UPC · Release
Various Artists
Last verified:
The UPC for “EMI Eminence: The Collection” by Various Artists is 5099973938729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: EMI Classics. This release contains 626 tracks, each with its own ISRC. Tracks include GBAYD9000129, GBAYD9000451, GBAYD1100077.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass for Four Voices: I. Kyrie | — | ||
| 2 | Mass for Four Voices: II. Gloria | — | ||
| 3 | Mass for Four Voices: III. Credo | — | ||
| 4 | Mass for Four Voices: IV. Sanctus | — | ||
| 5 | Mass for Four Voices: V. Benedictus | — | ||
| 6 | Mass for Four Voices: VI. Agnus Dei | — | ||
| 7 | Mass for Five Voices: I. Kyrie | — | ||
| 8 | Mass for Five Voices: II. Gloria | — | ||
| 9 | Mass for Five Voices: III. Credo | — | ||
| 10 | Mass for Five Voices: IV. Sanctus | — | ||
| 11 | Mass for Five Voices: V. Benedictus | — | ||
| 12 | Mass for Five Voices: VI. Agnus Dei | — | ||
| 13 | Missa Salve Intemerata Virgo: I. Gloria | — | ||
| 14 | Missa Salve Intemerata Virgo: II. Credo | — | ||
| 15 | Missa Salve Intemerata Virgo: III. Sanctus | — | ||
| 16 | Missa Salve Intemerata Virgo: IV. Benedictus | — | ||
| 17 | Missa Salve Intemerata Virgo: V. Agnus Dei | — | ||
| 2-1 | Miserere mei, Deus | George Guest, Choir of St John’s College, Cambridge | — | |
| 2-2 | Missa: Super Bella Amfitrit 'Altera: Kyrie | — | ||
| 2-3 | Missa: Super Bella Amfitrit 'Altera: Gloria | Choir of St John’s College, Cambridge, George Guest | — | |
| 2-4 | Missa: Super Bella Amfitrit 'Altera: Credo in unum Deum | — | ||
| 2-5 | Missa: Super Bella Amfitrit 'Altera: Sanctus | — | ||
| 2-6 | Missa: Super Bella Amfitrit 'Altera: Benedictus | — | ||
| 2-7 | Missa: Super Bella Amfitrit 'Altera: Agnus Dei | — | ||
| 2-8 | Veni, sponsa Christi: Veni, sponsa Christi | — | ||
| 2-9 | Veni, sponsa Christi: Kyrie | — | ||
| 2-10 | Veni, sponsa Christi: Gloria | — | ||
| 2-11 | Veni, sponsa Christi: Credo | — | ||
| 2-12 | Veni, sponsa Christi: Sanctus | — | ||
| 2-13 | Veni, sponsa Christi: Benedictus | — | ||
| 2-14 | Veni, sponsa Christi: Agnus Dei I | — | ||
| 2-15 | Veni, sponsa Christi: Agnus Dei II | — | ||
| 3-1 | Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Allegro – Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-2 | Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-3 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Largo – Presto (Fantasmi) | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-4 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Presto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-5 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Largo (Il sonno) | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-6 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-7 | Flute Concerto no. 3 in D major “Il Gardellino”, RV428: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-8 | Flute Concerto no. 3 in D major “Il Gardellino”, RV428: Cantabile | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-9 | Flute Concerto in D major, op. 10 no. 3, RV 428 "Il gardellino": I. Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-10 | Flute Concerto no. 4 in G major, RV435: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-11 | Flute Concerto no. 4 in G major, RV435: Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-12 | Flute Concerto no. 4 in G major, RV435: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-13 | Flute Concerto no. 5 in F major, RV434: Allegro ma non tanto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-14 | Flute Concerto no. 5 in F major, RV434: Largo e cantabile | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-15 | Flute Concerto no. 5 in F major, RV434: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-16 | Flute Concerto no. 6 in G major, RV437: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-17 | Flute Concerto no. 6 in G major, RV437: Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-18 | Flute Concerto no. 6 in G major, RV437: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 4-1 | Concerto no. 1 in F major, BWV 1046: Allegro | The Hanover Band, Anthony Halstead | T-801.411.105-9 | |
| 4-2 | Concerto no. 1 in F major, BWV 1046: Adagio | The Hanover Band, Anthony Halstead | — | |
| 4-3 | Concerto no. 1 in F major, BWV 1046: Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-4 | Concerto no. 1 in F major, BWV 1046: Minuet - Trio 1 - Minuet 2 - Polonaise - Minuet 3 - Trio 2 - Minuet 4 | The Hanover Band, Anthony Halstead | — | |
| 4-5 | Concerto no. 2 in F, BWV 1047: I. [Allegro] | The Hanover Band, Anthony Halstead | — | |
| 4-6 | Concerto no. 2 in F, BWV 1047: II. Andante | The Hanover Band, Anthony Halstead | — | |
| 4-7 | Concerto no. 2 in F, BWV 1047: III. Allegro assai | The Hanover Band, Anthony Halstead | — | |
| 4-8 | Concerto no. 3 in G, BWV 1048: I. Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-9 | Concerto no. 3 in G, BWV 1048: II. Adagio | The Hanover Band, Anthony Halstead | — | |
| 4-10 | Concerto no. 3 in G major, BWV 1048: Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-11 | Concerto no. 4 in G major, BWV 1049: Allegro | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-12 | Concerto no. 4 in G major, BWV 1049: Andante | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-13 | Concerto no. 4 in G major, BWV 1049: Presto | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-14 | Concerto no. 5 in D, BWV 1050: I. Allegro | — | ||
| 4-15 | Concerto no. 5 in D, BWV 1050: II. Affettuoso | — | ||
| 4-16 | Concerto no. 5 in D, BWV 1050: III. Allegro | — | ||
| 5-1 | Toccata and Fugue in D minor, BWV 565: Toccata | — | ||
| 5-2 | Toccata and Fugue in D minor, BWV 565: Fugue | — | ||
| 5-3 | Herzlich Tut Mich Verlangen, BWV 727 | — | ||
| 5-4 | Fugue in G major (Gigue), BWV 577 | — | ||
| 5-5 | Erbarm’ Dich Mein, O Herre Gott, BWV 721 | — | ||
| 5-6 | Fugue in B minor, BWV 579 (After Corelli) | — | ||
| 5-7 | Prelude and Fugue in G major, BWV 541: Prelude | — | ||
| 5-8 | Prelude and Fugue in G major, BWV 541: Fugue | — | ||
| 5-9 | Pastorale in F major, BWV 590: 1st Movement | — | ||
| 5-10 | Pastorale in F major, BWV 590: 2nd Movement | — | ||
| 5-11 | Pastorale in F major, BWV 590: 3rd Movement | — | ||
| 5-12 | Pastorale in F major, BWV 590: 4th Movement | — | ||
| 5-13 | Wir Gläuben All An Einen Gott, BWV 680 | — | ||
| 5-14 | O Mensch, Bewein’ Dein’ Sünde Gross, BWV 622 | — | ||
| 5-15 | Passacaglia and Fugue in C minor, BWV 582: Passacaglia | — | ||
| 5-16 | Passacaglia and Fugue in C minor, BWV 582: Fugue | — | ||
| 6-1 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): I. (Allegro) - Grave e fuga | — | ||
| 6-2 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): II. Largo e spiccato | — | ||
| 6-3 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): III. (Allegro) | — | ||
| 6-4 | Vater unser im Himmelreich, BWV 737 | — | ||
| 6-5 | Aria in F major, BWV 587 | — | ||
| 6-6 | Der Tag, der ist so freudenreich, BWV 719 | — | ||
| 6-7 | Sonata no. 5, BWV 529: I. Allegro | — | ||
| 6-8 | Sonata no. 5, BWV 529: II. Largo | — | ||
| 6-9 | Sonata no. 5, BWV 529: III. Allegro | — | ||
| 6-10 | Nun danket alle Gott, BWV 657 | — | ||
| 6-11 | Liebster Jesu, wir sind hier, BWV 731 | — | ||
| 6-12 | Valet will ich dir geben, BWV 735 | — | ||
| 6-13 | Nun freut euch, BWV 734 | — | ||
| 6-14 | Toccata, Adagio and Fugue, BWV 564: I. Toccata | — | ||
| 6-15 | Toccata, Adagio and Fugue, BWV 564: II. Adagio | — | ||
| 6-16 | Toccata, Adagio and Fugue, BWV 564: III. Fugue | — | ||
| 7-1 | Ciacona in G minor | — | ||
| 7-2 | Violin Sonata “Manchester no. 12” in C, RV754: I. Preludio Largo | — | ||
| 7-3 | Violin Sonata “Manchester no. 12” in C, RV754: III. Sarabande Largo | — | ||
| 7-4 | Violin Sonata “Manchester no. 12” in C, RV754: II. Allemande Allegro | — | ||
| 7-5 | Violin Sonata “Manchester no. 12” in C, RV754: IV. Corrente Allegro | — | ||
| 7-6 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: I. Grave | — | ||
| 7-7 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: II. Allegro ma non troppo | — | ||
| 7-8 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: III. Gavotta gratioso | — | ||
| 7-9 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: IV. Allegro | — | ||
| 7-10 | Passacaglia in G minor “Rosary Sonatas” | — | ||
| 7-11 | Sonata for Piano and Violin in E minor, K304/300c: I. Allegro | — | ||
| 7-12 | Sonata for Piano and Violin in E minor, K304/300c: II. Tempo di menuetto | — | ||
| 7-13 | Intruductions and Variations, op. 24 | — | ||
| 7-14 | Caprice in A, op. 1 no.1 | — | ||
| 7-15 | Chaconne in D minor | — | ||
| 8-1 | Horn Concerto in E major, K3:44: I. Allegro | — | ||
| 8-2 | Horn Concerto in E major, K3:44: II. Romance – Adagio | — | ||
| 8-3 | Horn Concerto in E major, K3:44: III. Rondo – Allegretto | — | ||
| 8-4 | Horn Concerto in E‐flat major, K3:39: I. Allegro molto | — | ||
| 8-5 | Horn Concerto in E‐flat major, K3:39: II. Adagio non troppo | — | ||
| 8-6 | Horn Concerto in E‐flat major, K3:39: III. Rondo – Allegretto | — | ||
| 8-7 | Horn Concerto in E major, K3:42: I. Allegro moderato | — | ||
| 8-8 | Horn Concerto in E major, K3:42: II. Adagio | — | ||
| 8-9 | Horn Concerto in E major, K3:42: III. Rondo a la chasse | — | ||
| 9-1 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: I. Largo - Molto Allegro | — | ||
| 9-2 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: II. Menuetto - Trio I - Menuetto da capo | — | ||
| 9-3 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: II. Menuetto - Trio I - Menuetto da capo | — | ||
| 9-4 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: IV. Menuetto (Allegretto) - Trio I - Menuetto da capo | — | ||
| 9-5 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: V. Romance - Adagio - Allegretto - Adagio | — | ||
| 9-6 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: VI. Theme and Variations I-VI | — | ||
| 9-7 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: VII. Finale (Rondo) Molto allegro | — | ||
| 9-8 | Alles fühlt die liebe Freuden from ‘Die Zauberflöte’ (arr. Sheen) | — | ||
| 9-9 | La ci darem la mano from ‘Don Giovanni’ (arr. Triebensee) | — | ||
| 9-10 | Sixteen German Dances, D783 (arr. Sheen) | — | ||
| 9-11 | Grand Polonaise (arr. Bennett) | — | ||
| 10-1 | Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 10-2 | Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-070.093.418-4 | |
| 10-3 | Requiem in D minor, K. 626: Sequenz: Dies irae | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 10-4 | Requiem in D minor, K. 626: Sequenz: Tuba mirum | Della Jones, Keith Lewis, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-5 | Requiem in D minor, K. 626: Sequenz: Rex tremendae majestatis | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-6 | Requiem in D minor, K. 626: Sequenz: Recordare, Jesu pie | Della Jones, Keith Lewis, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-7 | Requiem in D minor, K. 626: Sequenz: Confutatis maledictis | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-8 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-9 | Requiem in D minor, K. 626: Offertorium: Domine Jesu Christe | Della Jones, Keith Lewis, London Philharmonic Choir, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-10 | Requiem in D minor, K. 626: Offertorium: Hostias | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-11 | Requiem in D minor, K. 626: Sanctus | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-12 | Requiem in D minor, K. 626: Benedictus | Della Jones, Keith Lewis, London Philharmonic Choir, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-13 | Requiem in D minor, K. 626: Agnus Dei | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-14 | Requiem in D minor, K. 626: Communio | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, Franz Welser-Möst | T-910.952.061-8 | |
