UPC · Release
Alfred Cortot
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5099970490725 is the Universal Product Code (UPC barcode) for the release “Alfred Cortot Anniversary Edition” by Alfred Cortot, released 2012-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 766 tracks, each with its own ISRC. Tracks include FRS678900063, HKI190018804, GBAYC0300280.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | España, 6 feuilles d'album, op. 165: III. Malagueña | — | ||
| 2 | Chants d'Espagne (Cantos de España), op. 232: V. Seguidillas | — | ||
| 3 | Prelude no. 8, La fille aux cheveux de lin (Book I) | — | ||
| 4 | Prelude no. 12, Minstrels (Book I) | — | ||
| 5 | Tarentelle in A-flat major, op. 43 | — | ||
| 6 | "La leggierezza" in f minor from Trois Etudes de Concert | — | ||
| 7 | Etude en forme de valse, op. 52 no. 6 | — | ||
| 8 | Chants polonais, op. 74 no. 12 (arr. Liszt): Moja pieszczotka (My Joys) | — | ||
| 9 | Berceuse in D-flat major, op. 57 | — | ||
| 10 | Rigoletto, Concert paraphrase (Verdi), S. 434 | — | ||
| 11 | Jeux d'eau | — | ||
| 12 | Tarentelle in A-flat major, op. 43 | — | ||
| 13 | Etude in G-flat major, op. 10 no. 5 | — | ||
| 14 | Etude in G-flat major, op. 25 no. 9 | — | ||
| 15 | Hungarian Rhapsody no. 2 in c-sharp minor (first part), S. 244 | — | ||
| 16 | Iberia - Book II: no. 3 Triana | — | ||
| 17 | Etude in F major, op. 25 no. 3 | — | ||
| 18 | Etude in f minor, op. 25 no. 2 | — | ||
| 19 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 20 | Song without words in A-flat major, op. 17 no. 3 | — | ||
| 21 | Les Années de pèlerinage - 1ère année: La Suisse: no. 4 Au bord d'une source | — | ||
| 22 | Grand Polonaise brillante in E-flat major, op. 22 [Only Polonaise] | — | ||
| 23 | Etude in d-sharp minor, op. 8 no. 12 | — | ||
| 24 | Scherzo in e minor, op. 16 no. 2 | — | ||
| 25 | Rondo Capriccioso in E major, op. 14 | — | ||
| 2-1 | Invitation to the dance, op. 65 | — | ||
| 2-2 | Chants d'Espagne, op. 232: no. 5 Seguidillas | — | ||
| 2-3 | España, 6 feuilles d'album, op. 165: no. 3 Malagueña | — | ||
| 2-4 | Berceuse in D flat major, op. 57 | — | ||
| 2-5 | Tarentelle in A flat major, op. 43 | — | ||
| 2-6 | Chants polonais, op. 74 no. 12 (arr. Liszt): Moja pieszczotka (My joys) | — | ||
| 2-7 | Etude in G flat major, op. 10 no. 5 | — | ||
| 2-8 | Etude in G flat major, op. 25 no. 9 | — | ||
| 2-9 | Etude in A minor, op. 25 no. 11 | — | ||
| 2-10 | "La leggierezza" in F minor from Trois Etudes de Concert | — | ||
| 2-11 | Hungarian Rhapsody no. 2 in C sharp minor, S. 244 | — | ||
| 2-12 | Rigoletto, Concert paraphrase, S. 434 | — | ||
| 2-13 | Jeux d'eau | — | ||
| 2-14 | Etude for the left hand, op. 135 no. 4: Bourrée | — | ||
| 2-15 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 2-16 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 2-17 | Children's Corner: III. Serenade for the Doll | — | ||
| 2-18 | Children's Corner: IV. The Snow is dancing | — | ||
| 2-19 | Children's Corner: V. The Little Shepherd | — | ||
| 2-20 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 2-21 | Prelude no. 10, La cathédrale engloutie (Book I) | — | ||
| 3-1 | Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 3-2 | Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 3-3 | Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 3-4 | Carnaval, op. 9: I. Préambule | — | ||
| 3-5 | Carnaval, op. 9: II. Pierrot | — | ||
| 3-6 | Carnaval, op. 9: III. Arlequin | — | ||
| 3-7 | Carnaval, op. 9: IV. Valse noble | — | ||
| 3-8 | Carnaval, op. 9: V. Eusebius | — | ||
| 3-9 | Carnaval, op. 9: VI. Florestan | — | ||
| 3-10 | Carnaval, op. 9: VII. Coquette | — | ||
| 3-11 | Carnaval, op. 9: IX. Papillons | — | ||
| 3-12 | Carnaval, op. 9: X. A.S.C.H.-S.C.H.A.: Lettres dansantes | — | ||
| 3-13 | Carnaval, op. 9: XI. Chiarina | — | ||
| 3-14 | Carnaval, op. 9: XII. Chopin | — | ||
| 3-15 | Carnaval, op. 9: XIII. Estrella | — | ||
| 3-16 | Carnaval, op. 9: XIV. Reconnaissance | — | ||
| 3-17 | Carnaval, op. 9: XV. Pantalon et Colombine | — | ||
| 3-18 | Carnaval, op. 9: XVI. Valse allemande | — | ||
| 3-19 | Carnaval, op. 9: Intermezzo: Paganini | — | ||
| 3-20 | Carnaval, op. 9: XVII. Aveu | — | ||
| 3-21 | Carnaval, op. 9: XVIII. Promenade | — | ||
| 3-22 | Carnaval, op. 9: XIX. Pause | — | ||
| 3-23 | Carnaval, op. 9: XX. Marche des Davidsbündler contre les Philistins | — | ||
| 3-24 | Dolly, op. 56 (arr. Cortot): no 1, Berceuse | — | ||
| 3-25 | Wiegenlied, op. 49 no 4 (arr. Cortot) | — | ||
| 3-26 | Litanei, D. 343 (arr. Cortot) | — | ||
| 3-27 | Etude in A flat major, op. 25 no 1 | — | ||
| 3-28 | Waltz in C sharp minor, op. 64 no 2 | — | ||
| 3-29 | Impromptu no 2 in F sharp major, op. 36 | — | ||
| 3-30 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 4-1 | 24 Preludes, op. 28, no. 1 in C major | — | ||
| 4-2 | 24 Preludes, op. 28, no. 2 in A minor | — | ||
| 4-3 | 24 Preludes, op. 28, no. 3 in G major | — | ||
| 4-4 | 24 Preludes, op. 28, no. 4 in E minor | — | ||
| 4-5 | 24 Preludes, op. 28, no. 5 in D major | — | ||
| 4-6 | 24 Preludes, op. 28, no. 6 in B minor | — | ||
| 4-7 | 24 Preludes, op. 28, no. 7 in A major | — | ||
| 4-8 | 24 Preludes, op. 28, no. 8 in F sharp minor | — | ||
| 4-9 | 24 Preludes, op. 28, no. 9 in E major | — | ||
| 4-10 | 24 Preludes, op. 28, no. 10 in C sharp minor | — | ||
| 4-11 | 24 Preludes, op. 28, no. 11 in B major | — | ||
| 4-12 | 24 Preludes, op. 28, no. 12 in G sharp minor | — | ||
| 4-13 | 24 Preludes, op. 28, no. 13 in F sharp major | — | ||
| 4-14 | 24 Preludes, op. 28, no. 14 in E flat minor | — | ||
| 4-15 | 24 Preludes, op. 28, no. 15 in D flat major | — | ||
| 4-16 | 24 Preludes, op. 28, no. 16 in B flat minor | — | ||
| 4-17 | 24 Preludes, op. 28, no. 17 in A flat major | — | ||
| 4-18 | 24 Preludes, op. 28, no. 18 in F minor | — | ||
| 4-19 | 24 Preludes, op. 28, no. 19 in E flat major | — | ||
| 4-20 | 24 Preludes, op. 28, no. 20 in C minor | — | ||
| 4-21 | 24 Preludes, op. 28, no. 21 in B flat major | — | ||
| 4-22 | 24 Preludes, op. 28, no. 22 in G minor | — | ||
| 4-23 | 24 Preludes, op. 28, no. 23 in F major | — | ||
| 4-24 | 24 Preludes, op. 28, no. 24 in D minor | — | ||
| 4-25 | Cantos de España, op. 232 no 3: Bajo la palmera | — | ||
| 4-26 | Air and Variations "The Harmonious Blacksmith" | — | ||
| 4-27 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 4-28 | Ballade no. 1 in G minor, op. 23 | — | ||
| 4-29 | Berceuse in D flat major, op. 57 | — | ||
| 4-30 | Hungarian Rhapsody no. 2 in C sharp minor, S. 244 | — | ||
| 4-31 | Rigoletto, Concert paraphrase, S. 434 | — | ||
| 5-1 | Invitation to the dance in D flat major, op. 65 | — | ||
| 5-2 | Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 5-3 | Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 5-4 | Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 5-5 | Symphonic Variations | — | ||
| 5-6 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 5-7 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 5-8 | Children's Corner: III. Serenade for the Doll | — | ||
| 5-9 | Children's Corner: IV. The Snow is Dancing | — | ||
| 5-10 | Children's Corner: V. The Little Shepherd | — | ||
| 5-11 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 5-12 | Prelude no. 8, La fille aux cheveux de lin (Book I) | — | ||
| 5-13 | Prelude no. 3, Le vent dans la plaine (Book I) | — | ||
| 6-1 | Sonata no 2 in B flat minor, op. 35: I. Grave (Doppio movimento) | — | ||
| 6-2 | Sonata no 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 6-3 | Sonata no 2 in B flat minor, op. 35: III. Marche funèbre (Lento) | — | ||
| 6-4 | Sonata no 2 in B flat minor, op. 35: IV. Finale (Presto) | — | ||
| 6-5 | Prelude in G sharp minor, op. 28 no. 12 | — | ||
| 6-6 | Ballade no. 1 in G minor, op. 23 | — | ||
| 6-7 | Ballade no. 2 in F major, op. 38 | — | ||
| 6-8 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 6-9 | Ballade no. 4 in F minor, op. 52 | — | ||
| 6-10 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 6-11 | Waltz no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 6-12 | Prelude, Choral and Fugue: Prelude | — | ||
| 6-13 | Prelude, Choral and Fugue: Choral | — | ||
| 6-14 | Prelude, Choral and Fugue: Fugue | — | ||
| 7-1 | Carnaval, op. 9: I. Préambule | — | ||
| 7-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 7-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 7-4 | Carnaval, op. 9: IV. Valse noble | — | ||
| 7-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 7-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 7-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 7-8 | Carnaval, op. 9: VIII. Réplique | — | ||
| 7-9 | Carnaval, op. 9: Sphinxes | — | ||
| 7-10 | Carnaval, op. 9: IX. Papillons | Catherine Collard | T-910.760.612-2 | |
| 7-11 | Carnaval, op. 9: X. A.S.C.H.-S.C.H.A.: Lettres dansantes | — | ||
| 7-12 | Carnaval, op. 9: XI. Chiarina | — | ||
| 7-13 | Carnaval, op. 9: XII. Chopin | — | ||
| 7-14 | Carnaval, op. 9: XIII. Estrella | — | ||
| 7-15 | Carnaval, op. 9: XIV. Reconnaissance | — | ||
| 7-16 | Carnaval, op. 9: XV. Pantalon et Colombine | — | ||
| 7-17 | Carnaval, op. 9: XVI. Valse allemande | — | ||
| 7-18 | Carnaval, op. 9: Intermezzo: Paganini | — | ||
| 7-19 | Carnaval, op. 9: XVII. Aveu | — | ||
| 7-20 | Carnaval, op. 9: XVIII. Promenade | — | ||
| 7-21 | Carnaval, op. 9: XIX. Pause | — | ||
| 7-22 | Carnaval, op. 9: XX. Marche des Davidsbündler contre les Philistins | — | ||
| 7-23 | Symphonic Etudes, op. 13 & Op. post: Thema | — | ||
| 7-24 | Symphonic Etudes, op. 13 & Op. post: Variation I (Etude I) | — | ||
| 7-25 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation I | — | ||
| 7-26 | Symphonic Etudes, op. 13 & Op. post: Variation II (Etude II) | — | ||
| 7-27 | Symphonic Etudes, op. 13 & Op. post: Etude III | — | ||
| 7-28 | Symphonic Etudes, op. 13 & Op. post: Variation III (Etude IV) | — | ||
| 7-29 | Symphonic Etudes, op. 13 & Op. post: Variation IV (Etude V) | — | ||
| 7-30 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation IV | — | ||
| 7-31 | Symphonic Etudes, op. 13 & Op. post: Variation V (Etude VI) | — | ||
| 7-32 | Symphonic Etudes, op. 13 & Op. post: Variation VI (Etude VII) | — | ||
| 7-33 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation II | — | ||
| 7-34 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation V | — | ||
| 7-35 | Symphonic Etudes, op. 13 & Op. post: Variation VIII (Etude VIII) | — | ||
| 7-36 | Symphonic Etudes, op. 13 & Op. post: Etude IX | — | ||
| 7-37 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation III | — | ||
| 7-38 | Symphonic Etudes, op. 13 & Op. post: Variation X (Etude X) | — | ||
| 7-39 | Symphonic Etudes, op. 13 & Op. post: Variation XI (Etude XI) | — | ||
| 7-40 | Symphonic Etudes, op. 13 & Op. post: Finale (Etude XII) | — | ||
| 7-41 | Sonata in B minor, S. 178 | — | ||
| 8-1 | Hojas de album, op. 165 "España" no. 3, Malagueña | — | ||
| 8-2 | Cantos de España, op. 232 no. 5: Seguidillas | — | ||
| 8-3 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 8-4 | Sonata no 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 8-5 | Sonata no 3 in B minor, op. 58: II. Scherzo (molto vivace) | — | ||
| 8-6 | Sonata no 3 in B minor, op. 58: III. Largo | — | ||
| 8-7 | Sonata no 3 in B minor, op. 58: IV. Finale (presto, ma non tanto) | — | ||
| 8-8 | Tarantelle in A flat major, op. 43 | — | ||
| 8-9 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 8-10 | "La leggierezza" (Cortot ending) in F minor from Trois Etudes de Concert | — | ||
| 8-11 | Etude en forme de valse, op. 52 no. 6 | — | ||
| 9-1 | Préludes, Book I: I. Danseuses de Delphes: Lent et grave | — | ||
| 9-2 | Préludes, Book I: II. Voiles: Modéré | — | ||
| 9-3 | Préludes, Book I: III. Le vent dans la plaine: Animé | — | ||
| 9-4 | Préludes, Book I: IV. Les sons et les parfums tournent dans l'air du soir: Modéré | — | ||
| 9-5 | Préludes, Book I: V. Les collines d'Anacapri: Très modéré | — | ||
| 9-6 | Préludes, Book I: VI. Des pas sur la neige: Triste et lent | — | ||
| 9-7 | Préludes, Book I: VII. Ce qu'a vu le vent d'ouest: Animé et tumultueux | — | ||
| 9-8 | Préludes, Book I: VIII. La fille aux cheveux de lin: Très calme et doucement expressif | — | ||
| 9-9 | Préludes, Book I: IX. La sérénade interrompue: Modérément animé | — | ||
| 9-10 | Préludes, Book I: X. La cathédrale engloutie: Profondément calme | — | ||
| 9-11 | Préludes, Book I: XI. La danse de Puck: Capricieux et léger | — | ||
| 9-12 | Préludes, Book I: XII. Minstrels: Modéré | — | ||
| 9-13 | Sonatine: I. Modéré | — | ||
| 9-14 | Sonatine: II. Mouvement de menuet | — | ||
| 9-15 | Sonatine: III. Animé | — | ||
| 9-16 | Jeux d'eau | — | ||
| 9-17 | Prélude, Aria et Final: Prélude | — | ||
| 9-18 | Prélude, Aria et Final: Aria | — | ||
