UPC · Release
Wilhelm Furtwängler
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5099990787829 is the Universal Product Code (UPC barcode) for the release “The Great EMI Recordings” by Wilhelm Furtwängler, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 236 tracks, each with its own ISRC. Tracks include GBAYC9702312, GBAYC9702313, GBAYC9702314.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C op. 21: I Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C op. 21: IV. Finale: Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: II. Marcia funebre: Adagio assai | — | ||
| 7 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: III. Scherzo: Allegro vivace | — | ||
| 8 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 2-1 | Symphony no. 2 in D op. 36: I. Adagio - Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D op. 36: III. Scherzo: Allegro | — | ||
| 2-4 | Symphony no. 2 in D op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 4 in B-flat op. 60: I. Adagio - Allegro vivace | — | ||
| 2-6 | Symphony no. 4 in B-flat op. 60: II. Adagio | — | ||
| 2-7 | Symphony no. 4 in B-flat op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 2-8 | Symphony no. 4 in B-flat op. 60: IV. Allegro ma non troppo | — | ||
| 3-1 | Symphony no. 5 in C minor op. 67: I. Allegro con brio | — | ||
| 3-2 | Symphony no. 5 in C minor op. 67: II. Andante con moto | — | ||
| 3-3 | Symphony no. 5 in C minor op. 67: III. Allegro | — | ||
| 3-4 | Symphony no. 5 in C minor op. 67: IV. Allegro - Presto | — | ||
| 3-5 | Symphony no. 7 in A op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7 in A op. 92: II. Allegretto | — | ||
| 3-7 | Symphony no. 7 in A op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony no. 7 in A op. 92: IV. Allegro con brio | — | ||
| 4-1 | Symphony no. 6 in F ‘Pastoral’ op. 68: I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) | — | ||
| 4-2 | Symphony no. 6 in F ‘Pastoral’ op. 68: II. Andante molto moto (Scene by the brook) | — | ||
| 4-3 | Symphony no. 6 in F ‘Pastoral’ op. 68: III. Allegro (Merry gathering of the country folk) - | — | ||
| 4-4 | Symphony no. 6 in F ‘Pastoral’ op. 68: IV. Allegro (Storm and tempest) - | — | ||
| 4-5 | Symphony no. 6 in F ‘Pastoral’ op. 68: V. Allegretto (Shepherds' Song. Happy and thankful feelings after the storm) | — | ||
| 4-6 | Symphony no. 8 in F op. 93: I. Allegro vivace e con brio | — | ||
| 4-7 | Symphony no. 8 in F op. 93: II. Allegretto scherzando | — | ||
| 4-8 | Symphony no. 8 in F op. 93: III. Tempo di menuetto | — | ||
| 4-9 | Symphony no. 8 in F op. 93: IV. Allegro vivace | — | ||
| 5-1 | Furtwängler enters the Festspielhaus | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 6-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-4 | Violin Concerto no. 2: I. Allegro non troppo | — | ||
| 6-5 | Violin Concerto no. 2: II. Andante tranquillo | — | ||
| 6-6 | Violin Concerto no. 2: III. Allegro molto | — | ||
| 7-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 7-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 7-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | — | ||
| 7-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Cadenza - Tempo I - Presto | — | ||
| 7-5 | Violin Concerto in E minor, op. 64: II. Andante - Allegretto non troppo | — | ||
| 7-6 | Violin Concerto in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace | — | ||
| 8-1 | Fidelio op. 72: Overture | — | ||
| 8-2 | Fidelio op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" | — | ||
| 8-3 | Fidelio op. 72: Act I, no. 2. Aria "O, wär' ich schon mit dir vererint" | — | ||
| 8-4 | Fidelio op. 72: Act I, no. 3. Quartet "Mir ist so wunderbar" | — | ||
| 8-5 | Fidelio op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" | — | ||
| 8-6 | Fidelio op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut, hab immer Mut" | — | ||
| 8-7 | Fidelio op. 72: Act I, no. 6. March | — | ||
| 8-8 | Fidelio op. 72: Act I, no. 7. Aria with Chorus "Ha! Welch ein Augenblick!" | — | ||
| 8-9 | Fidelio op. 72: Act I, no. 8. Duet "Jetzt, Alter, jetzt hat es Eile!" | — | ||
| 8-10 | Fidelio op. 72: Act I, no. 9. Recitative "Abscheulicher! Wo eilst du hin?" - Aria "Komm, Hoffnung, laß den letzten Stern" | — | ||
| 8-11 | Fidelio op. 72: Act I, no. 10. Finale "O, welche Lust!" - | — | ||
| 8-12 | Fidelio op. 72: Act I, no. 10. Finale "Nun sprecht, wie ging's?" - | — | ||
| 8-13 | Fidelio op. 72: Act I, no. 10. Finale "Ach! Varter, eilt!" | — | ||
| 9-1 | Fidelio op. 72, Act II, Scene I, no. 11 Introduction - | — | ||
| 9-2 | Fidelio op. 72, Act II, Scene I, no. 11 Aria "Gott! Welch' Dunkel hier!" | — | ||
| 9-3 | Fidelio op. 72, Act II, Scene I, no. 12 Melodrama "Wie kalt ist hier!" - | — | ||
| 9-4 | Fidelio op. 72, Act II, Scene I, no. 12 Duet "Nur hurtig fort, nur frisch gegraben" | — | ||
| 9-5 | Fidelio op. 72, Act II, Scene I, no. 13 Trio "Euch werde Lohn in besser'n Welten" | — | ||
| 9-6 | Fidelio op. 72, Act II, Scene I, no. 14 Quartet "Er sterbe!" - | — | ||
