UPC · Release
British Music
Simon Rattle
5099969758829
134 tracksReleased 2009-01-01EMI Classics
Last verified:
5099969758829 is the Universal Product Code (UPC barcode) for the release “British Music” by Simon Rattle, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 134 tracks, each with its own ISRC.
Format
509GS1 prefix
9969Company prefix
75882Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBritish Music
ISWC4 works
IPI1 songwriter
Track List (134)
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | Enigma Variations, op. 36: Theme (Andante) | — | |
| 2 | Enigma Variations, op. 36: I. C.A.E. (The Composer's Wife) | — | |
| 3 | Enigma Variations, op. 36: II. H.D.S-P. (Hew David Steuart-Powell) | — | |
| 4 | Enigma Variations, op. 36: III. R.B.T. (Richard Baxter Townshend) | — | |
| 5 | Enigma Variations, op. 36: IV. W.M.B. (William Meath Baker) | — | |
| 6 | Enigma Variations, op. 36: V. R.P.A. (Richard Penroes Arnold) | — | |
| 7 | Enigma Variations, op. 36: VI. Ysobel (Isabel Fitton) | — | |
| 8 | Enigma Variations, op. 36: VII. Troyte (Troyte Griffith) | — | |
| 9 | Enigma Variations, op. 36: VIII. W.N. (Winifred Norbury) | — | |
| 10 | Enigma Variations, op. 36: IX. Nimrod (A.J. Jaeger) | — | |
| 11 | Enigma Variations, op. 36: X. Intermezzo: Dorabella (Dora Penny) | — | |
| 12 | Enigma Variations, op. 36: XI. G.R.S. (George Robertson Sinclair) | — | |
| 13 | Enigma Variations, op. 36: XII. B.G.N. (Basil G. Nevinson) | — | |
| 14 | Enigma Variations, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | — | |
| 15 | Enigma Variations, op. 36: XIV. Finale: E.D.U. (The Composer) | — | |
| 16 | Grania and Diarmid, op. 42: I. Incidental Music | — | |
| 17 | Grania and Diarmid, op. 42: II. Funeral March | — | |
| 18 | Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry | — | |
| 19 | Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep | — | |
| 20 | Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude | — | |
| 21 | Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire | — | |
| 22 | Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London | — | |
| 23 | Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death | — | |
| 2-1 | Violin Concerto in B minor, op. 61: I. Allegro | — | |
| 2-2 | Violin Concerto in B minor, op. 61: II. Andante | — | |
| 2-3 | Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto | — | |
| 2-4 | The Lark Ascending | — | |
| 3-1 | Cello Concerto: I. Moderato | — | |
| 3-2 | Cello Concerto: II. Allegro appassionato | — | |
| 3-3 | Cello Concerto: III. Lento - Brioso - Allegro molto - Rapsodicamente - Adagio | — | |
| 3-4 | The Dream of Gerontius, op. 38: Part I. Prelude | — | |
| 3-5 | The Dream of Gerontius, op. 38: Part I, I. Jesu, Maria – I am near to death (Gerontius) | — | |
| 3-6 | The Dream of Gerontius, op. 38: Part I, II. So pray for me - Kyrie eleison - Holy Mary, pray for him (Gerontius, semi-chorus, chorus) | — | |
| 3-7 | The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (Gerontius, chorus) | — | |
| 3-8 | The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Gerontius) | — | |
| 3-9 | The Dream of Gerontius, op. 38: Part I, V. I can no more (Gerontius) | — | |
| 3-10 | The Dream of Gerontius, op. 38: Part I, VI. Rescue him, O Lord (chorus, Gerontius, semi-chorus) | — | |
| 3-11 | The Dream of Gerontius, op. 38: Part I, VII. Novissima hora est (Gerontius) | — | |
| 3-12 | The Dream of Gerontius, op. 38: Part I, VIII. Proficiscere, anima Christiana (Priest) | — | |
| 3-13 | The Dream of Gerontius, op. 38: Part I, IX. Go in the name of Angels (chorus, Priest, semi-chorus) | — | |
