UPC · Release
Various Artists
Last verified:
5099973916321 is the Universal Product Code (UPC barcode) for the release “In persona: Componisten spelen hun eigen werk” by Various Artists, released 2012-01-01 on NRC Handelsblad. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 218 tracks, each with its own ISRC. Tracks include FRZ110801706, FRZ110801707, FRZ110801708.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 14 Bagatelles Sz38: No.2 Allegro giocoso | — | ||
| 2 | 10 Easy Pieces Sz39 : Evening in Transylvania | — | ||
| 3 | 10 Easy Pieces Sz39 : Bear dance | — | ||
| 4 | 2 Romanian Dances Sz43: No.1 Allegro vivace | — | ||
| 5 | 3 Burlesques Sz47: No.2, A bit drunk | — | ||
| 6 | Allegro barbaro Sz49 | — | ||
| 7 | Suite Sz62: I. Allegretto | — | ||
| 8 | Suite Sz62: II. Scherzo | — | ||
| 9 | Suite Sz62: III. Allegro molto | — | ||
| 10 | Suite Sz62: IV. Sostenuto | — | ||
| 11 | Mikrokosmos Sz107: Staccato | — | ||
| 12 | Mikrokosmos Sz107: Ostinato | — | ||
| 13 | 5 Hungarian Folk Tunes Sz33 | — | ||
| 14 | 8 Hungarian Folksongs Sz64: No 1, No 2, No 3, No 5 | — | ||
| 15 | 8 Hungarian Folksongs Sz64: No 6, No 7, No 8 | — | ||
| 16 | 7 Hungarian Folk-Tunes Sz42 | — | ||
| 17 | 6 Romanian Folkdances Sz56 | — | ||
| 18 | Variations on a Nursery Song Op. 25: Introduction (Maestoso) | — | ||
| 19 | Variations on a Nursery Song Op. 25: Theme (Allegro) | — | ||
| 20 | Variations on a Nursery Song Op. 25: I. Poco più allegro | — | ||
| 21 | Variations on a Nursery Song Op. 25: II. Risoluto | — | ||
| 22 | Variations on a Nursery Song Op. 25: III. (L'istesso tempo) | — | ||
| 23 | Variations on a Nursery Song Op. 25: IV. Molto meno mosso (Allegretto moderato) | — | ||
| 24 | Variations on a Nursery Song Op. 25: V. Più mosso | — | ||
| 25 | Variations on a Nursery Song Op. 25: VI. Ancora più mosso (Allegro) | — | ||
| 26 | Variations on a Nursery Song Op. 25: VII. Walzer (Tempo giusto) | — | ||
| 27 | Variations on a Nursery Song Op. 25: VIII. Alla marcia (Allegro moderato) | — | ||
| 28 | Variations on a Nursery Song Op. 25: IX. Presto | — | ||
| 29 | Variations on a Nursery Song Op. 25: X. Passacaglia (Adagio non troppo) | — | ||
| 30 | Variations on a Nursery Song Op. 25: XI. Choral (Maestoso) | — | ||
| 31 | Variations on a Nursery Song Op. 25: XII. Finale fugato (Allegro vivace) | — | ||
| 2-1 | Sonata for solo viola, Op.25, No.1: I Breit | — | ||
| 2-2 | Sonata for solo viola, Op.25, No.1: II Sehr frisch und straff | — | ||
| 2-3 | Sonata for solo viola, Op.25, No.1: III Sehr langsam | — | ||
| 2-4 | Sonata for solo viola, Op.25, No.1: IV Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache | — | ||
| 2-5 | Sonata for solo viola, Op.25, No.1: V Langsam, mit viel Ausdruck | — | ||
| 2-6 | Scherzo for viola and cello | — | ||
| 2-7 | Nobilissima visione - Suite: I Einleitung und Rondo | — | ||
| 2-8 | Nobilissima visione - Suite: II Marsch und Pastorale | — | ||
| 2-9 | Nobilissima visione - Suite: III Passacaglia | — | ||
| 2-10 | Symphonia serena: I Moderately fast | — | ||
| 2-11 | Symphonia serena: II Geschwindmarsch by Beethoven (Rather fast) | — | ||
| 2-12 | Symphonia serena: III Colloquy | — | ||
| 2-13 | Symphonia serena: IV Finale (Gay) | — | ||
