UPC · Release
We’ve Only Just Begun
Trijntje Oosterhuis
Last verified:
5099967970728 is the Universal Product Code (UPC barcode) for the release “We’ve Only Just Begun” by Trijntje Oosterhuis, released 2011-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include NLA209600060, NLA209600065, NLA270601215.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Somebody Else’s Lover | Total Touch | T-031727629-1 | |
| 2 | De zee | Trijntje Oosterhuis | T-031669509-6 | |
| 3 | Walk On By | Trijntje Oosterhuis, Metropole Orkest | T-070201312-4 | |
| 4 | Face in the Crowd | Lionel Richie, Trijntje Oosterhuis | T-031880470-4 | |
| 5 | Good Day | Trijntje Oosterhuis | — | |
| 6 | I Want You Back | Trijntje Oosterhuis | T-070080454-1 | |
| 7 | I’ll Say Goodbye | Total Touch | T-031796550-6 | |
| 8 | I Say a Little Prayer | Trijntje Oosterhuis | T-070079723-4 | |
| 9 | Wereld zonder jou | Marco Borsato, Trijntje Oosterhuis | T-031.548.036-4 | |
| 10 | See You as I Do | Trijntje Oosterhuis | T-031819353-1 | |
| 11 | Good Morning Heartache | Trijntje Oosterhuis | T-070.064.882-3 | |
| 12 | Let Us Be Always (live) | Trijntje Oosterhuis | T0426147490 | |
| 13 | Standin’ Strong Together | Total Touch | T-031.574.003-4 | |
| 14 | For Once in My Life | Trijntje Oosterhuis | T-070.881.469-0 | |
| 15 | Ken je mij (live) | Trijntje Oosterhuis | T-031806363-6 | |
| 16 | Free | Trijntje Oosterhuis | T0316206946 | |
| 17 | Ain’t Nothing Like the Real Thing | Trijntje Oosterhuis, The Clayton–Hamilton Jazz Orchestra, Frank McComb | T-070.003.186-2 | |
| 2-1 | Touch Me There | Total Touch | T-031510142-8 | |
| 2-2 | Vlieg met me mee (Het avontuur) | Trijntje Oosterhuis | T-031766241-1 | |
| 2-3 | Nu dat jij er bent | Trijntje Oosterhuis, Carel Kraayenhof, Janine Jansen | T-911789945-3 | |
| 2-4 | Do You Know the Way to San Jose? | Trijntje Oosterhuis | T-070041064-5 | |
| 2-5 | Everything Has Changed | Trijntje Oosterhuis | T-924499423-8 | |
| 2-6 | Where Is the Love? | Trijntje Oosterhuis, Raul Midón | T-070.932.910-1 | |
| 2-7 | One Moment Your Mind | Total Touch | T-911.793.373-0 | |
| 2-8 | Since We Got Back Our Power | Trijntje Oosterhuis, Lamont Dozier | — | |
| 2-9 | Hifi | Trijntje Oosterhuis, Wizards of Ooze | — | |
| 2-10 | Love Me in Slow Motion | Total Touch | T-031612450-1 | |
| 2-11 | Brief aan jou | Big2, Trijntje Oosterhuis | T-911794428-2 | |
| 2-12 | God Bless the Child | Trijntje Oosterhuis, Toots Thielemans | T-070.234.259-3 | |
| 2-13 | Fire & Rain | Herman Brood, Trijntje Oosterhuis | T-070.262.980-8 | |
| 2-14 | Music & Me | Trijntje Oosterhuis | — | |
| 2-15 | That’s What Friends Are For | Trijntje Oosterhuis | T-070185615-6 | |
| 2-16 | Ain’t Who You Are | Trijntje Oosterhuis | T9117932215 | |
| 2-17 | We've Only Just Begun | New Cool Collective, Trijntje Oosterhuis | T9312944266 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 5099967970728?
5099967970728 is a Universal Product Code (UPC) assigned to We’ve Only Just Begun by Trijntje Oosterhuis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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