| 3-14 | The Dream of Gerontius, op. 38: Part I, X. Go forth upon thy journey (Priest, chorus, semi-chorus) | — | |
| 4-1 | The Dream of Gerontius, Op.38, Part II: Introduction | — | |
| 4-2 | The Dream of Gerontius, op. 38: Part II, I. I went to sleep (Soul of Gerontius) | — | |
| 4-3 | The Dream of Gerontius, op. 38: Part II, II. Another marvel (Soul) | — | |
| 4-4 | The Dream of Gerontius, op. 38: Part II, III. My work is done (Angel, Soul) | — | |
| 4-5 | The Dream of Gerontius, op. 38: Part II, IV. It is a member of that family (Soul, Angel) | — | |
| 4-6 | The Dream of Gerontius, op. 38: Part II, V. But hark! upon my senses (Soul) | — | |
| 4-7 | The Dream of Gerontius, op. 38: Part II, VI. Low-born clods of brute earth (chorus) | — | |
| 4-8 | The Dream of Gerontius, op. 38: Part II, VII. Dispossessed, aside thrust (chorus, Angel) | — | |
| 4-9 | The Dream of Gerontius, op. 38: Part II, VIII. The mind bold and indepent (chorus) | — | |
| 4-10 | The Dream of Gerontius, op. 38: Part II, IX. I see not those false spirits (Soul) | — | |
| 4-11 | The Dream of Gerontius, op. 38: Part II, X. There was a mortal (Angel) | — | |
| 4-12 | The Dream of Gerontius, op. 38: Part II, XI. Praise to the Holiest (semi-chorus, chorus, Angel) | — | |
| 4-13 | The Dream of Gerontius, op. 38: Part II, XII. The sound is like the rushing of the wind (Soul) | — | |
| 4-14 | The Dream of Gerontius, op. 38: Part II, XIII. Glory to Him (chorus, semi-chorus) | — | |
| 4-15 | The Dream of Gerontius, op. 38: Part II, XIV. They sing of thy approaching agony (Angel, semi-chorus, Soul, chorus) | — | |
| 4-16 | The Dream of Gerontius, op. 38: Part II, XV. But hark! a grand mysterious harmony (Soul) | — | |
| 4-17 | The Dream of Gerontius, op. 38: Part II, XVI. And now on the threshold (Angel) | — | |
| 4-18 | The Dream of Gerontius, op. 38: Part II, XVII. Praise to the Holiest (chorus) | — | |
| 4-19 | The Dream of Gerontius, op. 38: Part II, XVIII. Thy judgment now is near (Angel, Soul) | — | |
| 4-20 | The Dream of Gerontius, op. 38: Part II, XIX. Jesu! By that shuddering dread (Angel of the Agony, Soul) | — | |
| 4-21 | The Dream of Gerontius, op. 38: Part II, XX. Be merciful, be gracious (semi-chorus, chorus) | — | |
| 4-22 | The Dream of Gerontius, op. 38: Part II, XXI. Praise to His Name! (Angel) | — | |
| 4-23 | The Dream of Gerontius, op. 38: Part II, XXII. Take me away (Soul) | — | |
| 4-24 | The Dream of Gerontius, op. 38: Part II, XXIII. Lord, Thou hast been our refuge (Angel, chorus, semi-chorus) | — | |
| 4-25 | The Dream of Gerontius, op. 38: Part II, XXIV. Softly and gently (Angel, chorus, semi-chorus) | — | |
| 4-26 | Pomp and Circumstance Marches, op. 39: March no. 4 in G major | — | |
| 5-1 | Symphony No. 1 in B flat minor: I: Allegro assai | — | |
| 5-2 | Symphony No. 1 in B flat minor: II: Presto, con malizia | — | |
| 5-3 | Symphony No. 1 in B flat minor: III: Andante con malinconia | — | |
| 5-4 | Symphony No. 1 in B flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso | — | |
| 5-5 | Belshazzar's Feast: Thus Spake Isaiah | — | |
| 5-6 | Belshazzar's Feast: Babylon Was a Great City | — | |
| 5-7 | Belshazzar's Feast: Thus in Babylon, the Mighty City | — | |
| 5-8 | Belshazzar's Feast: And in That Same Hour as They Feasted | — | |
| 5-9 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso | — | |
| 5-10 | Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro | — | |
| 6-1 | The Planets Suite for Orchestra, op. 32: I. Mars, the Bringer of War | — | |
| 6-2 | The Planets Suite for Orchestra, op. 32: I. Venus, the Bringer of Peace | — | |
| 6-3 | The Planets Suite for Orchestra, op. 32: I. Mercury, the Winged Messenger | — | |