| 9-19 | Prélude, Aria et Final: Final | — | ||
| 10-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 10-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 10-3 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 10-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 10-5 | Impromptu no. 1 in A flat major, op. 29 | — | ||
| 10-6 | Impromptu no. 2 in F sharp major, op. 36 | — | ||
| 10-7 | Impromptu no. 3 in G-flat major, op. 51 | — | ||
| 10-8 | Fantaisie-Impromptu in C sharp minor, op. 66 | — | ||
| 10-9 | Fantasie, op. 49 | — | ||
| 10-10 | Tarantelle in A flat major, op. 43 | — | ||
| 10-11 | Polonaise no. 6 in A flat major, op. 53 "Heroic" | — | ||
| 11-1 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave (Doppio movimento) | — | ||
| 11-2 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 11-3 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (Lento) | — | ||
| 11-4 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (Presto) | — | ||
| 11-5 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 11-6 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo (molto vivace) | — | ||
| 11-7 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 11-8 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale (presto, ma non tanto) | — | ||
| 11-9 | Preludes, op. 28 no. 1 in C major. Agitato | — | ||
| 11-10 | Preludes, op. 28 no. 2 in A minor. Lento | — | ||
| 11-11 | Preludes, op. 28 no. 3 in G major. Vivace | — | ||
| 11-12 | Preludes, op. 28 no. 4 in E minor. Largo | — | ||
| 11-13 | Preludes, op. 28 no. 5 in D major. Allegro molto | — | ||
| 11-14 | Preludes, op. 28 no. 6 in B minor. Lento assai | — | ||
| 11-15 | Preludes, op. 28 no. 7 in A major. Andantino | — | ||
| 11-16 | Preludes, op. 28 no. 8 in F sharp minor. Molto agitato | — | ||
| 11-17 | Preludes, op. 28 no. 9 in E major. Largo | — | ||
| 11-18 | Preludes, op. 28 no. 10 in C sharp minor. Allegro molto | — | ||
| 11-19 | Preludes, op. 28 no. 11 in B major. Vivace | — | ||
| 11-20 | Preludes, op. 28 no. 12 in G sharp minor. Presto | — | ||
| 11-21 | Preludes, op. 28 no. 13 in F sharp major. Lento | — | ||
| 11-22 | Preludes, op. 28 no. 14 in E flat minor. Allegro | — | ||
| 11-23 | Preludes, op. 28 no. 15 in D flat major. Sostenuto | — | ||
| 11-24 | Preludes, op. 28 no. 16 in B flat minor. Presto con fuoco | — | ||
| 11-25 | Preludes, op. 28 no. 17 in A flat major. Allegretto | — | ||
| 11-26 | Preludes, op. 28 no. 18 in F minor. Allegro molto | — | ||
| 11-27 | Preludes, op. 28 no. 19 in E flat major. Vivace | — | ||
| 11-28 | Preludes, op. 28 no. 20 in C minor. Largo | — | ||
| 11-29 | Preludes, op. 28 no. 21 in B flat major. Cantabile | — | ||
| 11-30 | Preludes, op. 28 no. 22 in G minor. Molt agitato | — | ||
| 11-31 | Preludes, op. 28 no. 23 in F major. Moderato | — | ||
| 11-32 | Preludes, op. 28 no. 24 in D minor. Allegro appassionato | — | ||
| 12-1 | Barcarolle in F sharp major, op. 60 | — | ||
| 12-2 | Etude, op. 10 no. 1 in C major | — | ||
| 12-3 | Etude, op. 10 no. 2 in A minor | — | ||
| 12-4 | Etude, op. 10 no. 3 in E major | — | ||
| 12-5 | Etude, op. 10 no. 4 in C-sharp minor | — | ||
| 12-6 | Etude, op. 10 no. 5 in G-flat major | — | ||
| 12-7 | Etude, op. 10 no. 6 in E-flat minor | — | ||
| 12-8 | Etude, op. 10 no. 7 in C major | — | ||
| 12-9 | Etude, op. 10 no. 8 in F major | — | ||
| 12-10 | Etude, op. 10 no. 9 in F minor | — | ||
| 12-11 | Etude, op. 10 no. 10 in A-flat major | — | ||
| 12-12 | Etude, op. 10 no. 11 in E-flat major | — | ||
| 12-13 | Etude, op. 10 no. 12 in C minor | — | ||
| 12-14 | Etude, op. 25 no. 1 in A-flat major | — | ||
| 12-15 | Etude, op. 25 no. 2 in F minor | — | ||
| 12-16 | Etude, op. 25 no. 3 in F major | — | ||
| 12-17 | Etude, op. 25 no. 4 in A minor | — | ||
| 12-18 | Etude, op. 25 no. 5 in E minor | — | ||
| 12-19 | Etude, op. 25 no. 6 in G-sharp minor | — | ||
| 12-20 | Etude, op. 25 no. 7 in C-sharp minor | — | ||
| 12-21 | Etude, op. 25 no. 8 in D-flat major | — | ||
| 12-22 | Etude, op. 25 no. 9 in G-flat major | — | ||
| 12-23 | Etude, op. 25 no. 10 in B minor | — | ||
| 12-24 | Etude, op. 25 no. 11 in A minor | — | ||
| 12-25 | Etude, op. 25 no. 12 in C minor | — | ||
| 13-1 | Waltz for piano no. 1 in E flat major, op. 18 | — | ||
| 13-2 | Waltz for piano no. 2 in A flat major, op. 34 no. 1 | — | ||
| 13-3 | Waltz for piano no. 3 in A minor, op. 34 no. 2 | — | ||
| 13-4 | Waltz for piano no. 4 in F major, op. 34 no. 3 | — | ||
| 13-5 | Waltz for piano no. 5 in A flat major, op. 42 | — | ||
| 13-6 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 13-7 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 13-8 | Waltz for piano no. 8 in A flat major, op. 64 no. 3 | — | ||
| 13-9 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 13-10 | Waltz for piano no. 10 in B minor, op. 69 no. 2 | — | ||
| 13-11 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 13-12 | Waltz for piano no. 12 in F minor, op. 70 no. 2 | — | ||
| 13-13 | Waltz for piano no. 13 in D flat major, op. 70 no. 3 | — | ||
| 13-14 | Waltz for piano no. 14 in E minor, op. posth. | — | ||
| 13-15 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 13-16 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 13-17 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 14-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 14-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 14-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 14-4 | Symphonic Variations | — | ||
| 14-5 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato - Andante | — | ||
| 14-6 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 15-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 15-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 15-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 15-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 15-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 15-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 15-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 15-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 15-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 15-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 15-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 15-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 15-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 15-14 | Papillons, op. 2 | — | ||
| 15-15 | Kreisleriana, op. 16 no. 1: Äußerst bewegt | — | ||
| 15-16 | Kreisleriana, op. 16 no. 2: Sehr innig und nicht zu rasch | — | ||
| 15-17 | Kreisleriana, op. 16 no. 3: Sehr aufgeregt | — | ||
| 15-18 | Kreisleriana, op. 16 no. 4: Sehr langsam | — | ||
| 15-19 | Kreisleriana, op. 16 no. 5: Sehr lebhaft | — | ||
| 15-20 | Kreisleriana, op. 16 no. 6: Sehr langsam | — | ||
| 15-21 | Kreisleriana, op. 16 no. 7: Sehr rasch | — | ||
| 15-22 | Kreisleriana, op. 16 no. 8: Schnell und spielend | — | ||
| 16-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 16-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 16-3 | Davidsbündlertänze, op. 6: III. Mit Humor | — | ||
| 16-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 16-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 16-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch | — | ||
| 16-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell | — | ||
| 16-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 16-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 16-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig sehr rasch | — | ||
| 16-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 16-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 16-13 | Davidsbündlertänze, op. 6: XIII. Wild und lustig | — | ||
| 16-14 | Davidsbündlertänze, op. 6: XIV. Zart und singend | — | ||
| 16-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 16-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 16-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 16-18 | Davidsbündlertänze, op. 6: XVIII. Nicht schnell | — | ||
| 16-19 | Ländler, D. 790 | — | ||
| 16-20 | Litanei, D. 343 (arr. Cortot) | — | ||
| 16-21 | Saint Francois de Paule marchant sur les flots, Légende S. 175 no. 2 | — | ||
| 16-22 | Aria from Concerto in F minor, BWV 1056 | Alfred Cortot | — | |
| 16-23 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): I. Praeludium | — | ||
| 16-24 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): II. Sicilliennne | — | ||
| 16-25 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): III. Finale | — | ||
| 16-26 | Minuet (arr. Archibald Martin Henderson) | — | ||
| 16-27 | Siciliana (arr. Archibald Martin Henderson) | — | ||
| 16-28 | Gavotte (arr. Archibald Martin Henderson) | — | ||
| 16-29 | Air (arr. Archibald Martin Henderson) | — | ||
| 16-30 | Des Abends from Fantaisestücke, op. 12 | — | ||
| 17-1 | Song without words in E major, op. 19 no. 1 | — | ||
| 17-2 | Variations Sérieuses in D minor, op. 54 | — | ||
| 17-3 | Polish Song, op. 74 no. 12, My Joys (arr. Liszt) | — | ||
| 17-4 | Polish Song, op. 74 no. 2, Spring (arr. Liszt) | — | ||
| 17-5 | Polish Song, op. 74 no. 14, The Ring (arr. Liszt) | — | ||
| 17-6 | Piano Sonata no. 2 in A flat major, op. 39: I. Allegro moderato con spirito ed assai legato | — | ||
| 17-7 | Piano Sonata no. 2 in A flat major, op. 39: II. Andante | — | ||
| 17-8 | Piano Sonata no. 2 in A flat major, op. 39: III. Menuetto. Capriccio | — | ||
| 17-9 | Piano Sonata no. 2 in A flat major, op. 39: IV. Rondo. Moderato e melto grazioso | — | ||
| 17-10 | Piano Concerto for the Left Hand | — | ||
| 18-1 | Etude, op. 10 no. 1 in C major | — | ||
| 18-2 | Etude, op. 10 no. 2 in A minor | — | ||
| 18-3 | Etude, op. 10 no. 3 in E major | — | ||
| 18-4 | Etude, op. 10 no. 4 in C-sharp minor | — | ||
| 18-5 | Etude, op. 10 no. 5 in G-flat major | — | ||
| 18-6 | Etude, op. 10 no. 6 in E-flat minor | — | ||
| 18-7 | Etude, op. 10 no. 7 in C major | — | ||
| 18-8 | Etude, op. 10 no. 8 in F major | — | ||
| 18-9 | Etude, op. 10 no. 9 in F minor | — | ||
| 18-10 | Etude, op. 10 no. 10 in A-flat major | — | ||
| 18-11 | Etude, op. 10 no. 11 in E-flat major | — | ||
| 18-12 | Etude, op. 10 no. 12 in C minor | — | ||
| 18-13 | Etude, op. 25 no. 1 in A-flat major | — | ||
| 18-14 | Etude, op. 25 no. 2 in F minor | — | ||
| 18-15 | Etude, op. 25 no. 3 in F major | — | ||
| 18-16 | Etude, op. 25 no. 4 in A minor | — | ||
| 18-17 | Etude, op. 25 no. 5 in E minor | — | ||
| 18-18 | Etude, op. 25 no. 6 in G-sharp minor | — | ||
| 18-19 | Etude, op. 25 no. 7 in C-sharp minor | — | ||
| 18-20 | Etude, op. 25 no. 8 in D-flat major | — | ||
| 18-21 | Etude, op. 25 no. 9 in G-flat major | — | ||
| 18-22 | Etude, op. 25 no. 10 in B minor | — | ||
| 18-23 | Etude, op. 25 no. 11 in A minor | — | ||
| 18-24 | Etude, op. 25 no. 12 in C minor | — | ||
| 19-1 | Prélude in C major, op. 28 no. 1: Agitato | — | ||
| 19-2 | Prélude in A minor, op. 28 no. 2: Lento | — | ||
| 19-3 | Prélude in G major, op. 28 no. 3: Vivace | — | ||
| 19-4 | Prélude in E minor, op. 28 no. 4: Largo | — | ||
| 19-5 | Prélude in D major, op. 28 no. 5: Molto allegro | — | ||
| 19-6 | Prélude in B minor, op. 28 no. 6: Lento assai | — | ||
| 19-7 | Prélude in A major, op. 28 no. 7: Andantino | — | ||
| 19-8 | Prélude in F sharp minor, op. 28 no. 8: Molto agitato | — | ||
| 19-9 | Prélude in E major, op. 28 no. 9: Largo | — | ||
| 19-10 | Prélude in C sharp minor, op. 28 no. 10: Molto allegro | — | ||
| 19-11 | Prélude in B major, op. 28 no. 11: Vivace | — | ||
| 19-12 | Prélude in G sharp minor, op. 28 no. 12: Presto | — | ||
| 19-13 | Prélude in F sharp major, op. 28 no. 13: Lento | — | ||
| 19-14 | Prélude in E-flat minor, op. 28 no. 14: Allegro | — | ||
| 19-15 | Prélude in D flat major, op. 28 no. 15 "Raindrop": Sostenuto | — | ||
| 19-16 | Prélude in B flat minor, op. 28 no. 16: Presto con fuoco | — | ||
| 19-17 | Prélude in A flat major, op. 28 no. 17: Allegretto | — | ||
| 19-18 | Prélude in F minor, op. 28 no. 18: Molto allegro | — | ||
| 19-19 | Prélude in E flat major, op. 28 no. 19: Vivace | — | ||
| 19-20 | Prélude in C minor, op. 28 no. 20: Largo | — | ||
| 19-21 | Prélude in B flat major, op. 28 no. 21: Cantabile | — | ||
| 19-22 | Prélude in G minor, op. 28 no. 22: Molto agitato | — | ||
| 19-23 | Prélude in F major, op. 28 no. 23: Moderato | — | ||
| 19-24 | Prélude in D minor, op. 28 no. 24: Allegro appassionato | — | ||
| 19-25 | Waltz for piano no. 1 in E flat major, op. 18 | — | ||
| 19-26 | Waltz for piano no. 2 in A flat major, op. 34 no. 1 | — | ||
| 19-27 | Waltz for piano no. 3 in A minor, op. 34 no. 2 | — | ||
| 19-28 | Waltz for piano no. 4 in F major, op. 34 no. 3 | — | ||
| 19-29 | Waltz for piano no. 5 in A flat major, op. 42 | — | ||