| 9-7 | Fidelio op. 72, Act II, Scene I, no. 14 Recitative "Vater Rocco!" | — | ||
| 9-8 | Fidelio op. 72, Act II, Scene I, no. 15 Duet "O namenlose Freude!" | — | ||
| 9-9 | Leonore Overture no. 3 in C op. 72a | — | ||
| 9-10 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Heil sei dem Tag" - | — | ||
| 9-11 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Des besten Königs Wink und Wille" - | — | ||
| 9-12 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Du schlossest auf des Edien Grab" - | — | ||
| 9-13 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Wer ein holdes Weib errungen" | — | ||
| 10-1 | Hungarian Dances: No. 1 in G minor: Allegro molto | — | ||
| 10-2 | Hungarian Dances: No. 3 in F major: Allegretto | — | ||
| 10-3 | Hungarian Dances: No. 10 in F major: Presto | — | ||
| 10-4 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Thema. Chorale St. Antoni (Andante) | — | ||
| 10-5 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation I (Poco più animato) | — | ||
| 10-6 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation II (Più vivace) | — | ||
| 10-7 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation III (Con moto) | — | ||
| 10-8 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation IV (Andante con moto) | — | ||
| 10-9 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation V (Vivace) | — | ||
| 10-10 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VI (Vivace) | — | ||
| 10-11 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VII (Grazioso) | — | ||
| 10-12 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VIII (Presto non troppo) | — | ||
| 10-13 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Finale (Andante) | — | ||
| 10-14 | Symphony no. 1 in C minor op. 68: I. Un poco sostenuto - Allegro | — | ||
| 10-15 | Symphony no. 1 in C minor op. 68: II. Andante sostenuto | — | ||
| 10-16 | Symphony no. 1 in C minor op. 68: III. Un poco allegretto e grazioso | — | ||
| 10-17 | Symphony no. 1 in C minor op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio | — | ||
| 11-1 | Symphony no. 2 in D major op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major op. 73: III. Allegretto grazioso (Quasi andantino) - Presto, ma non assai | — | ||
| 11-4 | Symphony no. 2 in D major op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F op. 90: I. Allegro con brio - Un poco sostenuto | — | ||
| 11-6 | Symphony no. 3 in F op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F op. 90: III. Poco allegretto | — | ||
| 11-8 | Symphony no. 3 in F op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 12-1 | Symphony no. 4 in E minor op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor op. 98: III. Allegro giocoso | — | ||
| 12-4 | Symphony no. 4 in E minor op. 98: IV. Allegro energico e passionato | — | ||
| 12-5 | Coriolan - Overture op. 62 | — | ||
| 12-6 | Leonore no. 2 - Overture op. 72a | — | ||
| 13-1 | Violin Concerto in D op. 77: I. Allegro non troppo | — | ||
| 13-2 | Violin Concerto in D op. 77: II. Adagio | — | ||
| 13-3 | Violin Concerto in D op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 13-4 | Double Concerto in A minor op. 102: I. Allegro | — | ||
| 13-5 | Double Concerto in A minor op. 102: II. Andante | — | ||
| 13-6 | Double Concerto in A minor op. 102: III. Vivace non troppo | — | ||
| 14-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 14-2 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 14-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto - Trio | — | ||
| 14-4 | Symphony no. 40 in G minor, K. 550: IV. Finale: Allegro assai | — | ||
| 14-5 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: I. Adagio - Allegro con troppo | — | ||
| 14-6 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: II. Allegro con grazia | — | ||
| 14-7 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: III. Allegro molto vivace | — | ||
| 14-8 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: IV. Finale: Adagio lamentoso - Andante | — | ||
| 15-1 | Don Juan op. 20 | — | ||
| 15-2 | Till Eulenspiegels lustige Streiche op. 28 | — | ||
| 15-3 | Tod und Verklärung op. 24 | — | ||
| 15-4 | Symphonic Concerto in B minor: II. Adagio (Sehr langsam) | Edwin Fischer, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 16-1 | Tristan und Isolde: Prelude | — | ||
| 16-2 | Tristan und Isolde: Act I, Scene I. "Westwärts schweift der Blick" (Sailor, Isolde) | — | ||
| 16-3 | Tristan und Isolde: Act I, Scene I. "Brangäne, du? Sag - wo sind wir?" (Isolde, Brangäne) | — | ||
| 16-4 | Tristan und Isolde: Act I, Scene I. "O weh! Ach! Ach, des Übels, das ich geahnt!" (Isolde, Brangäne) | — | ||
| 16-5 | Tristan und Isolde: Act I, Scene II. "Frisch weht der Wind der Heimat zu" (Sailor) | — | ||
| 16-6 | Tristan und Isolde: Act I, Scene II. "Mir erkoren, mir verloren" (Isolde, Brangäne) | — | ||
| 16-7 | Tristan und Isolde: Act I, Scene II. "Hab acht, Tristan! Botschaft von Isolde" (Kurwenal, Tristan, Brangäne) | — | ||
| 16-8 | Tristan und Isolde: Act I, Scene II. "Darf ich die Antwort sagen?" (Kurwenal, Tristan, Crew) | — | ||
| 16-9 | Tristan und Isolde: Act I, Scene III. "Weh, ach wehe! Dies zu dulden!" (Brangäne, Isolde) | — | ||
| 16-10 | Tristan und Isolde: Act I, Scene III. "Wie lachend sie mir Lieder singen" (Isolde) | — | ||
| 16-11 | Tristan und Isolde: Act I, Scene III. "Von seinem Lager blickt' er her" (Isolde) | — | ||
| 16-12 | Tristan und Isolde: Act I, Scene III. "O Wunder! Wo hatt' ich die Augen?" (Brangäne, Isolde) | — | ||
| 16-13 | Tristan und Isolde: Act I, Scene III. "Da Friede, Sühn' und Freundschaft" (Brangäne, Isolde) | — | ||
| 16-14 | Tristan und Isolde: Act I, Scene III. "O Süße,Traute! Teure! Holde! Goldne Herrin!" (Brangäne) | — | ||
| 16-15 | Tristan und Isolde: Act I, Scene III. "Ungeminnt den hehrsten Mann" (Isolde, Brangäne) | — | ||
| 16-16 | Tristan und Isolde: Act I, Scene III. "Kennst du der Mutter Künste nicht?" (Brangäne, Isolde, Crew) | — | ||
| 16-17 | Tristan und Isolde: Act I, Scene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal) | — | ||
| 16-18 | Tristan und Isolde: Act I, Scene IV. "Herrn Tristan bringe meinen Gruß" (Isolde, Kurwenal) | — | ||
| 16-19 | Tristan und Isolde: Act I, Scene IV. "Nun leb wohl, Brangäne!" (Isolde, Brangäne, Kurwenal) | — | ||
| 16-20 | Tristan und Isolde: Act I, Scene V. Interlude: Langsam | — | ||
| 16-21 | Tristan und Isolde: Act I, Scene V. "Begehrt, Herrin, was Ihr wünscht" (Tristan, Isolde) | — | ||
| 16-22 | Tristan und Isolde: Act I, Scene V. "Da du so sittsam, mein Herr Tristan" (Tristan, Isolde) | — | ||
| 16-23 | Tristan und Isolde: Act I, Scene V. "Nun will ich des Eides walten" (Tristan, Isolde) | — | ||
| 17-1 | Tristan und Isolde: Act I, Scene V. "War Morold dir so wert" (Tristan, Isolde) | — | ||
| 17-2 | Tristan und Isolde: Act I, Scene V. "Ho! He! Ha! He! Am Obermast die Segel ein!" (Crew, Tristan, Isolde) | — | ||
| 17-3 | Tristan und Isolde: Act I, Scene V. "Du hörst den Ruf?" (Isolde) | — | ||
| 17-4 | Tristan und Isolde: Act I, Scene V. "Auf das Tau! Anker los!" (Crew, Tristan, Isolde) | — | ||
| 17-5 | Tristan und Isolde: Act I, Scene V. "Tristan!... Isolde!" (Tristan, Isolde, Chorus, Brangäne) | — | ||
| 17-6 | Tristan und Isolde: Act I, Scene V. "Was träumte mir von Tristans Ehre?" (Tristan, Isolde) | — | ||
| 17-7 | Tristan und Isolde: Act I, Scene V. "Schnell, den Mantel, den Königsschmuck!" (Brangäne, Chorus, Kurwenal, Tristan, Isolde) | — | ||
| 17-8 | Tristan und Isolde: Act II. Prelude | — | ||
| 17-9 | Tristan und Isolde: Act II, Scene I. "Hörst du sie noch?" (Isolde, Brangäne) | — | ||
| 17-10 | Tristan und Isolde: Act II, Scene I. "Der deiner harrt - o hör mein Warnen!" (Isolde, Brangäne) | — | ||
| 17-11 | Tristan und Isolde: Act II, Scene I. "O laß die warnende Zünde" (Isolde, Brangäne) | — | ||
| 17-12 | Tristan und Isolde: Act II, Scene I. "Und mußte der Minne tückischer Trank" (Isolde, Brangäne) | — | ||
| 17-13 | Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte! ... Tristan! Geliebter!" (Tristan, Isolde) | — | ||
| 17-14 | Tristan und Isolde: Act II, Scene II. "Das Licht! Das Licht!" (Tristan, Isolde) | — | ||
| 17-15 | Tristan und Isolde: Act II, Scene II. "Der Tag! Der Tag" (Tristan, Isolde) | — | ||
| 17-16 | Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde) | — | ||
| 17-17 | Tristan und Isolde: Act II, Scene II. "In deiner Hand den süßen Tod" (Tristan, Isolde) | — | ||
| 17-18 | Tristan und Isolde: Act II, Scene II. "O nun waren wir Nacht-Geweihte!" (Tristan) | — | ||
| 17-19 | Tristan und Isolde: Act II, Scene II. "O sink hernieder, Nacht der Liebe" (Tristan, Isolde) | — | ||
| 17-20 | Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne) | — | ||
| 17-21 | Tristan und Isolde: Act II, Scene II. "Lausch, Geliebter!" (Isolde, Tristan) | — | ||
| 17-22 | Tristan und Isolde: Act II, Scene II. "Unsre Liebe? Tristans Liebe?" (Tristan) | — | ||
| 18-1 | Tristan und Isolde: Act II, Scene II. "Doch unsre Liebe" (Isolde, Tristan) | — | ||
| 18-2 | Tristan und Isolde: Act II, Scene II. "So stürben wir, um ungetrennt" (Isolde, Tristan) | — | ||
| 18-3 | Tristan und Isolde: Act II, Scene II. "Habet acht! Habet acht!" (Brangäne, Tristan, Isolde) | — | ||
| 18-4 | Tristan und Isolde: Act II, Scene II. "O ew'ge Nacht, süße Nacht!" (Isolde, Tristan) | — | ||
| 18-5 | Tristan und Isolde: Act II, Scene III. "Rette dich, Tristan!" (Kurwenal, Tristan, Melot) | — | ||
| 18-6 | Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich?" (Marke, Tristan) | — | ||
| 18-7 | Tristan und Isolde: Act II, Scene III. "Wozu die Dienste ohne Zahl" (Marke) | — | ||
| 18-8 | Tristan und Isolde: Act II, Scene III. "Dies wunderhehre Weib" (Marke) | — | ||
| 18-9 | Tristan und Isolde: Act II, Scene III. "Nun, da durch solchen Besitz mein Herz" (Marke) | — | ||
| 18-10 | Tristan und Isolde: Act II, Scene III. "O König, das kann ich dir nicht sagen" (Tristan) | — | ||
