UPC · Release
Corps et armes (1999–2002)
Étienne Daho
Last verified:
5099967989751 is the Universal Product Code (UPC barcode) for the release “Corps et armes (1999–2002)” by Étienne Daho, released 2011-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include FRZ111101122, FRZ111101123, FRZ111101124.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Le Brasier (2011 remaster) | Étienne Daho | T-900.902.823-3 | |
| 3 | Rendez-vous à Vedra | Étienne Daho | T-900.902.824-4 | |
| 4 | Corps & armes | Étienne Daho | T-900.793.868-3 | |
| 5 | La Nage indienne | Étienne Daho | T-003.879.242-5 | |
| 6 | Les Mauvais Choix | Étienne Daho | T-900.793.638-1 | |
| 7 | L'Année du dragon | Étienne Daho | T-906.045.569-8 | |
| 8 | Make Believe | Étienne Daho | — | |
| 9 | La Baie (2011 remaster) | Étienne Daho | — | |
| 10 | La Mémoire vive | Étienne Daho | — | |
| 11 | San Antonio de la Luna | Étienne Daho | — | |
| 12 | L'Été sans fin | Étienne Daho | — | |
| 13 | Evening | Étienne Daho | — | |
| 14 | Truth Remains | Étienne Daho, Vanessa Daou | — | |
| 16 | Dis‐lui toi que je t’aime | Étienne Daho, Vanessa Paradis | T-003.067.694-8 | |
| 17 | Mon amour baiser | Étienne Daho, Jane Birkin | T-004.026.960-0 | |
| 19 | Comme un boomerang | Étienne Daho, Dani | T-004.270.740-3 | |
| 20 | Ouverture (Abbey Road sessions) | Étienne Daho | T-003.890.815-4 | |
| 2-1 | Ouverture (live 2001) | Étienne Daho | T-003.890.815-4 | |
| 2-2 | Rendez-vous à Vedra (live 2001) | Étienne Daho | — | |
| 2-3 | Corps & Armes (live 2001) | Étienne Daho | — | |
| 2-4 | La Nage indienne (live 2001) | Étienne Daho | — | |
| 2-5 | La Baie (live 2008 à la Salle Pleyel) | Étienne Daho | — | |
| 2-6 | L'Année du dragon (live 2001) | Étienne Daho | — | |
| 2-7 | Le Brasier (live 2001) | Étienne Daho | — | |
| 2-8 | Comme un boomerang (live 2004) | Étienne Daho | — | |
| 2-9 | San Antonio de la Luna (live 2001) | Étienne Daho | — | |
| 2-10 | Rendez-vous à Vedra (live TV 2001) | Étienne Daho | — | |
| 2-11 | Comme un boomerang (live TV 2001) | Étienne Daho | — | |
| 2-12 | Le Brasier (live TV 2001) | Étienne Daho | T-900.902.823-3 | |
| 2-13 | Ouverture (live TV 2001) | Étienne Daho | — | |
| 2-14 | La Nage indienne (démo 1999) | Étienne Daho | — | |
| 2-15 | Touched by the Sun (démo 1999) | Étienne Daho | — | |
| 2-16 | Rendez-vous à Vedra (démo 1999) | Étienne Daho | — | |
| 2-17 | La Baie (démo 1999) | Étienne Daho | — | |
| 2-18 | L'Autre Moi (démo 1999) | Étienne Daho | — | |
| 2-19 | Des heures hindoues | Étienne Daho, Vanessa Paradis | T-070.044.688-3 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ouverture | Étienne Daho | T-003.890.815-4 |
| So Sad (mix 2) | Étienne Daho, Françoise Hardy | — |
| Tu mi delirio (mix alternatif) | Étienne Daho | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5099967989751?
5099967989751 is a Universal Product Code (UPC) assigned to Corps et armes (1999–2002) by Étienne Daho. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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