| 19-30 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 19-31 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 19-32 | Waltz for piano no. 8 in A flat major, op. 64 no. 3 | — | ||
| 19-33 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 19-34 | Waltz for piano no. 10 in B minor, op. 69 no. 2 | — | ||
| 19-35 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 19-36 | Waltz for piano no. 12 in F minor, op. 70 no. 2 | — | ||
| 19-37 | Waltz for piano no. 13 in D flat major, op. 70 no. 3 | — | ||
| 19-38 | Waltz for piano no. 14 in E minor, op. posth. | — | ||
| 20-1 | Kinderszenen op. 15: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen op. 15: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen op. 15: Hasche-Mann | — | ||
| 20-4 | Kinderszenen op. 15: Bittendes Kind | — | ||
| 20-5 | Kinderszenen op. 15: Glückes genug | — | ||
| 20-6 | Kinderszenen op. 15: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen op. 15: Träumerei | — | ||
| 20-8 | Kinderszenen op. 15: Am Kamin | — | ||
| 20-9 | Kinderszenen op. 15: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen op. 15: Fast zu ernst | — | ||
| 20-11 | Kinderszenen op. 15: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen op. 15: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen op. 15: Der Dichter spricht | — | ||
| 20-14 | Children's Corner: I. Doctor Gradus ad Parnassum (Moderémént animé) | — | ||
| 20-15 | Children's Corner: II. Jimbo's Lullaby (Assez Modéré) | — | ||
| 20-16 | Children's Corner: III. Serenade For The Doll (Allegretto ma non troppo) | — | ||
| 20-17 | Children's Corner: IV. The Snow Is Dancing (Moderémént animé) | — | ||
| 20-18 | Children's Corner: V. The Little Shepherd (Très modéré) | — | ||
| 20-19 | Children's Corner: VI. Golliwogg's Cakewalk (Allegro giusto) | — | ||
| 20-20 | Prelude no. 10, La cathédrale engloutie (Book I) | — | ||
| 20-21 | Prélude, Aria et Final: I. Prélude | — | ||
| 20-22 | Prélude, Aria et Final: II. Aria | — | ||
| 20-23 | Prélude, Aria et Final: III. Final | — | ||
| 20-24 | Trois Nouvelles Etudes, no. 1 in F minor | — | ||
| 20-25 | Trois Nouvelles Etudes, no. 2 in D flat major | — | ||
| 20-26 | Trois Nouvelles Etudes, no. 3 in A flat major | — | ||
| 21-1 | Prelude in C sharp minor, op. 45 | — | ||
| 21-2 | Nocturne no. 15 in F minor, op. 55 no. 1 | — | ||
| 21-3 | Nocturne no. 16 in E flat major, op. 55 no. 2 | — | ||
| 21-4 | Nocturne no. 16 in E flat major, op. 55 no. 2 | — | ||
| 21-5 | Polonaise-Fantaisie no. 7 in A flat major, op. 61 | — | ||
| 21-6 | Nocturne no. 5 in F sharp major, op. 15 no. 2 (take on shell) | — | ||
| 21-7 | Nocturne no. 5 in F sharp major, op. 15 no. 2 (take on tape) | — | ||
| 21-8 | Vogel als Prophet (Waldszenen, op. 82 no. 7) (take on shell) | — | ||
| 21-9 | Vogel als Prophet (Waldszenen, op. 82 no. 7) (take on tape) | — | ||
| 21-10 | Wiegenlied, op. 49 no. 4 (arr. Cortot) | — | ||
| 21-11 | Litanei, D. 343 (arr. Cortot) | — | ||
| 21-12 | Concerto in F minor, BWV 1056: Aria (Adagio) (take on shell) | — | ||
| 21-13 | Concerto in F minor, BWV 1056: Aria (Adagio) (take on tape) | — | ||
| 21-14 | Harpsichord Suites no. 1 & 8 in G major, Z. 660 & 669 (take on shell) | — | ||
| 21-15 | Harpsichord Suites no. 1 & 8 in G major, Z. 660 & 669 (take on tape) | — | ||
| 22-1 | Préludes, Book I: I. Danseuses de Delphes | — | ||
| 22-2 | Préludes, Book I: II. Voiles | — | ||
| 22-3 | Préludes, Book I: III. Le vent dans la plaine | — | ||
| 22-4 | Préludes, Book I: IV. Les sons et les parfums tournent dans l'air du soir | — | ||
| 22-5 | Préludes, Book I: V. Les collines d'Anacapri | — | ||
| 22-6 | Préludes, Book I: VI. Des pas sur la neige | — | ||
| 22-7 | Préludes, Book I: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 22-8 | Préludes, Book I: VIII. La fille aux cheveux de lin | — | ||
| 22-9 | Préludes, Book I: IX. La sérénade interrompue | — | ||
| 22-10 | Préludes, Book I: X. La cathédrale engloutie | — | ||
| 22-11 | Préludes, Book I: XI. La danse de Puck | — | ||
| 22-12 | Préludes, Book I: XII. Minstrels | — | ||
| 22-13 | Berceuse in D flat major, op. 57 | — | ||
| 22-14 | 3 Nouvelles études, no. 1 in F minor, op. posth. | — | ||
| 22-15 | 3 Nouvelles études, no. 2 in D flat major, op. posth. | — | ||
| 22-16 | 3 Nouvelles études, no. 3 in A flat major, op. posth. | — | ||
| 22-17 | Waltz no. 6 in D flat major, op. 64 no. 1 | — | ||
| 22-18 | Prelude in C sharp minor, op. 45 | — | ||
| 22-19 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 22-20 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 22-21 | Waltz no. 11 in G flat major, op. 70 no. 1 | — | ||
| 23-1 | Prelude in D flat major, op. 28 no. 15 | — | ||
| 23-2 | Mazurka no. 2 in C sharp minor, op. 6 no. 2 | — | ||
| 23-3 | Mazurka no. 41 in C sharp minor, op. 63 no. 3 | — | ||
| 23-4 | Variations sérieuses in D minor, op. 54 | — | ||
| 23-5 | Barcarolle in F sharp major, op. 60 | — | ||
| 23-6 | Etude in E major, op. 10 no. 3 | — | ||
| 23-7 | Etude in C sharp minor, op. 10 no. 4 | — | ||
| 23-8 | Etude in F minor, op. 25 no. 2 | — | ||
| 23-9 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 23-10 | Nocturne no. 7 in C sharp minor, op. 27 no. 1 | — | ||
| 23-11 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 23-12 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 23-13 | Waltz no. 12 in F minor, op. 70 no. 2 | — | ||
| 23-14 | Ländler, D. 790 | — | ||
| 24-1 | Etude in E major, op. 10 no. 3 | — | ||
| 24-2 | Etude in G flat major, op. 25 no. 9 | — | ||
| 24-3 | Fantaisie in F minor, op. 49 | — | ||
| 24-4 | Impromptu no. 2 in F sharp major, op. 36 | — | ||
| 24-5 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 24-6 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave | — | ||
| 24-7 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 24-8 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (lento) | — | ||
| 24-9 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (presto) | — | ||
| 24-10 | Scherzo no. 2 in B flat minor, op. 31 | — | ||
| 24-11 | Scherzo no. 3 in C sharp minor, op. 39 | — | ||
| 24-12 | Grande Polonaise in E flat major, op. 22 | — | ||
| 24-13 | Polonaise no. 6 in A flat major, op. 53 "Héroïque" | — | ||
| 25-1 | Prelude in D flat major, op. 28 no. 15 | — | ||
| 25-2 | Waltz for piano no. 6 in D-flat major, op. 64 no. 1 | — | ||
| 25-3 | Children's Corner: VI. Golliwogg's Cakewalk (Allegro giusto) | — | ||
| 25-4 | Hungarian Rhapsody no 2 in C sharp minor, S. 244 | — | ||
| 25-5 | Hungarian Rhapsody no 11 in A minor, S. 244 | — | ||
| 25-6 | Variations sérieuses in D minor, op. 54 | — | ||
| 25-7 | Six Études pour la main gauche seule no. 4, op. 135: Bourrée | — | ||
| 25-8 | Litanei, D. 343 (arr. Cortot) | — | ||
| 25-9 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 25-10 | Wiegenlied, op. 49 no. 4 (arr. Cortot) | — | ||
| 25-11 | Waltz no. 11 in G flat major, op. 70 no. 1 | — | ||
| 25-12 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave | — | ||
| 25-13 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 25-14 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (lento) | — | ||
| 25-15 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (presto) | — | ||
| 25-16 | Hungarian Rhapsody no 11 in A minor, S. 244 | — | ||
| 25-17 | Litanei, D. 343 (arr. Cortot) | — | ||
| 26-1 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 26-2 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 26-3 | Children's Corner: III. Serenade for the Doll | — | ||
| 26-4 | Children's Corner: II. The Snow is Dancing | — | ||
| 26-5 | Children's Corner: V. The Little Shepherd | — | ||
| 26-6 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 26-7 | Etudes symphoniques, op. 13 & Op. posth.: Thema | — | ||
| 26-8 | Etudes symphoniques, op. 13 & Op. posth.: Variation I | — | ||
| 26-9 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation I | — | ||
| 26-10 | Etudes symphoniques, op. 13 & Op. posth.: Variation II | — | ||
| 26-11 | Etudes symphoniques, op. 13 & Op. posth.: Etude III | — | ||
| 26-12 | Etudes symphoniques, op. 13 & Op. posth.: Variation III | — | ||
| 26-13 | Etudes symphoniques, op. 13 & Op. posth.: Variation IV | — | ||
| 26-14 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation IV | — | ||
| 26-15 | Etudes symphoniques, op. 13 & Op. posth.: Variation V | — | ||
| 26-16 | Etudes symphoniques, op. 13 & Op. posth.: Variation VI | — | ||
| 26-17 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation II | — | ||
| 26-18 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation V | — | ||
| 26-19 | Etudes symphoniques, op. 13 & Op. posth.: Variation VII | — | ||
| 26-20 | Etudes symphoniques, op. 13 & Op. posth.: Etude IX | — | ||
| 26-21 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation III | — | ||
| 26-22 | Etudes symphoniques, op. 13 & Op. posth.: Variation VIII | — | ||
| 26-23 | Etudes symphoniques, op. 13 & Op. posth.: Variation XI | — | ||
| 26-24 | Etudes symphoniques, op. 13 & Op. posth.: Finale | — | ||
| 26-25 | Carnaval, op. 9: Préambule | — | ||
| 26-26 | Carnaval, op. 9: Pierrot | — | ||
| 26-27 | Carnaval, op. 9: Arlequin | — | ||
| 26-28 | Carnaval, op. 9: Valse noble | — | ||
| 26-29 | Carnaval, op. 9: Eusebius | — | ||
| 26-30 | Carnaval, op. 9: Florestan | — | ||
| 26-31 | Carnaval, op. 9: Coquette | — | ||
| 26-32 | Carnaval, op. 9: Réplique | — | ||
| 26-33 | Carnaval, op. 9: Sphinxes | — | ||
| 26-34 | Carnaval, op. 9: Papillons | — | ||
| 26-35 | Carnaval, op. 9: A.S.C.H-S-C-H-A (Lettres dansantes) | — | ||
| 26-36 | Carnaval, op. 9: Chiarina | — | ||
| 26-37 | Carnaval, op. 9: Chopin | — | ||
| 26-38 | Carnaval, op. 9: Estrella | — | ||
| 26-39 | Carnaval, op. 9: Reconnaissance | — | ||
| 26-40 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 26-41 | Carnaval, op. 9: Valse Allemande | — | ||
| 26-42 | Carnaval, op. 9: Paganini | — | ||
| 26-43 | Carnaval, op. 9: Aveu | — | ||
| 26-44 | Carnaval, op. 9: Promenade | — | ||
| 26-45 | Carnaval, op. 9: Pause | — | ||
| 26-46 | Carnaval, op. 9: Marche des Davidsbündler contre les Philistins | — | ||
| 27-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 27-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 27-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 27-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 27-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 27-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 27-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 27-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 27-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 27-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 27-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 27-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 27-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 27-14 | Kreisleriana, op. 16 no. 1: Äußerst bewegt | — | ||
| 27-15 | Kreisleriana, op. 16 no. 2: Sehr innig und nicht zu rasch | — | ||
| 27-16 | Kreisleriana, op. 16 no. 3: Sehr aufgeregt | — | ||
| 27-17 | Kreisleriana, op. 16 no. 4: Sehr langsam | — | ||
| 27-18 | Kreisleriana, op. 16 no. 5: Sehr lebhaft | — | ||
| 27-19 | Kreisleriana, op. 16 no. 6: Sehr langsam | — | ||
| 27-20 | Kreisleriana, op. 16 no. 7: Sehr rasch | — | ||
| 27-21 | Kreisleriana, op. 16 no. 8: Schnell und spielend | — | ||
| 27-22 | Berceuse in D flat major, op. 57 | — | ||
| 27-23 | Etude in G flat major, op. 10 no. 5 | — | ||
| 27-24 | Etude in F minor, op. 25 no. 2 | — | ||
| 27-25 | Etude in G flat major, op. 25 no. 9 | — | ||
| 27-26 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 27-27 | Tarantelle in A flat major, op. 43 | — | ||
| 27-28 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 27-29 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 27-30 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 27-31 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 27-32 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 28-1 | Preludes, op. 28 no. 1 in C major | — | ||
| 28-2 | Preludes, op. 28 no. 2 in A minor | — | ||
| 28-3 | Preludes, op. 28 no. 3 in G major | — | ||
| 28-4 | Preludes, op. 28 no. 4 in E minor | — | ||
| 28-5 | Preludes, op. 28 no. 5 in D major | — | ||
| 28-6 | Preludes, op. 28 no. 6 in B minor | — | ||
| 28-7 | Preludes, op. 28 no. 7 in A major | — | ||
| 28-8 | Preludes, op. 28 no. 8 in F sharp minor | — | ||
| 28-9 | Preludes, op. 28 no. 9 in E major | — | ||
| 28-10 | Preludes, op. 28 no. 10 in C sharp minor | — | ||
| 28-11 | Preludes, op. 28 no. 11 In B major | — | ||
| 28-12 | Preludes, op. 28 no. 12 in G sharp minor | — | ||
| 28-13 | Preludes, op. 28 no. 13 in F sharp major | — | ||
| 28-14 | Preludes, op. 28 no. 14 in E flat minor | — | ||
| 28-15 | Preludes, op. 28 no. 15 in D flat major | — | ||
| 28-16 | Preludes, op. 28 no. 16 in B flat minor | — | ||
| 28-17 | Preludes, op. 28 no. 17 in A flat major | — | ||