| 11-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-2 | Violin Concerto in D, op. 61: II. Larghetto - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-5 | Violin Concerto in E minor, op. 64: II. Andante | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 12-1 | Sonata No. 1 In F, op. 5 no.1 - I. Adagio Sostenuto - Allegro | — | ||
| 12-2 | Sonata No. 1 In F, op. 5 no.1 - II. Allegro Vivace | — | ||
| 12-3 | Sonata No. 2 In G major, op. 5 no. 2 - I. Adagio Sostenuto | — | ||
| 12-4 | Sonata No. 2 In G major, op. 5 no. 2 - II. Rondo (Allegro) | — | ||
| 12-5 | Twelve Variations on “Ein Mädchen oder Weibchen”: Theme | — | ||
| 12-6 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. I | — | ||
| 12-7 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. II | — | ||
| 12-8 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. III | — | ||
| 12-9 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. IV | — | ||
| 12-10 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. V | — | ||
| 12-11 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VI | — | ||
| 12-12 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VII | — | ||
| 12-13 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VIII | — | ||
| 12-14 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. IX | — | ||
| 12-15 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. X | — | ||
| 12-16 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. XI | — | ||
| 12-17 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. XII | — | ||
| 12-18 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Theme | — | ||
| 12-19 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. I | — | ||
| 12-20 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. II | — | ||
| 12-21 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. III | — | ||
| 12-22 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var IV. | — | ||
| 12-23 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. V | — | ||
| 12-24 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VI | — | ||
| 12-25 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VII | — | ||
| 12-26 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VIII | — | ||
| 12-27 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. IX | — | ||
| 12-28 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. X | — | ||
| 12-29 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. XI | — | ||
| 12-30 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. XII | — | ||
| 13-1 | Sonata No. 3 In A, op. 69 - I. Allegro, Ma Non Tanto | — | ||
| 13-2 | Sonata No. 3 In A, op. 69 - II. Scherzo (Allegro Molto) | — | ||
| 13-3 | Sonata No. 3 In A, op. 69 - III. Adagio Cantabile-Allegro Vivace | — | ||
| 13-4 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Theme | — | ||
| 13-5 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. I | — | ||
| 13-6 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. II | — | ||
| 13-7 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. III | — | ||
| 13-8 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. IV | — | ||
| 13-9 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. V | — | ||
| 13-10 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var VI | — | ||
| 13-11 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. VII | — | ||
| 13-12 | Sonata no. 4 In C, op. 102 no.1 - I. Adante-Allegro Vivace | — | ||
| 13-13 | Sonata no. 4 In C, op. 102 no.1 - II. Adagio-Tempo D'andante | — | ||
| 13-14 | Sonata no. 4 In C, op. 102 no.1 - III. Allegro Vivace | — | ||
| 13-15 | Sonata no. 5 In D, op. 102 no. 2 - I. Allegro Con Brio | — | ||
| 13-16 | Sonata no. 5 In D, op. 102 no. 2 - II. Adagio Con Molto Sentimento D'affetto | — | ||
| 13-17 | Sonata no. 5 In D, op. 102 no. 2 - III. Allegro Vivace-Allegro Fugato | — | ||
| 14-1 | Piano Concerto no. 4 in G, op. 58: I Allegro moderato | — | ||
| 14-2 | Piano Concerto no. 4 in G, op. 58: II Andante con moto | — | ||
| 14-3 | Piano Concerto no. 4 in G, op. 58: III Rondo (Vivace) | — | ||
| 14-4 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: I Allegro | — | ||
| 14-5 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: II Adagio un poco mosso | — | ||
| 14-6 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: III Rondo (Allegro) | — | ||
| 15-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 15-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 15-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro – | — | ||
| 15-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 15-5 | Symphony No. 7 in A, Op. 92: I. Poco sostenuto — Vivace | — | ||
| 15-6 | Symphony No. 7 in A, Op. 92: II. Allegretto | — | ||
| 15-7 | Symphony No. 7 in A, Op. 92: III. Presto — Assai meno presto | — | ||
| 15-8 | Symphony No. 7 in A, Op. 92: IV. Allegro con brio | — | ||
| 16-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo e un poco maestoso | — | ||
| 16-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto - Molto vivace - Presto | — | ||
| 16-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Tempo I - Stesso tempo | — | ||
| 16-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IVa. Presto - Allegro assai | — | ||
| 16-5 | Symphony no. 9 in D minor, op. 125 “Choral”: IVb. Presto - Recitativo "O Freunde, nicht diese Töne" | — | ||
| 17-1 | Schubert: Der Einsame, D 800 | — | ||
| 17-2 | Schubert: Ständchen, D 889 | — | ||
| 17-3 | Schubert: an Sylvia, Op. 106/4, D 891 | — | ||
| 17-4 | Schubert: Der Jüngling an Der Quelle, D 300 | — | ||
| 17-5 | Schubert: Lied Eines Schiffers an Die Dioskuren, Op. 65/1, D 360 | — | ||
| 17-6 | Schubert: Gruppe Aus Dem Tartarus #2, Op. 24/1, D 583 | — | ||
| 17-7 | Schubert: Die Götter Griechenlands, D 677 | — | ||
| 17-8 | Schubert: Im Walde #1, D 708, "Waldesnacht" | — | ||
| 17-9 | Schubert: Der Wanderer an Den Mond, Op. 80/1, D 870 | — | ||
| 17-10 | Schubert: Freiwilliges Versinken, D 700 | — | ||
| 17-11 | Schubert: Himmelsfunken, D 651 | — | ||
| 17-12 | Schubert: Prometheus, D 674 | — | ||
| 17-13 | Schubert: Der Gondelfahrer, D 808 | — | ||
| 17-14 | Schubert: Die Sterne #4, Op. 96/1, D 939 | — | ||
| 17-15 | Schubert: Auf Der Bruck, D 853 | — | ||
| 17-16 | Schubert: Heidenröslein, Op. 3/3, D 257 | — | ||
| 17-17 | Schubert: Im Haine, Op. 56/3, D 738 | — | ||
| 17-18 | Schubert: Nachtviolen, D 752 | — | ||
| 17-19 | Schubert: Bei Dir Allein, D 866/2 | — | ||
| 17-20 | Schubert: Du Bist Die Ruh, Op. 59/3, D 776 | — | ||
| 18-1 | Octet in F major, D803: Ia. Adagio | — | ||
| 18-2 | Octet in F major, D803: Ib. Allegro | — | ||
| 18-3 | Octet in F major, D803: II. Adagio | — | ||
| 18-4 | Octet in F major, D803: III. Allegro vivace | — | ||
| 18-5 | Octet in F major, D803: IV. Andante | — | ||
| 18-6 | Octet in F major, , D803: V. Menuetto - Allegretto | — | ||
| 18-7 | Octet in F major, D803: VIa. Andante molto | — | ||
| 18-8 | Octet in F major, D803: VIb. Allegro | — | ||
| 19-1 | Le Carnaval romain - Overture | — | ||
| 19-2 | A Midsummer Night's Dream: Overture, Op 21 | — | ||
| 19-3 | A Midsummer Night's Dream: Scherzo | — | ||
| 19-4 | A Midsummer Night's Dream: L'Istesso Tempo: "Over Hill, Over Dale" - March Of The Fairies (Allegro vivace) | — | ||
| 19-5 | A Midsummer Night's Dream: Song With Chorus: "Ye Spotted Snakes" | — | ||
| 19-6 | A Midsummer Night's Dream: Intermezzo (Allegro appassionato) | — | ||
| 19-7 | A Midsummer Night's Dream: Allegro "What hempen home-spuns have we here?" | — | ||
| 19-8 | A Midsummer Night's Dream: Nocturne | — | ||
| 19-9 | A Midsummer Night's Dream: Wedding March | — | ||
| 19-10 | A Midsummer Night's Dream: Allegro comodo - Funeral March | — | ||
| 19-11 | A Midsummer Night's Dream: Dance of the Clowns | — | ||
| 19-12 | A Midsummer Night's Dream: Allegro vivace - Finale | — | ||
| 20-1 | Der Fliegende Holländer: Overtüre | — | ||
| 20-2 | Tannhäuser: Overtüre | — | ||
| 20-3 | Tannhäuser: Venusbergmusik | — | ||
| 20-4 | Die Meistersinger von Nürnberg: Vorspiel zum ersten Aufzug | — | ||
| 20-5 | Die Meistersinger Von Nürnberg: Vorspiel zum dritten Aufzug | — | ||
| 20-6 | Lohengrin: Vorspiel zum dritten Aufzug | — | ||
| 20-7 | Die Walküre: Walkürenritt | — | ||
| 21-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo (Cadenza: Joseph Joachim) | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-2 | Violin Concerto in D major, op. 77: II. Adagio | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-6 | Violin Concerto in D minor, op. 47: III. Allegro | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 23-1 | Scottish Fantasy, op. 46: Introduction (Grave) | — | ||
| 23-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 23-3 | Scottish Fantasy, op. 46: II. Allegro—Adagio | — | ||
| 23-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 23-5 | Scottish Fantasy, op. 46: IV. Finale (Allegro guerriero) | — | ||
| 23-6 | Symphonie espagnole, op. 21: I. Allegro non troppo | — | ||
| 23-7 | Symphonie espagnole, op. 21: II. Scherzando (Allegro molto) | — | ||
| 23-8 | Symphonie espagnole, op. 21: III. Intermezzo (Allegretto non troppo) | — | ||
| 23-9 | Symphonie espagnole, op. 21: IV. Andante | — | ||
| 23-10 | Symphonie espagnole, op. 21: V. Rondo (Allegro) | — | ||
| 24-1 | Symphony no. 3 in C minor (“Organ”), op. 78: I. Adagio - Allegro moderato | — | ||
| 24-2 | Symphony no. 3 in C minor (“Organ”), op. 78: Poco Adagio | — | ||
| 24-3 | Symphony no. 3 in C minor (“Organ”), op. 78: II. Allegro moderato - Presto | — | ||
| 24-4 | Symphony no. 3 in C minor (“Organ”), op. 78: Maestoso, Allegro | — | ||
| 24-5 | Prélude à l'après-midi d'un faune | — | ||
| 24-6 | La Mer: De l'aube a midi sur la mer | — | ||
| 24-7 | La Mer: Jeux de vagues | — | ||
| 24-8 | La Mer: Dialogue du vent et de la mer | — | ||
| 25-1 | Poème, op.25 | — | ||
| 25-2 | Violin Concerto in D, op.35: Allegro moderato | — | ||
| 25-3 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Nigel Kennedy, London Philharmonic Orchestra, Okko Kamu | — | |
| 25-4 | Violin Concerto in D, op.35: Finale (Allegro vivacissimo) | — | ||
| 26-1 | Romeo and Juliet: Fantasy Overture | — | ||
| 26-2 | Marche Slave, op. 31 | — | ||
| 26-3 | Francesca da Rimini: Symphonic Fantasia After Dante, op. 32 | — | ||
| 26-4 | Tatiana's Letter Scene (Eugene Onegin, Act I) | — | ||
| 26-5 | 1812 Overture, op. 49 | — | ||
| 27-1 | String Serenade in E, Op. 22: Moderato | — | ||
| 27-2 | String Serenade in E, Op. 22: Tempo di valse | — | ||
| 27-3 | String Serenade in E, Op. 22: Scherzo - vivace | — | ||
| 27-4 | String Serenade in E, Op. 22: Larghetto | — | ||
| 27-5 | String Serenade in E, Op. 22: Finale - Allegro vivace | — | ||
| 27-6 | Romance in F minor, Op. 11 | — | ||
| 27-7 | Wind Serenade in D minor, Op. 44: Moderato quasi marcia | — | ||
| 27-8 | Wind Serenade in D minor, Op. 44: Minuetto - Tempo di minuetto | — | ||
| 27-9 | Wind Serenade in D minor, Op. 44: Andante con moto | — | ||
| 27-10 | Wind Serenade in D minor, Op. 44: Finale Allegro Molto | — | ||
| 28-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: First Movement: Adagio – Allegro molto | — | ||
| 28-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: Second Movement: Largo | — | ||
| 28-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: Third Movement: Scherzo – Molto vivace | — | ||