| 3-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 3-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 3-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 3-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 3-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 3-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 3-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 3-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 3-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 3-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — | |
| 4-1 | Piano Concerto No.3 - I. Andante - Allegro | — | ||
| 4-2 | Piano Concerto No.3 - II. Tema con variazioni (Andantino) | — | ||
| 4-3 | Piano Concerto No.3 - III. Allegro ma non troppo | — | ||
| 4-4 | Suggestion diabolique | — | ||
| 4-5 | Visions fugitives - No.3 Allegretto | — | ||
| 4-6 | Visions fugitives - No.5 Molto giocoso | — | ||
| 4-7 | Visions fugitives - No.6 Con eleganza | — | ||
| 4-8 | Visions fugitives - No.9 Allegretto tranquillo | — | ||
| 4-9 | Visions fugitives - No.10 Ridicolosamente | — | ||
| 4-10 | Visions fugitives - No.11 Con vivacita | — | ||
| 4-11 | Visions fugitives - No.16 Dolente | — | ||
| 4-12 | Visions fugitives - No.17 Poetico | — | ||
| 4-13 | Visions fugitives - No.18 Con una dolce lentezza | — | ||
| 4-14 | Gavotte, Op.25 | — | ||
| 4-15 | Sonata No.4 - II. Andante assai | — | ||
| 4-16 | Gavotte (No.3 from 4 Pieces, Op.32) | — | ||
| 4-17 | The Seasons - Introduction & Scene 1(Winter) | — | ||
| 4-18 | The Seasons - Scene 1: Variation 1 (The Frost) | — | ||
| 4-19 | The Seasons - Scene 1: Variation 2 (The Ice) | — | ||
| 4-20 | The Seasons - Scene 1: Variation 3 (The Hail) | — | ||
| 4-21 | The Seasons - Scene 1: Variation 4 (The Snow) | — | ||
| 4-22 | The Seasons - Scene 2 (Spring) | — | ||
| 4-23 | The Seasons - Scene 3 (Summer) | — | ||
| 4-24 | The Seasons - Scene 3: Waltz of the Cornflowers and Poppies | — | ||
| 4-25 | The Seasons - Scene 3: Barcarolle | — | ||
| 4-26 | The Seasons - Scene 4 (Autumn): Bacchanale | — | ||
| 4-27 | The Seasons - Scene 4: Petit Adagio | — | ||
| 4-28 | The Seasons - Scene 4: Finale | — | ||
| 5-1 | Bachianas Brasileiras no. 2 - IV. Tocata. Un poco moderato | — | ||
| 5-2 | Bachianas Brasileiras no. 5 - I. Aria.Cantilena. Adagio | — | ||
| 5-3 | Bachianas Brasileiras no. 5 - II. Dança. Martello. Allegretto | — | ||
| 5-4 | Miniaturas no. 2 - Viola | — | ||
| 5-5 | Modinhas e canções. Vol.1 - no. 3: Cantilena | — | ||
| 5-6 | Momoprecoce - Fantasia para piano e orquestra | — | ||
| 5-7 | Bachianas Brasileiras no. 4 - I. Prelúdio. Introdução. Lento | — | ||
| 5-8 | Bachianas Brasileiras no. 4 - II. Coral. Canto do Sertão. Largo | — | ||
| 5-9 | Bachianas Brasileiras no. 4 - III. Aria. Cantiga. Moderato | — | ||
| 5-10 | Bachianas Brasileiras no. 4 - IV. Dançca. Miudinho. Muito animado | — | ||
| 5-11 | Chõro no. 10 (Rasga o coração) | — | ||
| 6-1 | Le bestiaire - Le dromadaire - La chèvre du Tibet - La sauterelle - Le dauphin - L'écrevisse - La carpe | — | ||
| 6-2 | Chansons gaillardes - 4. Invocation aux Parques | — | ||
| 6-3 | Chansons gaillardes - 7. La belle jeunesse | — | ||
| 6-4 | Tel jour, telle nuit - 1. Bonne journée | — | ||
| 6-5 | Tel jour, telle nuit - 2. Une ruine coquille vide | — | ||
| 6-6 | Tel jour, telle nuit - 3. Le front comme un drapeau perdu | — | ||
