UPC · Release
Prokofiev: Ballets
Сергей Сергеевич Прокофьев
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5099970557527 is the Universal Product Code (UPC barcode) for the release “Prokofiev: Ballets” by Сергей Сергеевич Прокофьев, released 2012-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 144 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (144)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction - | — | ||
| 2 | Romeo and Juliet, Op. 64, Act 1, Scene 1: Romeo - | — | ||
| 3 | Romeo and Juliet, Op. 64, Act 1, Scene 1: The Street Awakens - | — | ||
| 4 | Romeo and Juliet, Op. 64, Act 1, Scene 1: Morning Dance - | — | ||
| 5 | Romeo and Juliet, Op. 64, Act 1, Scene 1: The Quarrel - | — | ||
| 6 | Romeo and Juliet, Op. 64, Act 1, Scene 1: The Fight - | — | ||
| 7 | Romeo and Juliet, Op. 64, Act 1, Scene 1: The Prince Gives His Order - | — | ||
| 8 | Romeo and Juliet, Op. 64, Act 1, Scene 1: Interlude - | — | ||
| 9 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Preparing for the Ball - | — | ||
| 10 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Young Juliet - | — | ||
| 11 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Arrival of the Guests (Minuet) - | — | ||
| 12 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Masks - | — | ||
| 13 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights - | — | ||
| 14 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Juliet's Variation - | — | ||
| 15 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Mercutio - | — | ||
| 16 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Madrigal - | — | ||
| 17 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Tybalt Recognizes Romeo - | — | ||
| 18 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Departure of the Guests (Gavotte - | — | ||
| 19 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Balcony Scene - | — | ||
| 20 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Romeo's Variation - | — | ||
| 21 | Romeo and Juliet, Op. 64, Act 1, Scene 2: Love Dance - | — | ||
| 22 | Romeo and Juliet, Op. 64, Act 2, Scene 1: Folk Dance - | — | ||
| 23 | Romeo and Juliet, Op. 64, Act 2, Scene 1: Romeo and Mercutio - | — | ||
| 24 | Romeo and Juliet, Op. 64, Act 2, Scene 1: Dance - | — | ||
| 25 | Romeo and Juliet, Op. 64, Act 2, Scene 1: Dance with Mandolins - | — | ||
| 26 | Romeo and Juliet, Op. 64, Act 2, Scene 1: The Nurse - | — | ||
| 2-1 | Romeo and Juliet, Op. 64, Act 2, Scene 1: The Nurse Gives Romeo the Note from Juliet - | — | ||
| 2-2 | Romeo and Juliet, Op. 64, Act 2, Scene 2: Romeo with Friar Laurence - | — | ||
| 2-3 | Romeo and Juliet, Op. 64, Act 2, Scene 2: Juliet with Friar Laurence - | — | ||
| 2-4 | Romeo and Juliet, Op. 64, Act 2, Scene 3: The People Continue to Make Merry - | — | ||
| 2-5 | Romeo and Juliet, Op. 64, Act 2, Scene 3: A Folk Dance Again - | — | ||
| 2-6 | Romeo and Juliet, Op. 64, Act 2, Scene 3: Tybalt Meets Mercutio - | — | ||
| 2-7 | Romeo and Juliet, Op. 64, Act 2, Scene 3: Tybalt and Mercutio Fight - | — | ||
| 2-8 | Romeo and Juliet, Op. 64, Act 2, Scene 3: Death of Mercutio - | — | ||
| 2-9 | Romeo and Juliet, Op. 64, Act 2, Scene 3: Romeo Decides to Avenge Mercutio's Death - | — | ||
| 2-10 | Romeo and Juliet, Op. 64, Act 2, Scene 3: Finale - | — | ||
| 2-11 | Romeo and Juliet, Op. 64, Act 3, Scene 1: Introduction - | — | ||
| 2-12 | Romeo and Juliet, Op. 64, Act 3, Scene 1: Romeo and Juliet - | — | ||
| 2-13 | Romeo and Juliet, Op. 64, Act 3, Scene 1: The Last Farewell - | — | ||
| 2-14 | Romeo and Juliet, Op. 64, Act 3, Scene 1: The Nurse - | — | ||
| 2-15 | Romeo and Juliet, Op. 64, Act 3, Scene 1: Juliet Refuses to Marry Paris - | — | ||
| 2-16 | Romeo and Juliet, Op. 64, Act 3, Scene 1: Juliet Alone - | — | ||
| 2-17 | Romeo and Juliet, Op. 64, Act 3, Scene 1: Interlude - | — | ||
| 2-18 | Romeo and Juliet, Op. 64, Act 3, Scene 2: At Friar Laurence's - | — | ||
| 2-19 | Romeo and Juliet, Op. 64, Act 3, Scene 2: Interlude - | — | ||
| 2-20 | Romeo and Juliet, Op. 64, Act 3, Scene 3: Juliet's Room - | — | ||
| 2-21 | Romeo and Juliet, Op. 64, Act 3, Scene 3: Juliet Alone - | — | ||
| 2-22 | Romeo and Juliet, Op. 64, Act 3, Scene 3: Morning Serenade - | — | ||
| 2-23 | Romeo and Juliet, Op. 64, Act 3, Scene 3: Dance of the Girls with Lilies - | — | ||
| 2-24 | Romeo and Juliet, Op. 64, Act 3, Scene 3: At Juliet's Bedside - | — | ||
| 2-25 | Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral - | — | ||
| 2-26 | Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of Juliet - | — | ||
| 3-1 | Cinderella, Op. 87, Act 1: No. 1, Introduction - | — | ||
| 3-2 | Cinderella, Op. 87, Act 1: No. 2, Pas de châle - | — | ||
| 3-3 | Cinderella, Op. 87, Act 1: No. 3, Cinderella - | — | ||
| 3-4 | Cinderella, Op. 87, Act 1: No. 4, The Father - | — | ||
| 3-5 | Cinderella, Op. 87, Act 1: No. 5, The Fairy Godmother - | — | ||
| 3-6 | Cinderella, Op. 87, Act 1: No. 6, The Sisters' New Clothes - | — | ||
| 3-7 | Cinderella, Op. 87, Act 1: No. 7, The Dancing Lesson - | — | ||
| 3-8 | Cinderella, Op. 87, Act 1: No. 8, Departure of Stepmother and Sisters for the Ball - | — | ||
| 3-9 | Cinderella, Op. 87, Act 1: No. 9, Cinderella Dreams of the Ball - | — | ||
| 3-10 | Cinderella, Op. 87, Act 1: No. 10, Gavotte - | — | ||
| 3-11 | Cinderella, Op. 87, Act 1: No. 11, Second Appearance of the Fairy Godmother - | — | ||
| 3-12 | Cinderella, Op. 87, Act 1: No. 12, Spring Fairy - | — | ||
| 3-13 | Cinderella, Op. 87, Act 1: No. 13, Summer Fairy - | — | ||
| 3-14 | Cinderella, Op. 87, Act 1: No. 14, Grasshoppers and Dragonflies - | — | ||
| 3-15 | Cinderella, Op. 87, Act 1: No. 15, Autumn Fairy - | — | ||
| 3-16 | Cinderella, Op. 87, Act 1: No. 16, Winter Fairy - | — | ||
| 3-17 | Cinderella, Op. 87, Act 1: No. 17, Interrupted Departure - | — | ||
| 3-18 | Cinderella, Op. 87, Act 1: No. 18, Clock Scene - | — | ||
| 3-19 | Cinderella, Op. 87, Act 1: No. 19, Cinderella's Departure for the Ball - | — | ||
| 3-20 | Cinderella, Op. 87, Act 2: No. 20, Dance of the Courtiers - | — | ||
| 3-21 | Cinderella, Op. 87, Act 2: No. 21, Passepied - | — | ||
| 3-22 | Cinderella, Op. 87, Act 2: No. 22, Bourrée - | — | ||
| 3-23 | Cinderella, Op. 87, Act 2: No. 23, Skinny's Variation - | — | ||
| 3-24 | Cinderella, Op. 87, Act 2: No. 24, Dumpy's Variation - | — | ||
| 3-25 | Cinderella, Op. 87, Act 2: No. 25, Dance of the Courtiers (Reprise) - | — | ||
| 3-26 | Cinderella, Op. 87, Act 2: No. 26, Mazurka and Entrance of the Prince - | — | ||
| 3-27 | Cinderella, Op. 87, Act 2: No. 27, Dance of the Prince's Four Companions - | — | ||
| 3-28 | Cinderella, Op. 87, Act 2: No. 28, Mazurka - | — | ||
| 3-29 | Cinderella, Op. 87, Act 2: No. 29, Cinderella's Arrival at the Ball - | — | ||
| 3-30 | Cinderella, Op. 87, Act 2: No. 30, Grand Waltz - | — | ||
| 4-1 | Cinderella, Op. 87, Act 2: No. 31, Promenade - | — | ||
| 4-2 | Cinderella, Op. 87, Act 2: No. 32, Cinderella's Dance - | — | ||
| 4-3 | Cinderella, Op. 87, Act 2: No. 33, Dance of the Prince - | — | ||
| 4-4 | Cinderella, Op. 87, Act 2: No. 34, Refreshments for the Guests - | — | ||
| 4-5 | Cinderella, Op. 87, Act 2: No. 35, Duet of the Stepsisters with Their Oranges - | — | ||
| 4-6 | Cinderella, Op. 87, Act 2: No. 36, Duet of the Prince and Cinderella - | — | ||
| 4-7 | Cinderella, Op. 87, Act 2: No. 37, Waltz-Coda - | — | ||
| 4-8 | Cinderella, Op. 87, Act 2: No. 38, Midnight - | — | ||
| 4-9 | Cinderella, Op. 87, Act 3, Scene 1: No. 39, The Prince and the Cobblers - | — | ||
| 4-10 | Cinderella, Op. 87, Act 3, Scene 1: No. 40, First Galop of the Prince - | — | ||
| 4-11 | Cinderella, Op. 87, Act 3, Scene 1: No. 41, Temptation - | — | ||
| 4-12 | Cinderella, Op. 87, Act 3, Scene 1: No. 42, Second Galop of the Prince - | — | ||
| 4-13 | Cinderella, Op. 87, Act 3, Scene 1: No. 43, Oriental Dance - | — | ||
| 4-14 | Cinderella, Op. 87, Act 3, Scene 1: No. 44, Third Galop of the Prince - | — | ||
| 4-15 | Cinderella, Op. 87, Act 3, Scene 2: No. 45, Cinderella's Awakening - | — | ||
| 4-16 | Cinderella, Op. 87, Act 3, Scene 2: No. 46, The Morning After the Ball - | — | ||
| 4-17 | Cinderella, Op. 87, Act 3, Scene 2: No. 47, The Prince's Visit - | — | ||
| 4-18 | Cinderella, Op. 87, Act 3, Scene 2: No. 48, The Prince Finds Cinderella - | — | ||
| 4-19 | Cinderella, Op. 87, Act 3, Scene 2: No. 49, Waltz - | — | ||
| 4-20 | Cinderella, Op. 87, Act 3, Scene 2: No. 50, Amoroso - | — | ||
| 4-21 | Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro - | — | ||
| 4-22 | Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto - | — | ||
| 4-23 | Symphony No. 1 in D Major, Op. 25 "Classical": III. Gavotte - | — | ||
| 4-24 | Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale - | — | ||
| 5-1 | Alexander Nevsky, Op. 78: I. Russia Beneath the Yoke of the Mongols - | — | ||
| 5-2 | Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky - | — | ||