| 28-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: Fourth Movement: Allegro con fuoco | — | ||
| 28-5 | Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-6 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-7 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-8 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — | |
| 29-1 | Organ Sonata in G, Op.28 - I Allegro Maestoso | — | ||
| 29-2 | Organ Sonata in G, Op.28 - II Allegretto | — | ||
| 29-3 | Organ Sonata in G, Op.28 - III Andante Espressivo | — | ||
| 29-4 | Organ Sonata in G, Op.28 - IV Presto (Comodo) | — | ||
| 29-5 | The Dream of Gerontius, Op.38, Part 1: Prelude | — | ||
| 29-6 | The Dream of Gerontius, Op.38, Part 1: Jesu, Maria - I Am Near to Death (Gerontius) | — | ||
| 29-7 | The Dream of Gerontius, Op.38, Part 1: So Pray for Me - Kerie Eleison - Holy Mary, Pray for Him (Gerontius/ Chorus) | — | ||
| 29-8 | The Dream of Gerontius, Op.38, Part 1: Rouse Thee, My Fainting Soul (Gerontius/ Chorus) | — | ||
| 29-9 | The Dream of Gerontius, Op.38, Part 1: Sanctus Fortis, Sanctus Deus (Gerontius) | — | ||
| 29-10 | The Dream of Gerontius, Op.38, Part 1: I Can No More (Gerontius/ Chorus/ Semi Chorus) | — | ||
| 29-11 | The Dream of Gerontius, Op.38, Part 1: Proficiscere, Anima Christiana (Priest/ Chorus/ Semi-Chorus) | — | ||
| 30-1 | The Dream of Gerontius, Op.38, Part 2: Introduction | — | ||
| 30-2 | The Dream of Gerontius, Op.38, Part 2: I went to sleep (Soul of Gerontius) | — | ||
| 30-3 | The Dream of Gerontius, Op.38, Part 2: Another marvel.....My work is done (Soul/Angel) | — | ||
| 30-4 | The Dream of Gerontius, Op.38, Part 2: It Is a member of that family (Soul/Angel) | — | ||
| 30-5 | The Dream of Gerontius, Op.38, Part 2: But hark!....Low-born clods of brute earth (Soul/Angel/Chorus) | — | ||
| 30-6 | The Dream of Gerontius, Op.38, Part 2: Dispossessed, Aside thrust (Chorus) | — | ||
| 30-7 | The Dream of Gerontius, Op.38, Part 2: I see not those false spirits (Soul/Angel) | — | ||
| 30-8 | The Dream of Gerontius, Op.38, Part 2: There was a mortal....Praise to the Holiest (Angel/semi-chorus/chorus) | — | ||
| 30-9 | The Dream of Gerontius, Op.38, Part 2: But hark! a grand mysterious harmony (Soul/Angel/chorus) | — | ||
| 30-10 | The Dream of Gerontius, Op.38, Part 2: Parise to the Holiest (Chorus) | — | ||
| 30-11 | The Dream of Gerontius, Op.38, Part 2: Thy judgement now is near (Angel/Soul) | — | ||
| 30-12 | The Dream of Gerontius, Op.38, Part 2: Jesu! by that shudd'ring dread (Angel of the Agony/Soul/semi-chorus/chorus) | — | ||
| 30-13 | The Dream of Gerontius, Op.38, Part 2: Praise to His Name!....Take me away (Angel/Soul/chorus) | — | ||
| 30-14 | The Dream of Gerontius, Op.38, Part 2: Softly and gently (Angel/Chorus/semi-chorus) | — | ||
| 31-1 | Introduction and Allegro, op. 47: I. Moderato | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-2 | Introduction and Allegro, op. 47: II. Allegro | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-3 | Introduction and Allegro, Op. 47: III. Allegro (Fugue) | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-4 | Violin Concerto in B minor, op. 61: I. Allegro | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 31-5 | Violin Concerto in B minor, op. 61: II. Andante | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 31-6 | Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 32-1 | String Quartet in E minor, Op. 83: Allegro Moderato | — | ||
| 32-2 | String Quartet in E minor, Op. 83: Pieacevole (Poco andante) | — | ||
| 32-3 | String Quartet in E minor, Op. 83: Finale - Allegro molto | — | ||
| 32-4 | In Moonlight (Canto popolare) | — | ||
| 32-5 | String Quartet in E minor, Op. 83: Piano Quintet In A minor, Op. 84: Moderato - Allegro | — | ||
| 32-6 | String Quartet in E minor, Op. 83: Adagio | — | ||
| 32-7 | String Quartet in E minor, Op. 83: Andante - Allegro | — | ||
| 33-1 | Symphony no. 4 in G major: I. Heiter, bedächtig. Nicht eilen | — | ||
| 33-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 33-3 | Symphony no. 4 in G major: IV. Sehr behaglich | — | ||
| 33-4 | Symphony no. 4 in G major: III. Ruhevoll | — | ||
| 34-1 | Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T-926.359.926-4 | |
| 34-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-3 | Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-4 | Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-5 | Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 35-1 | Paris - The Song of a Great City | — | ||
| 35-2 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-3 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-4 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-5 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-6 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-7 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-8 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 35-9 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-10 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-11 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-12 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-13 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-14 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-15 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 35-16 | Fireworks, op. 4 | — | ||
| 35-17 | Circus Polka | — | ||
| 35-18 | Greeting Prelude “Happy Birthday” | — | ||
| 36-1 | Nichts ("Nennen soll ich, sagt ihr"), Op. 10/2 (TrV 141/2) | — | ||
| 36-2 | Das Rosenband ("Im Frühlingsschatten fand ich sie"), Op. 36/1 (TrV 186/1) | — | ||
| 36-3 | Hochzeitlich Lied ("Lass Akaziendüfte schaukeln"), Op. 37/6 (TrV 187/6) | — | ||
| 36-4 | Ständchen ("Mach' auf, mach' auf, doch leise, mein Kind"), Op. 17/2 (TrV 149/2) | — | ||
| 36-5 | Heimliche Aufforderung ("Auf, hebe die funkelnde Schale empor zum Mund"), Op. 27/3 (TrV 170/3) | — | ||
| 36-6 | Efeu ("Aber Efeu nenn' ich jene Mädchen"), Op. 22/3 (TrV 153/3) | — | ||
| 36-7 | Wasserrose ("Kennst du die Blume, die Märchenhafte"), Op. 22/4 (TrV 153/4) | — | ||
| 36-8 | Liebeshymnus ("Heil jenem Tag"), Op. 32/3 (TrV 174/3) | — | ||
| 36-9 | Nachtgang ("Wir gingen durch die dunkle (stille), milde Nacht"), Op. 29/3 (TrV 172/3) | — | ||
| 36-10 | Waldseligkeit ("Der Wald beginnt zu rauchen"), Op. 49/1 (TrV 204/1) | — | ||
| 36-11 | Mein Auge ("Du bist mein Auge!"), Op. 37/4 (TrV 187/4) | — | ||
| 36-12 | Winternacht ("Mit Regen und Sturmgebrause"), Op. 15/2 (TrV 148/2) | — | ||
| 36-13 | All' mein Gedanken, mein Herz und mein Sinn, Op. 21/1 (TrV 160/1) | — | ||
| 36-14 | Meinem Kinde ("Du schläfst und sachte neig' ich mich"), Op. 37/3 (TrV 187/3) | — | ||
| 36-15 | Weihnachtsgefühl ("Naht die jubelvolle Zeit"), o.Op. 94 (TrV 198, AV 94) | — | ||
| 36-16 | Befreit ("Du wirst nicht weinen"), Op. 39/4 (TrV 189/4) | — | ||
| 36-17 | Allerseelen ("Stell' auf den Tisch die duftenden Reseden"), Op. 10/8 (TrV 141/8) | — | ||
| 36-18 | Traum durch die Dämmerung ("Weite Wiesen im Dämmergrau"), Op. 29/1 (TrV 172/1) | — | ||
| 36-19 | Sehnsucht ("Ich ging den Weg entlang, der einsam lag"), Op. 32/2 (TrV 174/2) | — | ||
| 36-20 | Junggesellenschwur ("Das ist des Frühlings traurige Lust!"), Op. 49/6 (TrV 204/6) | — | ||
| 36-21 | Cäcilie ("Wenn du es wüsstest"), Op. 27/2 (TrV 170/2) | — | ||
| 36-22 | Herr Lenz ("Herr Lenz springt heute durch die Stadt"), Op. 37/5 (TrV 187/5) | — | ||
| 37-1 | Götterdämmerung: Dawn and Siegfried's Rhine Journey (Act I) | — | ||
| 37-2 | Götterdämmerung: Siedfried's Funeral March | — | ||
| 37-3 | Don Juan: Symphonic Poem, op. 20 | — | ||
| 37-4 | Til Eulenspiegel: Symphonic Poem, op. 28 | — | ||
| 37-5 | Tod und Verklärung: Symphonic Poem, op. 24 | — | ||
| 38-1 | The Lark Ascending | — | ||
| 38-2 | Five Variants of Dives and Lazarus: Adagio | — | ||
| 38-3 | Five Variants of Dives and Lazarus: I. ♩ = ♩ | — | ||
| 38-4 | Five Variants of Dives and Lazarus: II. Allegro moderato | — | ||
| 38-5 | Five Variants of Dives and Lazarus: III. ♩ = 150 | — | ||
| 38-6 | Five Variants of Dives and Lazarus: IV. L'istesso tempo | — | ||
| 38-7 | Five Variants of Dives and Lazarus: V. Adagio | — | ||
| 38-8 | Job - A Masque for Dancing: Scene I: Introduction | — | ||
| 38-9 | Job - A Masque for Dancing: Scene I: Saraband of the Sons of God | — | ||
| 38-10 | Job - A Masque for Dancing: Scene II: Satan's Dance of Triumph | — | ||
| 38-11 | Job - A Masque for Dancing: Scene III: Minuet of the Sons of Job and Their Wives | — | ||
| 38-12 | Job - A Masque for Dancing,:Scene IV: Job's Dream | — | ||
| 38-13 | Job - A Masque for Dancing: Scene V: Dance of the Three Messengers | — | ||
| 38-14 | Job - A Masque for Dancing: Scene VI: Dance of Job's Comforters | — | ||
| 38-15 | Job - A Masque for Dancing: Scene VII: Elihu's Dance of Youth and Beauty | — | ||
| 38-16 | Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning | — | ||
| 38-17 | Job - A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning | — | ||
| 38-18 | Job - A Masque for Dancing: Scene VIII: Altar Dance | — | ||
| 38-19 | Job - A Masque for Dancing: Scene IX: Epilogue | — | ||
| 39-1 | Partita for Double String Orchestra: Andante tranquillo | — | ||
| 39-2 | Partita for Double String Orchestra: Scherzo Ostinato (Presto) | — | ||
| 39-3 | Partita for Double String Orchestra: Intermezzo (Homage to Henry Hall) (Andante con moto) | — | ||
| 39-4 | Partita for Double String Orchestra: Fantasia (Allegro) | — | ||
| 39-5 | Concerto for Oboe & Strings: Rondo Pastorale (Allegro moderato) | — | ||
| 39-6 | Concerto for Oboe & Strings: Minuet & Musette (Allegro moderato) | — | ||
| 39-7 | Concerto for Oboe & Strings: Finale (Scherzo) (Presto) | — | ||
| 39-8 | Fantasia on a Theme by Thomas Tallis | — | ||
| 39-9 | English Folk Song Suite - Seventeen come Sunday | — | ||
| 39-10 | English Folk Song Suite: Intermezzo: My Bonny Boy | — | ||
| 39-11 | English Folk Song Suite - Folksongs from Somerset | — | ||
| 39-12 | Fantasia on Greensleeves | — | ||
| 40-1 | Piano Concerto in C major: I. Toccata (Allegro moderato) | — | ||
| 40-2 | Piano Concerto in C major: II. Romanza (Lento) | — | ||
| 40-3 | Piano Concerto in C major: III. Fuga chromatica (Allegro) con finale alla tedesca | — | ||
| 40-4 | Concerto for Piano and Orchestra: I. Allegro non troppo | — | ||
| 40-5 | Concerto for Piano and Orchestra: II. Largo | — | ||
| 40-6 | Concerto for Piano and Orchestra: III. Tempo primo | — | ||
| 40-7 | Eclogue Op, 10 | — | ||
| 41-1 | Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-2 | Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-3 | Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-4 | Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-5 | Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-6 | Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-7 | Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-8 | Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-9 | Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-10 | Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-11 | Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-12 | Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-13 | Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-14 | Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-15 | Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 42-1 | A London Symphony: I. Lento – Allegro risoluto (molto psante) | — | ||
| 42-2 | A London Symphony: II. Lento | — | ||
| 42-3 | A London Symphony: III. Scherzo (Nocturne) (Allegro vivace) | — | ||