| 6-7 | Tel jour, telle nuit - 4. Une roulotte courverte en tuiles | — | ||
| 6-8 | Tel jour, telle nuit - 5. A toutes brides | — | ||
| 6-9 | Tel jour, telle nuit - 6. Une herbe pauvre | — | ||
| 6-10 | Tel jour, telle nuit - 7. Je nái envie que de t'aimer | — | ||
| 6-11 | Tel jour, telle nuit - 8. Figure de force brûlante et farouche | — | ||
| 6-12 | Tel jour, telle nuit - 9. Nous avons fait la nuit | — | ||
| 6-13 | Deux poèmes de Guillaume Apollinaire - 1. Dans la jardin d'Anna | — | ||
| 6-14 | Métamorphoses - 1. Reine des mouettes | — | ||
| 6-15 | Métamorphoses - 2. Cést ainsi que tu es | — | ||
| 6-16 | Métamorphoses - 3. Paganini | — | ||
| 6-17 | Deux poèmes de Louis Aragon - 1. 'C' | — | ||
| 6-18 | Deux poèmes de Louis Aragon - 2. Fêtes galantes | — | ||
| 6-19 | Deux poèmes de Guillaume Apollinaire - 1. Montparnasse | — | ||
| 6-20 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 6-21 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 6-22 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 6-23 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 6-24 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 6-25 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 6-26 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 6-27 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 6-28 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 6-29 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 6-30 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 6-31 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 6-32 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 6-33 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 6-34 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 6-35 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 7-1 | Concerto for piano, trumpet and strings in C minor, Op.35: I. Allegro moderato - Allegro vivace - Moderato | — | ||
| 7-2 | Concerto for piano, trumpet and strings in C minor, Op.35: II. Lento | — | ||
| 7-3 | Concerto for piano, trumpet and strings in C minor, Op.35: III. Moderatio | — | ||
| 7-4 | Concerto for piano, trumpet and strings in C minor, Op.35: IV. Allegro con brio - Presto - Allegro poco moderato - Allegro con brio | — | ||
| 7-5 | Piano Concerto No.2 in F, Op. 102: I. Allegro | — | ||
| 7-6 | Piano Concerto No.2 in F, Op. 102: II. Andante | — | ||
| 7-7 | Piano Concerto No.2 in F, Op. 102: III. Allegro | — | ||
| 7-8 | Three Fantastic Dances, Op. 5: I. Allegretto | — | ||
| 7-9 | Three Fantastic Dances, Op. 5: II. Andantino | — | ||
| 7-10 | Three Fantastic Dances, Op. 5: III. Andantino | — | ||
| 7-11 | Preludes and Fugues, Op. 87 No.1 in C | — | ||
| 7-12 | Preludes and Fugues, Op. 87 No.2 in E minor | — | ||
| 7-13 | Preludes and Fugues, Op. 87 No.3 in D | — | ||
| 7-14 | Preludes and Fugues, Op. 87 No.4 in F | — | ||
| 7-15 | Preludes and Fugues, Op. 87 No.5 in D minor | — | ||
| 8-1 | Pastorale | — | ||
| 8-2 | L'Oiseau de feu: Scherzo | — | ||
| 8-3 | L'Oiseau de feu: Berceuse | — | ||
| 8-4 | Petrushka: Danse russe | — | ||
| 8-5 | Le Chant du rossignol: Airs du rossignol | — | ||
| 8-6 | Le Chant du rossignol: Marche chinoise | — | ||
| 8-7 | Rag-time for eleven instruments | — | ||
| 8-8 | Piano rag music | Igor Stravinsky | — | |
| 8-9 | Suite italienne: Serenata | — | ||
