UPC · Release
Bel 2000: De beste belpop van 2005 > 2009
Various Artists
Last verified:
5099968656225 is the Universal Product Code (UPC barcode) for the release “Bel 2000: De beste belpop van 2005 > 2009” by Various Artists, released 2009-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include BEA990500002, BEY540502004, GBBLK0500165.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Saudade, Part 2 | Arsenal | T-001.876.684-1 | |
| 2 | My Heroics, Part One | Absynthe Minded | T-001.874.631-0 | |
| 3 | Oh Darkness | — | ||
| 4 | 7 Days, 7 Weeks | dEUS | T-001.856.206-5 | |
| 5 | I’m on a High (radio edit) | Millionaire | T-901.297.110-7 | |
| 6 | Not Insane | Sarah Bettens | T-001.887.977-0 | |
| 7 | You Hurt Me | Hooverphonic | — | |
| 8 | Unrock | — | ||
| 9 | Dood aan alle meisjes | — | ||
| 10 | Lost in Tears | — | ||
| 11 | Troubles & Fight | — | ||
| 12 | La Verité | — | ||
| 13 | I Feel Alright | — | ||
| 14 | I Had a Dream | — | ||
| 15 | Ease Your Mind | — | ||
| 16 | Niemand grodder | ’t Hof van Commerce | — | |
| 17 | NY Lipps | — | ||
| 18 | Ricochet | — | ||
| 19 | Backspaced | — | ||
| 20 | Zonder verlangen | De Mens | — | |
| 2-1 | Hammerhead | — | ||
| 2-2 | Sun in Her Eyes | Tom Helsen | — | |
| 2-3 | Your Shopping Lists Are Poetry | — | ||
| 2-4 | Ballad of Pure Thought | Millionaire | — | |
| 2-5 | The Player | Daan | T-106.351.294-5 | |
| 2-6 | Faithful to the Night | Admiral Freebee | — | |
| 2-7 | British Mode | GOOSE | — | |
| 2-8 | Rechoque | — | ||
| 2-9 | Move On | — | ||
| 2-10 | You Don’t Know | Milow | T-001.897.255-8 | |
| 2-11 | Leave | — | ||
| 2-12 | These Days | Ozark Henry | T-106.370.164-2 | |
| 2-13 | Jupiter | — | ||
| 2-14 | Bollywood Swing King (Dark Deejayz mix) | Buscemi | T-901.297.725-2 | |
| 2-15 | Future Warrior | — | ||
| 2-16 | Hot & Sweaty | — | ||
| 2-17 | What We Talk About (When We Talk About Love) | — | ||
| 2-18 | I Need a Woman | Stash, Sarah Bettens | — | |
| 2-19 | Worn Out | — | ||
| 2-20 | De grotste lul van 't stad | — | ||
| 3-1 | Kvraagetaan | — | ||
| 3-2 | Angelhead | — | ||
| 3-3 | Ghostwriter | — | ||
| 3-4 | Kiss My Trance | — | ||
| 3-5 | This Is a Flirt | — | ||
| 3-6 | Get Whatever You Want | — | ||
| 3-7 | Ruby Red | — | ||
| 3-8 | I Feel Alive in the City | Zita Swoon | — | |
| 3-9 | Mourir à plusieurs | Arno | — | |
| 3-10 | No Conspiracy at All | — | ||
| 3-11 | Entre les lignes | — | ||
| 3-12 | Donderdagnacht | — | ||
| 3-13 | Things | — | ||
| 3-14 | Wotch Gonna Do | — | ||
| 3-15 | Expedition Impossible | Hooverphonic | T-106.364.640-0 | |
| 3-16 | Until I Find You | — | ||
| 3-17 | What's Going On | — | ||
| 3-18 | Low Mode | GOOSE | — | |
| 3-19 | Number 1 | — | ||
| 3-20 | Home 0207 | — | ||
| 4-1 | The Architect | dEUS | — | |
| 4-2 | Estupendo | — | ||
| 4-3 | Crazy | — | ||
| 4-4 | Future Words | The Hickey Underworld | T-901.920.537-9 | |
| 4-5 | Ayo Technology | Milow | T-316.984.222-8 | |
| 4-6 | Every Morning Breaks Out | Freaky Age | — | |
| 4-7 | Geft da kaske na is hier! | The Clement Peerens Explosition | T-901.710.289-5 | |
| 4-8 | Never Alone, Always Together | The Black Box Revelation | — | |
| 4-9 | Tryer | — | ||
| 4-10 | Mars Needs Woman | Novastar | — | |
| 4-11 | A Woman Saves A Man | — | ||
| 4-12 | Fool For Love | — | ||
| 4-13 | Learnalilgivinanlovin | Gotye | — | |
| 4-14 | Time | — | ||
| 4-15 | Home | Tom Helsen, Geike Arnaert | T-310.532.691-4 | |
| 4-16 | Someday Charlotte | — | ||
| 4-17 | Bathroom Lovin': Situations | — | ||
| 4-18 | Wie danst er nog? | Monza | T-910.408.734-5 | |
| 4-19 | Bender Part | — | ||
| 4-20 | Heartcore | — | ||
| 5-1 | Rex | Customs | — | |
| 5-2 | Waiting Like a Dog | — | ||
| 5-3 | I Don’t Wanna Dance (Eddy Grant) | Lady Linn and Her Magnificent Seven | — | |
| 5-4 | Underground | — | ||
| 5-5 | Hanging On | — | ||
| 5-6 | Smokers Reflect | dEUS | — | |
| 5-7 | Amour physique | — | ||
| 5-8 | John What's the Use | Freaky Age | — | |
| 5-9 | Because | Novastar | — | |
| 5-10 | Let It Go | — | ||
| 5-11 | Heaven Knows | Absynthe Minded | — | |
| 5-12 | The Sunset | The Bony King of Nowhere | — | |
| 5-13 | Humble Crumble | — | ||
| 5-14 | Password | — | ||
| 5-15 | Cold Love | — | ||
| 5-16 | Music Is the New Religion | — | ||
| 5-17 | What If | — | ||
| 5-18 | Desire | — | ||
| 5-19 | Mad Love Sweet Love | — | ||
| 5-20 | Is It? | — |
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Learnalilgivinanlovin | Gotye | — |
| Rex | Customs | — |
| Because | Novastar | T-061.057.387-9 |
| Sun in Her Eyes | Tom Helsen | T-106.351.259-2 |
| Home | Tom Helsen, Geike Arnaert | — |
| You Hurt Me | Hooverphonic | — |
| Heaven Knows | Absynthe Minded | — |
| 7 Days, 7 Weeks | dEUS | — |
| Learnalilgivinanlovin | Gotye | — |
| Sun in Her Eyes | Tom Helsen | T-106.351.259-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 5099968656225?
5099968656225 is a Universal Product Code (UPC) assigned to Bel 2000: De beste belpop van 2005 > 2009 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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