| 28-18 | Preludes, op. 28 no. 18 in F minor | — | ||
| 28-19 | Preludes, op. 28 no. 19 in E flat major | — | ||
| 28-20 | Preludes, op. 28 no. 20 in C minor | — | ||
| 28-21 | Preludes, op. 28 no. 21 in B flat major | — | ||
| 28-22 | Preludes, op. 28 no. 22 in G minor | — | ||
| 28-23 | Preludes, op. 28 no. 23 in F major | — | ||
| 28-24 | Preludes, op. 28 no. 24 in D minor | — | ||
| 28-25 | Ballade no. 1 in G minor, op. 23 | — | ||
| 28-26 | Ballade no. 2 in F major, op. 38 | — | ||
| 28-27 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 28-28 | Ballade no. 4 in F minor, op. 52 | — | ||
| 29-1 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: I. Andante | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-2 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: II. Poco adagio cantabile | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-3 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: III. Rondo all'ongarese | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-4 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-5 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-6 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto | Pau Casals, Alfred Cortot, Jacques Thibaud | T-917.033.932-9 | |
| 29-7 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-8 | 10 Variations in G major, op. 121a "Kakadu Variations" | — | ||
| 29-9 | 7 Variations in E flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-1 | Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-2 | Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-3 | Piano Trio no. 1 in B flat major, D. 898: III. Allegro | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-4 | Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-5 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: I. Molto allegro ed agitato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-6 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: II. Andante con moto tranquillo | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-7 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: III. Scherzo | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-8 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: IV. Finale | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-1 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: I. Mit Energie und Leidenschaft | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-2 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: II. Lebhaft, doch nicht zu rasch | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-3 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: III. Langsam, mit inniger Empfindung | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-4 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: IV. Mit Feuer | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-5 | Violin Sonata no. 9 in A major, op. 47: I. Adagio sostenuto - Presto | — | ||
| 31-6 | Violin Sonata no. 9 in A major, op. 47: II. Andante con variazioni 1-4 | — | ||
| 31-7 | Violin Sonata no. 9 in A major, op. 47: III. Finale (Presto) | — | ||
| 32-1 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 32-2 | Violin Sonata in A major: II. Allegro | — | ||
| 32-3 | Violin Sonata in A major: III. Recitativo: ben moderato - Fantasia: Molto lento | — | ||
| 32-4 | Violin Sonata in A major: IV. Rondo: allegro vivace - Presto | — | ||
| 32-5 | Piano Quintet in F minor: I. Molto moderato quasi lento | — | ||
| 32-6 | Piano Quintet in F minor: II. Lento con molto sentimento | — | ||
| 32-7 | Piano Quintet in F minor: III. Allegro non troppo ma non fuoco | — | ||
| 33-1 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 33-2 | Violin Sonata in A major: II. Allegro | — | ||
| 33-3 | Violin Sonata in A major: III. Recitativo: Ben moderato - Fantasia: molto lento | — | ||
| 33-4 | Violin Sonata in A major: IV. Rondo : allegro vivace - Presto | — | ||
| 33-5 | Violin Sonata no. 1 in A major, op. 13: I. Allegro molto | — | ||
| 33-6 | Violin Sonata no. 1 in A major, op. 13: II. Andante | — | ||
| 33-7 | Violin Sonata no. 1 in A major, op. 13: III. Allegro vivo | — | ||
| 33-8 | Violin Sonata no. 1 in A major, op. 13: IV. Allegro quasi presto | — | ||
| 33-9 | Berceuse in D major, op. 16 | — | ||
| 33-10 | Violin Sonata in G minor: I. Allegro vivo | — | ||
| 33-11 | Violin Sonata in G minor: II. Intermède : fantasque et léger | — | ||
| 33-12 | Violin Sonata in G minor: III. Finale : très animé | — | ||
| 33-13 | Prelude no. 12, Minstrels (for piano and violin) | — | ||
| 34-1 | Double Concerto in A minor, op. 102: I. Allegro | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-2 | Double Concerto in A minor, Op. 102: II. Andante | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-3 | Double Concerto in A minor, op. 102: III. Vivace ma non tanto | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-4 | Concerto for piano, violin and string quartet in D major, op. 21: I. Décidé | — | ||
| 34-5 | Concerto for piano, violin and string quartet in D major, op. 21: II. Sicilienne | — | ||
| 34-6 | Concerto for piano, violin and string quartet in D major, op. 21: III. Grave | — | ||
| 34-7 | Concerto for piano, violin and string quartet in D major, op. 21: IV. Finale (Très animé) | — | ||
| 35-1 | Huitième concert dans le goût théâtral in G major: Ouverture | — | ||
| 35-2 | Huitième concert dans le goût théâtral in G major: Ritournelle | — | ||
| 35-3 | Huitième concert dans le goût théâtral in G major: Air | — | ||
| 35-4 | Huitième concert dans le goût théâtral in G major: Air tendre | — | ||
| 35-5 | Huitième concert dans le goût théâtral in G major: Air léger | — | ||
| 35-6 | Huitième concert dans le goût théâtral in G major: Loure | — | ||
| 35-7 | Huitième concert dans le goût théâtral in G major: Air animé | — | ||
| 35-8 | Huitième concert dans le goût théâtral in G major: Sarabande | — | ||
| 35-9 | Huitième concert dans le goût théâtral in G major: Air léger | — | ||
| 35-10 | Huitième concert dans le goût théâtral in G major: Air tendre | — | ||
| 35-11 | Huitième concert dans le goût théâtral in G major: Air des bacchantes | — | ||
| 35-12 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | — | ||
| 35-13 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | — | ||
| 35-14 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | — | ||
| 35-15 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet 1 - Trio 1 - Menuet 2 - Polacca - Menuet 3 - Trio 2 - Menuet | — | ||
| 35-16 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | — | ||
| 35-17 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 35-18 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 35-19 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro moderato | — | ||
| 35-20 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 35-21 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 36-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 36-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 36-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Allegro | — | ||
| 36-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 36-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 36-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 36-7 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: I. Allegro | — | ||
| 36-8 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 36-9 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: III. Allegro | — | ||
| 37-1 | Dichterliebe, op.48: I. Im wunderschonen Monat Mai | — | ||
| 37-2 | Dichterliebe, op.48: II. Aus meinen Tranen spriessen | — | ||
| 37-3 | Dichterliebe, op.48: III. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 37-4 | Dichterliebe, op.48: IV. Wenn ich in deine Augen seh' | — | ||
| 37-5 | Dichterliebe, op.48: V. Ich will meine Seele tauchen | — | ||
| 37-6 | Dichterliebe, op.48: VI. Im Rhein, im heiligen Strome | — | ||
| 37-7 | Dichterliebe, op.48: VII. Ich grolle nicht | — | ||
| 37-8 | Dichterliebe, op.48: VIII. Und wussten's die Blumen | — | ||
| 37-9 | Dichterliebe, op.48: IX. Das ist ein Floten und Geigen | — | ||
| 37-10 | Dichterliebe, op.48: X. Hor'ich das Liedchen klingen | — | ||
| 37-11 | Dichterliebe, op.48: XI. Ein Jungling liebt ein Madchen | — | ||
| 37-12 | Dichterliebe, op.48: XII. Am leuchtenden Sommer Morgen | — | ||
| 37-13 | Dichterliebe, op.48: XIII. Ich hab'im Traum geweinet | — | ||
| 37-14 | Dichterliebe, op.48: XIV. Allnachtlich im Traum she'ich dich | — | ||
| 37-15 | Dichterliebe, op.48: XV. Aus alten Marchen winkt es | — | ||
| 37-16 | Dichterliebe, op.48: XVI. Die alten bosen Lieder | — | ||
| 37-17 | Fêtes galantes, premier recueil (Verlaine): I. En sourdine | — | ||
| 37-18 | Fêtes galantes, premier recueil (Verlaine): II. Fantoches | — | ||
| 37-19 | Fêtes galantes, premier recueil (Verlaine): III. Clair de lune | — | ||
| 37-20 | Fêtes galantes, second recueil (Verlaine): I. Les ingénus | — | ||
| 37-21 | Fêtes galantes, second recueil (Verlaine): II. Le faune | — | ||
| 37-22 | Fêtes galantes, second recueil (Verlaine): III. Colloque sentimental | — | ||
| 37-23 | Chansons de Bilitis, 3 melodies (Pierre Louys): I. La flûte de Pan | — | ||
| 37-24 | Chansons de Bilitis, 3 melodies (Pierre Louys): II. La chevelure | — | ||
| 37-25 | Chansons de Bilitis, 3 melodies (Pierre Louys): III. Le tombeau des Naïades | — | ||
| 37-26 | Le Promenoir des deux amants (Tristan L'Hermitte): I. Auprès de cette grotte sombre | — | ||
| 37-27 | Le Promenoir des deux amants (Tristan L'Hermitte): II. Crois mon conseil, chère Climène | — | ||
| 37-28 | Le Promenoir des deux amants (Tristan L'Hermitte): III. Je tremble en voyant ton visage | — | ||
| 37-29 | Proses lyriques: II. De grève | — | ||
| 37-30 | Trois ballades de Francois Villon: III. Ballade des femmes de Paris | — | ||
| 38-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave-Allegro di molto e con brio (Cortot's comments with musical examples) | — | ||
| 38-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio cantabile (Cortot's comments with musical examples) | — | ||
| 38-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo-Allegro (Cortot's comments with musical examples) | — | ||
| 38-4 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: I. Adagio sostenuto (Cortot's comments with musical examples) | — | ||
| 38-5 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: II. Allegretto (Cortot's comments with musical examples) | — | ||
| 38-6 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: III. Presto agitato (Cortot's comments with musical examples) | — | ||
| 39-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 39-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro con brio (Cortot's comments with musical examples) | — | ||
| 39-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto (Cortot's comments with musical examples) | — | ||
| 39-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo-Presto (Cortot's comments with musical examples) | — | ||
| 39-5 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (Cortot's comments with musical examples) | — | ||
| 39-6 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen (Cortot's comments with musical examples) | — | ||
| 39-7 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 40-1 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca (Cortot's comments with musical examples) | — | ||
| 40-2 | Piano Sonata no. 25 in G major, op. 79: II. Andante (Cortot's comments with musical examples) | — | ||
| 40-3 | Piano Sonata no. 25 in G major, op. 79: III. Vivace (Cortot's comments with musical examples) | — | ||
| 40-4 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': I. Adagio-Allegro (Cortot's comments with musical examples) | — | ||
| 40-5 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': II. Andante espressivo (Cortot's comments with musical examples) | — | ||
| 40-6 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': III. Vivacissimamente (Cortot's comments with musical examples) | — | ||
| 40-7 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': I. Adagio-Allegro | — | ||
| 40-8 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': II. Andante espressivo | — | ||
| 40-9 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': III. Vivacissimamente | — | ||
| 40-10 | Speech, in memoriam Dinu Lipatti | — |
Musical Works (ISWC)
Identifier Graph
5099970490725 is a Universal Product Code (UPC) assigned to Alfred Cortot Anniversary Edition by Alfred Cortot. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 766 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099970490725 is the Universal Product Code (UPC barcode) for the release “Alfred Cortot Anniversary Edition” by Alfred Cortot, released 2012-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 766 tracks, each with its own ISRC. Tracks include FRS678900063, HKI190018804, GBAYC0300280.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | España, 6 feuilles d'album, op. 165: III. Malagueña | — | ||
| 2 | Chants d'Espagne (Cantos de España), op. 232: V. Seguidillas | — | ||
| 3 | Prelude no. 8, La fille aux cheveux de lin (Book I) | — | ||
| 4 | Prelude no. 12, Minstrels (Book I) | — | ||
| 5 | Tarentelle in A-flat major, op. 43 | — | ||
| 6 | "La leggierezza" in f minor from Trois Etudes de Concert | — | ||
| 7 | Etude en forme de valse, op. 52 no. 6 | — | ||
| 8 | Chants polonais, op. 74 no. 12 (arr. Liszt): Moja pieszczotka (My Joys) | — | ||
| 9 | Berceuse in D-flat major, op. 57 | — | ||
| 10 | Rigoletto, Concert paraphrase (Verdi), S. 434 | — | ||
| 11 | Jeux d'eau | — | ||
| 12 | Tarentelle in A-flat major, op. 43 | — | ||
| 13 | Etude in G-flat major, op. 10 no. 5 | — | ||
| 14 | Etude in G-flat major, op. 25 no. 9 | — | ||
| 15 | Hungarian Rhapsody no. 2 in c-sharp minor (first part), S. 244 | — | ||
| 16 | Iberia - Book II: no. 3 Triana | — | ||
| 17 | Etude in F major, op. 25 no. 3 | — | ||
| 18 | Etude in f minor, op. 25 no. 2 | — | ||
| 19 | Impromptu no. 1 in A-flat major, op. 29 | — | ||
| 20 | Song without words in A-flat major, op. 17 no. 3 | — | ||
| 21 | Les Années de pèlerinage - 1ère année: La Suisse: no. 4 Au bord d'une source | — | ||
| 22 | Grand Polonaise brillante in E-flat major, op. 22 [Only Polonaise] | — | ||
| 23 | Etude in d-sharp minor, op. 8 no. 12 | — | ||
| 24 | Scherzo in e minor, op. 16 no. 2 | — | ||
| 25 | Rondo Capriccioso in E major, op. 14 | — | ||
| 2-1 | Invitation to the dance, op. 65 | — | ||
| 2-2 | Chants d'Espagne, op. 232: no. 5 Seguidillas | — | ||
| 2-3 | España, 6 feuilles d'album, op. 165: no. 3 Malagueña | — | ||
| 2-4 | Berceuse in D flat major, op. 57 | — | ||
| 2-5 | Tarentelle in A flat major, op. 43 | — | ||
| 2-6 | Chants polonais, op. 74 no. 12 (arr. Liszt): Moja pieszczotka (My joys) | — | ||
| 2-7 | Etude in G flat major, op. 10 no. 5 | — | ||
| 2-8 | Etude in G flat major, op. 25 no. 9 | — | ||
| 2-9 | Etude in A minor, op. 25 no. 11 | — | ||
| 2-10 | "La leggierezza" in F minor from Trois Etudes de Concert | — | ||
| 2-11 | Hungarian Rhapsody no. 2 in C sharp minor, S. 244 | — | ||
| 2-12 | Rigoletto, Concert paraphrase, S. 434 | — | ||
| 2-13 | Jeux d'eau | — | ||
| 2-14 | Etude for the left hand, op. 135 no. 4: Bourrée | — | ||
| 2-15 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 2-16 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 2-17 | Children's Corner: III. Serenade for the Doll | — | ||
| 2-18 | Children's Corner: IV. The Snow is dancing | — | ||
| 2-19 | Children's Corner: V. The Little Shepherd | — | ||
| 2-20 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 2-21 | Prelude no. 10, La cathédrale engloutie (Book I) | — | ||
| 3-1 | Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 3-2 | Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 3-3 | Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 3-4 | Carnaval, op. 9: I. Préambule | — | ||
| 3-5 | Carnaval, op. 9: II. Pierrot | — | ||
| 3-6 | Carnaval, op. 9: III. Arlequin | — | ||
| 3-7 | Carnaval, op. 9: IV. Valse noble | — | ||
| 3-8 | Carnaval, op. 9: V. Eusebius | — | ||
| 3-9 | Carnaval, op. 9: VI. Florestan | — | ||
| 3-10 | Carnaval, op. 9: VII. Coquette | — | ||
| 3-11 | Carnaval, op. 9: IX. Papillons | — | ||
| 3-12 | Carnaval, op. 9: X. A.S.C.H.-S.C.H.A.: Lettres dansantes | — | ||
| 3-13 | Carnaval, op. 9: XI. Chiarina | — | ||
| 3-14 | Carnaval, op. 9: XII. Chopin | — | ||
| 3-15 | Carnaval, op. 9: XIII. Estrella | — | ||
| 3-16 | Carnaval, op. 9: XIV. Reconnaissance | — | ||
| 3-17 | Carnaval, op. 9: XV. Pantalon et Colombine | — | ||
| 3-18 | Carnaval, op. 9: XVI. Valse allemande | — | ||
| 3-19 | Carnaval, op. 9: Intermezzo: Paganini | — | ||
| 3-20 | Carnaval, op. 9: XVII. Aveu | — | ||
| 3-21 | Carnaval, op. 9: XVIII. Promenade | — | ||
| 3-22 | Carnaval, op. 9: XIX. Pause | — | ||
| 3-23 | Carnaval, op. 9: XX. Marche des Davidsbündler contre les Philistins | — | ||
| 3-24 | Dolly, op. 56 (arr. Cortot): no 1, Berceuse | — | ||
| 3-25 | Wiegenlied, op. 49 no 4 (arr. Cortot) | — | ||
| 3-26 | Litanei, D. 343 (arr. Cortot) | — | ||
| 3-27 | Etude in A flat major, op. 25 no 1 | — | ||
| 3-28 | Waltz in C sharp minor, op. 64 no 2 | — | ||
| 3-29 | Impromptu no 2 in F sharp major, op. 36 | — | ||
| 3-30 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 4-1 | 24 Preludes, op. 28, no. 1 in C major | — | ||
| 4-2 | 24 Preludes, op. 28, no. 2 in A minor | — | ||
| 4-3 | 24 Preludes, op. 28, no. 3 in G major | — | ||
| 4-4 | 24 Preludes, op. 28, no. 4 in E minor | — | ||
| 4-5 | 24 Preludes, op. 28, no. 5 in D major | — | ||
| 4-6 | 24 Preludes, op. 28, no. 6 in B minor | — | ||
| 4-7 | 24 Preludes, op. 28, no. 7 in A major | — | ||
| 4-8 | 24 Preludes, op. 28, no. 8 in F sharp minor | — | ||
| 4-9 | 24 Preludes, op. 28, no. 9 in E major | — | ||
| 4-10 | 24 Preludes, op. 28, no. 10 in C sharp minor | — | ||
| 4-11 | 24 Preludes, op. 28, no. 11 in B major | — | ||
| 4-12 | 24 Preludes, op. 28, no. 12 in G sharp minor | — | ||
| 4-13 | 24 Preludes, op. 28, no. 13 in F sharp major | — | ||
| 4-14 | 24 Preludes, op. 28, no. 14 in E flat minor | — | ||
| 4-15 | 24 Preludes, op. 28, no. 15 in D flat major | — | ||
| 4-16 | 24 Preludes, op. 28, no. 16 in B flat minor | — | ||
| 4-17 | 24 Preludes, op. 28, no. 17 in A flat major | — | ||
| 4-18 | 24 Preludes, op. 28, no. 18 in F minor | — | ||
| 4-19 | 24 Preludes, op. 28, no. 19 in E flat major | — | ||
| 4-20 | 24 Preludes, op. 28, no. 20 in C minor | — | ||
| 4-21 | 24 Preludes, op. 28, no. 21 in B flat major | — | ||
| 4-22 | 24 Preludes, op. 28, no. 22 in G minor | — | ||
| 4-23 | 24 Preludes, op. 28, no. 23 in F major | — | ||
| 4-24 | 24 Preludes, op. 28, no. 24 in D minor | — | ||
| 4-25 | Cantos de España, op. 232 no 3: Bajo la palmera | — | ||
| 4-26 | Air and Variations "The Harmonious Blacksmith" | — | ||
| 4-27 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 4-28 | Ballade no. 1 in G minor, op. 23 | — | ||
| 4-29 | Berceuse in D flat major, op. 57 | — | ||
| 4-30 | Hungarian Rhapsody no. 2 in C sharp minor, S. 244 | — | ||
| 4-31 | Rigoletto, Concert paraphrase, S. 434 | — | ||
| 5-1 | Invitation to the dance in D flat major, op. 65 | — | ||
| 5-2 | Concerto in A minor, Op. 54: I. Allegro affettuoso | — | ||
| 5-3 | Concerto in A minor, Op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 5-4 | Concerto in A minor, Op. 54: III. Allegro vivace | — | ||
| 5-5 | Symphonic Variations | — | ||
| 5-6 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 5-7 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 5-8 | Children's Corner: III. Serenade for the Doll | — | ||
| 5-9 | Children's Corner: IV. The Snow is Dancing | — | ||
| 5-10 | Children's Corner: V. The Little Shepherd | — | ||
| 5-11 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 5-12 | Prelude no. 8, La fille aux cheveux de lin (Book I) | — | ||
| 5-13 | Prelude no. 3, Le vent dans la plaine (Book I) | — | ||
| 6-1 | Sonata no 2 in B flat minor, op. 35: I. Grave (Doppio movimento) | — | ||
| 6-2 | Sonata no 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 6-3 | Sonata no 2 in B flat minor, op. 35: III. Marche funèbre (Lento) | — | ||
| 6-4 | Sonata no 2 in B flat minor, op. 35: IV. Finale (Presto) | — | ||
| 6-5 | Prelude in G sharp minor, op. 28 no. 12 | — | ||
| 6-6 | Ballade no. 1 in G minor, op. 23 | — | ||
| 6-7 | Ballade no. 2 in F major, op. 38 | — | ||
| 6-8 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 6-9 | Ballade no. 4 in F minor, op. 52 | — | ||
| 6-10 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 6-11 | Waltz no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 6-12 | Prelude, Choral and Fugue: Prelude | — | ||
| 6-13 | Prelude, Choral and Fugue: Choral | — | ||
| 6-14 | Prelude, Choral and Fugue: Fugue | — | ||
| 7-1 | Carnaval, op. 9: I. Préambule | — | ||
| 7-2 | Carnaval, op. 9: II. Pierrot | — | ||
| 7-3 | Carnaval, op. 9: III. Arlequin | — | ||
| 7-4 | Carnaval, op. 9: IV. Valse noble | — | ||
| 7-5 | Carnaval, op. 9: V. Eusebius | — | ||
| 7-6 | Carnaval, op. 9: VI. Florestan | — | ||
| 7-7 | Carnaval, op. 9: VII. Coquette | — | ||
| 7-8 | Carnaval, op. 9: VIII. Réplique | — | ||
| 7-9 | Carnaval, op. 9: Sphinxes | — | ||
| 7-10 | Carnaval, op. 9: IX. Papillons | Catherine Collard | T-910.760.612-2 | |
| 7-11 | Carnaval, op. 9: X. A.S.C.H.-S.C.H.A.: Lettres dansantes | — | ||
| 7-12 | Carnaval, op. 9: XI. Chiarina | — | ||
| 7-13 | Carnaval, op. 9: XII. Chopin | — | ||
| 7-14 | Carnaval, op. 9: XIII. Estrella | — | ||
| 7-15 | Carnaval, op. 9: XIV. Reconnaissance | — | ||
| 7-16 | Carnaval, op. 9: XV. Pantalon et Colombine | — | ||
| 7-17 | Carnaval, op. 9: XVI. Valse allemande | — | ||
| 7-18 | Carnaval, op. 9: Intermezzo: Paganini | — | ||
| 7-19 | Carnaval, op. 9: XVII. Aveu | — | ||
| 7-20 | Carnaval, op. 9: XVIII. Promenade | — | ||
| 7-21 | Carnaval, op. 9: XIX. Pause | — | ||
| 7-22 | Carnaval, op. 9: XX. Marche des Davidsbündler contre les Philistins | — | ||
| 7-23 | Symphonic Etudes, op. 13 & Op. post: Thema | — | ||
| 7-24 | Symphonic Etudes, op. 13 & Op. post: Variation I (Etude I) | — | ||
| 7-25 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation I | — | ||
| 7-26 | Symphonic Etudes, op. 13 & Op. post: Variation II (Etude II) | — | ||
| 7-27 | Symphonic Etudes, op. 13 & Op. post: Etude III | — | ||
| 7-28 | Symphonic Etudes, op. 13 & Op. post: Variation III (Etude IV) | — | ||
| 7-29 | Symphonic Etudes, op. 13 & Op. post: Variation IV (Etude V) | — | ||
| 7-30 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation IV | — | ||
| 7-31 | Symphonic Etudes, op. 13 & Op. post: Variation V (Etude VI) | — | ||
| 7-32 | Symphonic Etudes, op. 13 & Op. post: Variation VI (Etude VII) | — | ||
| 7-33 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation II | — | ||
| 7-34 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation V | — | ||
| 7-35 | Symphonic Etudes, op. 13 & Op. post: Variation VIII (Etude VIII) | — | ||
| 7-36 | Symphonic Etudes, op. 13 & Op. post: Etude IX | — | ||
| 7-37 | Symphonic Etudes, op. 13 & Op. post: Posthumous variation III | — | ||
| 7-38 | Symphonic Etudes, op. 13 & Op. post: Variation X (Etude X) | — | ||
| 7-39 | Symphonic Etudes, op. 13 & Op. post: Variation XI (Etude XI) | — | ||
| 7-40 | Symphonic Etudes, op. 13 & Op. post: Finale (Etude XII) | — | ||
| 7-41 | Sonata in B minor, S. 178 | — | ||
| 8-1 | Hojas de album, op. 165 "España" no. 3, Malagueña | — | ||
| 8-2 | Cantos de España, op. 232 no. 5: Seguidillas | — | ||
| 8-3 | Hungarian Rhapsody no. 11 in A minor, S. 244 | — | ||
| 8-4 | Sonata no 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 8-5 | Sonata no 3 in B minor, op. 58: II. Scherzo (molto vivace) | — | ||
| 8-6 | Sonata no 3 in B minor, op. 58: III. Largo | — | ||
| 8-7 | Sonata no 3 in B minor, op. 58: IV. Finale (presto, ma non tanto) | — | ||
| 8-8 | Tarantelle in A flat major, op. 43 | — | ||
| 8-9 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 8-10 | "La leggierezza" (Cortot ending) in F minor from Trois Etudes de Concert | — | ||
| 8-11 | Etude en forme de valse, op. 52 no. 6 | — | ||
| 9-1 | Préludes, Book I: I. Danseuses de Delphes: Lent et grave | — | ||
| 9-2 | Préludes, Book I: II. Voiles: Modéré | — | ||
| 9-3 | Préludes, Book I: III. Le vent dans la plaine: Animé | — | ||
| 9-4 | Préludes, Book I: IV. Les sons et les parfums tournent dans l'air du soir: Modéré | — | ||
| 9-5 | Préludes, Book I: V. Les collines d'Anacapri: Très modéré | — | ||
| 9-6 | Préludes, Book I: VI. Des pas sur la neige: Triste et lent | — | ||
| 9-7 | Préludes, Book I: VII. Ce qu'a vu le vent d'ouest: Animé et tumultueux | — | ||
| 9-8 | Préludes, Book I: VIII. La fille aux cheveux de lin: Très calme et doucement expressif | — | ||
| 9-9 | Préludes, Book I: IX. La sérénade interrompue: Modérément animé | — | ||
| 9-10 | Préludes, Book I: X. La cathédrale engloutie: Profondément calme | — | ||
| 9-11 | Préludes, Book I: XI. La danse de Puck: Capricieux et léger | — | ||
| 9-12 | Préludes, Book I: XII. Minstrels: Modéré | — | ||
| 9-13 | Sonatine: I. Modéré | — | ||
| 9-14 | Sonatine: II. Mouvement de menuet | — | ||
| 9-15 | Sonatine: III. Animé | — | ||
| 9-16 | Jeux d'eau | — | ||
| 9-17 | Prélude, Aria et Final: Prélude | — | ||
| 9-18 | Prélude, Aria et Final: Aria | — | ||
| 9-19 | Prélude, Aria et Final: Final | — | ||
| 10-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 10-2 | Ballade no. 2 in F major, op. 38 | — | ||
| 10-3 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 10-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 10-5 | Impromptu no. 1 in A flat major, op. 29 | — | ||