| 18-11 | Tristan und Isolde: Act II, Scene III. "Wohin nun Tristan scheidet, willst du, Isold', ihm folgen?" (Tristan) | — | ||
| 18-12 | Tristan und Isolde: Act II, Scene III. "Als für ein fremdes Land" (Isolde) | — | ||
| 18-13 | Tristan und Isolde: Act II, Scene III. "Verräter! Ha! Zur Rache, König!" (Melot, Tristan) | — | ||
| 18-14 | Tristan und Isolde: Act III. Prelude | — | ||
| 18-15 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei | — | ||
| 18-16 | Tristan und Isolde: Act III, Scene I. "Kurwenal! He! Sag, Kurwenal!" (Shepherd, Kurwenal) | — | ||
| 18-17 | Tristan und Isolde: Act III, Scene I. "Öd' und leer das Meer!" (Shepherd) / Hirtenreigen auf einer Schalmei / "Die alte Weise" (Tristan, Kurwenal) | — | ||
| 18-18 | Tristan und Isolde: Act III, Scene I. "Wo du bist? In Frieden, sicher und frei!" (Kurwenal, Tristan) | — | ||
| 18-19 | Tristan und Isolde: Act III, Scene I. "Dünkt dich das? Ich weiß es anders" (Tristan) | — | ||
| 18-20 | Tristan und Isolde: Act III, Scene I. "Isolde noch im Reich der Sonne!" (Tristan, Kurwenal) | — | ||
| 19-1 | Tristan und Isolde: Act III, Scene I. "Noch losch das Licht nicht aus" (Tristan, Kurwenal) | — | ||
| 19-2 | Tristan und Isolde: Act III, Scene I. "Mein Kurwenal, du trauter Freund!" (Tristan) | — | ||
| 19-3 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "Noch ist kein Schiff zu sehn!" (Kurwenal, Tristan) | — | ||
| 19-4 | Tristan und Isolde: Act III, Scene I. "Nein! Ach nein! So heißt sie nicht!" (Tristan) | — | ||
| 19-5 | Tristan und Isolde: Act III, Scene I. "Der Trank! Der Trank! Der furchtbare Trank!" (Tristan) | — | ||
| 19-6 | Tristan und Isolde: Act III, Scene I. "Mein Herre! Tristan! Schrecklicher Zauber!" (Kurwenal) | — | ||
| 19-7 | Tristan und Isolde: Act III, Scene I. "Das Schiff? Siehst du's noch nicht?" (Tristan, Kurwenal) | — | ||
| 19-8 | Tristan und Isolde: Act III, Scene I. "Wei sie selig, hehr und milde" (Tristan) | — | ||
| 19-9 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "O Wonne! Freude! Ha! Das Schiff!" (Kurwenal, Tristan) | — | ||
| 19-10 | Tristan und Isolde: Act III, Scene II. "O diese Sonne! Ha dieser Tag!" (Tristan, Isolde) | — | ||
| 19-11 | Tristan und Isolde: Act III, Scene II. "Ich bin's, ich bin's, süßester Freund!" (Isolde) | — | ||
| 19-12 | Tristan und Isolde: Act III, Scene II. "Die Wunde! Wo? Laß sie mich heilen!" (Isolde) | — | ||
| 19-13 | Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Shepherd, Kurwenal, Helmsman, Brangäne, Melot, Marke) | — | ||
| 19-14 | Tristan und Isolde: Act III, Scene III. "Tot denn alles! Alles tot!" (Marke) | — | ||
| 19-15 | Tristan und Isolde: Act III, Scene III. "Sie wacht! Sie lebt! Isolde!" (Brangäne, Marke) | — | ||
| 19-16 | Tristan und Isolde: Act III, Scene III. "Mild und leise wir er lächelt" (Isolde) | — | ||
| 19-17 | Tristan und Isolde: Act III, Scene III. "Heller schallend, mich umwallend" (Isolde) | — | ||
| 20-1 | Symphony no. 94 in G ‘Surprise’: I. Adagio Vivace assai | — | ||
| 20-2 | Symphony no. 94 in G ‘Surprise’: II. Andante | — | ||
| 20-3 | Symphony no. 94 in G ‘Surprise’: III. Menuetto: Allegro molto - Trio | — | ||
| 20-4 | Symphony no. 94 in G ‘Surprise’: IV. Finale: Allegro di molto | — | ||
| 20-5 | Anacréon - Overture | — | ||
| 20-6 | Symphony no. 8 in B minor D. 759 ‘Unfinished’: I. Allegro moderato | — | ||
| 20-7 | Symphony no. 8 in B minor D. 759 ‘Unfinished’: II. Andante con moto | — | ||
| 20-8 | Les Préludes S. 97 | — | ||
| 21-1 | Introduction: Brahms Symphony no. 3 - I. Allegro / John Meek and Hugh Bean | — | ||
| 21-2 | Furtwängler's Audiences in the 1930s: Peter Gellhorn | — | ||
| 21-3 | Furtwängler's Audiences in the 1930s: Beethoven Symphony no. 9 - I. Allegro ma non troppo, un poco maestoso, with Narration | — | ||
| 21-4 | Furtwängler's Audiences in the 1930s: Beethoven Symphony no. 9 - II. Adagio molto e cantabile, with Narration | — | ||
| 21-5 | Furtwängler's Audiences in the 1930s: Brahms Symphony no. 4 - IV. Allegro energico e passionato, with Narration | — | ||
| 21-6 | Furtwängler's Reputation in the 1940s: Bernard Dennis-Browne | — | ||
| 21-7 | Furtwängler's Reputation in the 1940s: Beethoven Symphony no. 5 - III. Allegro - IV. Allegro (excerpt) | — | ||
| 21-8 | Furtwängler in Rehearsal: Introduction | — | ||
| 21-9 | Furtwängler in Rehearsal: Beethoven Leonore no. 3 Overture in Rehearsal | — | ||
| 21-10 | The Philharmonia Orchestra and Furtwängler: Hugh Bean | — | ||
| 21-11 | The Philharmonia Orchestra and Furtwängler: Beethoven Violin Concerto - I. Allegro ma non troppo / John Meek | — | ||
| 21-12 | The Philharmonia Orchestra and Furtwängler: Beethoven Symphony no. 6 - V. Allegro / John Meek | — | ||
| 21-13 | The Philharmonia Orchestra and Furtwängler: Hugh Maguire & Harold Nash | — | ||
| 21-14 | The Philharmonia Orchestra and Furtwängler: Wagner Tristan und Isolde - Prelude (excerpt) | — | ||
| 21-15 | Furtwängler and Soloists: Dietrich Fischer-Dieskau | — | ||