| 8-10 | Suite italienne: Scherzino | — | ||
| 8-11 | Serenade in A: I. Hymn | Igor Stravinsky | — | |
| 8-12 | Serenade in A: II. Romanza | Igor Stravinsky | — | |
| 8-13 | Serenade in A: III. Rondoletto | Igor Stravinsky | — | |
| 8-14 | Serenade in A: IV. Cadenza finale | Igor Stravinsky | — | |
| 8-15 | Duo concertant: I. Cantilène | — | ||
| 8-16 | Duo concertant: II. Eclogue I | — | ||
| 8-17 | Duo concertant: III. Eclogue II | — | ||
| 8-18 | Duo concertant: IV. Gigue | — | ||
| 8-19 | Duo concertant: V. Dithyrambe | — | ||
| 8-20 | Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-21 | Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-22 | Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-23 | Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — | |
| 9-1 | Eine Alpensinfonie, Op.64: Night | — | ||
| 9-2 | Eine Alpensinfonie, Op.64: Sunrise | — | ||
| 9-3 | Eine Alpensinfonie, Op.64: The Ascent | — | ||
| 9-4 | Eine Alpensinfonie, Op.64: Entering the Forest | — | ||
| 9-5 | Eine Alpensinfonie, Op.64: Wandering By The Brook | — | ||
| 9-6 | Eine Alpensinfonie, Op.64: By the Waterfall | — | ||
| 9-7 | Eine Alpensinfonie, Op.64: Apparition | — | ||
| 9-8 | Eine Alpensinfonie, Op.64: On Flower-Covered Meadows | — | ||
| 9-9 | Eine Alpensinfonie, Op.64: On Alpine Pasture | — | ||
| 9-10 | Eine Alpensinfonie, Op.64: Lost In The Thicket And The Undergrowth | — | ||
| 9-11 | Eine Alpensinfonie, Op.64: On the Glacier | — | ||
| 9-12 | Eine Alpensinfonie, Op.64: Hazardous Moments | — | ||
| 9-13 | Eine Alpensinfonie, Op.64: On The Summit | — | ||
| 9-14 | Eine Alpensinfonie, Op.64: Vision | — | ||
| 9-15 | Eine Alpensinfonie, Op.64: The Mist Rises | — | ||
| 9-16 | Eine Alpensinfonie, Op.64: The Sun Gradually Darkens | — | ||
| 9-17 | Eine Alpensinfonie, Op.64: Elegie | — | ||
| 9-18 | Eine Alpensinfonie, Op.64: The Calm Before The Storm | — | ||
| 9-19 | Eine Alpensinfonie, Op.64: The Thunderstorm -Descent | — | ||
| 9-20 | Eine Alpensinfonie, Op.64: Sunset | — | ||
| 9-21 | Eine Alpensinfonie, Op.64: Conclusion | — | ||
| 9-22 | Eine Alpensinfonie, Op.64: Night | — | ||
| 9-23 | Der Rosenkavalier: Introduction...Love Scene | — | ||
| 9-24 | Der Rosenkavalier: Marschallian's Monologue | — | ||
| 9-25 | Der Rosenkavalier: Presentation March | — | ||
| 9-26 | Der Rosenkavalier: The Presentation Of The Silver Rose | — | ||
| 9-27 | Der Rosenkavalier: Love Duet | — | ||
| 9-28 | Der Rosenkavalier: Waltz | — | ||
| 9-29 | Der Rosenkavalier: Trio | — | ||
| 9-30 | Der Rosenkavalier: Final Duet | — | ||
| 10-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 10-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-16 | The planets, Op. 32: Mars, the Bringer of War. Allegro | — | ||
| 10-17 | The planets, Op. 32: Venus, the Bringer of Peace. Adagio | — | ||
| 10-18 | The planets, Op. 32: Mercury, the Winged Messenger. Vivace | — | ||
| 10-19 | The planets, Op. 32: Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso | — | ||
| 10-20 | The planets, Op. 32: Saturn, the Bringer of Old Age. Adagio | — | ||
| 10-21 | The planets, Op. 32: Uranus, the Magician. Allegro | — | ||
| 10-22 | The planets, Op. 32: Neptune, the Mystic. Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099973916321 is a Universal Product Code (UPC) assigned to In persona: Componisten spelen hun eigen werk by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 218 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099973916321 is the Universal Product Code (UPC barcode) for the release “In persona: Componisten spelen hun eigen werk” by Various Artists, released 2012-01-01 on NRC Handelsblad. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 218 tracks, each with its own ISRC. Tracks include FRZ110801706, FRZ110801707, FRZ110801708.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 14 Bagatelles Sz38: No.2 Allegro giocoso | — | ||
| 2 | 10 Easy Pieces Sz39 : Evening in Transylvania | — | ||
| 3 | 10 Easy Pieces Sz39 : Bear dance | — | ||
| 4 | 2 Romanian Dances Sz43: No.1 Allegro vivace | — | ||
| 5 | 3 Burlesques Sz47: No.2, A bit drunk | — | ||
| 6 | Allegro barbaro Sz49 | — | ||
| 7 | Suite Sz62: I. Allegretto | — | ||
| 8 | Suite Sz62: II. Scherzo | — | ||
| 9 | Suite Sz62: III. Allegro molto | — | ||
| 10 | Suite Sz62: IV. Sostenuto | — | ||
| 11 | Mikrokosmos Sz107: Staccato | — | ||
| 12 | Mikrokosmos Sz107: Ostinato | — | ||
| 13 | 5 Hungarian Folk Tunes Sz33 | — | ||
| 14 | 8 Hungarian Folksongs Sz64: No 1, No 2, No 3, No 5 | — | ||
| 15 | 8 Hungarian Folksongs Sz64: No 6, No 7, No 8 | — | ||
| 16 | 7 Hungarian Folk-Tunes Sz42 | — | ||
| 17 | 6 Romanian Folkdances Sz56 | — | ||
| 18 | Variations on a Nursery Song Op. 25: Introduction (Maestoso) | — | ||
| 19 | Variations on a Nursery Song Op. 25: Theme (Allegro) | — | ||
| 20 | Variations on a Nursery Song Op. 25: I. Poco più allegro | — | ||
| 21 | Variations on a Nursery Song Op. 25: II. Risoluto | — | ||
| 22 | Variations on a Nursery Song Op. 25: III. (L'istesso tempo) | — | ||
| 23 | Variations on a Nursery Song Op. 25: IV. Molto meno mosso (Allegretto moderato) | — | ||
| 24 | Variations on a Nursery Song Op. 25: V. Più mosso | — | ||
| 25 | Variations on a Nursery Song Op. 25: VI. Ancora più mosso (Allegro) | — | ||
| 26 | Variations on a Nursery Song Op. 25: VII. Walzer (Tempo giusto) | — | ||
| 27 | Variations on a Nursery Song Op. 25: VIII. Alla marcia (Allegro moderato) | — | ||
| 28 | Variations on a Nursery Song Op. 25: IX. Presto | — | ||
| 29 | Variations on a Nursery Song Op. 25: X. Passacaglia (Adagio non troppo) | — | ||
| 30 | Variations on a Nursery Song Op. 25: XI. Choral (Maestoso) | — | ||
| 31 | Variations on a Nursery Song Op. 25: XII. Finale fugato (Allegro vivace) | — | ||
| 2-1 | Sonata for solo viola, Op.25, No.1: I Breit | — | ||
| 2-2 | Sonata for solo viola, Op.25, No.1: II Sehr frisch und straff | — | ||
| 2-3 | Sonata for solo viola, Op.25, No.1: III Sehr langsam | — | ||
| 2-4 | Sonata for solo viola, Op.25, No.1: IV Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache | — | ||
| 2-5 | Sonata for solo viola, Op.25, No.1: V Langsam, mit viel Ausdruck | — | ||
| 2-6 | Scherzo for viola and cello | — | ||
| 2-7 | Nobilissima visione - Suite: I Einleitung und Rondo | — | ||
| 2-8 | Nobilissima visione - Suite: II Marsch und Pastorale | — | ||
| 2-9 | Nobilissima visione - Suite: III Passacaglia | — | ||
| 2-10 | Symphonia serena: I Moderately fast | — | ||
| 2-11 | Symphonia serena: II Geschwindmarsch by Beethoven (Rather fast) | — | ||
| 2-12 | Symphonia serena: III Colloquy | — | ||
| 2-13 | Symphonia serena: IV Finale (Gay) | — | ||
| 3-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 3-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 3-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 3-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 3-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 3-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 3-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 3-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 3-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 3-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — | |
| 4-1 | Piano Concerto No.3 - I. Andante - Allegro | — | ||
| 4-2 | Piano Concerto No.3 - II. Tema con variazioni (Andantino) | — | ||
| 4-3 | Piano Concerto No.3 - III. Allegro ma non troppo | — | ||
| 4-4 | Suggestion diabolique | — | ||
| 4-5 | Visions fugitives - No.3 Allegretto | — | ||
| 4-6 | Visions fugitives - No.5 Molto giocoso | — | ||
| 4-7 | Visions fugitives - No.6 Con eleganza | — | ||
| 4-8 | Visions fugitives - No.9 Allegretto tranquillo | — | ||
| 4-9 | Visions fugitives - No.10 Ridicolosamente | — | ||
| 4-10 | Visions fugitives - No.11 Con vivacita | — | ||
| 4-11 | Visions fugitives - No.16 Dolente | — | ||
| 4-12 | Visions fugitives - No.17 Poetico | — | ||
| 4-13 | Visions fugitives - No.18 Con una dolce lentezza | — | ||
| 4-14 | Gavotte, Op.25 | — | ||
| 4-15 | Sonata No.4 - II. Andante assai | — | ||
| 4-16 | Gavotte (No.3 from 4 Pieces, Op.32) | — | ||
| 4-17 | The Seasons - Introduction & Scene 1(Winter) | — | ||
| 4-18 | The Seasons - Scene 1: Variation 1 (The Frost) | — | ||
| 4-19 | The Seasons - Scene 1: Variation 2 (The Ice) | — | ||
| 4-20 | The Seasons - Scene 1: Variation 3 (The Hail) | — | ||
| 4-21 | The Seasons - Scene 1: Variation 4 (The Snow) | — | ||
| 4-22 | The Seasons - Scene 2 (Spring) | — | ||
| 4-23 | The Seasons - Scene 3 (Summer) | — | ||
| 4-24 | The Seasons - Scene 3: Waltz of the Cornflowers and Poppies | — | ||
| 4-25 | The Seasons - Scene 3: Barcarolle | — | ||
| 4-26 | The Seasons - Scene 4 (Autumn): Bacchanale | — | ||
| 4-27 | The Seasons - Scene 4: Petit Adagio | — | ||
| 4-28 | The Seasons - Scene 4: Finale | — | ||
| 5-1 | Bachianas Brasileiras no. 2 - IV. Tocata. Un poco moderato | — | ||
| 5-2 | Bachianas Brasileiras no. 5 - I. Aria.Cantilena. Adagio | — | ||
| 5-3 | Bachianas Brasileiras no. 5 - II. Dança. Martello. Allegretto | — | ||
| 5-4 | Miniaturas no. 2 - Viola | — | ||
| 5-5 | Modinhas e canções. Vol.1 - no. 3: Cantilena | — | ||
| 5-6 | Momoprecoce - Fantasia para piano e orquestra | — | ||
| 5-7 | Bachianas Brasileiras no. 4 - I. Prelúdio. Introdução. Lento | — | ||
| 5-8 | Bachianas Brasileiras no. 4 - II. Coral. Canto do Sertão. Largo | — | ||
| 5-9 | Bachianas Brasileiras no. 4 - III. Aria. Cantiga. Moderato | — | ||
| 5-10 | Bachianas Brasileiras no. 4 - IV. Dançca. Miudinho. Muito animado | — | ||
| 5-11 | Chõro no. 10 (Rasga o coração) | — | ||
| 6-1 | Le bestiaire - Le dromadaire - La chèvre du Tibet - La sauterelle - Le dauphin - L'écrevisse - La carpe | — | ||
| 6-2 | Chansons gaillardes - 4. Invocation aux Parques | — | ||
| 6-3 | Chansons gaillardes - 7. La belle jeunesse | — | ||
| 6-4 | Tel jour, telle nuit - 1. Bonne journée | — | ||
| 6-5 | Tel jour, telle nuit - 2. Une ruine coquille vide | — | ||
