ||
| 8-4 | Suite no. 2 from El sombrero de tres picos: III. Danza final. Jota | — | ||
| 8-5 | Suite no. 2 from Daphnis et Chloé, M. 57: I. Lever du jour | — | ||
| 8-6 | Suite no. 2 from Daphnis et Chloé, M. 57: II. Pantomime | — | ||
| 8-7 | Suite no. 2 from Daphnis et Chloé, M. 57: III. Danse générale | — | ||
| 8-8 | Symphony in D Minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 8-9 | Symphony in D Minor, FWV 48: II. Allegretto | — | ||
| 8-10 | Symphony in D Minor, FWV 48: III. Allegro non troppo | — | ||
| 9-1 | Remembering Guido Cantelli: Introduction: Beethoven Symphony no. 5: Finale | — | ||
| 9-2 | Remembering Guido Cantelli: Introduction: first recordings | — | ||
| 9-3 | Remembering Guido Cantelli: Cantelli’s impact on the Philharmonia - Tchaikovsky: Romeo and Juliet | — | ||
| 9-4 | Remembering Guido Cantelli: Cantelli’s uncompromising perfectionism | — | ||
| 9-5 | Remembering Guido Cantelli: Mendelssohn - Symphony no. 4 ’Italian’: Finale | — | ||
| 9-6 | Remembering Guido Cantelli: Recording sessions - Ravel: Daphnis et Chloé: Suite no. 2 in rehearsal | — | ||
| 9-7 | Remembering Guido Cantelli: The Philharmonia’s relationship with Cantelli - Debussy: La Mer: Jeux de Vagues | — | ||
| 9-8 | Remembering Guido Cantelli: Cantelli’s method at recording sessions - Brahms Symphony no. 3: Finale | — | ||
| 9-9 | Remembering Guido Cantelli: Cantelli’s impact on the audience - Beethoven Symphony no. 5: Scherzo in rehearsal | — | ||
| 9-10 | Remembering Guido Cantelli: Cantelli’s final recording and death - Beethoven Symphony no. 5: Finale | — |
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5099967904358 is a Universal Product Code (UPC) assigned to Icon - Fiery Angel of the Podium by Guido Cantelli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Icon - Fiery Angel of the Podium” by Guido Cantelli is 5099967904358. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-02-01. This release contains 80 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ein musikalischer Spaß, K. 522: I. Allegro | — | ||
| 2 | Ein musikalischer Spaß, K. 522: II. Menuetto. Maestoso | — | ||
| 3 | Ein musikalischer Spaß, K. 522: III. Adagio cantabile | — | ||
| 4 | Ein musikalischer Spaß, K. 522: IV. Presto | — | ||
| 5 | Symphony no. 29 in A Major, K. 201: I. Allegro moderato | — | ||
| 6 | Symphony no. 29 in A Major, K. 201: II. Andante | — | ||
| 7 | Symphony no. 29 in A Major, K. 201: III. Menuetto | — | ||
| 8 | Symphony no. 29 in A Major, K. 201: IV. Allegro con spirito | — | ||
| 9 | Symphony no. 5 in C Minor, Op. 67: II. Andante con moto | — | ||
| 10 | Symphony no. 5 in C Minor, Op. 67: III. Allegro | — | ||
| 11 | Symphony no. 5 in C Minor, Op. 67: IV. Allegro - Presto | — | ||
| 2-1 | Symphony no. 7 in A Major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-2 | Symphony no. 7 in A Major, op. 92: II. Allegretto | — | ||
| 2-3 | Symphony no. 7 in A Major, op. 92: III. Presto - Assai meno presto | — | ||
| 2-4 | Symphony no. 7 in A Major, op. 92: IV. Allegro con brio | — | ||
| 2-5 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 2-6 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 2-7 | Overture : La gazza ladra - 1994 Remastered Version | — | ||
| 2-8 | L’assedio di Corinto: Sinfonia | — | ||
| 3-1 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: I. Allegro vivace | — | ||
| 3-2 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: II. Andante con moto | — | ||
| 3-3 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: III. Con modo moderato | — | ||
| 3-4 | Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: IV. Saltarello. Presto | — | ||
| 3-5 | Symphony no. 4 in D Minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 3-6 | Symphony no. 4 in D Minor, op. 120: II. Romanze. Ziemlich langsam | — | ||
| 3-7 | Symphony no. 4 in D Minor, op. 120: III. Scherzo. Lebhaft | — | ||
| 3-8 | Symphony no. 4 in D Minor, op. 120: IV. Langsam - Presto | — | ||
| 3-9 | Paganiniana, op. 65: I. Allegro agitato | — | ||
| 3-10 | Paganiniana, op. 65: II. Polachetta | — | ||