| 10-6 | Impromptu no. 2 in F sharp major, op. 36 | — | ||
| 10-7 | Impromptu no. 3 in G-flat major, op. 51 | — | ||
| 10-8 | Fantaisie-Impromptu in C sharp minor, op. 66 | — | ||
| 10-9 | Fantasie, op. 49 | — | ||
| 10-10 | Tarantelle in A flat major, op. 43 | — | ||
| 10-11 | Polonaise no. 6 in A flat major, op. 53 "Heroic" | — | ||
| 11-1 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave (Doppio movimento) | — | ||
| 11-2 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 11-3 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (Lento) | — | ||
| 11-4 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (Presto) | — | ||
| 11-5 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 11-6 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo (molto vivace) | — | ||
| 11-7 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 11-8 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale (presto, ma non tanto) | — | ||
| 11-9 | Preludes, op. 28 no. 1 in C major. Agitato | — | ||
| 11-10 | Preludes, op. 28 no. 2 in A minor. Lento | — | ||
| 11-11 | Preludes, op. 28 no. 3 in G major. Vivace | — | ||
| 11-12 | Preludes, op. 28 no. 4 in E minor. Largo | — | ||
| 11-13 | Preludes, op. 28 no. 5 in D major. Allegro molto | — | ||
| 11-14 | Preludes, op. 28 no. 6 in B minor. Lento assai | — | ||
| 11-15 | Preludes, op. 28 no. 7 in A major. Andantino | — | ||
| 11-16 | Preludes, op. 28 no. 8 in F sharp minor. Molto agitato | — | ||
| 11-17 | Preludes, op. 28 no. 9 in E major. Largo | — | ||
| 11-18 | Preludes, op. 28 no. 10 in C sharp minor. Allegro molto | — | ||
| 11-19 | Preludes, op. 28 no. 11 in B major. Vivace | — | ||
| 11-20 | Preludes, op. 28 no. 12 in G sharp minor. Presto | — | ||
| 11-21 | Preludes, op. 28 no. 13 in F sharp major. Lento | — | ||
| 11-22 | Preludes, op. 28 no. 14 in E flat minor. Allegro | — | ||
| 11-23 | Preludes, op. 28 no. 15 in D flat major. Sostenuto | — | ||
| 11-24 | Preludes, op. 28 no. 16 in B flat minor. Presto con fuoco | — | ||
| 11-25 | Preludes, op. 28 no. 17 in A flat major. Allegretto | — | ||
| 11-26 | Preludes, op. 28 no. 18 in F minor. Allegro molto | — | ||
| 11-27 | Preludes, op. 28 no. 19 in E flat major. Vivace | — | ||
| 11-28 | Preludes, op. 28 no. 20 in C minor. Largo | — | ||
| 11-29 | Preludes, op. 28 no. 21 in B flat major. Cantabile | — | ||
| 11-30 | Preludes, op. 28 no. 22 in G minor. Molt agitato | — | ||
| 11-31 | Preludes, op. 28 no. 23 in F major. Moderato | — | ||
| 11-32 | Preludes, op. 28 no. 24 in D minor. Allegro appassionato | — | ||
| 12-1 | Barcarolle in F sharp major, op. 60 | — | ||
| 12-2 | Etude, op. 10 no. 1 in C major | — | ||
| 12-3 | Etude, op. 10 no. 2 in A minor | — | ||
| 12-4 | Etude, op. 10 no. 3 in E major | — | ||
| 12-5 | Etude, op. 10 no. 4 in C-sharp minor | — | ||
| 12-6 | Etude, op. 10 no. 5 in G-flat major | — | ||
| 12-7 | Etude, op. 10 no. 6 in E-flat minor | — | ||
| 12-8 | Etude, op. 10 no. 7 in C major | — | ||
| 12-9 | Etude, op. 10 no. 8 in F major | — | ||
| 12-10 | Etude, op. 10 no. 9 in F minor | — | ||
| 12-11 | Etude, op. 10 no. 10 in A-flat major | — | ||
| 12-12 | Etude, op. 10 no. 11 in E-flat major | — | ||
| 12-13 | Etude, op. 10 no. 12 in C minor | — | ||
| 12-14 | Etude, op. 25 no. 1 in A-flat major | — | ||
| 12-15 | Etude, op. 25 no. 2 in F minor | — | ||
| 12-16 | Etude, op. 25 no. 3 in F major | — | ||
| 12-17 | Etude, op. 25 no. 4 in A minor | — | ||
| 12-18 | Etude, op. 25 no. 5 in E minor | — | ||
| 12-19 | Etude, op. 25 no. 6 in G-sharp minor | — | ||
| 12-20 | Etude, op. 25 no. 7 in C-sharp minor | — | ||
| 12-21 | Etude, op. 25 no. 8 in D-flat major | — | ||
| 12-22 | Etude, op. 25 no. 9 in G-flat major | — | ||
| 12-23 | Etude, op. 25 no. 10 in B minor | — | ||
| 12-24 | Etude, op. 25 no. 11 in A minor | — | ||
| 12-25 | Etude, op. 25 no. 12 in C minor | — | ||
| 13-1 | Waltz for piano no. 1 in E flat major, op. 18 | — | ||
| 13-2 | Waltz for piano no. 2 in A flat major, op. 34 no. 1 | — | ||
| 13-3 | Waltz for piano no. 3 in A minor, op. 34 no. 2 | — | ||
| 13-4 | Waltz for piano no. 4 in F major, op. 34 no. 3 | — | ||
| 13-5 | Waltz for piano no. 5 in A flat major, op. 42 | — | ||
| 13-6 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 13-7 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 13-8 | Waltz for piano no. 8 in A flat major, op. 64 no. 3 | — | ||
| 13-9 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 13-10 | Waltz for piano no. 10 in B minor, op. 69 no. 2 | — | ||
| 13-11 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 13-12 | Waltz for piano no. 12 in F minor, op. 70 no. 2 | — | ||
| 13-13 | Waltz for piano no. 13 in D flat major, op. 70 no. 3 | — | ||
| 13-14 | Waltz for piano no. 14 in E minor, op. posth. | — | ||
| 13-15 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 13-16 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 13-17 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 14-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 14-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | — | ||
| 14-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 14-4 | Symphonic Variations | — | ||
| 14-5 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato - Andante | — | ||
| 14-6 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro | — | ||
| 15-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 15-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 15-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 15-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 15-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 15-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 15-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 15-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 15-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 15-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 15-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 15-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 15-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 15-14 | Papillons, op. 2 | — | ||
| 15-15 | Kreisleriana, op. 16 no. 1: Äußerst bewegt | — | ||
| 15-16 | Kreisleriana, op. 16 no. 2: Sehr innig und nicht zu rasch | — | ||
| 15-17 | Kreisleriana, op. 16 no. 3: Sehr aufgeregt | — | ||
| 15-18 | Kreisleriana, op. 16 no. 4: Sehr langsam | — | ||
| 15-19 | Kreisleriana, op. 16 no. 5: Sehr lebhaft | — | ||
| 15-20 | Kreisleriana, op. 16 no. 6: Sehr langsam | — | ||
| 15-21 | Kreisleriana, op. 16 no. 7: Sehr rasch | — | ||
| 15-22 | Kreisleriana, op. 16 no. 8: Schnell und spielend | — | ||
| 16-1 | Davidsbündlertänze, op. 6: I. Lebhaft | — | ||
| 16-2 | Davidsbündlertänze, op. 6: II. Innig | — | ||
| 16-3 | Davidsbündlertänze, op. 6: III. Mit Humor | — | ||
| 16-4 | Davidsbündlertänze, op. 6: IV. Ungeduldig | — | ||
| 16-5 | Davidsbündlertänze, op. 6: V. Einfach | — | ||
| 16-6 | Davidsbündlertänze, op. 6: VI. Sehr rasch | — | ||
| 16-7 | Davidsbündlertänze, op. 6: VII. Nicht schnell | — | ||
| 16-8 | Davidsbündlertänze, op. 6: VIII. Frisch | — | ||
| 16-9 | Davidsbündlertänze, op. 6: IX. Lebhaft | — | ||
| 16-10 | Davidsbündlertänze, op. 6: X. Balladenmäßig sehr rasch | — | ||
| 16-11 | Davidsbündlertänze, op. 6: XI. Einfach | — | ||
| 16-12 | Davidsbündlertänze, op. 6: XII. Mit Humor | — | ||
| 16-13 | Davidsbündlertänze, op. 6: XIII. Wild und lustig | — | ||
| 16-14 | Davidsbündlertänze, op. 6: XIV. Zart und singend | — | ||
| 16-15 | Davidsbündlertänze, op. 6: XV. Frisch | — | ||
| 16-16 | Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | — | ||
| 16-17 | Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | — | ||
| 16-18 | Davidsbündlertänze, op. 6: XVIII. Nicht schnell | — | ||
| 16-19 | Ländler, D. 790 | — | ||
| 16-20 | Litanei, D. 343 (arr. Cortot) | — | ||
| 16-21 | Saint Francois de Paule marchant sur les flots, Légende S. 175 no. 2 | — | ||
| 16-22 | Aria from Concerto in F minor, BWV 1056 | Alfred Cortot | — | |
| 16-23 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): I. Praeludium | — | ||
| 16-24 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): II. Sicilliennne | — | ||
| 16-25 | Organ Concerto no. 5 in D minor, BWV 596 (arr. Cortot): III. Finale | — | ||
| 16-26 | Minuet (arr. Archibald Martin Henderson) | — | ||
| 16-27 | Siciliana (arr. Archibald Martin Henderson) | — | ||
| 16-28 | Gavotte (arr. Archibald Martin Henderson) | — | ||
| 16-29 | Air (arr. Archibald Martin Henderson) | — | ||
| 16-30 | Des Abends from Fantaisestücke, op. 12 | — | ||
| 17-1 | Song without words in E major, op. 19 no. 1 | — | ||
| 17-2 | Variations Sérieuses in D minor, op. 54 | — | ||
| 17-3 | Polish Song, op. 74 no. 12, My Joys (arr. Liszt) | — | ||
| 17-4 | Polish Song, op. 74 no. 2, Spring (arr. Liszt) | — | ||
| 17-5 | Polish Song, op. 74 no. 14, The Ring (arr. Liszt) | — | ||
| 17-6 | Piano Sonata no. 2 in A flat major, op. 39: I. Allegro moderato con spirito ed assai legato | — | ||
| 17-7 | Piano Sonata no. 2 in A flat major, op. 39: II. Andante | — | ||
| 17-8 | Piano Sonata no. 2 in A flat major, op. 39: III. Menuetto. Capriccio | — | ||
| 17-9 | Piano Sonata no. 2 in A flat major, op. 39: IV. Rondo. Moderato e melto grazioso | — | ||
| 17-10 | Piano Concerto for the Left Hand | — | ||
| 18-1 | Etude, op. 10 no. 1 in C major | — | ||
| 18-2 | Etude, op. 10 no. 2 in A minor | — | ||
| 18-3 | Etude, op. 10 no. 3 in E major | — | ||
| 18-4 | Etude, op. 10 no. 4 in C-sharp minor | — | ||
| 18-5 | Etude, op. 10 no. 5 in G-flat major | — | ||
| 18-6 | Etude, op. 10 no. 6 in E-flat minor | — | ||
| 18-7 | Etude, op. 10 no. 7 in C major | — | ||
| 18-8 | Etude, op. 10 no. 8 in F major | — | ||
| 18-9 | Etude, op. 10 no. 9 in F minor | — | ||
| 18-10 | Etude, op. 10 no. 10 in A-flat major | — | ||
| 18-11 | Etude, op. 10 no. 11 in E-flat major | — | ||
| 18-12 | Etude, op. 10 no. 12 in C minor | — | ||
| 18-13 | Etude, op. 25 no. 1 in A-flat major | — | ||
| 18-14 | Etude, op. 25 no. 2 in F minor | — | ||
| 18-15 | Etude, op. 25 no. 3 in F major | — | ||
| 18-16 | Etude, op. 25 no. 4 in A minor | — | ||
| 18-17 | Etude, op. 25 no. 5 in E minor | — | ||
| 18-18 | Etude, op. 25 no. 6 in G-sharp minor | — | ||
| 18-19 | Etude, op. 25 no. 7 in C-sharp minor | — | ||
| 18-20 | Etude, op. 25 no. 8 in D-flat major | — | ||
| 18-21 | Etude, op. 25 no. 9 in G-flat major | — | ||
| 18-22 | Etude, op. 25 no. 10 in B minor | — | ||
| 18-23 | Etude, op. 25 no. 11 in A minor | — | ||
| 18-24 | Etude, op. 25 no. 12 in C minor | — | ||
| 19-1 | Prélude in C major, op. 28 no. 1: Agitato | — | ||
| 19-2 | Prélude in A minor, op. 28 no. 2: Lento | — | ||
| 19-3 | Prélude in G major, op. 28 no. 3: Vivace | — | ||
| 19-4 | Prélude in E minor, op. 28 no. 4: Largo | — | ||
| 19-5 | Prélude in D major, op. 28 no. 5: Molto allegro | — | ||
| 19-6 | Prélude in B minor, op. 28 no. 6: Lento assai | — | ||
| 19-7 | Prélude in A major, op. 28 no. 7: Andantino | — | ||
| 19-8 | Prélude in F sharp minor, op. 28 no. 8: Molto agitato | — | ||
| 19-9 | Prélude in E major, op. 28 no. 9: Largo | — | ||
| 19-10 | Prélude in C sharp minor, op. 28 no. 10: Molto allegro | — | ||
| 19-11 | Prélude in B major, op. 28 no. 11: Vivace | — | ||
| 19-12 | Prélude in G sharp minor, op. 28 no. 12: Presto | — | ||
| 19-13 | Prélude in F sharp major, op. 28 no. 13: Lento | — | ||
| 19-14 | Prélude in E-flat minor, op. 28 no. 14: Allegro | — | ||
| 19-15 | Prélude in D flat major, op. 28 no. 15 "Raindrop": Sostenuto | — | ||
| 19-16 | Prélude in B flat minor, op. 28 no. 16: Presto con fuoco | — | ||
| 19-17 | Prélude in A flat major, op. 28 no. 17: Allegretto | — | ||
| 19-18 | Prélude in F minor, op. 28 no. 18: Molto allegro | — | ||
| 19-19 | Prélude in E flat major, op. 28 no. 19: Vivace | — | ||
| 19-20 | Prélude in C minor, op. 28 no. 20: Largo | — | ||
| 19-21 | Prélude in B flat major, op. 28 no. 21: Cantabile | — | ||
| 19-22 | Prélude in G minor, op. 28 no. 22: Molto agitato | — | ||
| 19-23 | Prélude in F major, op. 28 no. 23: Moderato | — | ||
| 19-24 | Prélude in D minor, op. 28 no. 24: Allegro appassionato | — | ||
| 19-25 | Waltz for piano no. 1 in E flat major, op. 18 | — | ||
| 19-26 | Waltz for piano no. 2 in A flat major, op. 34 no. 1 | — | ||
| 19-27 | Waltz for piano no. 3 in A minor, op. 34 no. 2 | — | ||
| 19-28 | Waltz for piano no. 4 in F major, op. 34 no. 3 | — | ||
| 19-29 | Waltz for piano no. 5 in A flat major, op. 42 | — | ||
| 19-30 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 19-31 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 19-32 | Waltz for piano no. 8 in A flat major, op. 64 no. 3 | — | ||
| 19-33 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 19-34 | Waltz for piano no. 10 in B minor, op. 69 no. 2 | — | ||