| 21-16 | Furtwängler and Soloists: Mahler Lieder eines fahrenden gesellen - Wenn mein Schatz Hochzeit macht, with Narration | — | ||
| 21-17 | Furtwängler and Soloists: Dietrich Fischer-Dieskau & Yehudi Menuhin | — | ||
| 21-18 | Furtwängler and Soloists: Brahms Violin Concerto - II. Adagio, with Narration | — | ||
| 21-19 | Furtwängler and Soloists: Aldo Ciccolini | — | ||
| 21-20 | Furtwängler the Man: Dietrich Fischer-Dieskau & Elisabeth Furtwängler | — | ||
| 21-21 | Furtwängler the Man: Beethoven Symphony no. 9 - IV. Finale (excerpt) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099990787829 is a Universal Product Code (UPC) assigned to The Great EMI Recordings by Wilhelm Furtwängler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 236 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099990787829 is the Universal Product Code (UPC barcode) for the release “The Great EMI Recordings” by Wilhelm Furtwängler, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 236 tracks, each with its own ISRC. Tracks include GBAYC9702312, GBAYC9702313, GBAYC9702314.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C op. 21: I Adagio molto - Allegro con brio | — | ||
| 2 | Symphony no. 1 in C op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C op. 21: III. Menuetto: Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C op. 21: IV. Finale: Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: I. Allegro con brio | — | ||
| 6 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: II. Marcia funebre: Adagio assai | — | ||
| 7 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: III. Scherzo: Allegro vivace | — | ||
| 8 | Symphony no. 3 in E-flat ‘Eroica’ op. 55: IV. Finale: Allegro molto - Poco andante - Presto | — | ||
| 2-1 | Symphony no. 2 in D op. 36: I. Adagio - Allegro con brio | — | ||
| 2-2 | Symphony no. 2 in D op. 36: II. Larghetto | — | ||
| 2-3 | Symphony no. 2 in D op. 36: III. Scherzo: Allegro | — | ||
| 2-4 | Symphony no. 2 in D op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony no. 4 in B-flat op. 60: I. Adagio - Allegro vivace | — | ||
| 2-6 | Symphony no. 4 in B-flat op. 60: II. Adagio | — | ||
| 2-7 | Symphony no. 4 in B-flat op. 60: III. Allegro vivace - Trio: Un poco meno allegro | — | ||
| 2-8 | Symphony no. 4 in B-flat op. 60: IV. Allegro ma non troppo | — | ||
| 3-1 | Symphony no. 5 in C minor op. 67: I. Allegro con brio | — | ||
| 3-2 | Symphony no. 5 in C minor op. 67: II. Andante con moto | — | ||
| 3-3 | Symphony no. 5 in C minor op. 67: III. Allegro | — | ||
| 3-4 | Symphony no. 5 in C minor op. 67: IV. Allegro - Presto | — | ||
| 3-5 | Symphony no. 7 in A op. 92: I. Poco sostenuto - Vivace | — | ||
| 3-6 | Symphony no. 7 in A op. 92: II. Allegretto | — | ||
| 3-7 | Symphony no. 7 in A op. 92: III. Presto - Assai meno presto | — | ||
| 3-8 | Symphony no. 7 in A op. 92: IV. Allegro con brio | — | ||
| 4-1 | Symphony no. 6 in F ‘Pastoral’ op. 68: I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country) | — | ||
| 4-2 | Symphony no. 6 in F ‘Pastoral’ op. 68: II. Andante molto moto (Scene by the brook) | — | ||
| 4-3 | Symphony no. 6 in F ‘Pastoral’ op. 68: III. Allegro (Merry gathering of the country folk) - | — | ||
| 4-4 | Symphony no. 6 in F ‘Pastoral’ op. 68: IV. Allegro (Storm and tempest) - | — | ||
| 4-5 | Symphony no. 6 in F ‘Pastoral’ op. 68: V. Allegretto (Shepherds' Song. Happy and thankful feelings after the storm) | — | ||
| 4-6 | Symphony no. 8 in F op. 93: I. Allegro vivace e con brio | — | ||
| 4-7 | Symphony no. 8 in F op. 93: II. Allegretto scherzando | — | ||
| 4-8 | Symphony no. 8 in F op. 93: III. Tempo di menuetto | — | ||
| 4-9 | Symphony no. 8 in F op. 93: IV. Allegro vivace | — | ||
| 5-1 | Furtwängler enters the Festspielhaus | — | ||
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Adagio | Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 5-5 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro ma non troppo - Allegro assai - Presto - Allegro assai vivace: alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | Chor, Orchester der Bayreuther Festspiele, Wilhelm Furtwängler | — | |
| 6-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo Allegro | Edwin Fischer, Philharmonia Orchestra, Wilhelm Furtwängler | — | |
| 6-4 | Violin Concerto no. 2: I. Allegro non troppo | — | ||
| 6-5 | Violin Concerto no. 2: II. Andante tranquillo | — | ||
| 6-6 | Violin Concerto no. 2: III. Allegro molto | — | ||
| 7-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | — | ||
| 7-2 | Violin Concerto in D major, op. 61: II. Larghetto | — | ||
| 7-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | — | ||
| 7-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Cadenza - Tempo I - Presto | — | ||
| 7-5 | Violin Concerto in E minor, op. 64: II. Andante - Allegretto non troppo | — | ||
| 7-6 | Violin Concerto in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace | — | ||
| 8-1 | Fidelio op. 72: Overture | — | ||
| 8-2 | Fidelio op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" | — | ||