| 42-4 | A London Symphony: IV. Andante con moto – Maestoso alla marcia (quasi lento) – Allegro – Maestoseo alla maria (alla I) – Epilogue (Andante sostenuto) | — | ||
| 42-5 | Symphony no. 8 in D minor: I. Fantasia (Variazioni senza Tema) | — | ||
| 42-6 | Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato) (Allegro alla marcia) | — | ||
| 42-7 | Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco) (Lento espressivo) | — | ||
| 42-8 | Symphony no. 8 in D minor: IV. Toccata (Moderato maestoso) | — | ||
| 43-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 43-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 43-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 43-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction (Allegro Vivace) & Variation 1 & Tema | — | ||
| 43-5 | Rhapsody on a Theme of Paganini, op. 43: Variation 2 | — | ||
| 43-6 | Rhapsody on a Theme of Paganini, op. 43: Variation 3 | — | ||
| 43-7 | Rhapsody on a Theme of Paganini, op. 43: Variation 4 (Piu Vivo) | — | ||
| 43-8 | Rhapsody on a Theme of Paganini, op. 43: Variation 5 | — | ||
| 43-9 | Rhapsody on a Theme of Paganini, op. 43: Variation 6 | — | ||
| 43-10 | Rhapsody on a Theme of Paganini, op. 43: Variation 7 (Meno Mosso, a Tempo Moderato) | — | ||
| 43-11 | Rhapsody on a Theme of Paganini, op. 43: Variation 8 (Tempo L) | — | ||
| 43-12 | Rhapsody on a Theme of Paganini, op. 43: Variation 9 | — | ||
| 43-13 | Rhapsody on a Theme of Paganini, op. 43: Variation 10 | — | ||
| 43-14 | Rhapsody on a Theme of Paganini, op. 43: Variation 11 (Moderato) | — | ||
| 43-15 | Rhapsody on a Theme of Paganini, op. 43: Variation 12 (Tempo di Minuetto) | — | ||
| 43-16 | Rhapsody on a Theme of Paganini, op. 43: Variation 13 (Allegro) | — | ||
| 43-17 | Rhapsody on a Theme of Paganini, op. 43: Variation 14 | — | ||
| 43-18 | Rhapsody on a Theme of Paganini, op. 43: Variation 15 (Piu Vivo: Scherzando) | — | ||
| 43-19 | Rhapsody on a Theme of Paganini, op. 43: Variation 16 (Allegretto) | — | ||
| 43-20 | Rhapsody on a Theme of Paganini, op. 43: Variation 17 | — | ||
| 43-21 | Rhapsody on a Theme of Paganini, op. 43: Variation 18 (Andante Cantabile - A Tempo Vivace) | — | ||
| 43-22 | Rhapsody on a Theme of Paganini, op. 43: Variation 19 | — | ||
| 43-23 | Rhapsody on a Theme of Paganini, op. 43: Variation 20 (Un Poco Piu Vivo) | — | ||
| 43-24 | Rhapsody on a Theme of Paganini, op. 43: Variation 21 (Un Poco Piu Vivo) | — | ||
| 43-25 | Rhapsody on a Theme of Paganini, op. 43: Variation 22 (Un Poco Piu Vivo (Alla Breve)) | — | ||
| 43-26 | Rhapsody on a Theme of Paganini, op. 43: Variation 23 | — | ||
| 43-27 | Rhapsody on a Theme of Paganini, op. 43: Variation 24 (A Tempo Un Poco Meno Mosso) | — | ||
| 44-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | — | ||
| 44-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | — | ||
| 44-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | — | ||
| 44-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 44-5 | Symphonic Dances, op. 45: II. Andante con moto | — | ||
| 44-6 | Symphonic Dances, op. 45: III. Lento assai | — | ||
| 45-1 | Symphony no. 1 in B‐flat minor: I. Allegro assai | — | ||
| 45-2 | Symphony no. 1 in B‐flat minor: II. Presto, con malizia | — | ||
| 45-3 | Symphony no. 1 in B‐flat minor: III. Andante con malinconia | — | ||
| 45-4 | Symphony no. 1 in B‐flat minor: IV. Maestoso – Brioso ed ardentemente – Vivacissimo – Maestoso | — | ||
| 45-5 | Siesta | — | ||
| 45-6 | Symphony no. 2: I. Allegro molto | — | ||
| 45-7 | Symphony no. 2: II. Lento assai | — | ||
| 45-8 | Symphony no. 2: III. Passacaglia: Theme (risoluto), Variantions, Fugato and Coda (Scherzando – Presto) | — | ||
| 46-1 | A Ceremony of Carols, op. 28: Procession | — | ||
| 46-2 | A Ceremony of Carols, op. 28: Wolcum yole! | — | ||
| 46-3 | A Ceremony of Carols, op. 28: There is no rose | — | ||
| 46-4 | A Ceremony of Carols, op. 28: That yonge child | — | ||
| 46-5 | A Ceremony of Carols, op. 28: Balulalow | — | ||
| 46-6 | A Ceremony of Carols, op. 28: As dew in Aprille | — | ||
| 46-7 | A Ceremony of Carols, op. 28: This little Babe | — | ||
| 46-8 | A Ceremony of Carols, op. 28: Interlude: Andante Pastorale | — | ||
| 46-9 | A Ceremony of Carols, op. 28: In freezing winter night | — | ||
| 46-10 | A Ceremony of Carols, op. 28: Spring Carol | — | ||
| 46-11 | A Ceremony of Carols, op. 28: Adam Lay I-Bounden (Deo Gracias) | — | ||
| 46-12 | A Ceremony of Carols, op. 28: Recession | — | ||
| 46-13 | Hymn to St. Cecilia, op. 27: I. In a Garden Shady | — | ||
| 46-14 | Hymn to St. Cecilia, op. 27: II. I Cannot Grow | — | ||
| 46-15 | Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall | — | ||
| 46-16 | Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin | — | ||
| 46-17 | Sacred and Profane, op. 91: No. 1. St. Godric's Hymn | — | ||
| 46-18 | Sacred and Profane, op. 91: No. 2. I mon waxe wod | — | ||
| 46-19 | Sacred and Profane, op. 91: No. 3. Lenten is come | — | ||
| 46-20 | Sacred and Profane, op. 91: No. 4. The long night | — | ||
| 46-21 | Sacred and Profane, op. 91: No. 5. Yif ic of luve can | — | ||
| 46-22 | Sacred and Profane, op. 91: No. 6. Carol | — | ||
| 46-23 | Sacred and Profane, op. 91: No. 7. Ye that pasen by | — | ||
| 46-24 | Sacred and Profane, op. 91: No. 8. A death | — | ||
| 46-25 | Rejoice in the Lamb, op. 30: Rejoice in God, o ye Tongues | — | ||
| 46-26 | Rejoice in the Lamb, op. 30: Let Nimrod, the mighty hunter | — | ||
| 46-27 | Rejoice in the Lamb, op. 30: For I will consider my Cat Jeoffry | — | ||
| 46-28 | Rejoice in the Lamb, op. 30: For the Mouse is a creature | — | ||
| 46-29 | Rejoice in the Lamb, op. 30: For the flowers are great blessing | — | ||
| 46-30 | Rejoice in the Lamb, op. 30: For I am under the same accusation | — | ||
| 46-31 | Rejoice in the Lamb, op. 30: For H is a spirit | — | ||
| 46-32 | Rejoice in the Lamb, op. 30: For at that Time Malignity Ceases | — | ||
| 47-1 | Serenade, op. 31: Prologue | — | ||
| 47-2 | Serenade, op. 31: Pastoral | — | ||
| 47-3 | Serenade, op. 31: Nocturne | — | ||
| 47-4 | Serenade, op. 31: Elegy | — | ||
| 47-5 | Serenade, op. 31: Dirge | Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones | — | |
| 47-6 | Serenade, op. 31: Hymn | — | ||
| 47-7 | Serenade, op. 31: Sonnet | — | ||
| 47-8 | Serenade, op. 31: Epilogue | — | ||
| 47-9 | Les Illuminations, op. 18: Fanfare | — | ||
| 47-10 | Les Illuminations, op. 18: Villes | — | ||
| 47-11 | Les Illuminations, op. 18: Phrase | — | ||
| 47-12 | Les Illuminations, op. 18: Antique | — | ||
| 47-13 | Les Illuminations, op. 18: Royauté | — | ||
| 47-14 | Les Illuminations, op. 18: Marine | — | ||
| 47-15 | Les Illuminations, op. 18: Interlude | — | ||
| 47-16 | Les Illuminations, op. 18: Being Beauteous | — | ||
| 47-17 | Les Illuminations, op. 18: Parade | — | ||
| 47-18 | Les Illuminations, op. 18: Départ | — | ||
| 47-19 | Nocturne, op. 60: On a poet's lips I slept | — | ||
| 47-20 | Nocturne, op. 60: Below the thunders of the upper deep | — | ||
| 47-21 | Nocturne, op. 60: Encinctured with a twine of leaves | — | ||
| 47-22 | Nocturne, op. 60: Midnight's bell goes ting, ting, ting... | — | ||
| 47-23 | Nocturne, op. 60: But that night when on my bed I lay | — | ||
| 47-24 | Nocturne, op. 60: She sleeps on soft, last breaths | — | ||
| 47-25 | Nocturne, op. 60: What is more gentle? | — | ||
| 47-26 | Nocturne, op. 60: When most I wink | — | ||
| 48-2 | Cantus in memoriam Benjamin Britten | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-3 | Summa (1978) | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-4 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 48-5 | Festina Lente for String Orchestra and Harp | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-6 | Tabula rasa: I. Ludus | Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle | — | |
| 48-7 | Tabula rasa: II. silentium | Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle | — | |
| 49-1 | Prelude and Allegro in the style of Gaetano Pugnani | — | ||
| 49-2 | Hungarian Dance no. 1 in G minor | — | ||
| 49-3 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 49-4 | Valse bluette (Air de Balet) | — | ||
| 49-5 | Poème | — | ||
| 49-6 | Danse espagnole (La vida breve) | — | ||
| 49-7 | Légende, op. 17 | — | ||
| 49-8 | Introduction and Tarantella, op. 43 | — | ||
| 49-9 | Hungarian Dance no. 5 in G minor | — | ||
| 49-10 | Nigun (Improvisation no. 2 from “Baal Shem” – Three Pictures of Chassidic Life) | — | ||
| 49-11 | Beau Soir | — | ||
| 49-12 | Caprice Viennois, op. 2 | — | ||
| 49-13 | The Bumble Bee | — | ||
| 49-14 | Serenade (from Hassan) | Piers Lane, Tasmin Little | — | |
| 49-15 | Ave Maria | — | ||
| 49-16 | Banjo and Fiddle | — | ||
| 49-17 | Tzigane – Rapsodie de Concert | — | ||
| 50-1 | I was glad | — | ||
| 50-2 | Thou wilt keep him in perfect peace | — | ||
| 50-3 | Bring us, O Lord | — | ||
| 50-4 | Expectans expectavi | — | ||
| 50-5 | Let all mortal flesh keep silence | — | ||
| 50-6 | Hail, gladdening light | — | ||
| 50-7 | Give us the wings of faith | — | ||
| 50-8 | God be in my head | — | ||
| 50-9 | Evening Hymn | — | ||
| 50-10 | And I saw a new heaven | — | ||
| 50-11 | Greater love hath no man | — | ||
| 50-12 | Ave verum corpus, op. 2 no. 1 | — | ||
| 50-13 | Three Motets, op. 38: Justorum animae | — | ||
| 50-14 | Three Motets, op. 38: Coelos ascendit hodie | — | ||
| 50-15 | Three Motets, op. 38: Beati quorum via | — | ||
| 50-16 | Faire is the heaven | — | ||
| 50-17 | O Thou, the central orb | — | ||
| 51-1 | Summa for Choir | Vasari Singers, Jeremy Backhouse | — | |
| 51-2 | The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 | |
| 51-3 | The Beatitudes (1990, rev. 1991) | Vasari Singers, Jeremy Backhouse | — | |
| 51-4 | Funeral Ikos (1981) | Vasari Singers, Jeremy Backhouse | — | |
| 51-5 | Litany (1985) | Vasari Singers, Jeremy Backhouse | T-071.000.879-9 | |
| 51-6 | Two Hymns to the Mother of God: A Hymn to the Mother of God | Vasari Singers, Jeremy Backhouse | T-011.355.796-2 | |
| 51-7 | Two Hymns to the Mother of God: Hymn for the Dormition of the Mother of God | Vasari Singers, Jeremy Backhouse | T-011.355.797-3 | |
| 51-8 | Seven Magnificat Antiphons (1988, rev. 1991): O Weisheit | Vasari Singers, Jeremy Backhouse | — | |
| 51-9 | Seven Magnificat Antiphons (1988, rev. 1991): O Adonai | Vasari Singers, Jeremy Backhouse | — | |
| 51-10 | Seven Magnificat Antiphons (1988, rev. 1991): O Sproß aus Isais Wurzel | Vasari Singers, Jeremy Backhouse | — | |
| 51-11 | Seven Magnificat Antiphons (1988, rev. 1991): O Schlüssel Davids | Vasari Singers, Jeremy Backhouse | — | |
| 51-12 | Seven Magnificat Antiphons (1988, rev. 1991): O Morgenstern | Vasari Singers, Jeremy Backhouse | — | |
| 51-13 | Seven Magnificat Antiphons (1988, rev. 1991): O König aller Völker | Vasari Singers, Jeremy Backhouse | — | |
| 51-14 | Magnificat Antiphons for Choir: 7. O Immanuel | Vasari Singers, Jeremy Backhouse | — | |
| 51-15 | Magnificat and Nunc dimitis (Collegium Regale) (1986): Magnificat | Vasari Singers, Jeremy Backhouse | T-071.000.879-9 | |
| 51-16 | Magnificat and Nunc dimitis (Collegium Regale) (1986): Nunc dimitis | Vasari Singers, Jeremy Backhouse | — | |
| 51-17 | Totus tuus, Op. 60 (1987) | Vasari Singers, Jeremy Backhouse | — |
Identifier Graph
5099973938729 is a Universal Product Code (UPC) assigned to EMI Eminence: The Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 626 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “EMI Eminence: The Collection” by Various Artists is 5099973938729. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: EMI Classics. This release contains 626 tracks, each with its own ISRC. Tracks include GBAYD9000129, GBAYD9000451, GBAYD1100077.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass for Four Voices: I. Kyrie | — | ||
