UPC · Release
Maestro
Last verified:
5099970505320 is the Universal Product Code (UPC barcode) for the release “Blue Note Trip, Volume 10: Late Nights / Early Mornings” by Maestro, released 2012-01-01 on Blue Note. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lifetime Monologue | — | ||
| 2 | Kofi | — | ||
| 3 | Woman of the Ghetto (live) | — | ||
| 4 | Bambu | — | ||
| 5 | Off and On | — | ||
| 6 | Beatmaker | — | ||
| 7 | Let the Music Take Your Mind | — | ||
| 8 | The Sophisticated Hippie | — | ||
| 9 | Goin’ Out of My Head | — | ||
| 10 | Underwater Chase | — | ||
| 11 | The Gal From Joe’s | — | ||
| 12 | Cornbread | — | ||
| 13 | African Ascension, Part 1: The Gods of the Yoruba | — | ||
| 14 | Oscalypso | — | ||
| 15 | Mission Impossible (Lalo Schifrin version) | — | ||
| 2-1 | The Human Abstract | — | ||
| 2-2 | Don’t Smoke in Bed | — | ||
| 2-3 | Tyra | — | ||
| 2-4 | You Go to My Head | — | ||
| 2-5 | It’s Been Done | — | ||
| 2-6 | Tracin’ Tracy | — | ||
| 2-7 | Blues for the Weepers | — | ||
| 2-8 | A Taste of Honey | — | ||
| 2-9 | For All We Know | — | ||
| 2-10 | Lazy Afternoon | — | ||
| 2-11 | Erato | — | ||
| 2-12 | Maybe It’s Because I Love You Too Much | — | ||
| 2-13 | Thinking of Baby | — | ||
| 2-14 | Last Tango in Paris | — | ||
| 2-15 | Driftin’ | — | ||
| 2-16 | Ces petits riens | — | ||
| 2-17 | Los ojos alegres (The Happy Eyes) | — | ||
| 2-18 | Apres midi | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5099970505320 is a Universal Product Code (UPC) assigned to Blue Note Trip, Volume 10: Late Nights / Early Mornings by Maestro. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099970505320 is the Universal Product Code (UPC barcode) for the release “Blue Note Trip, Volume 10: Late Nights / Early Mornings” by Maestro, released 2012-01-01 on Blue Note. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lifetime Monologue | — | ||
| 2 | Kofi | — | ||
| 3 | Woman of the Ghetto (live) | — | ||
| 4 | Bambu | — | ||
| 5 | Off and On | — | ||
| 6 | Beatmaker | — | ||
| 7 | Let the Music Take Your Mind | — | ||
| 8 | The Sophisticated Hippie | — | ||
| 9 | Goin’ Out of My Head | — | ||
| 10 | Underwater Chase | — | ||
| 11 | The Gal From Joe’s | — | ||
| 12 | Cornbread | — | ||
| 13 | African Ascension, Part 1: The Gods of the Yoruba | — | ||
| 14 | Oscalypso | — | ||
| 15 | Mission Impossible (Lalo Schifrin version) | — | ||
| 2-1 | The Human Abstract | — | ||
| 2-2 | Don’t Smoke in Bed | — | ||
| 2-3 | Tyra | — | ||
| 2-4 | You Go to My Head | — | ||
| 2-5 | It’s Been Done | — | ||
| 2-6 | Tracin’ Tracy | — | ||
| 2-7 | Blues for the Weepers | — | ||
| 2-8 | A Taste of Honey | — | ||
| 2-9 | For All We Know | — | ||
| 2-10 | Lazy Afternoon | — | ||
| 2-11 | Erato | — | ||
| 2-12 | Maybe It’s Because I Love You Too Much | — | ||
| 2-13 | Thinking of Baby | — | ||
| 2-14 | Last Tango in Paris | — | ||
| 2-15 | Driftin’ | — | ||
| 2-16 | Ces petits riens | — | ||
| 2-17 | Los ojos alegres (The Happy Eyes) | — | ||
| 2-18 | Apres midi | — |