| 6-4 | The Planets Suite for Orchestra, op. 32: I. Jupiter, the Bringer of Jollity | — | |
| 6-5 | The Planets Suite for Orchestra, op. 32: I. Saturn, the Bringer of Old Age | — | |
| 6-6 | The Planets Suite for Orchestra, op. 32: I. Uranus, the Magician | — | |
| 6-7 | The Planets Suite for Orchestra, op. 32: I. Neptune, the Mystic | — | |
| 6-8 | Pluto, the Renewer | — | |
| 7-1 | On Wenlock Edge: I. On Wenlock Edge | — | |
| 7-2 | On Wenlock Edge: II. From far, from eve and morning | — | |
| 7-3 | On Wenlock Edge: III. Is my team ploughing | — | |
| 7-4 | On Wenlock Edge: IV. Oh, when I was in love with you | — | |
| 7-5 | On Wenlock Edge: V. Bredon Hill | — | |
| 7-6 | On Wenlock Edge: VI. Clun | — | |
| 7-7 | Songs of Travel: I. The Vagabond | — | |
| 7-8 | Songs of Travel: II. Let beauty awake | — | |
| 7-9 | Songs of Travel: III. The Roadside Fire | — | |
| 7-10 | Songs of Travel: IV. Youth and Love | — | |
| 7-11 | Songs of Travel: V. In Dreams | — | |
| 7-12 | Songs of Travel: VI. The infinite shining heavens | — | |
| 7-13 | Songs of Travel: VII. Whither must I wander | — | |
| 7-14 | Songs of Travel: VIII. Bright is the ring of words | — | |
| 7-15 | Songs of Travel: IX. I have trod the upward and the downward slope | — | |
| 7-16 | Guitar Concerto, op. 67: I. Allegro | — | |
| 7-17 | Guitar Concerto, op. 67: II. Lento - Vivace - Lento | — | |
| 7-18 | Guitar Concerto, op. 67: III. Con brio | — | |
| 7-19 | Flourish with Fireworks, op. 22 | — | |
| 8-1 | In a Nutshell: I. Arrival Platform Humlet | — | |
| 8-2 | In a Nutshell: II. Gay but Wistful | — | |
| 8-3 | In a Nutshell: III. Pastoral | — | |
| 8-4 | In a Nutshell: IV. The Gum-Suckers March | — | |
| 8-5 | Train Music | — | |
| 8-6 | Country Gardens | — | |
| 8-7 | Miroirs: La vallée des cloches (Très lent) | — | |
| 8-8 | Lincolnshire Posy: I. Lisbon (Sailor's Song) | — | |
| 8-9 | Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy) | — | |
| 8-10 | Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | — | |
| 8-11 | Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love) | — | |
| 8-12 | Lincolnshire Posy: V. Lord Melbourne (War Song) | — | |
| 8-13 | Lincolnshire Posy: VI. he Lost Lady Found (Dance Song) | — | |
| 8-14 | Pagodes from Estampes | — | |
| 8-15 | The Warriors | — | |
| 9-1 | Asyla: I. | — | |
| 9-2 | Asyla: II. | — | |
| 9-3 | Asyla: III. Ecstasio | — | |
| 9-4 | Asyla: IV. | — | |
| 9-5 | Odyssey: Introduction | — | |
| 9-6 | Odyssey: Part I | — | |
| 9-7 | Odyssey: Part II | — | |
| 10-1 | Odyssey: Part III | — | |
| 10-2 | Odyssey: Part IV | — | |
| 10-3 | Odyssey: Epilogue | — | |
| 11-1 | Drowned Out | — | |
| 11-2 | Kai | — | |
| 11-3 | Three Screaming Popes | — | |
| 11-4 | Momentum | — | |
| 11-5 | Ceres | — |
Enigma Variations, op. 36: Theme (Andante)
—
Enigma Variations, op. 36: I. C.A.E. (The Composer's Wife)
—
Enigma Variations, op. 36: II. H.D.S-P. (Hew David Steuart-Powell)
—
Enigma Variations, op. 36: III. R.B.T. (Richard Baxter Townshend)
—
Enigma Variations, op. 36: IV. W.M.B. (William Meath Baker)
—
Enigma Variations, op. 36: V. R.P.A. (Richard Penroes Arnold)
—
Enigma Variations, op. 36: VI. Ysobel (Isabel Fitton)
—
Enigma Variations, op. 36: VII. Troyte (Troyte Griffith)
—
Enigma Variations, op. 36: VIII. W.N. (Winifred Norbury)
—
Enigma Variations, op. 36: IX. Nimrod (A.J. Jaeger)
—
Enigma Variations, op. 36: X. Intermezzo: Dorabella (Dora Penny)
—
Enigma Variations, op. 36: XI. G.R.S. (George Robertson Sinclair)
—
Enigma Variations, op. 36: XII. B.G.N. (Basil G. Nevinson)
—
Enigma Variations, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
