UPC · Release
The Nation’s Favourite Arias
Various Artists
5099990736322
29 tracksReleased 2010-01-01EMI TV
Last verified:
5099990736322 is the Universal Product Code (UPC barcode) for the release “The Nation’s Favourite Arias” by Various Artists, released 2010-01-01 on EMI TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include GBAYC0302123, GBAYC8600674, GBAYC8000169.
Format
509GS1 prefix
9990Company prefix
73632Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Nation’s Favourite Arias
ISRC12 recordings
ISWC6 works
IPI1 songwriter
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 2 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — | |
| 3 | Tristan und Isolde: „Mild und leise” (Liebestod) | — | ||
| 4 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | T-910.067.947-8 | |
| 5 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 6 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 7 | Orfeo ed Euridice: “Che farò senza Euridice?” | — | ||
| 8 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 9 | Zaide: „Ruhe sanft, mein holdes Leben” | — | ||
| 10 | Die tote Stadt: „Glück, das mir verblieb” | — | ||
| 11 | Samson et Dalila: « Mon cœur s’ouvre à ta voix » | — | ||
| 12 | Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) | Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — | |
| 13 | Ariodante: “E vivo ancora… scherza infida” | — | ||
| 14 | Le nozze di Figaro, K. 492: Atto II, scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino) | Teresa Berganza, English Chamber Orchestra, Daniel Barenboim | — | |
| 15 | La Bohème: “Che gelida manina!” | — | ||
| 2-1 | Le nozze di Figaro: “Deh vieni, non tardar” | — | ||
| 2-2 | Eugene Onegin: Tatiana’s letter scene | — | ||
| 2-3 | Giulio Cesare in Egitto: “Va tacito e nascosto” | — | ||
| 2-4 | Eugen Onegin: “Koda… Kuda…” (Lenski) | Rolando Villazón, Münchner Rundfunkorchester, Michel Plasson | — | |
| 2-5 | L’elisir d’amore: “Una furtiva lagrima” | — | ||
| 2-6 | Serse: “Frondi tenere” … “Ombra mai fu” | — | ||
| 2-7 | Le Nozze Di Figaro: “Porgi amor” | — | ||
| 2-8 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 2-9 | Die Meistersinger: „Morgenlich leuchtend” (Walther’s prize song) | — | ||
| 2-10 | Ariodante: “Doppo notte” | — | ||
| 2-11 | Rinaldo : “Lascia ch’io pianga” | — | ||
| 2-12 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 2-13 | Die Walküre: „Leb’ wohl” (Wotan’s farewell) | — | ||
| 2-14 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 |
Dido & Aeneas: When I Am Laid in Earth
Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm
—
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
—
Tristan und Isolde: „Mild und leise” (Liebestod)
—
Plácido Domingo, Philharmonia Orchestra, James Levine
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Orfeo ed Euridice: “Che farò senza Euridice?”
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Zaide: „Ruhe sanft, mein holdes Leben”
—
Die tote Stadt: „Glück, das mir verblieb”
—
Samson et Dalila: « Mon cœur s’ouvre à ta voix »
—
Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo)
Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
—
Ariodante: “E vivo ancora… scherza infida”
—
Le nozze di Figaro, K. 492: Atto II, scena II. No. 12 Arietta “Voi che sapete che cosa è amor” (Cherubino)
Teresa Berganza, English Chamber Orchestra, Daniel Barenboim
—
La Bohème: “Che gelida manina!”
—
Le nozze di Figaro: “Deh vieni, non tardar”
—
Eugene Onegin: Tatiana’s letter scene
—
Giulio Cesare in Egitto: “Va tacito e nascosto”
—
Eugen Onegin: “Koda… Kuda…” (Lenski)
Rolando Villazón, Münchner Rundfunkorchester, Michel Plasson
—
L’elisir d’amore: “Una furtiva lagrima”
—
Serse: “Frondi tenere” … “Ombra mai fu”
—
Le Nozze Di Figaro: “Porgi amor”
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Die Meistersinger: „Morgenlich leuchtend” (Walther’s prize song)
—
Ariodante: “Doppo notte”
—
Rinaldo : “Lascia ch’io pianga”
—
La Wally, Act I: "Ebben? ne andrò lontana"
Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli
—
Die Walküre: „Leb’ wohl” (Wotan’s farewell)
—
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Plácido Domingo, Philharmonia Orchestra, James Levine
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005514342100000000551657430000000055174463000000008096930500000000818187870000000081824810000000008189366400000000841181450000000108754067000000010887443X
+40 more
00000001090452460000000109127479000000010920127X0000000109296766000000010937067100000001094321580000000109535181000000010995275100000001102081290000000110235047000000011034017000000001104670830000000110736669000000011075076X00000001108299610000000110847107000000011297410X000000011439722X0000000114409403000000011443921500000001145501830000000114551186000000011462217500000001147122500000000114714651000000011480264300000001149005690000000114947463000000011631691300000001187497390000000118804937000000011884208700000001188669510000000119422113000000011945353400000001195461750000000120272861000000012037159500000001209584840000000120965844
Identifier Graph
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What is UPC 5099990736322?
5099990736322 is a Universal Product Code (UPC) assigned to The Nation’s Favourite Arias by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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