| 6-6 | Tel jour, telle nuit - 3. Le front comme un drapeau perdu | — | ||
| 6-7 | Tel jour, telle nuit - 4. Une roulotte courverte en tuiles | — | ||
| 6-8 | Tel jour, telle nuit - 5. A toutes brides | — | ||
| 6-9 | Tel jour, telle nuit - 6. Une herbe pauvre | — | ||
| 6-10 | Tel jour, telle nuit - 7. Je nái envie que de t'aimer | — | ||
| 6-11 | Tel jour, telle nuit - 8. Figure de force brûlante et farouche | — | ||
| 6-12 | Tel jour, telle nuit - 9. Nous avons fait la nuit | — | ||
| 6-13 | Deux poèmes de Guillaume Apollinaire - 1. Dans la jardin d'Anna | — | ||
| 6-14 | Métamorphoses - 1. Reine des mouettes | — | ||
| 6-15 | Métamorphoses - 2. Cést ainsi que tu es | — | ||
| 6-16 | Métamorphoses - 3. Paganini | — | ||
| 6-17 | Deux poèmes de Louis Aragon - 1. 'C' | — | ||
| 6-18 | Deux poèmes de Louis Aragon - 2. Fêtes galantes | — | ||
| 6-19 | Deux poèmes de Guillaume Apollinaire - 1. Montparnasse | — | ||
| 6-20 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 6-21 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 6-22 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 6-23 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 6-24 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 6-25 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 6-26 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 6-27 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 6-28 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 6-29 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 6-30 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 6-31 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 6-32 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 6-33 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 6-34 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 6-35 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 7-1 | Concerto for piano, trumpet and strings in C minor, Op.35: I. Allegro moderato - Allegro vivace - Moderato | — | ||
| 7-2 | Concerto for piano, trumpet and strings in C minor, Op.35: II. Lento | — | ||
| 7-3 | Concerto for piano, trumpet and strings in C minor, Op.35: III. Moderatio | — | ||
| 7-4 | Concerto for piano, trumpet and strings in C minor, Op.35: IV. Allegro con brio - Presto - Allegro poco moderato - Allegro con brio | — | ||
| 7-5 | Piano Concerto No.2 in F, Op. 102: I. Allegro | — | ||
| 7-6 | Piano Concerto No.2 in F, Op. 102: II. Andante | — | ||
| 7-7 | Piano Concerto No.2 in F, Op. 102: III. Allegro | — | ||
| 7-8 | Three Fantastic Dances, Op. 5: I. Allegretto | — | ||
| 7-9 | Three Fantastic Dances, Op. 5: II. Andantino | — | ||
| 7-10 | Three Fantastic Dances, Op. 5: III. Andantino | — | ||
| 7-11 | Preludes and Fugues, Op. 87 No.1 in C | — | ||
| 7-12 | Preludes and Fugues, Op. 87 No.2 in E minor | — | ||
| 7-13 | Preludes and Fugues, Op. 87 No.3 in D | — | ||
| 7-14 | Preludes and Fugues, Op. 87 No.4 in F | — | ||
| 7-15 | Preludes and Fugues, Op. 87 No.5 in D minor | — | ||
| 8-1 | Pastorale | — | ||
| 8-2 | L'Oiseau de feu: Scherzo | — | ||
| 8-3 | L'Oiseau de feu: Berceuse | — | ||
| 8-4 | Petrushka: Danse russe | — | ||
| 8-5 | Le Chant du rossignol: Airs du rossignol | — | ||
| 8-6 | Le Chant du rossignol: Marche chinoise | — | ||
| 8-7 | Rag-time for eleven instruments | — | ||
| 8-8 | Piano rag music | Igor Stravinsky | — | |