—
Enigma Variations, op. 36: XIV. Finale: E.D.U. (The Composer)
—
Grania and Diarmid, op. 42: I. Incidental Music
—
Grania and Diarmid, op. 42: II. Funeral March
—
Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry
—
Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep
—
Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude
—
Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire
—
Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London
—
Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death
—
Violin Concerto in B minor, op. 61: I. Allegro
—
Violin Concerto in B minor, op. 61: II. Andante
—
Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto
—
The Lark Ascending
—
Cello Concerto: I. Moderato
—
Cello Concerto: II. Allegro appassionato
—
Cello Concerto: III. Lento - Brioso - Allegro molto - Rapsodicamente - Adagio
—
The Dream of Gerontius, op. 38: Part I. Prelude
—
The Dream of Gerontius, op. 38: Part I, I. Jesu, Maria – I am near to death (Gerontius)
—
The Dream of Gerontius, op. 38: Part I, II. So pray for me - Kyrie eleison - Holy Mary, pray for him (Gerontius, semi-chorus, chorus)
—
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (Gerontius, chorus)
—
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Gerontius)
—
The Dream of Gerontius, op. 38: Part I, V. I can no more (Gerontius)
—
The Dream of Gerontius, op. 38: Part I, VI. Rescue him, O Lord (chorus, Gerontius, semi-chorus)
—
The Dream of Gerontius, op. 38: Part I, VII. Novissima hora est (Gerontius)
—
The Dream of Gerontius, op. 38: Part I, VIII. Proficiscere, anima Christiana (Priest)
—
The Dream of Gerontius, op. 38: Part I, IX. Go in the name of Angels (chorus, Priest, semi-chorus)
—
The Dream of Gerontius, op. 38: Part I, X. Go forth upon thy journey (Priest, chorus, semi-chorus)
—
The Dream of Gerontius, Op.38, Part II: Introduction
—
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (Soul of Gerontius)
—
The Dream of Gerontius, op. 38: Part II, II. Another marvel (Soul)
—
The Dream of Gerontius, op. 38: Part II, III. My work is done (Angel, Soul)
—
The Dream of Gerontius, op. 38: Part II, IV. It is a member of that family (Soul, Angel)
—
The Dream of Gerontius, op. 38: Part II, V. But hark! upon my senses (Soul)
—
The Dream of Gerontius, op. 38: Part II, VI. Low-born clods of brute earth (chorus)
—
The Dream of Gerontius, op. 38: Part II, VII. Dispossessed, aside thrust (chorus, Angel)
—
The Dream of Gerontius, op. 38: Part II, VIII. The mind bold and indepent (chorus)
—
The Dream of Gerontius, op. 38: Part II, IX. I see not those false spirits (Soul)
—
The Dream of Gerontius, op. 38: Part II, X. There was a mortal (Angel)
—
The Dream of Gerontius, op. 38: Part II, XI. Praise to the Holiest (semi-chorus, chorus, Angel)
—
The Dream of Gerontius, op. 38: Part II, XII. The sound is like the rushing of the wind (Soul)
—
The Dream of Gerontius, op. 38: Part II, XIII. Glory to Him (chorus, semi-chorus)
—
The Dream of Gerontius, op. 38: Part II, XIV. They sing of thy approaching agony (Angel, semi-chorus, Soul, chorus)
—
The Dream of Gerontius, op. 38: Part II, XV. But hark! a grand mysterious harmony (Soul)
—
The Dream of Gerontius, op. 38: Part II, XVI. And now on the threshold (Angel)
—
The Dream of Gerontius, op. 38: Part II, XVII. Praise to the Holiest (chorus)
—
The Dream of Gerontius, op. 38: Part II, XVIII. Thy judgment now is near (Angel, Soul)
—
The Dream of Gerontius, op. 38: Part II, XIX. Jesu! By that shuddering dread (Angel of the Agony, Soul)
—
The Dream of Gerontius, op. 38: Part II, XX. Be merciful, be gracious (semi-chorus, chorus)
—
The Dream of Gerontius, op. 38: Part II, XXI. Praise to His Name! (Angel)
—
The Dream of Gerontius, op. 38: Part II, XXII. Take me away (Soul)
—
The Dream of Gerontius, op. 38: Part II, XXIII. Lord, Thou hast been our refuge (Angel, chorus, semi-chorus)
—
The Dream of Gerontius, op. 38: Part II, XXIV. Softly and gently (Angel, chorus, semi-chorus)
—
Pomp and Circumstance Marches, op. 39: March no. 4 in G major
—
Symphony No. 1 in B flat minor: I: Allegro assai
—
Symphony No. 1 in B flat minor: II: Presto, con malizia
—
Symphony No. 1 in B flat minor: III: Andante con malinconia
—
Symphony No. 1 in B flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
—
Belshazzar's Feast: Thus Spake Isaiah
—
Belshazzar's Feast: Babylon Was a Great City
—
Belshazzar's Feast: Thus in Babylon, the Mighty City
—
Belshazzar's Feast: And in That Same Hour as They Feasted
—
Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso
—
Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro
—
The Planets Suite for Orchestra, op. 32: I. Mars, the Bringer of War
—
The Planets Suite for Orchestra, op. 32: I. Venus, the Bringer of Peace
—
The Planets Suite for Orchestra, op. 32: I. Mercury, the Winged Messenger
—
The Planets Suite for Orchestra, op. 32: I. Jupiter, the Bringer of Jollity
—
The Planets Suite for Orchestra, op. 32: I. Saturn, the Bringer of Old Age
—
The Planets Suite for Orchestra, op. 32: I. Uranus, the Magician
—
The Planets Suite for Orchestra, op. 32: I. Neptune, the Mystic
—
Pluto, the Renewer
—
On Wenlock Edge: I. On Wenlock Edge
—
On Wenlock Edge: II. From far, from eve and morning
—
On Wenlock Edge: III. Is my team ploughing
—
On Wenlock Edge: IV. Oh, when I was in love with you
—
On Wenlock Edge: V. Bredon Hill
—
On Wenlock Edge: VI. Clun
—
Songs of Travel: I. The Vagabond
—
Songs of Travel: II. Let beauty awake
—
Songs of Travel: III. The Roadside Fire
—
Songs of Travel: IV. Youth and Love
—
Songs of Travel: V. In Dreams
—
Songs of Travel: VI. The infinite shining heavens
—
Songs of Travel: VII. Whither must I wander
—
Songs of Travel: VIII. Bright is the ring of words
—
Songs of Travel: IX. I have trod the upward and the downward slope
—
Guitar Concerto, op. 67: I. Allegro
—
Guitar Concerto, op. 67: II. Lento - Vivace - Lento
—
Guitar Concerto, op. 67: III. Con brio
—
Flourish with Fireworks, op. 22
—
In a Nutshell: I. Arrival Platform Humlet
—
In a Nutshell: II. Gay but Wistful
—
In a Nutshell: III. Pastoral
—
In a Nutshell: IV. The Gum-Suckers March
—
Train Music
—
Country Gardens
—
Miroirs: La vallée des cloches (Très lent)
—
Lincolnshire Posy: I. Lisbon (Sailor's Song)
—
Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - A Local Tragedy)
—
Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)
—
Lincolnshire Posy: IV. The Brisk Young Sailor (Who Returned to Wed His True Love)
—
Lincolnshire Posy: V. Lord Melbourne (War Song)
—
Lincolnshire Posy: VI. he Lost Lady Found (Dance Song)
—
Pagodes from Estampes
—
The Warriors
—
Asyla: I.
—
Asyla: II.
—
Asyla: III. Ecstasio
—
Asyla: IV.
—
Odyssey: Introduction
—
Odyssey: Part I
—
Odyssey: Part II
—
Odyssey: Part III
—
Odyssey: Part IV
—
Odyssey: Epilogue
—
Drowned Out
—
Kai
—
Three Screaming Popes
—
Momentum
—
Ceres
—
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What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
SourcesMLCMusicBrainzDiscogs3 sources
Verified on
Credits Graph
People also ask
What is UPC 5099969758829?
5099969758829 is a Universal Product Code (UPC) assigned to British Music by Simon Rattle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 134 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm