UPC · Release
In persona: Componisten spelen hun eigen werk
Various Artists
5099973916321
10 tracksReleased 2012-01-01NRC Handelsblad
Last verified:
5099973916321 is the Universal Product Code (UPC barcode) for the release “In persona: Componisten spelen hun eigen werk” by Various Artists, released 2012-01-01 on NRC Handelsblad. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include FRZ110801706, FRZ110801707, FRZ110801708.
Format
509GS1 prefix
9973Company prefix
91632Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCIn persona: Componisten spelen hun eigen werk
ISRC10 recordings
ISWC2 works
IPI9 songwriters
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 3-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 3-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 3-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 3-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 3-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 3-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 3-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 3-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 3-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — |
La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant
Olivier Messiaen
—
La Nativité du Seigneur, I/14: II. Les Bergers
Olivier Messiaen
—
La Nativité du Seigneur, I/14: III. Desseins Éternels
Olivier Messiaen
—
La Nativité du Seigneur, I/14: IV. Le Verbe
Olivier Messiaen
—
La Nativité du Seigneur, I/14: V. Les Enfants de Dieu
Olivier Messiaen
—
La Nativité du Seigneur, I/14: VI. Les Anges
Olivier Messiaen
—
La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance
Olivier Messiaen
—
La Nativité du Seigneur, I/14: VIII. Les Mages
Olivier Messiaen
—
La Nativité du Seigneur, I/14: IX. Dieu parmi nous
Olivier Messiaen
—
Additional database matches (41)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — |
| Piano rag music | Igor Stravinsky | — |
| Serenade in A: I. Hymn | Igor Stravinsky | — |
| Serenade in A: II. Romanza | Igor Stravinsky | — |
| Serenade in A: III. Rondoletto | Igor Stravinsky | — |
| Serenade in A: IV. Cadenza finale | Igor Stravinsky | — |
| Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — |
| Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 |
| Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 2. Batter My Heart
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 5. What If This Present
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud
Peter Pears, Benjamin Britten
—
Piano rag music
Igor Stravinsky
—
Serenade in A: I. Hymn
Igor Stravinsky
—
Serenade in A: II. Romanza
Igor Stravinsky
—
Serenade in A: III. Rondoletto
Igor Stravinsky
—
Serenade in A: IV. Cadenza finale
Igor Stravinsky
—
Concerto for two solo pianos: I. Con moto
Igor Stravinsky, Soulima Stravinsky
—
Concerto for two solo pianos: II. Notturno (Adagietto)
Igor Stravinsky, Soulima Stravinsky
—
Concerto for two solo pianos: III. Quattro variazioni
Igor Stravinsky, Soulima Stravinsky
—
Concerto for two solo pianos: IV: Preludio e Fuga
Igor Stravinsky, Soulima Stravinsky
—
Variations on an Original Theme (“Enigma”), op. 36: Theme
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Royal Albert Hall Orchestra, Sir Edward Elgar
Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon]
Royal Albert Hall Orchestra, Sir Edward Elgar
—
Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer)
Royal Albert Hall Orchestra, Sir Edward Elgar
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000036108719000000005517050X000000005518504X0000000059460838000000006301199800000000715426170000000081465360000000008146546700000000818248530000000090768355
+25 more
000000010855460400000001087063480000000108854623000000010901151300000001091781610000000116009243000000011700232600000001195461750000000120999614000000012102494X000000012118109900000001212242980000000121244926000000012128376500000001213897110000000121429277000000012143044600000001214624210000000121615037000000012169519600000001218359020000000122817124000000012353187300000003686357500000000368638986
Identifier Graph
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What is UPC 5099973916321?
5099973916321 is a Universal Product Code (UPC) assigned to In persona: Componisten spelen hun eigen werk by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm