UPC · Release
L’Enfance du Christ / Roméo et Juliette (excerpts)
Berlioz, Victoria de los Ángeles, Nicolai Gedda, André Cluytens, Carlo Maria Giulini
5099969717529
26 tracksReleased 2009-01-01EMI Classics
Last verified:
5099969717529 is the Universal Product Code (UPC barcode) for the release “L’Enfance du Christ / Roméo et Juliette (excerpts)” by Berlioz, Victoria de los Ángeles, Nicolai Gedda, André Cluytens, Carlo Maria Giulini, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBAYC9400284, GBAYC2401344.
Format
509GS1 prefix
9969Company prefix
71752Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCL’Enfance du Christ / Roméo et Juliette (excerpts)
ISRC2 recordings
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Dans la crèche, en ce temps, Jésus venait de naître (Narrator) | — | ||
| 2 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene One: Nocturnal March (Orchestra) | — | ||
| 3 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene One: Qui vient? …Rome…Avancez! (Centurion / Polydorus) | — | ||
| 4 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Two: Toujours ce rêve! Encore cet enfant | — | ||
| 5 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Two: Ô misère des rois! (Herod) | — | ||
| 6 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Three: Seigneur!…Lâches, tremblez! 0.47 (Polydorus / Herod) | — | ||
| 7 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Four: Les sages de Judée, ô roi! | — | ||
| 8 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Four: Eh bien! Par le fer qu’ils périssent (Herod / Chorus) | — | ||
| 9 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Five: Ô mon cher fils, donne cette herbe tendre (Mary / Joseph) | — | ||
| 10 | L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Six: Joseph! Marie! (Chorus / Mary / Joseph) | — | ||
| 11 | L’Enfance du Christ, op. 25: Part Two: The Flight into Egypt: Overture (Orchestra) | — | ||
| 12 | L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers | Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | — | |
| 13 | L’Enfance du Christ, op. 25: Part Two: The Flight into Egypt: Scene One: Les pèlerins étant venus (Narrator / Chorus) | — | ||
| 14 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Depuis trois jours, malgré l’ardeur du vent (Narrator) | — | ||
| 15 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene One: Dans cette ville immense (Mary / Joseph / Chorus) | — | ||
| 16 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Entrez, entrez, pauvres Hébreux | — | ||
| 17 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Sur vos traits fatigués la tristesse est empreinte (Ishmaelite Father / Joseph / Chorus) | — | ||
| 2-1 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Trio of Ishmaelite Children (Two Flutes and Harp) | — | ||
| 2-2 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Vous pleurez, jeune mere (Ishmaelite Father / Mary / Joseph / Chorus) | — | ||
| 2-3 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Three (Epilogue): Ce fut ainsi que, par un infidèle (Narrator) | — | ||
| 2-4 | L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Ô mon âme! (Narrator / Chorus) | — | ||
| 2-5 | Roméo et Juliette, Op. 17, H. 79: Partie I. Introduction - Combats, tumulte, intervention du Prince | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-6 | Romeo et Juliette, op. 17: Romeo Alone – Melancholy – Concert and Ball. Celebrations at the Capulets’ Palace | — | ||
| 2-7 | Romeo et Juliette, op. 17: Queen Mab or the Dream-Fairy (Scherzo) | — | ||
| 2-8 | Romeo et Juliette, op. 17: Love Scene (Adagio) | — | ||
| 2-9 | Romeo et Juliette, op. 17: Romeo at the Tomb of the Capulets | — |
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Dans la crèche, en ce temps, Jésus venait de naître (Narrator)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene One: Nocturnal March (Orchestra)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene One: Qui vient? …Rome…Avancez! (Centurion / Polydorus)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Two: Toujours ce rêve! Encore cet enfant
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Two: Ô misère des rois! (Herod)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Three: Seigneur!…Lâches, tremblez! 0.47 (Polydorus / Herod)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Four: Les sages de Judée, ô roi!
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Four: Eh bien! Par le fer qu’ils périssent (Herod / Chorus)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Five: Ô mon cher fils, donne cette herbe tendre (Mary / Joseph)
—
L’Enfance du Christ, op. 25: Part One: Herod’s Dream: Scene Six: Joseph! Marie! (Chorus / Mary / Joseph)
—
L’Enfance du Christ, op. 25: Part Two: The Flight into Egypt: Overture (Orchestra)
—
L'enfance du Christ, oratorio pour soprano, 2 tenors, bariton, 3 basses, chorus & orchestre, Op. 25, H. 130 "Trilogie sacrée": L'adieu des bergers
Chœur René Duclos, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
—
L’Enfance du Christ, op. 25: Part Two: The Flight into Egypt: Scene One: Les pèlerins étant venus (Narrator / Chorus)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Depuis trois jours, malgré l’ardeur du vent (Narrator)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene One: Dans cette ville immense (Mary / Joseph / Chorus)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Entrez, entrez, pauvres Hébreux
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Sur vos traits fatigués la tristesse est empreinte (Ishmaelite Father / Joseph / Chorus)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Trio of Ishmaelite Children (Two Flutes and Harp)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Two: Vous pleurez, jeune mere (Ishmaelite Father / Mary / Joseph / Chorus)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Scene Three (Epilogue): Ce fut ainsi que, par un infidèle (Narrator)
—
L’Enfance du Christ, op. 25: Part Three: The Arrival at Saïs: Ô mon âme! (Narrator / Chorus)
—
Roméo et Juliette, Op. 17, H. 79: Partie I. Introduction - Combats, tumulte, intervention du Prince
Chicago Symphony Orchestra, Carlo Maria Giulini
—
Romeo et Juliette, op. 17: Romeo Alone – Melancholy – Concert and Ball. Celebrations at the Capulets’ Palace
—
Romeo et Juliette, op. 17: Queen Mab or the Dream-Fairy (Scherzo)
—
Romeo et Juliette, op. 17: Love Scene (Adagio)
—
Romeo et Juliette, op. 17: Romeo at the Tomb of the Capulets
—
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People also ask
What is UPC 5099969717529?
5099969717529 is a Universal Product Code (UPC) assigned to L’Enfance du Christ / Roméo et Juliette (excerpts) by Berlioz, Victoria de los Ángeles, Nicolai Gedda, André Cluytens, Carlo Maria Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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