| 2 | Mass for Four Voices: II. Gloria | — | ||
| 3 | Mass for Four Voices: III. Credo | — | ||
| 4 | Mass for Four Voices: IV. Sanctus | — | ||
| 5 | Mass for Four Voices: V. Benedictus | — | ||
| 6 | Mass for Four Voices: VI. Agnus Dei | — | ||
| 7 | Mass for Five Voices: I. Kyrie | — | ||
| 8 | Mass for Five Voices: II. Gloria | — | ||
| 9 | Mass for Five Voices: III. Credo | — | ||
| 10 | Mass for Five Voices: IV. Sanctus | — | ||
| 11 | Mass for Five Voices: V. Benedictus | — | ||
| 12 | Mass for Five Voices: VI. Agnus Dei | — | ||
| 13 | Missa Salve Intemerata Virgo: I. Gloria | — | ||
| 14 | Missa Salve Intemerata Virgo: II. Credo | — | ||
| 15 | Missa Salve Intemerata Virgo: III. Sanctus | — | ||
| 16 | Missa Salve Intemerata Virgo: IV. Benedictus | — | ||
| 17 | Missa Salve Intemerata Virgo: V. Agnus Dei | — | ||
| 2-1 | Miserere mei, Deus | George Guest, Choir of St John’s College, Cambridge | — | |
| 2-2 | Missa: Super Bella Amfitrit 'Altera: Kyrie | — | ||
| 2-3 | Missa: Super Bella Amfitrit 'Altera: Gloria | Choir of St John’s College, Cambridge, George Guest | — | |
| 2-4 | Missa: Super Bella Amfitrit 'Altera: Credo in unum Deum | — | ||
| 2-5 | Missa: Super Bella Amfitrit 'Altera: Sanctus | — | ||
| 2-6 | Missa: Super Bella Amfitrit 'Altera: Benedictus | — | ||
| 2-7 | Missa: Super Bella Amfitrit 'Altera: Agnus Dei | — | ||
| 2-8 | Veni, sponsa Christi: Veni, sponsa Christi | — | ||
| 2-9 | Veni, sponsa Christi: Kyrie | — | ||
| 2-10 | Veni, sponsa Christi: Gloria | — | ||
| 2-11 | Veni, sponsa Christi: Credo | — | ||
| 2-12 | Veni, sponsa Christi: Sanctus | — | ||
| 2-13 | Veni, sponsa Christi: Benedictus | — | ||
| 2-14 | Veni, sponsa Christi: Agnus Dei I | — | ||
| 2-15 | Veni, sponsa Christi: Agnus Dei II | — | ||
| 3-1 | Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Allegro – Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-2 | Flute Concerto no. 1 in F major “La Tempesta Di Mare”, RV433: Presto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-3 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Largo – Presto (Fantasmi) | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-4 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Presto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-5 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Largo (Il sonno) | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-6 | Flute Concerto no. 2 in G minor “La Notte”, RV439: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-7 | Flute Concerto no. 3 in D major “Il Gardellino”, RV428: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-8 | Flute Concerto no. 3 in D major “Il Gardellino”, RV428: Cantabile | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-9 | Flute Concerto in D major, op. 10 no. 3, RV 428 "Il gardellino": I. Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-10 | Flute Concerto no. 4 in G major, RV435: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-11 | Flute Concerto no. 4 in G major, RV435: Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-12 | Flute Concerto no. 4 in G major, RV435: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-13 | Flute Concerto no. 5 in F major, RV434: Allegro ma non tanto | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-14 | Flute Concerto no. 5 in F major, RV434: Largo e cantabile | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-15 | Flute Concerto no. 5 in F major, RV434: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-16 | Flute Concerto no. 6 in G major, RV437: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-17 | Flute Concerto no. 6 in G major, RV437: Largo | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 3-18 | Flute Concerto no. 6 in G major, RV437: Allegro | William Bennett, English Chamber Orchestra, George Malcolm | — | |
| 4-1 | Concerto no. 1 in F major, BWV 1046: Allegro | The Hanover Band, Anthony Halstead | T-801.411.105-9 | |
| 4-2 | Concerto no. 1 in F major, BWV 1046: Adagio | The Hanover Band, Anthony Halstead | — | |
| 4-3 | Concerto no. 1 in F major, BWV 1046: Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-4 | Concerto no. 1 in F major, BWV 1046: Minuet - Trio 1 - Minuet 2 - Polonaise - Minuet 3 - Trio 2 - Minuet 4 | The Hanover Band, Anthony Halstead | — | |
| 4-5 | Concerto no. 2 in F, BWV 1047: I. [Allegro] | The Hanover Band, Anthony Halstead | — | |
| 4-6 | Concerto no. 2 in F, BWV 1047: II. Andante | The Hanover Band, Anthony Halstead | — | |
| 4-7 | Concerto no. 2 in F, BWV 1047: III. Allegro assai | The Hanover Band, Anthony Halstead | — | |
| 4-8 | Concerto no. 3 in G, BWV 1048: I. Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-9 | Concerto no. 3 in G, BWV 1048: II. Adagio | The Hanover Band, Anthony Halstead | — | |
| 4-10 | Concerto no. 3 in G major, BWV 1048: Allegro | The Hanover Band, Anthony Halstead | — | |
| 4-11 | Concerto no. 4 in G major, BWV 1049: Allegro | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-12 | Concerto no. 4 in G major, BWV 1049: Andante | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-13 | Concerto no. 4 in G major, BWV 1049: Presto | Catherine Latham, Anthony Robson, Benjamin Hudson, The Hanover Band, Anthony Halstead | — | |
| 4-14 | Concerto no. 5 in D, BWV 1050: I. Allegro | — | ||
| 4-15 | Concerto no. 5 in D, BWV 1050: II. Affettuoso | — | ||
| 4-16 | Concerto no. 5 in D, BWV 1050: III. Allegro | — | ||
| 5-1 | Toccata and Fugue in D minor, BWV 565: Toccata | — | ||
| 5-2 | Toccata and Fugue in D minor, BWV 565: Fugue | — | ||
| 5-3 | Herzlich Tut Mich Verlangen, BWV 727 | — | ||
| 5-4 | Fugue in G major (Gigue), BWV 577 | — | ||
| 5-5 | Erbarm’ Dich Mein, O Herre Gott, BWV 721 | — | ||
| 5-6 | Fugue in B minor, BWV 579 (After Corelli) | — | ||
| 5-7 | Prelude and Fugue in G major, BWV 541: Prelude | — | ||
| 5-8 | Prelude and Fugue in G major, BWV 541: Fugue | — | ||
| 5-9 | Pastorale in F major, BWV 590: 1st Movement | — | ||
| 5-10 | Pastorale in F major, BWV 590: 2nd Movement | — | ||
| 5-11 | Pastorale in F major, BWV 590: 3rd Movement | — | ||
| 5-12 | Pastorale in F major, BWV 590: 4th Movement | — | ||
| 5-13 | Wir Gläuben All An Einen Gott, BWV 680 | — | ||
| 5-14 | O Mensch, Bewein’ Dein’ Sünde Gross, BWV 622 | — | ||
| 5-15 | Passacaglia and Fugue in C minor, BWV 582: Passacaglia | — | ||
| 5-16 | Passacaglia and Fugue in C minor, BWV 582: Fugue | — | ||
| 6-1 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): I. (Allegro) - Grave e fuga | — | ||
| 6-2 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): II. Largo e spiccato | — | ||
| 6-3 | Concert no. 5 in D minor, BWV 596 (Arr. of Vivaldi’s op. 3 no. 11, RV 565): III. (Allegro) | — | ||
| 6-4 | Vater unser im Himmelreich, BWV 737 | — | ||
| 6-5 | Aria in F major, BWV 587 | — | ||
| 6-6 | Der Tag, der ist so freudenreich, BWV 719 | — | ||
| 6-7 | Sonata no. 5, BWV 529: I. Allegro | — | ||
| 6-8 | Sonata no. 5, BWV 529: II. Largo | — | ||
| 6-9 | Sonata no. 5, BWV 529: III. Allegro | — | ||
| 6-10 | Nun danket alle Gott, BWV 657 | — | ||
| 6-11 | Liebster Jesu, wir sind hier, BWV 731 | — | ||
| 6-12 | Valet will ich dir geben, BWV 735 | — | ||
| 6-13 | Nun freut euch, BWV 734 | — | ||
| 6-14 | Toccata, Adagio and Fugue, BWV 564: I. Toccata | — | ||
| 6-15 | Toccata, Adagio and Fugue, BWV 564: II. Adagio | — | ||
| 6-16 | Toccata, Adagio and Fugue, BWV 564: III. Fugue | — | ||
| 7-1 | Ciacona in G minor | — | ||
| 7-2 | Violin Sonata “Manchester no. 12” in C, RV754: I. Preludio Largo | — | ||
| 7-3 | Violin Sonata “Manchester no. 12” in C, RV754: III. Sarabande Largo | — | ||
| 7-4 | Violin Sonata “Manchester no. 12” in C, RV754: II. Allemande Allegro | — | ||
| 7-5 | Violin Sonata “Manchester no. 12” in C, RV754: IV. Corrente Allegro | — | ||
| 7-6 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: I. Grave | — | ||
| 7-7 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: II. Allegro ma non troppo | — | ||
| 7-8 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: III. Gavotta gratioso | — | ||
| 7-9 | Violin Sonata in C minor “Le Tombeau”, op. 5 no. 6: IV. Allegro | — | ||
| 7-10 | Passacaglia in G minor “Rosary Sonatas” | — | ||
| 7-11 | Sonata for Piano and Violin in E minor, K304/300c: I. Allegro | — | ||
| 7-12 | Sonata for Piano and Violin in E minor, K304/300c: II. Tempo di menuetto | — | ||
| 7-13 | Intruductions and Variations, op. 24 | — | ||
| 7-14 | Caprice in A, op. 1 no.1 | — | ||
| 7-15 | Chaconne in D minor | — | ||
| 8-1 | Horn Concerto in E major, K3:44: I. Allegro | — | ||
| 8-2 | Horn Concerto in E major, K3:44: II. Romance – Adagio | — | ||
| 8-3 | Horn Concerto in E major, K3:44: III. Rondo – Allegretto | — | ||
| 8-4 | Horn Concerto in E‐flat major, K3:39: I. Allegro molto | — | ||
| 8-5 | Horn Concerto in E‐flat major, K3:39: II. Adagio non troppo | — | ||
| 8-6 | Horn Concerto in E‐flat major, K3:39: III. Rondo – Allegretto | — | ||
| 8-7 | Horn Concerto in E major, K3:42: I. Allegro moderato | — | ||
| 8-8 | Horn Concerto in E major, K3:42: II. Adagio | — | ||
| 8-9 | Horn Concerto in E major, K3:42: III. Rondo a la chasse | — | ||
| 9-1 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: I. Largo - Molto Allegro | — | ||
| 9-2 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: II. Menuetto - Trio I - Menuetto da capo | — | ||
| 9-3 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: II. Menuetto - Trio I - Menuetto da capo | — | ||
| 9-4 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: IV. Menuetto (Allegretto) - Trio I - Menuetto da capo | — | ||
| 9-5 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: V. Romance - Adagio - Allegretto - Adagio | — | ||
| 9-6 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: VI. Theme and Variations I-VI | — | ||
| 9-7 | Serenade no. 10 in B‐flat, K361 ‘Gran Partita’: VII. Finale (Rondo) Molto allegro | — | ||
| 9-8 | Alles fühlt die liebe Freuden from ‘Die Zauberflöte’ (arr. Sheen) | — | ||
| 9-9 | La ci darem la mano from ‘Don Giovanni’ (arr. Triebensee) | — | ||
| 9-10 | Sixteen German Dances, D783 (arr. Sheen) | — | ||
| 9-11 | Grand Polonaise (arr. Bennett) | — | ||
| 10-1 | Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 10-2 | Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-070.093.418-4 | |
| 10-3 | Requiem in D minor, K. 626: Sequenz: Dies irae | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 10-4 | Requiem in D minor, K. 626: Sequenz: Tuba mirum | Della Jones, Keith Lewis, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-5 | Requiem in D minor, K. 626: Sequenz: Rex tremendae majestatis | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-6 | Requiem in D minor, K. 626: Sequenz: Recordare, Jesu pie | Della Jones, Keith Lewis, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-7 | Requiem in D minor, K. 626: Sequenz: Confutatis maledictis | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-8 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-9 | Requiem in D minor, K. 626: Offertorium: Domine Jesu Christe | Della Jones, Keith Lewis, London Philharmonic Choir, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-10 | Requiem in D minor, K. 626: Offertorium: Hostias | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-11 | Requiem in D minor, K. 626: Sanctus | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-12 | Requiem in D minor, K. 626: Benedictus | Della Jones, Keith Lewis, London Philharmonic Choir, Felicity Lott, Willard White, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-13 | Requiem in D minor, K. 626: Agnus Dei | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 10-14 | Requiem in D minor, K. 626: Communio | London Philharmonic Choir, Felicity Lott, London Philharmonic Orchestra, Franz Welser-Möst | T-910.952.061-8 | |
| 11-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-2 | Violin Concerto in D, op. 61: II. Larghetto - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-5 | Violin Concerto in E minor, op. 64: II. Andante | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 11-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 12-1 | Sonata No. 1 In F, op. 5 no.1 - I. Adagio Sostenuto - Allegro | — | ||
| 12-2 | Sonata No. 1 In F, op. 5 no.1 - II. Allegro Vivace | — | ||
| 12-3 | Sonata No. 2 In G major, op. 5 no. 2 - I. Adagio Sostenuto | — | ||
| 12-4 | Sonata No. 2 In G major, op. 5 no. 2 - II. Rondo (Allegro) | — | ||
| 12-5 | Twelve Variations on “Ein Mädchen oder Weibchen”: Theme | — | ||
| 12-6 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. I | — | ||
| 12-7 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. II | — | ||
| 12-8 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. III | — | ||
| 12-9 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. IV | — | ||
| 12-10 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. V | — | ||
| 12-11 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VI | — | ||
| 12-12 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VII | — | ||
| 12-13 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. VIII | — | ||
| 12-14 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. IX | — | ||
| 12-15 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. X | — | ||
| 12-16 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. XI | — | ||
| 12-17 | Twelve Variations on “Ein Mädchen oder Weibchen”: Var. XII | — | ||
| 12-18 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Theme | — | ||
| 12-19 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. I | — | ||
| 12-20 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. II | — | ||
| 12-21 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. III | — | ||
| 12-22 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var IV. | — | ||
| 12-23 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. V | — | ||
| 12-24 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VI | — | ||
| 12-25 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VII | — | ||
| 12-26 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. VIII | — | ||
| 12-27 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. IX | — | ||
| 12-28 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. X | — | ||
| 12-29 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. XI | — | ||
| 12-30 | Twelve Variations On 'See, The Conquering Hero Comes', WoO 45 - Var. XII | — | ||
| 13-1 | Sonata No. 3 In A, op. 69 - I. Allegro, Ma Non Tanto | — | ||
| 13-2 | Sonata No. 3 In A, op. 69 - II. Scherzo (Allegro Molto) | — | ||
| 13-3 | Sonata No. 3 In A, op. 69 - III. Adagio Cantabile-Allegro Vivace | — | ||
| 13-4 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Theme | — | ||
| 13-5 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. I | — | ||
| 13-6 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. II | — | ||
| 13-7 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. III | — | ||
| 13-8 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. IV | — | ||
| 13-9 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. V | — | ||
| 13-10 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var VI | — | ||
| 13-11 | Seven Variations on “Bei Männern, welche Liebe fühlen”, WoO 46: Var. VII | — | ||
| 13-12 | Sonata no. 4 In C, op. 102 no.1 - I. Adante-Allegro Vivace | — | ||
| 13-13 | Sonata no. 4 In C, op. 102 no.1 - II. Adagio-Tempo D'andante | — | ||
| 13-14 | Sonata no. 4 In C, op. 102 no.1 - III. Allegro Vivace | — | ||
| 13-15 | Sonata no. 5 In D, op. 102 no. 2 - I. Allegro Con Brio | — | ||
| 13-16 | Sonata no. 5 In D, op. 102 no. 2 - II. Adagio Con Molto Sentimento D'affetto | — | ||
| 13-17 | Sonata no. 5 In D, op. 102 no. 2 - III. Allegro Vivace-Allegro Fugato | — | ||
| 14-1 | Piano Concerto no. 4 in G, op. 58: I Allegro moderato | — | ||
| 14-2 | Piano Concerto no. 4 in G, op. 58: II Andante con moto | — | ||
| 14-3 | Piano Concerto no. 4 in G, op. 58: III Rondo (Vivace) | — | ||
| 14-4 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: I Allegro | — | ||
| 14-5 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: II Adagio un poco mosso | — | ||
| 14-6 | Piano Concerto no. 5 in E flat ‘Emperor’, op. 73: III Rondo (Allegro) | — | ||
| 15-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 15-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 15-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro – | — | ||
| 15-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 15-5 | Symphony No. 7 in A, Op. 92: I. Poco sostenuto — Vivace | — | ||
| 15-6 | Symphony No. 7 in A, Op. 92: II. Allegretto | — | ||
| 15-7 | Symphony No. 7 in A, Op. 92: III. Presto — Assai meno presto | — | ||
| 15-8 | Symphony No. 7 in A, Op. 92: IV. Allegro con brio | — | ||
| 16-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo e un poco maestoso | — | ||
| 16-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto - Molto vivace - Presto | — | ||
| 16-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Tempo I - Stesso tempo | — | ||
| 16-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IVa. Presto - Allegro assai | — | ||
| 16-5 | Symphony no. 9 in D minor, op. 125 “Choral”: IVb. Presto - Recitativo "O Freunde, nicht diese Töne" | — | ||
| 17-1 | Schubert: Der Einsame, D 800 | — | ||
| 17-2 | Schubert: Ständchen, D 889 | — | ||
| 17-3 | Schubert: an Sylvia, Op. 106/4, D 891 | — | ||
| 17-4 | Schubert: Der Jüngling an Der Quelle, D 300 | — | ||
| 17-5 | Schubert: Lied Eines Schiffers an Die Dioskuren, Op. 65/1, D 360 | — | ||
| 17-6 | Schubert: Gruppe Aus Dem Tartarus #2, Op. 24/1, D 583 | — | ||
| 17-7 | Schubert: Die Götter Griechenlands, D 677 | — | ||
| 17-8 | Schubert: Im Walde #1, D 708, "Waldesnacht" | — | ||
| 17-9 | Schubert: Der Wanderer an Den Mond, Op. 80/1, D 870 | — | ||
| 17-10 | Schubert: Freiwilliges Versinken, D 700 | — | ||
| 17-11 | Schubert: Himmelsfunken, D 651 | — | ||
| 17-12 | Schubert: Prometheus, D 674 | — | ||
| 17-13 | Schubert: Der Gondelfahrer, D 808 | — | ||
| 17-14 | Schubert: Die Sterne #4, Op. 96/1, D 939 | — | ||
| 17-15 | Schubert: Auf Der Bruck, D 853 | — | ||
| 17-16 | Schubert: Heidenröslein, Op. 3/3, D 257 | — | ||
| 17-17 | Schubert: Im Haine, Op. 56/3, D 738 | — | ||
| 17-18 | Schubert: Nachtviolen, D 752 | — | ||
| 17-19 | Schubert: Bei Dir Allein, D 866/2 | — | ||
| 17-20 | Schubert: Du Bist Die Ruh, Op. 59/3, D 776 | — | ||
| 18-1 | Octet in F major, D803: Ia. Adagio | — | ||
| 18-2 | Octet in F major, D803: Ib. Allegro | — | ||
| 18-3 | Octet in F major, D803: II. Adagio | — | ||
| 18-4 | Octet in F major, D803: III. Allegro vivace | — | ||
| 18-5 | Octet in F major, D803: IV. Andante | — | ||
| 18-6 | Octet in F major, , D803: V. Menuetto - Allegretto | — | ||
| 18-7 | Octet in F major, D803: VIa. Andante molto | — | ||
| 18-8 | Octet in F major, D803: VIb. Allegro | — | ||
| 19-1 | Le Carnaval romain - Overture | — | ||
| 19-2 | A Midsummer Night's Dream: Overture, Op 21 | — | ||
| 19-3 | A Midsummer Night's Dream: Scherzo | — | ||
| 19-4 | A Midsummer Night's Dream: L'Istesso Tempo: "Over Hill, Over Dale" - March Of The Fairies (Allegro vivace) | — | ||
| 19-5 | A Midsummer Night's Dream: Song With Chorus: "Ye Spotted Snakes" | — | ||
| 19-6 | A Midsummer Night's Dream: Intermezzo (Allegro appassionato) | — | ||
| 19-7 | A Midsummer Night's Dream: Allegro "What hempen home-spuns have we here?" | — | ||
| 19-8 | A Midsummer Night's Dream: Nocturne | — | ||
| 19-9 | A Midsummer Night's Dream: Wedding March | — | ||
| 19-10 | A Midsummer Night's Dream: Allegro comodo - Funeral March | — | ||
| 19-11 | A Midsummer Night's Dream: Dance of the Clowns | — | ||
| 19-12 | A Midsummer Night's Dream: Allegro vivace - Finale | — | ||
| 20-1 | Der Fliegende Holländer: Overtüre | — | ||
| 20-2 | Tannhäuser: Overtüre | — | ||
| 20-3 | Tannhäuser: Venusbergmusik | — | ||
| 20-4 | Die Meistersinger von Nürnberg: Vorspiel zum ersten Aufzug | — | ||
| 20-5 | Die Meistersinger Von Nürnberg: Vorspiel zum dritten Aufzug | — | ||
| 20-6 | Lohengrin: Vorspiel zum dritten Aufzug | — | ||
| 20-7 | Die Walküre: Walkürenritt | — | ||
| 21-1 | Violin Concerto in D major, op. 77: I. Allegro non troppo (Cadenza: Joseph Joachim) | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-2 | Violin Concerto in D major, op. 77: II. Adagio | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 21-6 | Violin Concerto in D minor, op. 47: III. Allegro | Tasmin Little, Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 23-1 | Scottish Fantasy, op. 46: Introduction (Grave) | — | ||
| 23-2 | Scottish Fantasy, op. 46: I. Adagio cantabile | — | ||
| 23-3 | Scottish Fantasy, op. 46: II. Allegro—Adagio | — | ||
| 23-4 | Scottish Fantasy, op. 46: III. Andante sostenuto | — | ||
| 23-5 | Scottish Fantasy, op. 46: IV. Finale (Allegro guerriero) | — | ||
| 23-6 | Symphonie espagnole, op. 21: I. Allegro non troppo | — | ||
| 23-7 | Symphonie espagnole, op. 21: II. Scherzando (Allegro molto) | — | ||
| 23-8 | Symphonie espagnole, op. 21: III. Intermezzo (Allegretto non troppo) | — | ||
| 23-9 | Symphonie espagnole, op. 21: IV. Andante | — | ||
| 23-10 | Symphonie espagnole, op. 21: V. Rondo (Allegro) | — | ||
| 24-1 | Symphony no. 3 in C minor (“Organ”), op. 78: I. Adagio - Allegro moderato | — | ||
| 24-2 | Symphony no. 3 in C minor (“Organ”), op. 78: Poco Adagio | — | ||
| 24-3 | Symphony no. 3 in C minor (“Organ”), op. 78: II. Allegro moderato - Presto | — | ||
| 24-4 | Symphony no. 3 in C minor (“Organ”), op. 78: Maestoso, Allegro | — | ||
| 24-5 | Prélude à l'après-midi d'un faune | — | ||
| 24-6 | La Mer: De l'aube a midi sur la mer | — | ||
| 24-7 | La Mer: Jeux de vagues | — | ||
| 24-8 | La Mer: Dialogue du vent et de la mer | — | ||
| 25-1 | Poème, op.25 | — | ||
| 25-2 | Violin Concerto in D, op.35: Allegro moderato | — | ||
| 25-3 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Nigel Kennedy, London Philharmonic Orchestra, Okko Kamu | — | |
| 25-4 | Violin Concerto in D, op.35: Finale (Allegro vivacissimo) | — | ||
| 26-1 | Romeo and Juliet: Fantasy Overture | — | ||
| 26-2 | Marche Slave, op. 31 | — | ||
| 26-3 | Francesca da Rimini: Symphonic Fantasia After Dante, op. 32 | — | ||
| 26-4 | Tatiana's Letter Scene (Eugene Onegin, Act I) | — | ||
| 26-5 | 1812 Overture, op. 49 | — | ||
| 27-1 | String Serenade in E, Op. 22: Moderato | — | ||
| 27-2 | String Serenade in E, Op. 22: Tempo di valse | — | ||
| 27-3 | String Serenade in E, Op. 22: Scherzo - vivace | — | ||
| 27-4 | String Serenade in E, Op. 22: Larghetto | — | ||
| 27-5 | String Serenade in E, Op. 22: Finale - Allegro vivace | — | ||
| 27-6 | Romance in F minor, Op. 11 | — | ||
| 27-7 | Wind Serenade in D minor, Op. 44: Moderato quasi marcia | — | ||
| 27-8 | Wind Serenade in D minor, Op. 44: Minuetto - Tempo di minuetto | — | ||
| 27-9 | Wind Serenade in D minor, Op. 44: Andante con moto | — | ||
| 27-10 | Wind Serenade in D minor, Op. 44: Finale Allegro Molto | — | ||
| 28-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: First Movement: Adagio – Allegro molto | — | ||