| 5-3 | Alexander Nevsky, Op. 78: III. The Crusaders in Pskov - | — | ||
| 5-4 | Alexander Nevsky, Op. 78: IV. Arise, Ye Russian People - | — | ||
| 5-5 | Alexander Nevsky, Op. 78: V. The Battle on the Ice - | — | ||
| 5-6 | Alexander Nevsky, Op. 78: VI. The Field of the Dead - | — | ||
| 5-7 | Alexander Nevsky, Op. 78: VII. Alexander's Entry Into Pskov - | — | ||
| 5-8 | Suite from Lieutenant Kijé, Op. 60bis: I. Birth of Kijé - | — | ||
| 5-9 | Suite from Lieutenant Kijé, Op. 60bis: II. Romance - | — | ||
| 5-10 | Suite from Lieutenant Kijé, Op. 60bis: III. Kijé's Wedding - | — | ||
| 5-11 | Suite from Lieutenant Kijé, Op. 60bis: IV. Troika - | — | ||
| 5-12 | Suite from Lieutenant Kijé, Op. 60bis: V. The Burial of Kijé - | — | ||
| 6-1 | Ivan the Terrible, Op. 116: Prologue - | — | ||
| 6-2 | Ivan the Terrible, Op. 116: No. 1, Overture and Chorus - | — | ||
| 6-3 | Ivan the Terrible, Op. 116: No. 2, March of Young Ivan - | — | ||
| 6-4 | Ivan the Terrible, Op. 116: No. 3, Ocean | — | ||
| 6-5 | Ivan the Terrible, Op. 116: No. 4, I Will Be Tsar! - | — | ||
| 6-6 | Ivan the Terrible, Op. 116: No. 5, God Is Wondrous! - | — | ||
| 6-7 | Ivan the Terrible, Op. 116: No. 6, Long Life! - | — | ||
| 6-8 | Ivan the Terrible, Op. 116: No. 7, Ocean | — | ||
| 6-9 | Ivan the Terrible, Op. 116: No. 8, Long Life! - | — | ||
| 6-10 | Ivan the Terrible, Op. 116: No. 9, The Holy Fool - | — | ||
| 6-11 | Ivan the Terrible, Op. 116: No. 10, The Swan - | — | ||
| 6-12 | Ivan the Terrible, Op. 116: No. 11, Celebration Song - | — | ||
| 6-13 | Ivan the Terrible, Op. 116: No. 12, The Swan - | — | ||
| 6-14 | Ivan the Terrible, Op. 116: No. 13, On the Bones of the Enemy - | — | ||
| 6-15 | Ivan the Terrible, Op. 116: No. 14, The Tartars - | — | ||
| 6-16 | Ivan the Terrible, Op. 116: No. 15, The Gunners - | — | ||
| 6-17 | Ivan the Terrible, Op. 116: No. 16, The Storming of Kazan - | — | ||
| 6-18 | Ivan the Terrible, Op. 116: No. 17, Ivan's Appeal to the Boyars - | — | ||
| 6-19 | Ivan the Terrible, Op. 116: No. 18, Yesfrosinia and Anastasia - | — | ||
| 6-20 | Ivan the Terrible, Op. 116: No. 19, Song About the Beaver - | — | ||
| 6-21 | Ivan the Terrible, Op. 116: No. 20, Ivan at Anastasia's Bier - | — | ||
| 6-22 | Ivan the Terrible, Op. 116: No. 21, Chorus of the Oprichniki - | — | ||
| 6-23 | Ivan the Terrible, Op. 116: No. 22, The Oprichniki Oath of Loyalty - | — | ||
| 6-24 | Ivan the Terrible, Op. 116: No. 23, Feodor Basmanov's Song - | — | ||
| 6-25 | Ivan the Terrible, Op. 116: No. 24, Dance of the Oprichniki - | — | ||
| 6-26 | Ivan the Terrible, Op. 116: No. 25, Finale - | — |
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What is UPC 5099970557527?
5099970557527 is a Universal Product Code (UPC) assigned to Prokofiev: Ballets by Сергей Сергеевич Прокофьев. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 144 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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