| 8-3 | Fidelio op. 72: Act I, no. 2. Aria "O, wär' ich schon mit dir vererint" | — | ||
| 8-4 | Fidelio op. 72: Act I, no. 3. Quartet "Mir ist so wunderbar" | — | ||
| 8-5 | Fidelio op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" | — | ||
| 8-6 | Fidelio op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut, hab immer Mut" | — | ||
| 8-7 | Fidelio op. 72: Act I, no. 6. March | — | ||
| 8-8 | Fidelio op. 72: Act I, no. 7. Aria with Chorus "Ha! Welch ein Augenblick!" | — | ||
| 8-9 | Fidelio op. 72: Act I, no. 8. Duet "Jetzt, Alter, jetzt hat es Eile!" | — | ||
| 8-10 | Fidelio op. 72: Act I, no. 9. Recitative "Abscheulicher! Wo eilst du hin?" - Aria "Komm, Hoffnung, laß den letzten Stern" | — | ||
| 8-11 | Fidelio op. 72: Act I, no. 10. Finale "O, welche Lust!" - | — | ||
| 8-12 | Fidelio op. 72: Act I, no. 10. Finale "Nun sprecht, wie ging's?" - | — | ||
| 8-13 | Fidelio op. 72: Act I, no. 10. Finale "Ach! Varter, eilt!" | — | ||
| 9-1 | Fidelio op. 72, Act II, Scene I, no. 11 Introduction - | — | ||
| 9-2 | Fidelio op. 72, Act II, Scene I, no. 11 Aria "Gott! Welch' Dunkel hier!" | — | ||
| 9-3 | Fidelio op. 72, Act II, Scene I, no. 12 Melodrama "Wie kalt ist hier!" - | — | ||
| 9-4 | Fidelio op. 72, Act II, Scene I, no. 12 Duet "Nur hurtig fort, nur frisch gegraben" | — | ||
| 9-5 | Fidelio op. 72, Act II, Scene I, no. 13 Trio "Euch werde Lohn in besser'n Welten" | — | ||
| 9-6 | Fidelio op. 72, Act II, Scene I, no. 14 Quartet "Er sterbe!" - | — | ||
| 9-7 | Fidelio op. 72, Act II, Scene I, no. 14 Recitative "Vater Rocco!" | — | ||
| 9-8 | Fidelio op. 72, Act II, Scene I, no. 15 Duet "O namenlose Freude!" | — | ||
| 9-9 | Leonore Overture no. 3 in C op. 72a | — | ||
| 9-10 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Heil sei dem Tag" - | — | ||
| 9-11 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Des besten Königs Wink und Wille" - | — | ||
| 9-12 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Du schlossest auf des Edien Grab" - | — | ||
| 9-13 | Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Wer ein holdes Weib errungen" | — | ||
| 10-1 | Hungarian Dances: No. 1 in G minor: Allegro molto | — | ||
| 10-2 | Hungarian Dances: No. 3 in F major: Allegretto | — | ||
| 10-3 | Hungarian Dances: No. 10 in F major: Presto | — | ||
| 10-4 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Thema. Chorale St. Antoni (Andante) | — | ||
| 10-5 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation I (Poco più animato) | — | ||
| 10-6 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation II (Più vivace) | — | ||
| 10-7 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation III (Con moto) | — | ||
| 10-8 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation IV (Andante con moto) | — | ||
| 10-9 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation V (Vivace) | — | ||
| 10-10 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VI (Vivace) | — | ||
| 10-11 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VII (Grazioso) | — | ||
| 10-12 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VIII (Presto non troppo) | — | ||
| 10-13 | Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Finale (Andante) | — | ||
| 10-14 | Symphony no. 1 in C minor op. 68: I. Un poco sostenuto - Allegro | — | ||
| 10-15 | Symphony no. 1 in C minor op. 68: II. Andante sostenuto | — | ||
| 10-16 | Symphony no. 1 in C minor op. 68: III. Un poco allegretto e grazioso | — | ||
| 10-17 | Symphony no. 1 in C minor op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio | — | ||
| 11-1 | Symphony no. 2 in D major op. 73: I. Allegro non troppo | — | ||
| 11-2 | Symphony no. 2 in D major op. 73: II. Adagio non troppo | — | ||
| 11-3 | Symphony no. 2 in D major op. 73: III. Allegretto grazioso (Quasi andantino) - Presto, ma non assai | — | ||
| 11-4 | Symphony no. 2 in D major op. 73: IV. Allegro con spirito | — | ||
| 11-5 | Symphony no. 3 in F op. 90: I. Allegro con brio - Un poco sostenuto | — | ||
| 11-6 | Symphony no. 3 in F op. 90: II. Andante | — | ||
| 11-7 | Symphony no. 3 in F op. 90: III. Poco allegretto | — | ||
| 11-8 | Symphony no. 3 in F op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 12-1 | Symphony no. 4 in E minor op. 98: I. Allegro non troppo | — | ||
| 12-2 | Symphony no. 4 in E minor op. 98: II. Andante moderato | — | ||
| 12-3 | Symphony no. 4 in E minor op. 98: III. Allegro giocoso | — | ||
| 12-4 | Symphony no. 4 in E minor op. 98: IV. Allegro energico e passionato | — | ||
| 12-5 | Coriolan - Overture op. 62 | — | ||
| 12-6 | Leonore no. 2 - Overture op. 72a | — | ||
| 13-1 | Violin Concerto in D op. 77: I. Allegro non troppo | — | ||
| 13-2 | Violin Concerto in D op. 77: II. Adagio | — | ||
| 13-3 | Violin Concerto in D op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 13-4 | Double Concerto in A minor op. 102: I. Allegro | — | ||
| 13-5 | Double Concerto in A minor op. 102: II. Andante | — | ||
| 13-6 | Double Concerto in A minor op. 102: III. Vivace non troppo | — | ||