| 8-9 | Suite italienne: Serenata | — | ||
| 8-10 | Suite italienne: Scherzino | — | ||
| 8-11 | Serenade in A: I. Hymn | Igor Stravinsky | — | |
| 8-12 | Serenade in A: II. Romanza | Igor Stravinsky | — | |
| 8-13 | Serenade in A: III. Rondoletto | Igor Stravinsky | — | |
| 8-14 | Serenade in A: IV. Cadenza finale | Igor Stravinsky | — | |
| 8-15 | Duo concertant: I. Cantilène | — | ||
| 8-16 | Duo concertant: II. Eclogue I | — | ||
| 8-17 | Duo concertant: III. Eclogue II | — | ||
| 8-18 | Duo concertant: IV. Gigue | — | ||
| 8-19 | Duo concertant: V. Dithyrambe | — | ||
| 8-20 | Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-21 | Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-22 | Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — | |
| 8-23 | Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — | |
| 9-1 | Eine Alpensinfonie, Op.64: Night | — | ||
| 9-2 | Eine Alpensinfonie, Op.64: Sunrise | — | ||
| 9-3 | Eine Alpensinfonie, Op.64: The Ascent | — | ||
| 9-4 | Eine Alpensinfonie, Op.64: Entering the Forest | — | ||
| 9-5 | Eine Alpensinfonie, Op.64: Wandering By The Brook | — | ||
| 9-6 | Eine Alpensinfonie, Op.64: By the Waterfall | — | ||
| 9-7 | Eine Alpensinfonie, Op.64: Apparition | — | ||
| 9-8 | Eine Alpensinfonie, Op.64: On Flower-Covered Meadows | — | ||
| 9-9 | Eine Alpensinfonie, Op.64: On Alpine Pasture | — | ||
| 9-10 | Eine Alpensinfonie, Op.64: Lost In The Thicket And The Undergrowth | — | ||
| 9-11 | Eine Alpensinfonie, Op.64: On the Glacier | — | ||
| 9-12 | Eine Alpensinfonie, Op.64: Hazardous Moments | — | ||
| 9-13 | Eine Alpensinfonie, Op.64: On The Summit | — | ||
| 9-14 | Eine Alpensinfonie, Op.64: Vision | — | ||
| 9-15 | Eine Alpensinfonie, Op.64: The Mist Rises | — | ||
| 9-16 | Eine Alpensinfonie, Op.64: The Sun Gradually Darkens | — | ||
| 9-17 | Eine Alpensinfonie, Op.64: Elegie | — | ||
| 9-18 | Eine Alpensinfonie, Op.64: The Calm Before The Storm | — | ||
| 9-19 | Eine Alpensinfonie, Op.64: The Thunderstorm -Descent | — | ||
| 9-20 | Eine Alpensinfonie, Op.64: Sunset | — | ||
| 9-21 | Eine Alpensinfonie, Op.64: Conclusion | — | ||
| 9-22 | Eine Alpensinfonie, Op.64: Night | — | ||
| 9-23 | Der Rosenkavalier: Introduction...Love Scene | — | ||
| 9-24 | Der Rosenkavalier: Marschallian's Monologue | — | ||
| 9-25 | Der Rosenkavalier: Presentation March | — | ||
| 9-26 | Der Rosenkavalier: The Presentation Of The Silver Rose | — | ||
| 9-27 | Der Rosenkavalier: Love Duet | — | ||
| 9-28 | Der Rosenkavalier: Waltz | — | ||
| 9-29 | Der Rosenkavalier: Trio | — | ||
| 9-30 | Der Rosenkavalier: Final Duet | — | ||
| 10-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 10-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 10-16 | The planets, Op. 32: Mars, the Bringer of War. Allegro | — | ||
| 10-17 | The planets, Op. 32: Venus, the Bringer of Peace. Adagio | — | ||
| 10-18 | The planets, Op. 32: Mercury, the Winged Messenger. Vivace | — | ||
| 10-19 | The planets, Op. 32: Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso | — | ||
| 10-20 | The planets, Op. 32: Saturn, the Bringer of Old Age. Adagio | — | ||
| 10-21 | The planets, Op. 32: Uranus, the Magician. Allegro | — | ||
| 10-22 | The planets, Op. 32: Neptune, the Mystic. Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