| 28-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: Second Movement: Largo | — | ||
| 28-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: Third Movement: Scherzo – Molto vivace | — | ||
| 28-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: Fourth Movement: Allegro con fuoco | — | ||
| 28-5 | Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-6 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-7 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 28-8 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — | |
| 29-1 | Organ Sonata in G, Op.28 - I Allegro Maestoso | — | ||
| 29-2 | Organ Sonata in G, Op.28 - II Allegretto | — | ||
| 29-3 | Organ Sonata in G, Op.28 - III Andante Espressivo | — | ||
| 29-4 | Organ Sonata in G, Op.28 - IV Presto (Comodo) | — | ||
| 29-5 | The Dream of Gerontius, Op.38, Part 1: Prelude | — | ||
| 29-6 | The Dream of Gerontius, Op.38, Part 1: Jesu, Maria - I Am Near to Death (Gerontius) | — | ||
| 29-7 | The Dream of Gerontius, Op.38, Part 1: So Pray for Me - Kerie Eleison - Holy Mary, Pray for Him (Gerontius/ Chorus) | — | ||
| 29-8 | The Dream of Gerontius, Op.38, Part 1: Rouse Thee, My Fainting Soul (Gerontius/ Chorus) | — | ||
| 29-9 | The Dream of Gerontius, Op.38, Part 1: Sanctus Fortis, Sanctus Deus (Gerontius) | — | ||
| 29-10 | The Dream of Gerontius, Op.38, Part 1: I Can No More (Gerontius/ Chorus/ Semi Chorus) | — | ||
| 29-11 | The Dream of Gerontius, Op.38, Part 1: Proficiscere, Anima Christiana (Priest/ Chorus/ Semi-Chorus) | — | ||
| 30-1 | The Dream of Gerontius, Op.38, Part 2: Introduction | — | ||
| 30-2 | The Dream of Gerontius, Op.38, Part 2: I went to sleep (Soul of Gerontius) | — | ||
| 30-3 | The Dream of Gerontius, Op.38, Part 2: Another marvel.....My work is done (Soul/Angel) | — | ||
| 30-4 | The Dream of Gerontius, Op.38, Part 2: It Is a member of that family (Soul/Angel) | — | ||
| 30-5 | The Dream of Gerontius, Op.38, Part 2: But hark!....Low-born clods of brute earth (Soul/Angel/Chorus) | — | ||
| 30-6 | The Dream of Gerontius, Op.38, Part 2: Dispossessed, Aside thrust (Chorus) | — | ||
| 30-7 | The Dream of Gerontius, Op.38, Part 2: I see not those false spirits (Soul/Angel) | — | ||
| 30-8 | The Dream of Gerontius, Op.38, Part 2: There was a mortal....Praise to the Holiest (Angel/semi-chorus/chorus) | — | ||
| 30-9 | The Dream of Gerontius, Op.38, Part 2: But hark! a grand mysterious harmony (Soul/Angel/chorus) | — | ||
| 30-10 | The Dream of Gerontius, Op.38, Part 2: Parise to the Holiest (Chorus) | — | ||
| 30-11 | The Dream of Gerontius, Op.38, Part 2: Thy judgement now is near (Angel/Soul) | — | ||
| 30-12 | The Dream of Gerontius, Op.38, Part 2: Jesu! by that shudd'ring dread (Angel of the Agony/Soul/semi-chorus/chorus) | — | ||
| 30-13 | The Dream of Gerontius, Op.38, Part 2: Praise to His Name!....Take me away (Angel/Soul/chorus) | — | ||
| 30-14 | The Dream of Gerontius, Op.38, Part 2: Softly and gently (Angel/Chorus/semi-chorus) | — | ||
| 31-1 | Introduction and Allegro, op. 47: I. Moderato | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-2 | Introduction and Allegro, op. 47: II. Allegro | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-3 | Introduction and Allegro, Op. 47: III. Allegro (Fugue) | London Philharmonic Orchestra, Vernon Handley | — | |
| 31-4 | Violin Concerto in B minor, op. 61: I. Allegro | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 31-5 | Violin Concerto in B minor, op. 61: II. Andante | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 31-6 | Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 32-1 | String Quartet in E minor, Op. 83: Allegro Moderato | — | ||
| 32-2 | String Quartet in E minor, Op. 83: Pieacevole (Poco andante) | — | ||
| 32-3 | String Quartet in E minor, Op. 83: Finale - Allegro molto | — | ||
| 32-4 | In Moonlight (Canto popolare) | — | ||
| 32-5 | String Quartet in E minor, Op. 83: Piano Quintet In A minor, Op. 84: Moderato - Allegro | — | ||
| 32-6 | String Quartet in E minor, Op. 83: Adagio | — | ||
| 32-7 | String Quartet in E minor, Op. 83: Andante - Allegro | — | ||
| 33-1 | Symphony no. 4 in G major: I. Heiter, bedächtig. Nicht eilen | — | ||
| 33-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 33-3 | Symphony no. 4 in G major: IV. Sehr behaglich | — | ||
| 33-4 | Symphony no. 4 in G major: III. Ruhevoll | — | ||
| 34-1 | Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T-926.359.926-4 | |
| 34-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-3 | Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-4 | Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 34-5 | Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 35-1 | Paris - The Song of a Great City | — | ||
| 35-2 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-3 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-4 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-5 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-6 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-7 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-8 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 35-9 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-10 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-11 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-12 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-13 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-14 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 35-15 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 35-16 | Fireworks, op. 4 | — | ||
| 35-17 | Circus Polka | — | ||
| 35-18 | Greeting Prelude “Happy Birthday” | — | ||
| 36-1 | Nichts ("Nennen soll ich, sagt ihr"), Op. 10/2 (TrV 141/2) | — | ||
| 36-2 | Das Rosenband ("Im Frühlingsschatten fand ich sie"), Op. 36/1 (TrV 186/1) | — | ||
| 36-3 | Hochzeitlich Lied ("Lass Akaziendüfte schaukeln"), Op. 37/6 (TrV 187/6) | — | ||
| 36-4 | Ständchen ("Mach' auf, mach' auf, doch leise, mein Kind"), Op. 17/2 (TrV 149/2) | — | ||
| 36-5 | Heimliche Aufforderung ("Auf, hebe die funkelnde Schale empor zum Mund"), Op. 27/3 (TrV 170/3) | — | ||
| 36-6 | Efeu ("Aber Efeu nenn' ich jene Mädchen"), Op. 22/3 (TrV 153/3) | — | ||
| 36-7 | Wasserrose ("Kennst du die Blume, die Märchenhafte"), Op. 22/4 (TrV 153/4) | — | ||
| 36-8 | Liebeshymnus ("Heil jenem Tag"), Op. 32/3 (TrV 174/3) | — | ||
| 36-9 | Nachtgang ("Wir gingen durch die dunkle (stille), milde Nacht"), Op. 29/3 (TrV 172/3) | — | ||
| 36-10 | Waldseligkeit ("Der Wald beginnt zu rauchen"), Op. 49/1 (TrV 204/1) | — | ||
| 36-11 | Mein Auge ("Du bist mein Auge!"), Op. 37/4 (TrV 187/4) | — | ||
| 36-12 | Winternacht ("Mit Regen und Sturmgebrause"), Op. 15/2 (TrV 148/2) | — | ||
| 36-13 | All' mein Gedanken, mein Herz und mein Sinn, Op. 21/1 (TrV 160/1) | — | ||
| 36-14 | Meinem Kinde ("Du schläfst und sachte neig' ich mich"), Op. 37/3 (TrV 187/3) | — | ||
| 36-15 | Weihnachtsgefühl ("Naht die jubelvolle Zeit"), o.Op. 94 (TrV 198, AV 94) | — | ||
| 36-16 | Befreit ("Du wirst nicht weinen"), Op. 39/4 (TrV 189/4) | — | ||
| 36-17 | Allerseelen ("Stell' auf den Tisch die duftenden Reseden"), Op. 10/8 (TrV 141/8) | — | ||
| 36-18 | Traum durch die Dämmerung ("Weite Wiesen im Dämmergrau"), Op. 29/1 (TrV 172/1) | — | ||
| 36-19 | Sehnsucht ("Ich ging den Weg entlang, der einsam lag"), Op. 32/2 (TrV 174/2) | — | ||
| 36-20 | Junggesellenschwur ("Das ist des Frühlings traurige Lust!"), Op. 49/6 (TrV 204/6) | — | ||
| 36-21 | Cäcilie ("Wenn du es wüsstest"), Op. 27/2 (TrV 170/2) | — | ||
| 36-22 | Herr Lenz ("Herr Lenz springt heute durch die Stadt"), Op. 37/5 (TrV 187/5) | — | ||
| 37-1 | Götterdämmerung: Dawn and Siegfried's Rhine Journey (Act I) | — | ||
| 37-2 | Götterdämmerung: Siedfried's Funeral March | — | ||
| 37-3 | Don Juan: Symphonic Poem, op. 20 | — | ||
| 37-4 | Til Eulenspiegel: Symphonic Poem, op. 28 | — | ||
| 37-5 | Tod und Verklärung: Symphonic Poem, op. 24 | — | ||
| 38-1 | The Lark Ascending | — | ||
| 38-2 | Five Variants of Dives and Lazarus: Adagio | — | ||
| 38-3 | Five Variants of Dives and Lazarus: I. ♩ = ♩ | — | ||
| 38-4 | Five Variants of Dives and Lazarus: II. Allegro moderato | — | ||
| 38-5 | Five Variants of Dives and Lazarus: III. ♩ = 150 | — | ||
| 38-6 | Five Variants of Dives and Lazarus: IV. L'istesso tempo | — | ||
| 38-7 | Five Variants of Dives and Lazarus: V. Adagio | — | ||
| 38-8 | Job - A Masque for Dancing: Scene I: Introduction | — | ||
| 38-9 | Job - A Masque for Dancing: Scene I: Saraband of the Sons of God | — | ||
| 38-10 | Job - A Masque for Dancing: Scene II: Satan's Dance of Triumph | — | ||
| 38-11 | Job - A Masque for Dancing: Scene III: Minuet of the Sons of Job and Their Wives | — | ||
| 38-12 | Job - A Masque for Dancing,:Scene IV: Job's Dream | — | ||
| 38-13 | Job - A Masque for Dancing: Scene V: Dance of the Three Messengers | — | ||
| 38-14 | Job - A Masque for Dancing: Scene VI: Dance of Job's Comforters | — | ||
| 38-15 | Job - A Masque for Dancing: Scene VII: Elihu's Dance of Youth and Beauty | — | ||
| 38-16 | Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning | — | ||
| 38-17 | Job - A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning | — | ||
| 38-18 | Job - A Masque for Dancing: Scene VIII: Altar Dance | — | ||
| 38-19 | Job - A Masque for Dancing: Scene IX: Epilogue | — | ||
| 39-1 | Partita for Double String Orchestra: Andante tranquillo | — | ||
| 39-2 | Partita for Double String Orchestra: Scherzo Ostinato (Presto) | — | ||
| 39-3 | Partita for Double String Orchestra: Intermezzo (Homage to Henry Hall) (Andante con moto) | — | ||
| 39-4 | Partita for Double String Orchestra: Fantasia (Allegro) | — | ||
| 39-5 | Concerto for Oboe & Strings: Rondo Pastorale (Allegro moderato) | — | ||
| 39-6 | Concerto for Oboe & Strings: Minuet & Musette (Allegro moderato) | — | ||
| 39-7 | Concerto for Oboe & Strings: Finale (Scherzo) (Presto) | — | ||
| 39-8 | Fantasia on a Theme by Thomas Tallis | — | ||
| 39-9 | English Folk Song Suite - Seventeen come Sunday | — | ||
| 39-10 | English Folk Song Suite: Intermezzo: My Bonny Boy | — | ||
| 39-11 | English Folk Song Suite - Folksongs from Somerset | — | ||
| 39-12 | Fantasia on Greensleeves | — | ||
| 40-1 | Piano Concerto in C major: I. Toccata (Allegro moderato) | — | ||
| 40-2 | Piano Concerto in C major: II. Romanza (Lento) | — | ||
| 40-3 | Piano Concerto in C major: III. Fuga chromatica (Allegro) con finale alla tedesca | — | ||
| 40-4 | Concerto for Piano and Orchestra: I. Allegro non troppo | — | ||
| 40-5 | Concerto for Piano and Orchestra: II. Largo | — | ||
| 40-6 | Concerto for Piano and Orchestra: III. Tempo primo | — | ||
| 40-7 | Eclogue Op, 10 | — | ||
| 41-1 | Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-2 | Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-3 | Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-4 | Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-5 | Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-6 | Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-7 | Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-8 | Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-9 | Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-10 | Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-11 | Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-12 | Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-13 | Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-14 | Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 41-15 | Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! | Royal Liverpool Philharmonic Orchestra, Vernon Handley | — | |
| 42-1 | A London Symphony: I. Lento – Allegro risoluto (molto psante) | — | ||
| 42-2 | A London Symphony: II. Lento | — | ||
| 42-3 | A London Symphony: III. Scherzo (Nocturne) (Allegro vivace) | — | ||
| 42-4 | A London Symphony: IV. Andante con moto – Maestoso alla marcia (quasi lento) – Allegro – Maestoseo alla maria (alla I) – Epilogue (Andante sostenuto) | — | ||
| 42-5 | Symphony no. 8 in D minor: I. Fantasia (Variazioni senza Tema) | — | ||
| 42-6 | Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato) (Allegro alla marcia) | — | ||
| 42-7 | Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco) (Lento espressivo) | — | ||
| 42-8 | Symphony no. 8 in D minor: IV. Toccata (Moderato maestoso) | — | ||
| 43-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 43-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 43-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 43-4 | Rhapsody on a Theme of Paganini, op. 43: Introduction (Allegro Vivace) & Variation 1 & Tema | — | ||
| 43-5 | Rhapsody on a Theme of Paganini, op. 43: Variation 2 | — | ||
| 43-6 | Rhapsody on a Theme of Paganini, op. 43: Variation 3 | — | ||
| 43-7 | Rhapsody on a Theme of Paganini, op. 43: Variation 4 (Piu Vivo) | — | ||
| 43-8 | Rhapsody on a Theme of Paganini, op. 43: Variation 5 | — | ||
| 43-9 | Rhapsody on a Theme of Paganini, op. 43: Variation 6 | — | ||
| 43-10 | Rhapsody on a Theme of Paganini, op. 43: Variation 7 (Meno Mosso, a Tempo Moderato) | — | ||
| 43-11 | Rhapsody on a Theme of Paganini, op. 43: Variation 8 (Tempo L) | — | ||
| 43-12 | Rhapsody on a Theme of Paganini, op. 43: Variation 9 | — | ||
| 43-13 | Rhapsody on a Theme of Paganini, op. 43: Variation 10 | — | ||
| 43-14 | Rhapsody on a Theme of Paganini, op. 43: Variation 11 (Moderato) | — | ||
| 43-15 | Rhapsody on a Theme of Paganini, op. 43: Variation 12 (Tempo di Minuetto) | — | ||
| 43-16 | Rhapsody on a Theme of Paganini, op. 43: Variation 13 (Allegro) | — | ||
| 43-17 | Rhapsody on a Theme of Paganini, op. 43: Variation 14 | — | ||
| 43-18 | Rhapsody on a Theme of Paganini, op. 43: Variation 15 (Piu Vivo: Scherzando) | — | ||
| 43-19 | Rhapsody on a Theme of Paganini, op. 43: Variation 16 (Allegretto) | — | ||
| 43-20 | Rhapsody on a Theme of Paganini, op. 43: Variation 17 | — | ||
| 43-21 | Rhapsody on a Theme of Paganini, op. 43: Variation 18 (Andante Cantabile - A Tempo Vivace) | — | ||
| 43-22 | Rhapsody on a Theme of Paganini, op. 43: Variation 19 | — | ||
| 43-23 | Rhapsody on a Theme of Paganini, op. 43: Variation 20 (Un Poco Piu Vivo) | — | ||
| 43-24 | Rhapsody on a Theme of Paganini, op. 43: Variation 21 (Un Poco Piu Vivo) | — | ||
| 43-25 | Rhapsody on a Theme of Paganini, op. 43: Variation 22 (Un Poco Piu Vivo (Alla Breve)) | — | ||
| 43-26 | Rhapsody on a Theme of Paganini, op. 43: Variation 23 | — | ||
| 43-27 | Rhapsody on a Theme of Paganini, op. 43: Variation 24 (A Tempo Un Poco Meno Mosso) | — | ||
| 44-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | — | ||
| 44-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | — | ||
| 44-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | — | ||
| 44-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 44-5 | Symphonic Dances, op. 45: II. Andante con moto | — | ||
| 44-6 | Symphonic Dances, op. 45: III. Lento assai | — | ||
| 45-1 | Symphony no. 1 in B‐flat minor: I. Allegro assai | — | ||
| 45-2 | Symphony no. 1 in B‐flat minor: II. Presto, con malizia | — | ||
| 45-3 | Symphony no. 1 in B‐flat minor: III. Andante con malinconia | — | ||
| 45-4 | Symphony no. 1 in B‐flat minor: IV. Maestoso – Brioso ed ardentemente – Vivacissimo – Maestoso | — | ||
| 45-5 | Siesta | — | ||
| 45-6 | Symphony no. 2: I. Allegro molto | — | ||
| 45-7 | Symphony no. 2: II. Lento assai | — | ||
| 45-8 | Symphony no. 2: III. Passacaglia: Theme (risoluto), Variantions, Fugato and Coda (Scherzando – Presto) | — | ||
| 46-1 | A Ceremony of Carols, op. 28: Procession | — | ||
| 46-2 | A Ceremony of Carols, op. 28: Wolcum yole! | — | ||
| 46-3 | A Ceremony of Carols, op. 28: There is no rose | — | ||
| 46-4 | A Ceremony of Carols, op. 28: That yonge child | — | ||
| 46-5 | A Ceremony of Carols, op. 28: Balulalow | — | ||
| 46-6 | A Ceremony of Carols, op. 28: As dew in Aprille | — | ||
| 46-7 | A Ceremony of Carols, op. 28: This little Babe | — | ||
| 46-8 | A Ceremony of Carols, op. 28: Interlude: Andante Pastorale | — | ||
| 46-9 | A Ceremony of Carols, op. 28: In freezing winter night | — | ||
| 46-10 | A Ceremony of Carols, op. 28: Spring Carol | — | ||
| 46-11 | A Ceremony of Carols, op. 28: Adam Lay I-Bounden (Deo Gracias) | — | ||
| 46-12 | A Ceremony of Carols, op. 28: Recession | — | ||
| 46-13 | Hymn to St. Cecilia, op. 27: I. In a Garden Shady | — | ||
| 46-14 | Hymn to St. Cecilia, op. 27: II. I Cannot Grow | — | ||
| 46-15 | Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall | — | ||
| 46-16 | Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin | — | ||
| 46-17 | Sacred and Profane, op. 91: No. 1. St. Godric's Hymn | — | ||
| 46-18 | Sacred and Profane, op. 91: No. 2. I mon waxe wod | — | ||
| 46-19 | Sacred and Profane, op. 91: No. 3. Lenten is come | — | ||
| 46-20 | Sacred and Profane, op. 91: No. 4. The long night | — | ||
| 46-21 | Sacred and Profane, op. 91: No. 5. Yif ic of luve can | — | ||
| 46-22 | Sacred and Profane, op. 91: No. 6. Carol | — | ||
| 46-23 | Sacred and Profane, op. 91: No. 7. Ye that pasen by | — | ||
| 46-24 | Sacred and Profane, op. 91: No. 8. A death | — | ||
| 46-25 | Rejoice in the Lamb, op. 30: Rejoice in God, o ye Tongues | — | ||
| 46-26 | Rejoice in the Lamb, op. 30: Let Nimrod, the mighty hunter | — | ||
| 46-27 | Rejoice in the Lamb, op. 30: For I will consider my Cat Jeoffry | — | ||
| 46-28 | Rejoice in the Lamb, op. 30: For the Mouse is a creature | — | ||
| 46-29 | Rejoice in the Lamb, op. 30: For the flowers are great blessing | — | ||
| 46-30 | Rejoice in the Lamb, op. 30: For I am under the same accusation | — | ||
| 46-31 | Rejoice in the Lamb, op. 30: For H is a spirit | — | ||
| 46-32 | Rejoice in the Lamb, op. 30: For at that Time Malignity Ceases | — | ||
| 47-1 | Serenade, op. 31: Prologue | — | ||
| 47-2 | Serenade, op. 31: Pastoral | — | ||
| 47-3 | Serenade, op. 31: Nocturne | — | ||
| 47-4 | Serenade, op. 31: Elegy | — | ||
| 47-5 | Serenade, op. 31: Dirge | Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones | — | |
| 47-6 | Serenade, op. 31: Hymn | — | ||
| 47-7 | Serenade, op. 31: Sonnet | — | ||
| 47-8 | Serenade, op. 31: Epilogue | — | ||
| 47-9 | Les Illuminations, op. 18: Fanfare | — | ||
| 47-10 | Les Illuminations, op. 18: Villes | — | ||
| 47-11 | Les Illuminations, op. 18: Phrase | — | ||
| 47-12 | Les Illuminations, op. 18: Antique | — | ||
| 47-13 | Les Illuminations, op. 18: Royauté | — | ||
| 47-14 | Les Illuminations, op. 18: Marine | — | ||
| 47-15 | Les Illuminations, op. 18: Interlude | — | ||
| 47-16 | Les Illuminations, op. 18: Being Beauteous | — | ||
| 47-17 | Les Illuminations, op. 18: Parade | — | ||
| 47-18 | Les Illuminations, op. 18: Départ | — | ||
| 47-19 | Nocturne, op. 60: On a poet's lips I slept | — | ||
| 47-20 | Nocturne, op. 60: Below the thunders of the upper deep | — | ||
| 47-21 | Nocturne, op. 60: Encinctured with a twine of leaves | — | ||
| 47-22 | Nocturne, op. 60: Midnight's bell goes ting, ting, ting... | — | ||
| 47-23 | Nocturne, op. 60: But that night when on my bed I lay | — | ||
| 47-24 | Nocturne, op. 60: She sleeps on soft, last breaths | — | ||
| 47-25 | Nocturne, op. 60: What is more gentle? | — | ||
| 47-26 | Nocturne, op. 60: When most I wink | — | ||
| 48-2 | Cantus in memoriam Benjamin Britten | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-3 | Summa (1978) | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-4 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 48-5 | Festina Lente for String Orchestra and Harp | Bournemouth Sinfonietta, Richard Studt | — | |
| 48-6 | Tabula rasa: I. Ludus | Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle | — | |
| 48-7 | Tabula rasa: II. silentium | Bournemouth Sinfonietta, Richard Studt, Tasmin Little, Robert Aldwinckle | — | |
| 49-1 | Prelude and Allegro in the style of Gaetano Pugnani | — | ||
| 49-2 | Hungarian Dance no. 1 in G minor | — | ||
| 49-3 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 49-4 | Valse bluette (Air de Balet) | — | ||
| 49-5 | Poème | — | ||
| 49-6 | Danse espagnole (La vida breve) | — | ||
| 49-7 | Légende, op. 17 | — | ||
| 49-8 | Introduction and Tarantella, op. 43 | — | ||
| 49-9 | Hungarian Dance no. 5 in G minor | — | ||
| 49-10 | Nigun (Improvisation no. 2 from “Baal Shem” – Three Pictures of Chassidic Life) | — | ||
| 49-11 | Beau Soir | — | ||
| 49-12 | Caprice Viennois, op. 2 | — | ||
| 49-13 | The Bumble Bee | — | ||
| 49-14 | Serenade (from Hassan) | Piers Lane, Tasmin Little | — | |
| 49-15 | Ave Maria | — | ||
| 49-16 | Banjo and Fiddle | — | ||
| 49-17 | Tzigane – Rapsodie de Concert | — | ||
| 50-1 | I was glad | — | ||
| 50-2 | Thou wilt keep him in perfect peace | — | ||
| 50-3 | Bring us, O Lord | — | ||
| 50-4 | Expectans expectavi | — | ||
| 50-5 | Let all mortal flesh keep silence | — | ||
| 50-6 | Hail, gladdening light | — | ||
| 50-7 | Give us the wings of faith | — | ||
| 50-8 | God be in my head | — | ||
| 50-9 | Evening Hymn | — | ||
| 50-10 | And I saw a new heaven | — | ||
| 50-11 | Greater love hath no man | — | ||
| 50-12 | Ave verum corpus, op. 2 no. 1 | — | ||
| 50-13 | Three Motets, op. 38: Justorum animae | — | ||
| 50-14 | Three Motets, op. 38: Coelos ascendit hodie | — | ||
| 50-15 | Three Motets, op. 38: Beati quorum via | — | ||
| 50-16 | Faire is the heaven | — | ||
| 50-17 | O Thou, the central orb | — | ||
| 51-1 | Summa for Choir | Vasari Singers, Jeremy Backhouse | — | |
| 51-2 | The Lamb | Vasari Singers, Jeremy Backhouse | T-900.217.085-6 | |
| 51-3 | The Beatitudes (1990, rev. 1991) | Vasari Singers, Jeremy Backhouse | — | |
| 51-4 | Funeral Ikos (1981) | Vasari Singers, Jeremy Backhouse | — | |
| 51-5 | Litany (1985) | Vasari Singers, Jeremy Backhouse | T-071.000.879-9 | |
| 51-6 | Two Hymns to the Mother of God: A Hymn to the Mother of God | Vasari Singers, Jeremy Backhouse | T-011.355.796-2 | |
| 51-7 | Two Hymns to the Mother of God: Hymn for the Dormition of the Mother of God | Vasari Singers, Jeremy Backhouse | T-011.355.797-3 | |
| 51-8 | Seven Magnificat Antiphons (1988, rev. 1991): O Weisheit | Vasari Singers, Jeremy Backhouse | — | |
| 51-9 | Seven Magnificat Antiphons (1988, rev. 1991): O Adonai | Vasari Singers, Jeremy Backhouse | — | |
| 51-10 | Seven Magnificat Antiphons (1988, rev. 1991): O Sproß aus Isais Wurzel | Vasari Singers, Jeremy Backhouse | — | |
| 51-11 | Seven Magnificat Antiphons (1988, rev. 1991): O Schlüssel Davids | Vasari Singers, Jeremy Backhouse | — | |
| 51-12 | Seven Magnificat Antiphons (1988, rev. 1991): O Morgenstern | Vasari Singers, Jeremy Backhouse | — | |
| 51-13 | Seven Magnificat Antiphons (1988, rev. 1991): O König aller Völker | Vasari Singers, Jeremy Backhouse | — | |
| 51-14 | Magnificat Antiphons for Choir: 7. O Immanuel | Vasari Singers, Jeremy Backhouse | — | |
| 51-15 | Magnificat and Nunc dimitis (Collegium Regale) (1986): Magnificat | Vasari Singers, Jeremy Backhouse | T-071.000.879-9 | |
| 51-16 | Magnificat and Nunc dimitis (Collegium Regale) (1986): Nunc dimitis | Vasari Singers, Jeremy Backhouse | — | |
| 51-17 | Totus tuus, Op. 60 (1987) | Vasari Singers, Jeremy Backhouse | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