| 3-11 | Paganiniana, op. 65: III. Romanza | — | ||
| 3-12 | Paganiniana, op. 65: IV. Tarantella | — | ||
| 4-1 | Symphony no. 1 in C Minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 4-2 | Symphony no. 1 in C Minor, op. 68: II. Andante sostenuto | — | ||
| 4-3 | Symphony no. 1 in C Minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 4-4 | Symphony no. 1 in C Minor, op. 68: IV. Finale. Adagio | — | ||
| 4-5 | Symphony no. 3 in F Major, op. 90: I. Allegro con brio | — | ||
| 4-6 | Symphony no. 3 in F Major, op. 90: II. Andante | — | ||
| 4-7 | Symphony no. 3 in F Major, op. 90: III. Poco allegretto | — | ||
| 4-8 | Symphony no. 3 in F Major, op. 90: IV. Allegro | — | ||
| 5-1 | Romeo and Juliet, Fantasy Overture | — | ||
| 5-2 | Symphony no. 5 in E Minor, op. 64: I. Andante - Allegro con anima | — | ||
| 5-3 | Symphony no. 5 in E Minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 5-4 | Symphony no. 5 in E Minor, op. 64: III. Valse. Allegro moderato | — | ||
| 5-5 | Symphony no. 5 in E Minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace | — | ||
| 6-1 | Siegfried Idyll | — | ||
| 6-2 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 6-3 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 6-4 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 6-5 | Symphony no. 6 in B Minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso | — | ||
| 7-1 | Prélude à l’après‐midi d’un faune, CD 87, L. 86 | — | ||
| 7-2 | Nocturnes, CD 98, L. 91: no. 1, Nuages | — | ||
| 7-3 | Nocturnes, CD 98, L. 91: no. 2, Fêtes | — | ||
| 7-4 | La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer | — | ||
| 7-5 | La Mer, CD 111, L. 109: II. Jeux de vagues | — | ||
| 7-6 | La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | — | ||
| 7-7 | Le Martyre de Saint Sébastien, CD 130, L. 124: I. La cour des lys (Instrumental Version) | — | ||
| 7-8 | Le Martyre de Saint Sébastien, CD 130, L. 124: II. Danse extatique (Instrumental Version) | — | ||
| 7-9 | Le Martyre de Saint Sébastien, CD 130, L. 124: III. La passion (Instrumental Version) | — | ||
| 7-10 | Le Martyre de Saint Sébastien, CD 130, L. 124: IV. Le bon pasteur (Instrumental Version) | — | ||
| 7-11 | Pavane pour une infante défunte, M. 19 | — | ||
| 8-1 | L’Apprenti sorcier - 1993 Remastered Version | — | ||
| 8-2 | Suite no. 2 from El sombrero de tres picos: I. Los vecinos | — | ||
| 8-3 | Suite no. 2 from El sombrero de tres picos: II. Danza del molinero. Farruca | — | ||
| 8-4 | Suite no. 2 from El sombrero de tres picos: III. Danza final. Jota | — | ||
| 8-5 | Suite no. 2 from Daphnis et Chloé, M. 57: I. Lever du jour | — | ||
| 8-6 | Suite no. 2 from Daphnis et Chloé, M. 57: II. Pantomime | — | ||
| 8-7 | Suite no. 2 from Daphnis et Chloé, M. 57: III. Danse générale | — | ||
| 8-8 | Symphony in D Minor, FWV 48: I. Lento - Allegro non troppo | — | ||
| 8-9 | Symphony in D Minor, FWV 48: II. Allegretto | — | ||
| 8-10 | Symphony in D Minor, FWV 48: III. Allegro non troppo | — | ||
| 9-1 | Remembering Guido Cantelli: Introduction: Beethoven Symphony no. 5: Finale | — | ||
| 9-2 | Remembering Guido Cantelli: Introduction: first recordings | — | ||
| 9-3 | Remembering Guido Cantelli: Cantelli’s impact on the Philharmonia - Tchaikovsky: Romeo and Juliet | — | ||
| 9-4 | Remembering Guido Cantelli: Cantelli’s uncompromising perfectionism | — | ||
| 9-5 | Remembering Guido Cantelli: Mendelssohn - Symphony no. 4 ’Italian’: Finale | — | ||
| 9-6 | Remembering Guido Cantelli: Recording sessions - Ravel: Daphnis et Chloé: Suite no. 2 in rehearsal | — | ||
| 9-7 | Remembering Guido Cantelli: The Philharmonia’s relationship with Cantelli - Debussy: La Mer: Jeux de Vagues | — | ||
| 9-8 | Remembering Guido Cantelli: Cantelli’s method at recording sessions - Brahms Symphony no. 3: Finale | — | ||
| 9-9 | Remembering Guido Cantelli: Cantelli’s impact on the audience - Beethoven Symphony no. 5: Scherzo in rehearsal | — | ||
| 9-10 | Remembering Guido Cantelli: Cantelli’s final recording and death - Beethoven Symphony no. 5: Finale | — |