| 19-35 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 19-36 | Waltz for piano no. 12 in F minor, op. 70 no. 2 | — | ||
| 19-37 | Waltz for piano no. 13 in D flat major, op. 70 no. 3 | — | ||
| 19-38 | Waltz for piano no. 14 in E minor, op. posth. | — | ||
| 20-1 | Kinderszenen op. 15: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen op. 15: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen op. 15: Hasche-Mann | — | ||
| 20-4 | Kinderszenen op. 15: Bittendes Kind | — | ||
| 20-5 | Kinderszenen op. 15: Glückes genug | — | ||
| 20-6 | Kinderszenen op. 15: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen op. 15: Träumerei | — | ||
| 20-8 | Kinderszenen op. 15: Am Kamin | — | ||
| 20-9 | Kinderszenen op. 15: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen op. 15: Fast zu ernst | — | ||
| 20-11 | Kinderszenen op. 15: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen op. 15: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen op. 15: Der Dichter spricht | — | ||
| 20-14 | Children's Corner: I. Doctor Gradus ad Parnassum (Moderémént animé) | — | ||
| 20-15 | Children's Corner: II. Jimbo's Lullaby (Assez Modéré) | — | ||
| 20-16 | Children's Corner: III. Serenade For The Doll (Allegretto ma non troppo) | — | ||
| 20-17 | Children's Corner: IV. The Snow Is Dancing (Moderémént animé) | — | ||
| 20-18 | Children's Corner: V. The Little Shepherd (Très modéré) | — | ||
| 20-19 | Children's Corner: VI. Golliwogg's Cakewalk (Allegro giusto) | — | ||
| 20-20 | Prelude no. 10, La cathédrale engloutie (Book I) | — | ||
| 20-21 | Prélude, Aria et Final: I. Prélude | — | ||
| 20-22 | Prélude, Aria et Final: II. Aria | — | ||
| 20-23 | Prélude, Aria et Final: III. Final | — | ||
| 20-24 | Trois Nouvelles Etudes, no. 1 in F minor | — | ||
| 20-25 | Trois Nouvelles Etudes, no. 2 in D flat major | — | ||
| 20-26 | Trois Nouvelles Etudes, no. 3 in A flat major | — | ||
| 21-1 | Prelude in C sharp minor, op. 45 | — | ||
| 21-2 | Nocturne no. 15 in F minor, op. 55 no. 1 | — | ||
| 21-3 | Nocturne no. 16 in E flat major, op. 55 no. 2 | — | ||
| 21-4 | Nocturne no. 16 in E flat major, op. 55 no. 2 | — | ||
| 21-5 | Polonaise-Fantaisie no. 7 in A flat major, op. 61 | — | ||
| 21-6 | Nocturne no. 5 in F sharp major, op. 15 no. 2 (take on shell) | — | ||
| 21-7 | Nocturne no. 5 in F sharp major, op. 15 no. 2 (take on tape) | — | ||
| 21-8 | Vogel als Prophet (Waldszenen, op. 82 no. 7) (take on shell) | — | ||
| 21-9 | Vogel als Prophet (Waldszenen, op. 82 no. 7) (take on tape) | — | ||
| 21-10 | Wiegenlied, op. 49 no. 4 (arr. Cortot) | — | ||
| 21-11 | Litanei, D. 343 (arr. Cortot) | — | ||
| 21-12 | Concerto in F minor, BWV 1056: Aria (Adagio) (take on shell) | — | ||
| 21-13 | Concerto in F minor, BWV 1056: Aria (Adagio) (take on tape) | — | ||
| 21-14 | Harpsichord Suites no. 1 & 8 in G major, Z. 660 & 669 (take on shell) | — | ||
| 21-15 | Harpsichord Suites no. 1 & 8 in G major, Z. 660 & 669 (take on tape) | — | ||
| 22-1 | Préludes, Book I: I. Danseuses de Delphes | — | ||
| 22-2 | Préludes, Book I: II. Voiles | — | ||
| 22-3 | Préludes, Book I: III. Le vent dans la plaine | — | ||
| 22-4 | Préludes, Book I: IV. Les sons et les parfums tournent dans l'air du soir | — | ||
| 22-5 | Préludes, Book I: V. Les collines d'Anacapri | — | ||
| 22-6 | Préludes, Book I: VI. Des pas sur la neige | — | ||
| 22-7 | Préludes, Book I: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 22-8 | Préludes, Book I: VIII. La fille aux cheveux de lin | — | ||
| 22-9 | Préludes, Book I: IX. La sérénade interrompue | — | ||
| 22-10 | Préludes, Book I: X. La cathédrale engloutie | — | ||
| 22-11 | Préludes, Book I: XI. La danse de Puck | — | ||
| 22-12 | Préludes, Book I: XII. Minstrels | — | ||
| 22-13 | Berceuse in D flat major, op. 57 | — | ||
| 22-14 | 3 Nouvelles études, no. 1 in F minor, op. posth. | — | ||
| 22-15 | 3 Nouvelles études, no. 2 in D flat major, op. posth. | — | ||
| 22-16 | 3 Nouvelles études, no. 3 in A flat major, op. posth. | — | ||
| 22-17 | Waltz no. 6 in D flat major, op. 64 no. 1 | — | ||
| 22-18 | Prelude in C sharp minor, op. 45 | — | ||
| 22-19 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 22-20 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 22-21 | Waltz no. 11 in G flat major, op. 70 no. 1 | — | ||
| 23-1 | Prelude in D flat major, op. 28 no. 15 | — | ||
| 23-2 | Mazurka no. 2 in C sharp minor, op. 6 no. 2 | — | ||
| 23-3 | Mazurka no. 41 in C sharp minor, op. 63 no. 3 | — | ||
| 23-4 | Variations sérieuses in D minor, op. 54 | — | ||
| 23-5 | Barcarolle in F sharp major, op. 60 | — | ||
| 23-6 | Etude in E major, op. 10 no. 3 | — | ||
| 23-7 | Etude in C sharp minor, op. 10 no. 4 | — | ||
| 23-8 | Etude in F minor, op. 25 no. 2 | — | ||
| 23-9 | Nocturne no. 4 in F major, op. 15 no. 1 | — | ||
| 23-10 | Nocturne no. 7 in C sharp minor, op. 27 no. 1 | — | ||
| 23-11 | Waltz no. 3 in A minor, op. 34 no. 2 | — | ||
| 23-12 | Waltz no. 9 in A flat major, op. 69 no. 1 | — | ||
| 23-13 | Waltz no. 12 in F minor, op. 70 no. 2 | — | ||
| 23-14 | Ländler, D. 790 | — | ||
| 24-1 | Etude in E major, op. 10 no. 3 | — | ||
| 24-2 | Etude in G flat major, op. 25 no. 9 | — | ||
| 24-3 | Fantaisie in F minor, op. 49 | — | ||
| 24-4 | Impromptu no. 2 in F sharp major, op. 36 | — | ||
| 24-5 | Nocturne no. 2 in E flat major, op. 9 no. 2 | — | ||
| 24-6 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave | — | ||
| 24-7 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 24-8 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (lento) | — | ||
| 24-9 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (presto) | — | ||
| 24-10 | Scherzo no. 2 in B flat minor, op. 31 | — | ||
| 24-11 | Scherzo no. 3 in C sharp minor, op. 39 | — | ||
| 24-12 | Grande Polonaise in E flat major, op. 22 | — | ||
| 24-13 | Polonaise no. 6 in A flat major, op. 53 "Héroïque" | — | ||
| 25-1 | Prelude in D flat major, op. 28 no. 15 | — | ||
| 25-2 | Waltz for piano no. 6 in D-flat major, op. 64 no. 1 | — | ||
| 25-3 | Children's Corner: VI. Golliwogg's Cakewalk (Allegro giusto) | — | ||
| 25-4 | Hungarian Rhapsody no 2 in C sharp minor, S. 244 | — | ||
| 25-5 | Hungarian Rhapsody no 11 in A minor, S. 244 | — | ||
| 25-6 | Variations sérieuses in D minor, op. 54 | — | ||
| 25-7 | Six Études pour la main gauche seule no. 4, op. 135: Bourrée | — | ||
| 25-8 | Litanei, D. 343 (arr. Cortot) | — | ||
| 25-9 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 25-10 | Wiegenlied, op. 49 no. 4 (arr. Cortot) | — | ||
| 25-11 | Waltz no. 11 in G flat major, op. 70 no. 1 | — | ||
| 25-12 | Piano Sonata no. 2 in B flat minor, op. 35: I. Grave | — | ||
| 25-13 | Piano Sonata no. 2 in B flat minor, op. 35: II. Scherzo | — | ||
| 25-14 | Piano Sonata no. 2 in B flat minor, op. 35: III. Marche funèbre (lento) | — | ||
| 25-15 | Piano Sonata no. 2 in B flat minor, op. 35: IV. Finale (presto) | — | ||
| 25-16 | Hungarian Rhapsody no 11 in A minor, S. 244 | — | ||
| 25-17 | Litanei, D. 343 (arr. Cortot) | — | ||
| 26-1 | Children's Corner: I. Doctor Gradus ad Parnassum | — | ||
| 26-2 | Children's Corner: II. Jimbo's Lullaby | — | ||
| 26-3 | Children's Corner: III. Serenade for the Doll | — | ||
| 26-4 | Children's Corner: II. The Snow is Dancing | — | ||
| 26-5 | Children's Corner: V. The Little Shepherd | — | ||
| 26-6 | Children's Corner: VI. Golliwogg's Cakewalk | — | ||
| 26-7 | Etudes symphoniques, op. 13 & Op. posth.: Thema | — | ||
| 26-8 | Etudes symphoniques, op. 13 & Op. posth.: Variation I | — | ||
| 26-9 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation I | — | ||
| 26-10 | Etudes symphoniques, op. 13 & Op. posth.: Variation II | — | ||
| 26-11 | Etudes symphoniques, op. 13 & Op. posth.: Etude III | — | ||
| 26-12 | Etudes symphoniques, op. 13 & Op. posth.: Variation III | — | ||
| 26-13 | Etudes symphoniques, op. 13 & Op. posth.: Variation IV | — | ||
| 26-14 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation IV | — | ||
| 26-15 | Etudes symphoniques, op. 13 & Op. posth.: Variation V | — | ||
| 26-16 | Etudes symphoniques, op. 13 & Op. posth.: Variation VI | — | ||
| 26-17 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation II | — | ||
| 26-18 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation V | — | ||
| 26-19 | Etudes symphoniques, op. 13 & Op. posth.: Variation VII | — | ||
| 26-20 | Etudes symphoniques, op. 13 & Op. posth.: Etude IX | — | ||
| 26-21 | Etudes symphoniques, op. 13 & Op. posth.: Posth. Variation III | — | ||
| 26-22 | Etudes symphoniques, op. 13 & Op. posth.: Variation VIII | — | ||
| 26-23 | Etudes symphoniques, op. 13 & Op. posth.: Variation XI | — | ||
| 26-24 | Etudes symphoniques, op. 13 & Op. posth.: Finale | — | ||
| 26-25 | Carnaval, op. 9: Préambule | — | ||
| 26-26 | Carnaval, op. 9: Pierrot | — | ||
| 26-27 | Carnaval, op. 9: Arlequin | — | ||
| 26-28 | Carnaval, op. 9: Valse noble | — | ||
| 26-29 | Carnaval, op. 9: Eusebius | — | ||
| 26-30 | Carnaval, op. 9: Florestan | — | ||
| 26-31 | Carnaval, op. 9: Coquette | — | ||
| 26-32 | Carnaval, op. 9: Réplique | — | ||
| 26-33 | Carnaval, op. 9: Sphinxes | — | ||
| 26-34 | Carnaval, op. 9: Papillons | — | ||
| 26-35 | Carnaval, op. 9: A.S.C.H-S-C-H-A (Lettres dansantes) | — | ||
| 26-36 | Carnaval, op. 9: Chiarina | — | ||
| 26-37 | Carnaval, op. 9: Chopin | — | ||
| 26-38 | Carnaval, op. 9: Estrella | — | ||
| 26-39 | Carnaval, op. 9: Reconnaissance | — | ||
| 26-40 | Carnaval, op. 9: Pantalon et Colombine | — | ||
| 26-41 | Carnaval, op. 9: Valse Allemande | — | ||
| 26-42 | Carnaval, op. 9: Paganini | — | ||
| 26-43 | Carnaval, op. 9: Aveu | — | ||
| 26-44 | Carnaval, op. 9: Promenade | — | ||
| 26-45 | Carnaval, op. 9: Pause | — | ||
| 26-46 | Carnaval, op. 9: Marche des Davidsbündler contre les Philistins | — | ||
| 27-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | — | ||
| 27-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | — | ||
| 27-3 | Kinderszenen, op. 15: III. Hasche-Mann | — | ||
| 27-4 | Kinderszenen, op. 15: IV. Bittendes Kind | — | ||
| 27-5 | Kinderszenen, op. 15: V. Glückes genug | — | ||
| 27-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | — | ||
| 27-7 | Kinderszenen, op. 15: VII. Träumerei | — | ||
| 27-8 | Kinderszenen, op. 15: VIII. Am Kamin | — | ||
| 27-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | — | ||
| 27-10 | Kinderszenen, op. 15: X. Fast zu ernst | — | ||
| 27-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | — | ||
| 27-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | — | ||
| 27-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | — | ||
| 27-14 | Kreisleriana, op. 16 no. 1: Äußerst bewegt | — | ||
| 27-15 | Kreisleriana, op. 16 no. 2: Sehr innig und nicht zu rasch | — | ||
| 27-16 | Kreisleriana, op. 16 no. 3: Sehr aufgeregt | — | ||
| 27-17 | Kreisleriana, op. 16 no. 4: Sehr langsam | — | ||
| 27-18 | Kreisleriana, op. 16 no. 5: Sehr lebhaft | — | ||
| 27-19 | Kreisleriana, op. 16 no. 6: Sehr langsam | — | ||
| 27-20 | Kreisleriana, op. 16 no. 7: Sehr rasch | — | ||
| 27-21 | Kreisleriana, op. 16 no. 8: Schnell und spielend | — | ||
| 27-22 | Berceuse in D flat major, op. 57 | — | ||
| 27-23 | Etude in G flat major, op. 10 no. 5 | — | ||
| 27-24 | Etude in F minor, op. 25 no. 2 | — | ||
| 27-25 | Etude in G flat major, op. 25 no. 9 | — | ||
| 27-26 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 27-27 | Tarantelle in A flat major, op. 43 | — | ||
| 27-28 | Waltz for piano no. 6 in D flat major, op. 64 no. 1 | — | ||
| 27-29 | Waltz for piano no. 7 in C sharp minor, op. 64 no. 2 | — | ||
| 27-30 | Waltz for piano no. 9 in A flat major, op. 69 no. 1 | — | ||
| 27-31 | Waltz for piano no. 11 in G flat major, op. 70 no. 1 | — | ||
| 27-32 | Moment musical in F minor, D. 780 no. 3 | — | ||
| 28-1 | Preludes, op. 28 no. 1 in C major | — | ||
| 28-2 | Preludes, op. 28 no. 2 in A minor | — | ||
| 28-3 | Preludes, op. 28 no. 3 in G major | — | ||
| 28-4 | Preludes, op. 28 no. 4 in E minor | — | ||
| 28-5 | Preludes, op. 28 no. 5 in D major | — | ||
| 28-6 | Preludes, op. 28 no. 6 in B minor | — | ||
| 28-7 | Preludes, op. 28 no. 7 in A major | — | ||
| 28-8 | Preludes, op. 28 no. 8 in F sharp minor | — | ||
| 28-9 | Preludes, op. 28 no. 9 in E major | — | ||
| 28-10 | Preludes, op. 28 no. 10 in C sharp minor | — | ||
| 28-11 | Preludes, op. 28 no. 11 In B major | — | ||
| 28-12 | Preludes, op. 28 no. 12 in G sharp minor | — | ||
| 28-13 | Preludes, op. 28 no. 13 in F sharp major | — | ||
| 28-14 | Preludes, op. 28 no. 14 in E flat minor | — | ||
| 28-15 | Preludes, op. 28 no. 15 in D flat major | — | ||
| 28-16 | Preludes, op. 28 no. 16 in B flat minor | — | ||
| 28-17 | Preludes, op. 28 no. 17 in A flat major | — | ||
| 28-18 | Preludes, op. 28 no. 18 in F minor | — | ||
| 28-19 | Preludes, op. 28 no. 19 in E flat major | — | ||
| 28-20 | Preludes, op. 28 no. 20 in C minor | — | ||
| 28-21 | Preludes, op. 28 no. 21 in B flat major | — | ||
| 28-22 | Preludes, op. 28 no. 22 in G minor | — | ||
| 28-23 | Preludes, op. 28 no. 23 in F major | — | ||
| 28-24 | Preludes, op. 28 no. 24 in D minor | — | ||
| 28-25 | Ballade no. 1 in G minor, op. 23 | — | ||
| 28-26 | Ballade no. 2 in F major, op. 38 | — | ||
| 28-27 | Ballade no. 3 in A flat major, op. 47 | — | ||
| 28-28 | Ballade no. 4 in F minor, op. 52 | — | ||
| 29-1 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: I. Andante | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-2 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: II. Poco adagio cantabile | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-3 | Keyboard Trio in G major "Gypsy Trio", H. 15 no. 25: III. Rondo all'ongarese | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-4 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": I. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-5 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": II. Scherzo. Allegro | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-6 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": III. Andante cantabile ma però con moto | Pau Casals, Alfred Cortot, Jacques Thibaud | T-917.033.932-9 | |
| 29-7 | Piano Trio no. 7 in B flat major, op. 97 "Archduke": IV. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 29-8 | 10 Variations in G major, op. 121a "Kakadu Variations" | — | ||
| 29-9 | 7 Variations in E flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-1 | Piano Trio no. 1 in B flat major, D. 898: I. Allegro moderato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-2 | Piano Trio no. 1 in B flat major, D. 898: II. Andante un poco mosso | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-3 | Piano Trio no. 1 in B flat major, D. 898: III. Allegro | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-4 | Piano Trio no. 1 in B flat major, D. 898: IV. Allegro vivace | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-5 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: I. Molto allegro ed agitato | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-6 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: II. Andante con moto tranquillo | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-7 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: III. Scherzo | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 30-8 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 49: IV. Finale | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-1 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: I. Mit Energie und Leidenschaft | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-2 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: II. Lebhaft, doch nicht zu rasch | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-3 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: III. Langsam, mit inniger Empfindung | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-4 | Trio für Klavier, Violine und Violoncello Nr. 1 d-Moll, op. 63: IV. Mit Feuer | Pau Casals, Alfred Cortot, Jacques Thibaud | — | |
| 31-5 | Violin Sonata no. 9 in A major, op. 47: I. Adagio sostenuto - Presto | — | ||
| 31-6 | Violin Sonata no. 9 in A major, op. 47: II. Andante con variazioni 1-4 | — | ||
| 31-7 | Violin Sonata no. 9 in A major, op. 47: III. Finale (Presto) | — | ||
| 32-1 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 32-2 | Violin Sonata in A major: II. Allegro | — | ||
| 32-3 | Violin Sonata in A major: III. Recitativo: ben moderato - Fantasia: Molto lento | — | ||
| 32-4 | Violin Sonata in A major: IV. Rondo: allegro vivace - Presto | — | ||
| 32-5 | Piano Quintet in F minor: I. Molto moderato quasi lento | — | ||
| 32-6 | Piano Quintet in F minor: II. Lento con molto sentimento | — | ||
| 32-7 | Piano Quintet in F minor: III. Allegro non troppo ma non fuoco | — | ||
| 33-1 | Violin Sonata in A major: I. Allegretto ben moderato | — | ||
| 33-2 | Violin Sonata in A major: II. Allegro | — | ||
| 33-3 | Violin Sonata in A major: III. Recitativo: Ben moderato - Fantasia: molto lento | — | ||
| 33-4 | Violin Sonata in A major: IV. Rondo : allegro vivace - Presto | — | ||
| 33-5 | Violin Sonata no. 1 in A major, op. 13: I. Allegro molto | — | ||
| 33-6 | Violin Sonata no. 1 in A major, op. 13: II. Andante | — | ||
| 33-7 | Violin Sonata no. 1 in A major, op. 13: III. Allegro vivo | — | ||
| 33-8 | Violin Sonata no. 1 in A major, op. 13: IV. Allegro quasi presto | — | ||
| 33-9 | Berceuse in D major, op. 16 | — | ||
| 33-10 | Violin Sonata in G minor: I. Allegro vivo | — | ||
| 33-11 | Violin Sonata in G minor: II. Intermède : fantasque et léger | — | ||
| 33-12 | Violin Sonata in G minor: III. Finale : très animé | — | ||
| 33-13 | Prelude no. 12, Minstrels (for piano and violin) | — | ||
| 34-1 | Double Concerto in A minor, op. 102: I. Allegro | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-2 | Double Concerto in A minor, Op. 102: II. Andante | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-3 | Double Concerto in A minor, op. 102: III. Vivace ma non tanto | Pau Casals, Jacques Thibaud, Orquestra Pau Casals, Alfred Cortot | — | |
| 34-4 | Concerto for piano, violin and string quartet in D major, op. 21: I. Décidé | — | ||
| 34-5 | Concerto for piano, violin and string quartet in D major, op. 21: II. Sicilienne | — | ||
| 34-6 | Concerto for piano, violin and string quartet in D major, op. 21: III. Grave | — | ||
| 34-7 | Concerto for piano, violin and string quartet in D major, op. 21: IV. Finale (Très animé) | — | ||
| 35-1 | Huitième concert dans le goût théâtral in G major: Ouverture | — | ||
| 35-2 | Huitième concert dans le goût théâtral in G major: Ritournelle | — | ||
| 35-3 | Huitième concert dans le goût théâtral in G major: Air | — | ||
| 35-4 | Huitième concert dans le goût théâtral in G major: Air tendre | — | ||
| 35-5 | Huitième concert dans le goût théâtral in G major: Air léger | — | ||
| 35-6 | Huitième concert dans le goût théâtral in G major: Loure | — | ||
| 35-7 | Huitième concert dans le goût théâtral in G major: Air animé | — | ||
| 35-8 | Huitième concert dans le goût théâtral in G major: Sarabande | — | ||
| 35-9 | Huitième concert dans le goût théâtral in G major: Air léger | — | ||
| 35-10 | Huitième concert dans le goût théâtral in G major: Air tendre | — | ||
| 35-11 | Huitième concert dans le goût théâtral in G major: Air des bacchantes | — | ||
| 35-12 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | — | ||
| 35-13 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | — | ||
| 35-14 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | — | ||
| 35-15 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet 1 - Trio 1 - Menuet 2 - Polacca - Menuet 3 - Trio 2 - Menuet | — | ||
| 35-16 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | — | ||
| 35-17 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 35-18 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 35-19 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro moderato | — | ||
| 35-20 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 35-21 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 36-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 36-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 36-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Allegro | — | ||
| 36-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 36-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 36-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 36-7 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: I. Allegro | — | ||
| 36-8 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 36-9 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: III. Allegro | — | ||
| 37-1 | Dichterliebe, op.48: I. Im wunderschonen Monat Mai | — | ||
| 37-2 | Dichterliebe, op.48: II. Aus meinen Tranen spriessen | — | ||
| 37-3 | Dichterliebe, op.48: III. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 37-4 | Dichterliebe, op.48: IV. Wenn ich in deine Augen seh' | — | ||
| 37-5 | Dichterliebe, op.48: V. Ich will meine Seele tauchen | — | ||
| 37-6 | Dichterliebe, op.48: VI. Im Rhein, im heiligen Strome | — | ||
| 37-7 | Dichterliebe, op.48: VII. Ich grolle nicht | — | ||
| 37-8 | Dichterliebe, op.48: VIII. Und wussten's die Blumen | — | ||
| 37-9 | Dichterliebe, op.48: IX. Das ist ein Floten und Geigen | — | ||
| 37-10 | Dichterliebe, op.48: X. Hor'ich das Liedchen klingen | — | ||
| 37-11 | Dichterliebe, op.48: XI. Ein Jungling liebt ein Madchen | — | ||
| 37-12 | Dichterliebe, op.48: XII. Am leuchtenden Sommer Morgen | — | ||
| 37-13 | Dichterliebe, op.48: XIII. Ich hab'im Traum geweinet | — | ||
| 37-14 | Dichterliebe, op.48: XIV. Allnachtlich im Traum she'ich dich | — | ||
| 37-15 | Dichterliebe, op.48: XV. Aus alten Marchen winkt es | — | ||
| 37-16 | Dichterliebe, op.48: XVI. Die alten bosen Lieder | — | ||
| 37-17 | Fêtes galantes, premier recueil (Verlaine): I. En sourdine | — | ||
| 37-18 | Fêtes galantes, premier recueil (Verlaine): II. Fantoches | — | ||
| 37-19 | Fêtes galantes, premier recueil (Verlaine): III. Clair de lune | — | ||
| 37-20 | Fêtes galantes, second recueil (Verlaine): I. Les ingénus | — | ||
| 37-21 | Fêtes galantes, second recueil (Verlaine): II. Le faune | — | ||
| 37-22 | Fêtes galantes, second recueil (Verlaine): III. Colloque sentimental | — | ||
| 37-23 | Chansons de Bilitis, 3 melodies (Pierre Louys): I. La flûte de Pan | — | ||
| 37-24 | Chansons de Bilitis, 3 melodies (Pierre Louys): II. La chevelure | — | ||
| 37-25 | Chansons de Bilitis, 3 melodies (Pierre Louys): III. Le tombeau des Naïades | — | ||
| 37-26 | Le Promenoir des deux amants (Tristan L'Hermitte): I. Auprès de cette grotte sombre | — | ||
| 37-27 | Le Promenoir des deux amants (Tristan L'Hermitte): II. Crois mon conseil, chère Climène | — | ||
| 37-28 | Le Promenoir des deux amants (Tristan L'Hermitte): III. Je tremble en voyant ton visage | — | ||
| 37-29 | Proses lyriques: II. De grève | — | ||
| 37-30 | Trois ballades de Francois Villon: III. Ballade des femmes de Paris | — | ||
| 38-1 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": I. Grave-Allegro di molto e con brio (Cortot's comments with musical examples) | — | ||
| 38-2 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": II. Adagio cantabile (Cortot's comments with musical examples) | — | ||
| 38-3 | Piano Sonata no. 8 in C minor, op. 13 "Pathetique": III. Rondo-Allegro (Cortot's comments with musical examples) | — | ||
| 38-4 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: I. Adagio sostenuto (Cortot's comments with musical examples) | — | ||
| 38-5 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: II. Allegretto (Cortot's comments with musical examples) | — | ||
| 38-6 | Piano Sonata no. 14 in C sharp minor, op. 27 No. 2: III. Presto agitato (Cortot's comments with musical examples) | — | ||
| 39-1 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai | — | ||
| 39-2 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro con brio (Cortot's comments with musical examples) | — | ||
| 39-3 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto (Cortot's comments with musical examples) | — | ||
| 39-4 | Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo-Presto (Cortot's comments with musical examples) | — | ||
| 39-5 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (Cortot's comments with musical examples) | — | ||
| 39-6 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen (Cortot's comments with musical examples) | — | ||
| 39-7 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 40-1 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca (Cortot's comments with musical examples) | — | ||
| 40-2 | Piano Sonata no. 25 in G major, op. 79: II. Andante (Cortot's comments with musical examples) | — | ||
| 40-3 | Piano Sonata no. 25 in G major, op. 79: III. Vivace (Cortot's comments with musical examples) | — | ||
| 40-4 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': I. Adagio-Allegro (Cortot's comments with musical examples) | — | ||
| 40-5 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': II. Andante espressivo (Cortot's comments with musical examples) | — | ||
| 40-6 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': III. Vivacissimamente (Cortot's comments with musical examples) | — | ||
| 40-7 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': I. Adagio-Allegro | — | ||
| 40-8 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': II. Andante espressivo | — | ||
| 40-9 | Piano Sonata no. 26 in E flat major, op. 81a "Les adieux': III. Vivacissimamente | — | ||
| 40-10 | Speech, in memoriam Dinu Lipatti | — |
