UPC · Release
Rockin’ With the Pirates
Various Artists
Last verified:
5099969719127 is the Universal Product Code (UPC barcode) for the release “Rockin’ With the Pirates” by Various Artists, released 2009-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include USCA20001692, USCA20901885, GBAYE0201648.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Little Girl I Once Knew | The Beach Boys | T-070241741-1 | |
| 2 | Cara Mia | Jay & the Americans | T-010.311.542-9 | |
| 3 | Wonderful World | Herman’s Hermits | T-070.201.137-7 | |
| 4 | Neon City | Billy J. Kramer, The Dakotas | — | |
| 5 | Blue Ribbons | The Paramounts | T-071.074.915-7 | |
| 6 | Bring It On Home to Me | The Animals | T-070233152-9 | |
| 7 | Cheryl’s Going Home | Adam Faith | T-700.005.360-3 | |
| 8 | I’ve Been Wrong Before | Cilla Black | T-041.224.468-8 | |
| 9 | I’ll Be There | Gerry and the Pacemakers | T-070.918.973-0 | |
| 10 | On My Word | Cliff Richard | — | |
| 11 | Down in Mexico | The Boston Crabs | T0700399456 | |
| 12 | I Put a Spell on You | Manfred Mann | T-010.751.678-8 | |
| 13 | Make Me Know You’re Mine | The Swinging Blue Jeans | — | |
| 14 | Eight Days a Week | Alma Cogan | T-010.164.475-0 | |
| 15 | Let the Water Run Down | P.J. Proby | T-910.451.908-6 | |
| 16 | Sweet Love | The Sons of Fred | — | |
| 17 | I Found a Girl | Jan & Dean | T0702666054 | |
| 18 | If I Needed Someone | The Hollies | — | |
| 19 | Go My Way | Valerie Mitchell | — | |
| 20 | I Have Cried My Last Tear | Cliff Bennett & the Rebel Rousers | — | |
| 21 | The Long Cigarette | The Roulettes | — | |
| 22 | Was It Me? | The Marionettes | — | |
| 23 | Some Things You Never Get Used To | James Calvin Wilsey | — | |
| 24 | Woman | Peter & Gordon | T0711701084 | |
| 25 | Where Do You Go | Cher | T-911.298.625-1 | |
| 2-1 | Jenny Take a Ride! | Mitch Ryder & The Detroit Wheels | T-070.241.342-0 | |
| 2-2 | Tired of Trying, Bored With Lying, Scared of Dying | Manfred Mann | — | |
| 2-3 | Look at Me Girl | Bobby Vee | — | |
| 2-4 | I Could Feel the Whole World Turn Around | Shotgun Express | — | |
| 2-5 | He’s a Good Face, but He’s Down and Out | The Gaylords | — | |
| 2-6 | Got to Get You Into My Life | Cliff Bennett & the Rebel Rousers | T-010.162.856-1 | |
| 2-7 | All About Love | Garnet Mimms | — | |
| 2-8 | Hi Ho Silver Lining | Jeff Beck | — | |
| 2-9 | I See the Light | Simon Dupree & the Big Sound | — | |
| 2-10 | Blue Turns to Grey | Cliff Richard | T-010.065.523-9 | |
| 2-11 | Tar and Cement | Verdelle Smith | T-072.505.362-2 | |
| 2-12 | It’s Too Late | Bobby Goldsboro | — | |
| 2-13 | I Can’t Let Go | The Hollies | — | |
| 2-14 | Super Girl | Graham Bonney | T-800.183.194-4 | |
| 2-15 | The Man Who Took the Valise Off the Floor at Grand Central Station at Noon | She Trinity | — | |
| 2-16 | I Ain’t Gonna Eat My Heart Out Anymore | New York Public Library | — | |
| 2-17 | We’ve Gotta Get Out of This Place | The Animals | T-071.017.430-3 | |
| 2-18 | I Can Make It With You | Jackie DeShannon | — | |
| 2-19 | No. 1 in Your Heart | Herbie Goins, The Nightimers | — | |
| 2-20 | High Time | Paul Jones | T9248166883 | |
| 2-21 | Turn on Your Lovelight | Dean Parrish | T0702475226 | |
| 2-22 | Hanky Panky | Tommy James and the Shondells | T-070234409-9 | |
| 2-23 | Caroline, No | The Beach Boys | T-070.233.257-7 | |
| 2-24 | Haywire | Bean & Loopy's Lot | — | |
| 2-25 | Baby Never Say Goodbye | Bo Street Runners | — | |
| 3-1 | Waltzing Matilda | Frank Ifield | T-060.278.898-6 | |
| 3-2 | I’ve Been a Bad Bad Boy | Paul Jones | — | |
| 3-3 | Elusive Butterfly | Bob Lind | T0702338826 | |
| 3-4 | Tallyman | Jeff Beck | T-010.168.693-4 | |
| 3-5 | Little Games | The Yardbirds | — | |
| 3-6 | Reservations | Simon Dupree & the Big Sound | — | |
| 3-7 | Niki Hoeky | P.J. Proby | — | |
| 3-8 | The Hand Don’t Fit the Glove | Terry Reid | — | |
| 3-9 | The Boat That I Row | Lulu | T-070.249.898-3 | |
| 3-10 | Cousin Jane | Barry Benson | — | |
| 3-11 | Gotta Get Out the Mess I’m In | Young Idea | — | |
| 3-12 | Georgy Girl | The Seekers | T-900303078-2 | |
| 3-13 | Down Thru’ Summer | Ross Hannaman | T0109367067 | |
| 3-14 | The Idol | The Fortunes | — | |
| 3-15 | Fragile Child | Chances Are | — | |
| 3-16 | Excerpt From a Teenage Opera | Keith West | — | |
| 3-17 | Tremblin’ | The Swinging Blue Jeans | — | |
| 3-18 | All the Children Sleep | Force West | — | |
| 3-19 | Behind the Door | Cher | T0104556673 | |
| 3-20 | The Loser (With a Broken Heart) | Gary Lewis & the Playboys | — | |
| 3-21 | Just Like a Man | Emma Rede | — | |
| 3-22 | A Walk in the Black Forest | Salena Jones | — | |
| 3-23 | Roll With the Punches | Garnet Mimms | — | |
| 3-24 | She | Del Shannon | T-700.062.145-6 | |
| 3-25 | You Ain't as Hip as All That Baby | Jay & the Americans | T0712390787 |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Gotta Get Out the Mess I’m In | Young Idea | — |
| I’ve Been a Bad Bad Boy | Paul Jones | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+24 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+32 more
Identifier Graph
People also ask
Verified on
What is UPC 5099969719127?
5099969719127 is a Universal Product Code (UPC) assigned to Rockin’ With the Pirates by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm