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John Ogdon
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5099970463729 is the Universal Product Code (UPC barcode) for the release “Legendary British Virtuoso” by John Ogdon, released 2012-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 248 tracks, each with its own ISRC. Tracks include GBAYC2001074, GBAYC9200517, GBAYC8602568.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 2 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto – Molto allegro e vivace | — | ||
| 4 | Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 5 | Piano Concerto no. 2 in D minor, op. 40: II. Adagio | — | ||
| 6 | Piano Concerto no. 2 in D minor, op. 40: III. Finale: Presto scherzando | — | ||
| 7 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso – Andante espressivo – Tempo 1 – Cadenza – Allegro molto | — | ||
| 8 | Concerto for Piano and Orchestra in A minor, op. 54:II. Intermezzo (Andantino grazioso) | — | ||
| 9 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 2-1 | Rondo brillant in E‐flat major, op. 29 | — | ||
| 2-2 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 2-3 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 2-4 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 2-5 | Piano Concerto no. 1 in F minor, op. 92: I. Allegro moderato | — | ||
| 2-6 | Piano Concerto no. 1 in F minor, op. 92: II. Tema con variazioni (Andante tranquillo) | — | ||
| 2-7 | Piano Concerto no. 1 in F minor, op. 92: Variation 1 | — | ||
| 2-8 | Piano Concerto no. 1 in F minor, op. 92: Variation 2: Cromatica (Andantino) | — | ||
| 2-9 | Piano Concerto no. 1 in F minor, op. 92: Variation 3: Eroica (Allegro moderato) | — | ||
| 2-10 | Piano Concerto no. 1 in F minor, op. 92: Variation 4: Lyrica (Adagio) | — | ||
| 2-11 | Piano Concerto no. 1 in F minor, op. 92: Variation 5: Intermezzo (Allegro) | — | ||
| 2-12 | Piano Concerto no. 1 in F minor, op. 92: Variation 6: Quasi una fantasia (Lento) | — | ||
| 2-13 | Piano Concerto no. 1 in F minor, op. 92: Variation 7: Mazurka (Allegretto) | — | ||
| 2-14 | Piano Concerto no. 1 in F minor, op. 92: Variation 8: Scherzo (Allegro ma non troppo) | — | ||
| 2-15 | Piano Concerto no. 1 in F minor, op. 92: Variation 9: Finale (Allegro moderato) | — | ||
| 2-16 | Ten Variations on Chopin’s Prelude in C minor, op. 22 | — | ||
| 3-1 | Piano Concerto no. 1 In B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 3-2 | Piano Concerto no. 1 In B‐flat minor, op. 23: II. Andante semplice – Prestissimo – Tempo I | — | ||
| 3-3 | Piano Concerto no. 1 In B‐flat minor, op. 23: III. Allegro con fuoco | — | ||
| 3-4 | Symphonic Variations: Poco allegro | — | ||
| 3-5 | Symphonic Variations: Allegretto quasi andante | — | ||
| 3-6 | Symphonic Variations: Molto più lento | — | ||
| 3-7 | Symphonic Variations: Allegro non troppo | John Ogdon, Philharmonia Orchestra, Sir John Barbirolli | — | |
| 3-8 | Fantasia on Hungarian Folktunes, S. 123: Andante mesto | — | ||
| 3-9 | Fantasia on Hungarian Folktunes, S. 123: Allegro eroico | — | ||
| 3-10 | Fantasia on Hungarian Folktunes, S. 123: Molto adagio, quasi fantasia | — | ||
| 3-11 | Fantasia on Hungarian Folktunes, S. 123: Allegretto alla zingarese | — | ||
| 3-12 | Fantasia on Hungarian Folktunes, S. 123: Vivace assai | — | ||
| 3-13 | Rhapsodie espagnole, S. 254: Lento | — | ||
| 3-14 | Rhapsodie espagnole, S. 254: Andante moderato (Folies d’Espagne) | — | ||
| 3-15 | Rhapsodie espagnole, S. 254: Allegro (Jota aragonese) | — | ||
| 3-16 | Rhapsodie espagnole, S. 254: Non troppo allegro | — | ||
| 4-1 | Concerto for Piano, Orchestra and Male Chorus, op. 39: I. Prologo e introit | — | ||
| 4-2 | Concerto for Piano, Orchestra and Male Chorus, op. 39: II. Pezzo giocoso | — | ||
| 4-3 | Concerto for Piano, Orchestra and Male Chorus, op. 39: III. Pezzo serioso (Introductio – Prima pars – Altera pars – Ultima pars) | — | ||
| 4-4 | Concerto for Piano, Orchestra and Male Chorus, op. 39: IV. All’italiana (Tarantella) | — | ||
| 4-5 | Concerto for Piano, Orchestra and Male Chorus, op. 39: V. Cantico | — | ||
| 4-6 | Turandots Frauengemach (Intermezzo) (N° 4 of Elegies) | — | ||
| 4-7 | Sonatina no. 6 (Chamber Fantasy on Bizet’s Carmen) | — | ||
| 5-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 5-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 5-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 5-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace | — | ||
| 5-5 | Rhapsody on a Theme of Paganini, op. 43: Variation I. Precedente | — | ||
| 5-6 | Rhapsody on a Theme of Paganini, op. 43: Thema. L’istesso tempo | — | ||
| 5-7 | Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo | — | ||
| 5-8 | Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo | — | ||
| 5-9 | Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo | — | ||
| 5-10 | Rhapsody on a Theme of Paganini, op. 43: Variation V. L’istesso tempo | — | ||
| 5-11 | Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo | — | ||
| 5-12 | Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato | — | ||
| 5-13 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo 1 | — | ||
| 5-14 | Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo | — | ||
| 5-15 | Rhapsody on a Theme of Paganini, op. 43: Variation X (♩ = ♩) | — | ||
| 5-16 | Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato | — | ||
| 5-17 | Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto | — | ||
| 5-18 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro | — | ||
| 5-19 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo | — | ||
| 5-20 | Rhapsody on a Theme of Paganini, op. 43: Variation XV. Più vivo, scherzando | — | ||
| 5-21 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto | — | ||
| 5-22 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII (♩ = ♩.) | — | ||
| 5-23 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | — | ||
| 5-24 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX. A tempo vivace | — | ||
| 5-25 | Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo | — | ||
| 5-26 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo | — | ||
| 5-27 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo (Alla breve) | — | ||
| 5-28 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo | — | ||
| 5-29 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso – Più vivo | — | ||
| 5-30 | Ballade in F‐sharp major, op. 19 | — | ||
| 5-31 | Scherzo (Concerto Symphonique no. 4 in D minor, op. 102) | — | ||
| 6-1 | Etude in E major, op. 10 no. 3 | — | ||
| 6-2 | Etude in C minor, op. 10 no. 12 | — | ||
| 6-3 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 6-4 | Nocturne in F‐sharp, op. 15 no. 2 | — | ||
| 6-5 | Ballade no. 1 in G minor, op. 23 | — | ||
| 6-6 | Prelude in A, op. 28 no. 7. Andantino | — | ||
| 6-7 | Prelude in D‐flat, op. 28 no. 15. Sostenuto | — | ||
| 6-8 | Mazurka in B‐flat, op. 7 no. 1 | — | ||
| 6-9 | Mazurka in D, op. 33 no. 2 | — | ||
| 6-10 | Scherzo no. 3 in C‐sharp minor, op. 39 | — | ||
| 6-11 | Polonaise in A major, op. 40 no. 1 “Military” | — | ||
| 6-12 | Polonaise in A‐flat major, op. 53 “Héroique” | — | ||
| 6-13 | Waltz no. 6 in D-flat major ("Minute"), op. 64 no. 1, CT. 212 | John Ogdon | — | |
| 6-14 | Waltz no. 2 in C‐sharp minor | — | ||
| 6-15 | Fantaisie‐impromptu in C‐sharp minor, op. 66 | — | ||
| 6-16 | Un sospiro (Trois Études de concert, S 144) | — | ||
| 6-17 | Liebesträume no. 1 in A‐flat | — | ||
| 6-18 | Liebesträume no. 3 in A‐flat | — | ||
| 7-1 | Piano Sonata in B minor, S 178: I. Lento assai – Allegro energico – Grandioso | — | ||
| 7-2 | Piano Sonata in B minor, S 178: II. Allegro energico – Recitativo | — | ||
| 7-3 | Piano Sonata in B minor, S 178: III. Andante sostenuto – Quasi adagio | — | ||
| 7-4 | Piano Sonata in B minor, S 178: IV. Allegro energico (Fugue) | — | ||
| 7-5 | Piano Sonata in B minor, S 178: V. (Recapitulation) – Più mosso – Stretta quasi presto | — | ||
| 7-6 | Piano Sonata in B minor, S 178: VI. (Coda) Presto – Prestissimo – Andante sostenuto – Allegro moderato – Lento assai | — | ||
| 7-7 | Zwei Konzertstüdien, S 145: No. 1. Waldesrauschen | — | ||
| 7-8 | Zwei Konzertstüdien, S 145: No. 2. Gnomenreigen | — | ||
| 7-9 | Trauervorspeil und Trauermarsch, S 206: Trauervorspeil | — | ||
| 7-10 | Trauervorspeil und Trauermarsch, S 206: Trauermarsch | — | ||
| 7-11 | En rêve – Nocturne. Andantino, S 207 | — | ||
| 7-12 | Réminiscenses de Don Juan, S 418 | — | ||
| 7-13 | Réminiscences de Simone Boccanegra, S 438 | — | ||
| 8-1 | Après une lecture du Dante: Fantasia quasi sonata (Années de pélerinage: 2e Année, Italie, S 161) | — | ||
| 8-2 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S 514 | — | ||
| 8-3 | Mephisto Waltz no. 3, S 216 | — | ||
| 8-4 | Csárdás macabre, S 224 | — | ||
| 8-5 | Polonaise no. 2 in E major, S .223 | — | ||
| 8-6 | Hungarian Rhapsody no. 15 in A minor (Rákóczi March), S 244 | — | ||
| 8-7 | Études d’exécution transcendante d’après Paganini, S 140: No. 2 in E‐flat (Octaves) | — | ||
| 8-8 | Études d’exécution transcendante d’après Paganini, S 140: No. 3 in G‐sharp minor (La campanella) | — | ||
| 8-9 | Funérailles (Harmonies poétiques et religieuses, S 173) | — | ||
| 8-10 | Valse oubliée no. 1, S 215 | — | ||
| 9-1 | Études Tableaux, op. 33: No. 1 in F minor: Allegro non troppo | — | ||
| 9-2 | Études Tableaux, op. 33: No. 2 in C major: Allegro | — | ||
| 9-3 | Études Tableaux, op. 33: No. 3 in C minor: Grave | — | ||
| 9-4 | Études Tableaux, op. 33: No. 4 in D minor: Moderato | — | ||
| 9-5 | Études Tableaux, op. 33: No. 5 in E‐flat minor: Non allegro – Presto | — | ||
| 9-6 | Études Tableaux, op. 33: No. 6 in E‐flat major: Allegro con fuoco | — | ||
| 9-7 | Études Tableaux, op. 33: No. 7 in G minor: Moderato | — | ||
| 9-8 | Études Tableaux, op. 33: No. 8 in C‐sharp minor: Grave | — | ||
| 9-9 | Études Tableaux, op. 39: No. 1 in C minor. Allegro agitato | — | ||
| 9-10 | Études Tableaux, op. 39: No. 2 in A minor. Lento assai | — | ||
| 9-11 | Études Tableaux, op. 39: No. 3 in F‐sharp minor. Allegro molto | — | ||
| 9-12 | Études Tableaux, op. 39: No. 4 in B minor. Allegro assai | — | ||
| 9-13 | Études Tableaux, op. 39: No. 5 in E‐flat minor. Appassionato | — | ||
| 9-14 | Études Tableaux, op. 39: No. 6 in A minor. Allegro | — | ||
| 9-15 | Études Tableaux, op. 39: No. 7 in C minor. Lento | — | ||
| 9-16 | Études Tableaux, op. 39: No. 8 in D minor. Allegro moderato | — | ||
| 9-17 | Études Tableaux, op. 39: No. 9 in D major. Allegro moderato | — | ||
| 9-18 | Prelude in C‐sharp minor, op. 3 no. 2 | — | ||
| 10-1 | Piano Concerto no. 1, Sz83: I. Allegro moderato – Allegro – Allegro moderato | — | ||
| 10-2 | Piano Concerto no. 1, Sz83: II. Andante | — | ||
| 10-3 | Piano Concerto no. 1, Sz83: III. Allegro molto | — | ||
| 10-4 | Piano Concerto no. 3 in E major, Sz119: I. Allegretto | — | ||
| 10-5 | Piano Concerto no. 3 in E major, Sz119: II. Adagio religioso | — | ||
| 10-6 | Piano Concerto no. 3 in E major, Sz119: III. Allegro vivace | — | ||
| 10-7 | Sonata for Two Pianos & Percussion, Sz110: I. Assai lento – Allegro molto | — | ||
| 10-8 | Sonata for Two Pianos & Percussion, Sz110: II. Lento, ma non troppo | — | ||
| 10-9 | Sonata for Two Pianos & Percussion, Sz110: III. Allegro non troppo | — | ||
| 11-1 | Piano Sonata in E‐flat minor: Modérément vite | — | ||
| 11-2 | Piano Sonata in E‐flat minor: Calme – Un peu lent – Très soutenu | — | ||
| 11-3 | Piano Sonata in E‐flat minor: Vivement, avec légèreté | — | ||
| 11-4 | Piano Sonata in E‐flat minor: Très lent – Animé | — | ||
| 11-5 | Deux Mirages, op. 70: N° 1. Et Pan, au fond des blés lunaires, s'accouda | — | ||
| 11-6 | Deux Mirages, op. 70: N° 2. La Tragique Chevauchée | — | ||
| 11-7 | Piano Sonata: I. Allegro con moto | — | ||
| 11-8 | Piano Sonata: II. Lied – Assez lent | — | ||
| 11-9 | Piano Sonata: III. Choral et variations | — | ||
| 12-1 | Piano Concerto: I. Allegro non troppo | — | ||
| 12-2 | Piano Concerto: II. Molto lento e tranquillo | — | ||
| 12-3 | Piano Concerto: III. Vivace | — | ||
| 12-4 | Piano Sonata no. 1: I. Allegro | — | ||
| 12-5 | Piano Sonata no. 1: II. Andante molto tranquillo | — | ||
| 12-6 | Piano Sonata no. 1: III. Presto | — | ||
| 12-7 | Piano Sonata no. 1: IV. Rondo giocoso con moto | — | ||
| 12-8 | Piano Sonata no. 2 | — | ||
| 12-9 | Ballade | — | ||
| 13-1 | Piano Concerto no. 2 in F, op. 102: I. Allegro | — | ||
| 13-2 | Piano Concerto no. 2 in F, op. 102: II. Andante | — | ||
| 13-3 | Piano Concerto no. 2 in F, op. 102: III. Allegro | — | ||
| 13-4 | Piano Concerto no. 1: I. Energico | — | ||
| 13-5 | Piano Concerto no. 1: II. Moderato languido | — | ||
| 13-6 | Piano Concerto no. 1: III. Presto | — | ||
| 13-7 | Piano Sonata: I. Allegro | — | ||
| 13-8 | Piano Sonata: II. Andante | — | ||
| 13-9 | Piano Sonata: III. Allegro | — | ||
| 13-10 | Theme & Variations: Theme. Moderato | — | ||
| 13-11 | Theme & Variations: Var. 1. Con fuoco | — | ||
| 13-12 | Theme & Variations: Var. 2. Vivace | — | ||
| 13-13 | Theme & Variations: Var. 3. Allegretto | — | ||
| 13-14 | Theme & Variations: Var. 4. Andante | — | ||
| 13-15 | Theme & Variations: Var. 5. Andante | — | ||
| 13-16 | Theme & Variations: Var. 6. Prestissimo | — | ||
| 13-17 | Theme & Variations: Var. 7. Andantino | — | ||
| 13-18 | Theme & Variations: Var. 8. Marziale | — | ||
| 13-19 | Theme & Variations: Var 9. Scherzando | — | ||
| 13-20 | Theme & Variations: Var 10. Quodlibet. Capriccioso | — | ||
| 14-1 | Suite: I. Prelude | — | ||
| 14-2 | Suite: II. Ostinato | — | ||
| 14-3 | Suite: III. Intermezzo | — | ||
| 14-4 | Suite: IV. Scherzo | — | ||
| 14-5 | Suite: V. Second Ostinato | — | ||
| 14-6 | Suite: VI. Recitative and Chorale | — | ||
| 14-7 | Sonata in One Movement, op. 2 | — | ||
| 14-8 | Three Pieces, op. 18: No. 1. Largamete | — | ||
| 14-9 | Three Pieces, op. 18: No. 2. Andante | — | ||
| 14-10 | Three Pieces, op. 18: No. 3. Molto allegro | — | ||
| 14-11 | Précis | — | ||
| 14-12 | Five Pieces, op. 2: No. 1. Andante | — | ||
| 14-13 | Five Pieces, op. 2: No. 2. Allegro | — | ||
| 14-14 | Five Pieces, op. 2: No. 3. Andante | — | ||
| 14-15 | Five Pieces, op. 2: No. 4. Adagio non troppo | — | ||
| 14-16 | Five Pieces, op. 2: No. 5. Allegretto | — | ||
| 14-17 | Variations for Piano | — | ||
| 14-18 | Toccata | — | ||
| 15-1 | Sonata no. 2, op. 27: I. Moderato | — | ||
| 15-2 | Sonata no. 2, op. 27: II. Adagio | — | ||
| 15-3 | Sonata no. 2, op. 27: III. Allegro | — | ||
| 15-4 | Piano Sonata no. 2: I. Tempo I & II | — | ||
| 15-5 | Piano Sonata no. 2: II. L’istesso tempo | — | ||
| 15-6 | Piano Sonata no. 2: III. Flexible tempo | — | ||
| 15-7 | Passacaglia on DSCH: Pars prima: Sonata. Allegro moderato – Andantino – Allegro moderato | — | ||
| 15-8 | Passacaglia on DSCH: Pars prima: Waltz in Rondo Form | — | ||
| 15-9 | Passacaglia on DSCH: Pars prima: Comodo “Improvisando” – Suite: Prelude – Sarabande – Jig – Sarabande – Minuet – Jig – Gavotte – Polonaise | — | ||
| 15-10 | Passacaglia on DSCH: Pars prima: Pibroch Urlar. Lament for the Children | — | ||
| 15-11 | Passacaglia on DSCH: Pars prima: Episode. Arabesque Variations – Nocturne | — | ||
| 16-1 | Passacaglia on DSCH: Pars altera: Fantasy‐reverie: Moderato – Fantastico | — | ||
| 16-2 | Passacaglia on DSCH: Pars altera: Fanfare. Allegro moderato – Forebodings – Alarm. Glimpse of a War Vision | — | ||
| 16-3 | Passacaglia on DSCH: Pars altera: Variations. “Peace, Bread and the Land” (1917). Allegro moderato | — | ||
| 16-4 | Passacaglia on DSCH: Pars altera: Symphonic March. Alla marcia – Episode | — | ||
| 16-5 | Passacaglia on DSCH: Pars altera: Nello stile di un fandango | — | ||
| 16-6 | Passacaglia on DSCH: Pars altera: Pedal‐point. “To Emergent Africa” – Episode | — | ||
| 16-7 | Passacaglia on DSCH: Pars altera: Variations in C minor. Prestissimo | — | ||
| 16-8 | Passacaglia on DSCH: Pars tertia: Tribute to Bach. Adagio | — | ||
| 16-9 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 1st Subject. Allegro moderato | — | ||
| 16-10 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 2nd Subject. B‐A‐C‐H | — | ||
| 16-11 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 3rd Subject. Dies Irae (In memoriam the Six Million) | — | ||
| 16-12 | Passacaglia on DSCH: Pars tertia: Final Variations on a Theme Derived from Ground Bass. Adagissimo barocco | — | ||
| 16-13 | Cantéyodjayã | — | ||
| 16-14 | Prelude & Fugue in D, BWV 850 (From “The Well‐Tempered Clavier”, no. 5) | — | ||
| 16-15 | Fantasia in D minor, K.397 | — | ||
| 17-1 | Andante favori in F, WoO 57 | — | ||
| 17-2 | Nachtstück in F, op. 23 no. 4 | — | ||
| 17-3 | Clair de lune (from Suite bergamasque, no. 3) | — | ||
| 17-4 | La Danse de Puck (from Préludes Book 1, no. 11) | — | ||
| 17-5 | La Fille aux cheveux de lin (from Préludes, Book 1, no. 8) | — | ||
| 17-6 | Chorale Prelude: Jesus bleibet meine Freude (from Cantata no. 147) | — | ||
| 17-7 | Bagatelle in A minor, WoO 60 “Für Elise” | — | ||
| 17-8 | Valse in E major, op. 34 no. 1 | — | ||
| 17-9 | Études de concert, op. 35 no. 2 “Automne” | — | ||
| 17-10 | Histoires no. 2 “Le Petit Âne blanc” | — | ||
| 17-11 | Mouvements perpétuels: No. 1. Assez modéré | — | ||
| 17-12 | Tango in D, op. 165 no. 2 | — | ||
| 17-13 | Goyescas no. 4 “Quejas o La maja y el ruiseñor” | — | ||
| 17-14 | Bryllupsdag på Troldhaugen (from Lyric Pieces, Book 8), op. 65 | — | ||
| 17-15 | Concert Study “Rustle of Spring”, op. 32 no. 3 | — | ||
| 17-16 | The Holy Boy | — | ||
| 17-17 | April | — | ||
| 17-18 | Lotus Land, op. 47 no. 1 | — | ||
| 17-19 | Danse nègre, op. 58 no. 5 | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
5099970463729 is a Universal Product Code (UPC) assigned to Legendary British Virtuoso by John Ogdon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 248 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099970463729 is the Universal Product Code (UPC barcode) for the release “Legendary British Virtuoso” by John Ogdon, released 2012-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 248 tracks, each with its own ISRC. Tracks include GBAYC2001074, GBAYC9200517, GBAYC8602568.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 2 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto – Molto allegro e vivace | — | ||
| 4 | Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato | — | ||
| 5 | Piano Concerto no. 2 in D minor, op. 40: II. Adagio | — | ||
| 6 | Piano Concerto no. 2 in D minor, op. 40: III. Finale: Presto scherzando | — | ||
| 7 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso – Andante espressivo – Tempo 1 – Cadenza – Allegro molto | — | ||
| 8 | Concerto for Piano and Orchestra in A minor, op. 54:II. Intermezzo (Andantino grazioso) | — | ||
| 9 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 2-1 | Rondo brillant in E‐flat major, op. 29 | — | ||
| 2-2 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 2-3 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 2-4 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato | — | ||
| 2-5 | Piano Concerto no. 1 in F minor, op. 92: I. Allegro moderato | — | ||
| 2-6 | Piano Concerto no. 1 in F minor, op. 92: II. Tema con variazioni (Andante tranquillo) | — | ||
| 2-7 | Piano Concerto no. 1 in F minor, op. 92: Variation 1 | — | ||
| 2-8 | Piano Concerto no. 1 in F minor, op. 92: Variation 2: Cromatica (Andantino) | — | ||
| 2-9 | Piano Concerto no. 1 in F minor, op. 92: Variation 3: Eroica (Allegro moderato) | — | ||
| 2-10 | Piano Concerto no. 1 in F minor, op. 92: Variation 4: Lyrica (Adagio) | — | ||
| 2-11 | Piano Concerto no. 1 in F minor, op. 92: Variation 5: Intermezzo (Allegro) | — | ||
| 2-12 | Piano Concerto no. 1 in F minor, op. 92: Variation 6: Quasi una fantasia (Lento) | — | ||
| 2-13 | Piano Concerto no. 1 in F minor, op. 92: Variation 7: Mazurka (Allegretto) | — | ||
| 2-14 | Piano Concerto no. 1 in F minor, op. 92: Variation 8: Scherzo (Allegro ma non troppo) | — | ||
| 2-15 | Piano Concerto no. 1 in F minor, op. 92: Variation 9: Finale (Allegro moderato) | — | ||
| 2-16 | Ten Variations on Chopin’s Prelude in C minor, op. 22 | — | ||
| 3-1 | Piano Concerto no. 1 In B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | — | ||
| 3-2 | Piano Concerto no. 1 In B‐flat minor, op. 23: II. Andante semplice – Prestissimo – Tempo I | — | ||
| 3-3 | Piano Concerto no. 1 In B‐flat minor, op. 23: III. Allegro con fuoco | — | ||
| 3-4 | Symphonic Variations: Poco allegro | — | ||
| 3-5 | Symphonic Variations: Allegretto quasi andante | — | ||
| 3-6 | Symphonic Variations: Molto più lento | — | ||
| 3-7 | Symphonic Variations: Allegro non troppo | John Ogdon, Philharmonia Orchestra, Sir John Barbirolli | — | |
| 3-8 | Fantasia on Hungarian Folktunes, S. 123: Andante mesto | — | ||
| 3-9 | Fantasia on Hungarian Folktunes, S. 123: Allegro eroico | — | ||
| 3-10 | Fantasia on Hungarian Folktunes, S. 123: Molto adagio, quasi fantasia | — | ||
| 3-11 | Fantasia on Hungarian Folktunes, S. 123: Allegretto alla zingarese | — | ||
| 3-12 | Fantasia on Hungarian Folktunes, S. 123: Vivace assai | — | ||
| 3-13 | Rhapsodie espagnole, S. 254: Lento | — | ||
| 3-14 | Rhapsodie espagnole, S. 254: Andante moderato (Folies d’Espagne) | — | ||
| 3-15 | Rhapsodie espagnole, S. 254: Allegro (Jota aragonese) | — | ||
| 3-16 | Rhapsodie espagnole, S. 254: Non troppo allegro | — | ||
| 4-1 | Concerto for Piano, Orchestra and Male Chorus, op. 39: I. Prologo e introit | — | ||
| 4-2 | Concerto for Piano, Orchestra and Male Chorus, op. 39: II. Pezzo giocoso | — | ||
| 4-3 | Concerto for Piano, Orchestra and Male Chorus, op. 39: III. Pezzo serioso (Introductio – Prima pars – Altera pars – Ultima pars) | — | ||
| 4-4 | Concerto for Piano, Orchestra and Male Chorus, op. 39: IV. All’italiana (Tarantella) | — | ||
| 4-5 | Concerto for Piano, Orchestra and Male Chorus, op. 39: V. Cantico | — | ||
| 4-6 | Turandots Frauengemach (Intermezzo) (N° 4 of Elegies) | — | ||
| 4-7 | Sonatina no. 6 (Chamber Fantasy on Bizet’s Carmen) | — | ||
| 5-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 5-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 5-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 5-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace | — | ||
| 5-5 | Rhapsody on a Theme of Paganini, op. 43: Variation I. Precedente | — | ||
| 5-6 | Rhapsody on a Theme of Paganini, op. 43: Thema. L’istesso tempo | — | ||
| 5-7 | Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo | — | ||
| 5-8 | Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo | — | ||
| 5-9 | Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo | — | ||
| 5-10 | Rhapsody on a Theme of Paganini, op. 43: Variation V. L’istesso tempo | — | ||
| 5-11 | Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo | — | ||
| 5-12 | Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato | — | ||
| 5-13 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo 1 | — | ||
| 5-14 | Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo | — | ||
| 5-15 | Rhapsody on a Theme of Paganini, op. 43: Variation X (♩ = ♩) | — | ||
| 5-16 | Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato | — | ||
| 5-17 | Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto | — | ||
| 5-18 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro | — | ||
| 5-19 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo | — | ||
| 5-20 | Rhapsody on a Theme of Paganini, op. 43: Variation XV. Più vivo, scherzando | — | ||
| 5-21 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto | — | ||
| 5-22 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII (♩ = ♩.) | — | ||
| 5-23 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | — | ||
| 5-24 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX. A tempo vivace | — | ||
| 5-25 | Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo | — | ||
| 5-26 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo | — | ||
| 5-27 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo (Alla breve) | — | ||
| 5-28 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo | — | ||
| 5-29 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso – Più vivo | — | ||
| 5-30 | Ballade in F‐sharp major, op. 19 | — | ||
| 5-31 | Scherzo (Concerto Symphonique no. 4 in D minor, op. 102) | — | ||
| 6-1 | Etude in E major, op. 10 no. 3 | — | ||
| 6-2 | Etude in C minor, op. 10 no. 12 | — | ||
| 6-3 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 6-4 | Nocturne in F‐sharp, op. 15 no. 2 | — | ||
| 6-5 | Ballade no. 1 in G minor, op. 23 | — | ||
| 6-6 | Prelude in A, op. 28 no. 7. Andantino | — | ||
| 6-7 | Prelude in D‐flat, op. 28 no. 15. Sostenuto | — | ||
| 6-8 | Mazurka in B‐flat, op. 7 no. 1 | — | ||
| 6-9 | Mazurka in D, op. 33 no. 2 | — | ||
| 6-10 | Scherzo no. 3 in C‐sharp minor, op. 39 | — | ||
| 6-11 | Polonaise in A major, op. 40 no. 1 “Military” | — | ||
| 6-12 | Polonaise in A‐flat major, op. 53 “Héroique” | — | ||
| 6-13 | Waltz no. 6 in D-flat major ("Minute"), op. 64 no. 1, CT. 212 | John Ogdon | — | |
| 6-14 | Waltz no. 2 in C‐sharp minor | — | ||
| 6-15 | Fantaisie‐impromptu in C‐sharp minor, op. 66 | — | ||
| 6-16 | Un sospiro (Trois Études de concert, S 144) | — | ||
| 6-17 | Liebesträume no. 1 in A‐flat | — | ||
| 6-18 | Liebesträume no. 3 in A‐flat | — | ||
| 7-1 | Piano Sonata in B minor, S 178: I. Lento assai – Allegro energico – Grandioso | — | ||
| 7-2 | Piano Sonata in B minor, S 178: II. Allegro energico – Recitativo | — | ||
| 7-3 | Piano Sonata in B minor, S 178: III. Andante sostenuto – Quasi adagio | — | ||
| 7-4 | Piano Sonata in B minor, S 178: IV. Allegro energico (Fugue) | — | ||
| 7-5 | Piano Sonata in B minor, S 178: V. (Recapitulation) – Più mosso – Stretta quasi presto | — | ||
| 7-6 | Piano Sonata in B minor, S 178: VI. (Coda) Presto – Prestissimo – Andante sostenuto – Allegro moderato – Lento assai | — | ||
| 7-7 | Zwei Konzertstüdien, S 145: No. 1. Waldesrauschen | — | ||
| 7-8 | Zwei Konzertstüdien, S 145: No. 2. Gnomenreigen | — | ||
| 7-9 | Trauervorspeil und Trauermarsch, S 206: Trauervorspeil | — | ||
| 7-10 | Trauervorspeil und Trauermarsch, S 206: Trauermarsch | — | ||
| 7-11 | En rêve – Nocturne. Andantino, S 207 | — | ||
| 7-12 | Réminiscenses de Don Juan, S 418 | — | ||
| 7-13 | Réminiscences de Simone Boccanegra, S 438 | — | ||
| 8-1 | Après une lecture du Dante: Fantasia quasi sonata (Années de pélerinage: 2e Année, Italie, S 161) | — | ||
| 8-2 | Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S 514 | — | ||
| 8-3 | Mephisto Waltz no. 3, S 216 | — | ||
| 8-4 | Csárdás macabre, S 224 | — | ||
| 8-5 | Polonaise no. 2 in E major, S .223 | — | ||
| 8-6 | Hungarian Rhapsody no. 15 in A minor (Rákóczi March), S 244 | — | ||
| 8-7 | Études d’exécution transcendante d’après Paganini, S 140: No. 2 in E‐flat (Octaves) | — | ||
| 8-8 | Études d’exécution transcendante d’après Paganini, S 140: No. 3 in G‐sharp minor (La campanella) | — | ||
| 8-9 | Funérailles (Harmonies poétiques et religieuses, S 173) | — | ||
| 8-10 | Valse oubliée no. 1, S 215 | — | ||
| 9-1 | Études Tableaux, op. 33: No. 1 in F minor: Allegro non troppo | — | ||
| 9-2 | Études Tableaux, op. 33: No. 2 in C major: Allegro | — | ||
| 9-3 | Études Tableaux, op. 33: No. 3 in C minor: Grave | — | ||
| 9-4 | Études Tableaux, op. 33: No. 4 in D minor: Moderato | — | ||
| 9-5 | Études Tableaux, op. 33: No. 5 in E‐flat minor: Non allegro – Presto | — | ||
| 9-6 | Études Tableaux, op. 33: No. 6 in E‐flat major: Allegro con fuoco | — | ||
| 9-7 | Études Tableaux, op. 33: No. 7 in G minor: Moderato | — | ||
| 9-8 | Études Tableaux, op. 33: No. 8 in C‐sharp minor: Grave | — | ||
| 9-9 | Études Tableaux, op. 39: No. 1 in C minor. Allegro agitato | — | ||
| 9-10 | Études Tableaux, op. 39: No. 2 in A minor. Lento assai | — | ||
| 9-11 | Études Tableaux, op. 39: No. 3 in F‐sharp minor. Allegro molto | — | ||
| 9-12 | Études Tableaux, op. 39: No. 4 in B minor. Allegro assai | — | ||
| 9-13 | Études Tableaux, op. 39: No. 5 in E‐flat minor. Appassionato | — | ||
| 9-14 | Études Tableaux, op. 39: No. 6 in A minor. Allegro | — | ||
| 9-15 | Études Tableaux, op. 39: No. 7 in C minor. Lento | — | ||
| 9-16 | Études Tableaux, op. 39: No. 8 in D minor. Allegro moderato | — | ||
| 9-17 | Études Tableaux, op. 39: No. 9 in D major. Allegro moderato | — | ||
| 9-18 | Prelude in C‐sharp minor, op. 3 no. 2 | — | ||
| 10-1 | Piano Concerto no. 1, Sz83: I. Allegro moderato – Allegro – Allegro moderato | — | ||
| 10-2 | Piano Concerto no. 1, Sz83: II. Andante | — | ||
| 10-3 | Piano Concerto no. 1, Sz83: III. Allegro molto | — | ||
| 10-4 | Piano Concerto no. 3 in E major, Sz119: I. Allegretto | — | ||
| 10-5 | Piano Concerto no. 3 in E major, Sz119: II. Adagio religioso | — | ||
| 10-6 | Piano Concerto no. 3 in E major, Sz119: III. Allegro vivace | — | ||
| 10-7 | Sonata for Two Pianos & Percussion, Sz110: I. Assai lento – Allegro molto | — | ||
| 10-8 | Sonata for Two Pianos & Percussion, Sz110: II. Lento, ma non troppo | — | ||
| 10-9 | Sonata for Two Pianos & Percussion, Sz110: III. Allegro non troppo | — | ||
| 11-1 | Piano Sonata in E‐flat minor: Modérément vite | — | ||
| 11-2 | Piano Sonata in E‐flat minor: Calme – Un peu lent – Très soutenu | — | ||
| 11-3 | Piano Sonata in E‐flat minor: Vivement, avec légèreté | — | ||
| 11-4 | Piano Sonata in E‐flat minor: Très lent – Animé | — | ||
| 11-5 | Deux Mirages, op. 70: N° 1. Et Pan, au fond des blés lunaires, s'accouda | — | ||
| 11-6 | Deux Mirages, op. 70: N° 2. La Tragique Chevauchée | — | ||
| 11-7 | Piano Sonata: I. Allegro con moto | — | ||
| 11-8 | Piano Sonata: II. Lied – Assez lent | — | ||
| 11-9 | Piano Sonata: III. Choral et variations | — | ||
| 12-1 | Piano Concerto: I. Allegro non troppo | — | ||
| 12-2 | Piano Concerto: II. Molto lento e tranquillo | — | ||
| 12-3 | Piano Concerto: III. Vivace | — | ||
| 12-4 | Piano Sonata no. 1: I. Allegro | — | ||
| 12-5 | Piano Sonata no. 1: II. Andante molto tranquillo | — | ||
| 12-6 | Piano Sonata no. 1: III. Presto | — | ||
| 12-7 | Piano Sonata no. 1: IV. Rondo giocoso con moto | — | ||
| 12-8 | Piano Sonata no. 2 | — | ||
| 12-9 | Ballade | — | ||
| 13-1 | Piano Concerto no. 2 in F, op. 102: I. Allegro | — | ||
| 13-2 | Piano Concerto no. 2 in F, op. 102: II. Andante | — | ||
| 13-3 | Piano Concerto no. 2 in F, op. 102: III. Allegro | — | ||
| 13-4 | Piano Concerto no. 1: I. Energico | — | ||
| 13-5 | Piano Concerto no. 1: II. Moderato languido | — | ||
| 13-6 | Piano Concerto no. 1: III. Presto | — | ||
| 13-7 | Piano Sonata: I. Allegro | — | ||
| 13-8 | Piano Sonata: II. Andante | — | ||
| 13-9 | Piano Sonata: III. Allegro | — | ||
| 13-10 | Theme & Variations: Theme. Moderato | — | ||
| 13-11 | Theme & Variations: Var. 1. Con fuoco | — | ||
| 13-12 | Theme & Variations: Var. 2. Vivace | — | ||
| 13-13 | Theme & Variations: Var. 3. Allegretto | — | ||
| 13-14 | Theme & Variations: Var. 4. Andante | — | ||
| 13-15 | Theme & Variations: Var. 5. Andante | — | ||
| 13-16 | Theme & Variations: Var. 6. Prestissimo | — | ||
| 13-17 | Theme & Variations: Var. 7. Andantino | — | ||
| 13-18 | Theme & Variations: Var. 8. Marziale | — | ||
| 13-19 | Theme & Variations: Var 9. Scherzando | — | ||
| 13-20 | Theme & Variations: Var 10. Quodlibet. Capriccioso | — | ||
| 14-1 | Suite: I. Prelude | — | ||
| 14-2 | Suite: II. Ostinato | — | ||
| 14-3 | Suite: III. Intermezzo | — | ||
| 14-4 | Suite: IV. Scherzo | — | ||
| 14-5 | Suite: V. Second Ostinato | — | ||
| 14-6 | Suite: VI. Recitative and Chorale | — | ||
| 14-7 | Sonata in One Movement, op. 2 | — | ||
| 14-8 | Three Pieces, op. 18: No. 1. Largamete | — | ||
| 14-9 | Three Pieces, op. 18: No. 2. Andante | — | ||
| 14-10 | Three Pieces, op. 18: No. 3. Molto allegro | — | ||
| 14-11 | Précis | — | ||
| 14-12 | Five Pieces, op. 2: No. 1. Andante | — | ||
| 14-13 | Five Pieces, op. 2: No. 2. Allegro | — | ||
| 14-14 | Five Pieces, op. 2: No. 3. Andante | — | ||
| 14-15 | Five Pieces, op. 2: No. 4. Adagio non troppo | — | ||
| 14-16 | Five Pieces, op. 2: No. 5. Allegretto | — | ||
| 14-17 | Variations for Piano | — | ||
| 14-18 | Toccata | — | ||
| 15-1 | Sonata no. 2, op. 27: I. Moderato | — | ||
| 15-2 | Sonata no. 2, op. 27: II. Adagio | — | ||
| 15-3 | Sonata no. 2, op. 27: III. Allegro | — | ||
| 15-4 | Piano Sonata no. 2: I. Tempo I & II | — | ||
| 15-5 | Piano Sonata no. 2: II. L’istesso tempo | — | ||
| 15-6 | Piano Sonata no. 2: III. Flexible tempo | — | ||
| 15-7 | Passacaglia on DSCH: Pars prima: Sonata. Allegro moderato – Andantino – Allegro moderato | — | ||
| 15-8 | Passacaglia on DSCH: Pars prima: Waltz in Rondo Form | — | ||
| 15-9 | Passacaglia on DSCH: Pars prima: Comodo “Improvisando” – Suite: Prelude – Sarabande – Jig – Sarabande – Minuet – Jig – Gavotte – Polonaise | — | ||
| 15-10 | Passacaglia on DSCH: Pars prima: Pibroch Urlar. Lament for the Children | — | ||
| 15-11 | Passacaglia on DSCH: Pars prima: Episode. Arabesque Variations – Nocturne | — | ||
| 16-1 | Passacaglia on DSCH: Pars altera: Fantasy‐reverie: Moderato – Fantastico | — | ||
| 16-2 | Passacaglia on DSCH: Pars altera: Fanfare. Allegro moderato – Forebodings – Alarm. Glimpse of a War Vision | — | ||
| 16-3 | Passacaglia on DSCH: Pars altera: Variations. “Peace, Bread and the Land” (1917). Allegro moderato | — | ||
| 16-4 | Passacaglia on DSCH: Pars altera: Symphonic March. Alla marcia – Episode | — | ||
| 16-5 | Passacaglia on DSCH: Pars altera: Nello stile di un fandango | — | ||
| 16-6 | Passacaglia on DSCH: Pars altera: Pedal‐point. “To Emergent Africa” – Episode | — | ||
| 16-7 | Passacaglia on DSCH: Pars altera: Variations in C minor. Prestissimo | — | ||
| 16-8 | Passacaglia on DSCH: Pars tertia: Tribute to Bach. Adagio | — | ||
| 16-9 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 1st Subject. Allegro moderato | — | ||
| 16-10 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 2nd Subject. B‐A‐C‐H | — | ||
| 16-11 | Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 3rd Subject. Dies Irae (In memoriam the Six Million) | — | ||
| 16-12 | Passacaglia on DSCH: Pars tertia: Final Variations on a Theme Derived from Ground Bass. Adagissimo barocco | — | ||
| 16-13 | Cantéyodjayã | — | ||
| 16-14 | Prelude & Fugue in D, BWV 850 (From “The Well‐Tempered Clavier”, no. 5) | — | ||
| 16-15 | Fantasia in D minor, K.397 | — | ||
| 17-1 | Andante favori in F, WoO 57 | — | ||
| 17-2 | Nachtstück in F, op. 23 no. 4 | — | ||
| 17-3 | Clair de lune (from Suite bergamasque, no. 3) | — | ||
| 17-4 | La Danse de Puck (from Préludes Book 1, no. 11) | — | ||
| 17-5 | La Fille aux cheveux de lin (from Préludes, Book 1, no. 8) | — | ||
| 17-6 | Chorale Prelude: Jesus bleibet meine Freude (from Cantata no. 147) | — | ||
| 17-7 | Bagatelle in A minor, WoO 60 “Für Elise” | — | ||
| 17-8 | Valse in E major, op. 34 no. 1 | — | ||
| 17-9 | Études de concert, op. 35 no. 2 “Automne” | — | ||
| 17-10 | Histoires no. 2 “Le Petit Âne blanc” | — | ||
| 17-11 | Mouvements perpétuels: No. 1. Assez modéré | — | ||
| 17-12 | Tango in D, op. 165 no. 2 | — | ||
| 17-13 | Goyescas no. 4 “Quejas o La maja y el ruiseñor” | — | ||
| 17-14 | Bryllupsdag på Troldhaugen (from Lyric Pieces, Book 8), op. 65 | — | ||
| 17-15 | Concert Study “Rustle of Spring”, op. 32 no. 3 | — | ||
| 17-16 | The Holy Boy | — | ||
| 17-17 | April | — | ||
| 17-18 | Lotus Land, op. 47 no. 1 | — | ||
| 17-19 | Danse nègre, op. 58 no. 5 | — |