| 14-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 14-2 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 14-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto - Trio | — | ||
| 14-4 | Symphony no. 40 in G minor, K. 550: IV. Finale: Allegro assai | — | ||
| 14-5 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: I. Adagio - Allegro con troppo | — | ||
| 14-6 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: II. Allegro con grazia | — | ||
| 14-7 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: III. Allegro molto vivace | — | ||
| 14-8 | Symphony no. 6 in B minor op. 74 ‘Pathétique’: IV. Finale: Adagio lamentoso - Andante | — | ||
| 15-1 | Don Juan op. 20 | — | ||
| 15-2 | Till Eulenspiegels lustige Streiche op. 28 | — | ||
| 15-3 | Tod und Verklärung op. 24 | — | ||
| 15-4 | Symphonic Concerto in B minor: II. Adagio (Sehr langsam) | Edwin Fischer, Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 16-1 | Tristan und Isolde: Prelude | — | ||
| 16-2 | Tristan und Isolde: Act I, Scene I. "Westwärts schweift der Blick" (Sailor, Isolde) | — | ||
| 16-3 | Tristan und Isolde: Act I, Scene I. "Brangäne, du? Sag - wo sind wir?" (Isolde, Brangäne) | — | ||
| 16-4 | Tristan und Isolde: Act I, Scene I. "O weh! Ach! Ach, des Übels, das ich geahnt!" (Isolde, Brangäne) | — | ||
| 16-5 | Tristan und Isolde: Act I, Scene II. "Frisch weht der Wind der Heimat zu" (Sailor) | — | ||
| 16-6 | Tristan und Isolde: Act I, Scene II. "Mir erkoren, mir verloren" (Isolde, Brangäne) | — | ||
| 16-7 | Tristan und Isolde: Act I, Scene II. "Hab acht, Tristan! Botschaft von Isolde" (Kurwenal, Tristan, Brangäne) | — | ||
| 16-8 | Tristan und Isolde: Act I, Scene II. "Darf ich die Antwort sagen?" (Kurwenal, Tristan, Crew) | — | ||
| 16-9 | Tristan und Isolde: Act I, Scene III. "Weh, ach wehe! Dies zu dulden!" (Brangäne, Isolde) | — | ||
| 16-10 | Tristan und Isolde: Act I, Scene III. "Wie lachend sie mir Lieder singen" (Isolde) | — | ||
| 16-11 | Tristan und Isolde: Act I, Scene III. "Von seinem Lager blickt' er her" (Isolde) | — | ||
| 16-12 | Tristan und Isolde: Act I, Scene III. "O Wunder! Wo hatt' ich die Augen?" (Brangäne, Isolde) | — | ||
| 16-13 | Tristan und Isolde: Act I, Scene III. "Da Friede, Sühn' und Freundschaft" (Brangäne, Isolde) | — | ||
| 16-14 | Tristan und Isolde: Act I, Scene III. "O Süße,Traute! Teure! Holde! Goldne Herrin!" (Brangäne) | — | ||
| 16-15 | Tristan und Isolde: Act I, Scene III. "Ungeminnt den hehrsten Mann" (Isolde, Brangäne) | — | ||
| 16-16 | Tristan und Isolde: Act I, Scene III. "Kennst du der Mutter Künste nicht?" (Brangäne, Isolde, Crew) | — | ||
| 16-17 | Tristan und Isolde: Act I, Scene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal) | — | ||
| 16-18 | Tristan und Isolde: Act I, Scene IV. "Herrn Tristan bringe meinen Gruß" (Isolde, Kurwenal) | — | ||
| 16-19 | Tristan und Isolde: Act I, Scene IV. "Nun leb wohl, Brangäne!" (Isolde, Brangäne, Kurwenal) | — | ||
| 16-20 | Tristan und Isolde: Act I, Scene V. Interlude: Langsam | — | ||
| 16-21 | Tristan und Isolde: Act I, Scene V. "Begehrt, Herrin, was Ihr wünscht" (Tristan, Isolde) | — | ||
| 16-22 | Tristan und Isolde: Act I, Scene V. "Da du so sittsam, mein Herr Tristan" (Tristan, Isolde) | — | ||
| 16-23 | Tristan und Isolde: Act I, Scene V. "Nun will ich des Eides walten" (Tristan, Isolde) | — | ||
| 17-1 | Tristan und Isolde: Act I, Scene V. "War Morold dir so wert" (Tristan, Isolde) | — | ||
| 17-2 | Tristan und Isolde: Act I, Scene V. "Ho! He! Ha! He! Am Obermast die Segel ein!" (Crew, Tristan, Isolde) | — | ||
| 17-3 | Tristan und Isolde: Act I, Scene V. "Du hörst den Ruf?" (Isolde) | — | ||
| 17-4 | Tristan und Isolde: Act I, Scene V. "Auf das Tau! Anker los!" (Crew, Tristan, Isolde) | — | ||
| 17-5 | Tristan und Isolde: Act I, Scene V. "Tristan!... Isolde!" (Tristan, Isolde, Chorus, Brangäne) | — | ||
| 17-6 | Tristan und Isolde: Act I, Scene V. "Was träumte mir von Tristans Ehre?" (Tristan, Isolde) | — | ||
| 17-7 | Tristan und Isolde: Act I, Scene V. "Schnell, den Mantel, den Königsschmuck!" (Brangäne, Chorus, Kurwenal, Tristan, Isolde) | — | ||
| 17-8 | Tristan und Isolde: Act II. Prelude | — | ||
| 17-9 | Tristan und Isolde: Act II, Scene I. "Hörst du sie noch?" (Isolde, Brangäne) | — | ||
| 17-10 | Tristan und Isolde: Act II, Scene I. "Der deiner harrt - o hör mein Warnen!" (Isolde, Brangäne) | — | ||
| 17-11 | Tristan und Isolde: Act II, Scene I. "O laß die warnende Zünde" (Isolde, Brangäne) | — | ||
| 17-12 | Tristan und Isolde: Act II, Scene I. "Und mußte der Minne tückischer Trank" (Isolde, Brangäne) | — | ||
| 17-13 | Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte! ... Tristan! Geliebter!" (Tristan, Isolde) | — | ||
| 17-14 | Tristan und Isolde: Act II, Scene II. "Das Licht! Das Licht!" (Tristan, Isolde) | — | ||
| 17-15 | Tristan und Isolde: Act II, Scene II. "Der Tag! Der Tag" (Tristan, Isolde) | — | ||
| 17-16 | Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde) | — | ||
| 17-17 | Tristan und Isolde: Act II, Scene II. "In deiner Hand den süßen Tod" (Tristan, Isolde) | — | ||
| 17-18 | Tristan und Isolde: Act II, Scene II. "O nun waren wir Nacht-Geweihte!" (Tristan) | — | ||
| 17-19 | Tristan und Isolde: Act II, Scene II. "O sink hernieder, Nacht der Liebe" (Tristan, Isolde) | — | ||
| 17-20 | Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne) | — | ||
| 17-21 | Tristan und Isolde: Act II, Scene II. "Lausch, Geliebter!" (Isolde, Tristan) | — | ||
| 17-22 | Tristan und Isolde: Act II, Scene II. "Unsre Liebe? Tristans Liebe?" (Tristan) | — | ||
| 18-1 | Tristan und Isolde: Act II, Scene II. "Doch unsre Liebe" (Isolde, Tristan) | — | ||
| 18-2 | Tristan und Isolde: Act II, Scene II. "So stürben wir, um ungetrennt" (Isolde, Tristan) | — | ||
| 18-3 | Tristan und Isolde: Act II, Scene II. "Habet acht! Habet acht!" (Brangäne, Tristan, Isolde) | — | ||
| 18-4 | Tristan und Isolde: Act II, Scene II. "O ew'ge Nacht, süße Nacht!" (Isolde, Tristan) | — | ||
| 18-5 | Tristan und Isolde: Act II, Scene III. "Rette dich, Tristan!" (Kurwenal, Tristan, Melot) | — | ||
| 18-6 | Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich?" (Marke, Tristan) | — | ||
| 18-7 | Tristan und Isolde: Act II, Scene III. "Wozu die Dienste ohne Zahl" (Marke) | — | ||
| 18-8 | Tristan und Isolde: Act II, Scene III. "Dies wunderhehre Weib" (Marke) | — | ||
| 18-9 | Tristan und Isolde: Act II, Scene III. "Nun, da durch solchen Besitz mein Herz" (Marke) | — | ||
| 18-10 | Tristan und Isolde: Act II, Scene III. "O König, das kann ich dir nicht sagen" (Tristan) | — | ||
| 18-11 | Tristan und Isolde: Act II, Scene III. "Wohin nun Tristan scheidet, willst du, Isold', ihm folgen?" (Tristan) | — | ||
| 18-12 | Tristan und Isolde: Act II, Scene III. "Als für ein fremdes Land" (Isolde) | — | ||
| 18-13 | Tristan und Isolde: Act II, Scene III. "Verräter! Ha! Zur Rache, König!" (Melot, Tristan) | — | ||
| 18-14 | Tristan und Isolde: Act III. Prelude | — | ||
| 18-15 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei | — | ||
| 18-16 | Tristan und Isolde: Act III, Scene I. "Kurwenal! He! Sag, Kurwenal!" (Shepherd, Kurwenal) | — | ||
| 18-17 | Tristan und Isolde: Act III, Scene I. "Öd' und leer das Meer!" (Shepherd) / Hirtenreigen auf einer Schalmei / "Die alte Weise" (Tristan, Kurwenal) | — | ||
| 18-18 | Tristan und Isolde: Act III, Scene I. "Wo du bist? In Frieden, sicher und frei!" (Kurwenal, Tristan) | — | ||
| 18-19 | Tristan und Isolde: Act III, Scene I. "Dünkt dich das? Ich weiß es anders" (Tristan) | — | ||
| 18-20 | Tristan und Isolde: Act III, Scene I. "Isolde noch im Reich der Sonne!" (Tristan, Kurwenal) | — | ||
| 19-1 | Tristan und Isolde: Act III, Scene I. "Noch losch das Licht nicht aus" (Tristan, Kurwenal) | — | ||
| 19-2 | Tristan und Isolde: Act III, Scene I. "Mein Kurwenal, du trauter Freund!" (Tristan) | — | ||
| 19-3 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "Noch ist kein Schiff zu sehn!" (Kurwenal, Tristan) | — | ||
| 19-4 | Tristan und Isolde: Act III, Scene I. "Nein! Ach nein! So heißt sie nicht!" (Tristan) | — | ||
| 19-5 | Tristan und Isolde: Act III, Scene I. "Der Trank! Der Trank! Der furchtbare Trank!" (Tristan) | — | ||
| 19-6 | Tristan und Isolde: Act III, Scene I. "Mein Herre! Tristan! Schrecklicher Zauber!" (Kurwenal) | — | ||
| 19-7 | Tristan und Isolde: Act III, Scene I. "Das Schiff? Siehst du's noch nicht?" (Tristan, Kurwenal) | — | ||
| 19-8 | Tristan und Isolde: Act III, Scene I. "Wei sie selig, hehr und milde" (Tristan) | — | ||
| 19-9 | Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "O Wonne! Freude! Ha! Das Schiff!" (Kurwenal, Tristan) | — | ||
| 19-10 | Tristan und Isolde: Act III, Scene II. "O diese Sonne! Ha dieser Tag!" (Tristan, Isolde) | — | ||
| 19-11 | Tristan und Isolde: Act III, Scene II. "Ich bin's, ich bin's, süßester Freund!" (Isolde) | — | ||
| 19-12 | Tristan und Isolde: Act III, Scene II. "Die Wunde! Wo? Laß sie mich heilen!" (Isolde) | — | ||
| 19-13 | Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Shepherd, Kurwenal, Helmsman, Brangäne, Melot, Marke) | — | ||
| 19-14 | Tristan und Isolde: Act III, Scene III. "Tot denn alles! Alles tot!" (Marke) | — | ||
| 19-15 | Tristan und Isolde: Act III, Scene III. "Sie wacht! Sie lebt! Isolde!" (Brangäne, Marke) | — | ||
| 19-16 | Tristan und Isolde: Act III, Scene III. "Mild und leise wir er lächelt" (Isolde) | — | ||
| 19-17 | Tristan und Isolde: Act III, Scene III. "Heller schallend, mich umwallend" (Isolde) | — | ||
| 20-1 | Symphony no. 94 in G ‘Surprise’: I. Adagio Vivace assai | — | ||
| 20-2 | Symphony no. 94 in G ‘Surprise’: II. Andante | — | ||
| 20-3 | Symphony no. 94 in G ‘Surprise’: III. Menuetto: Allegro molto - Trio | — | ||
| 20-4 | Symphony no. 94 in G ‘Surprise’: IV. Finale: Allegro di molto | — | ||
| 20-5 | Anacréon - Overture | — | ||
| 20-6 | Symphony no. 8 in B minor D. 759 ‘Unfinished’: I. Allegro moderato | — | ||
| 20-7 | Symphony no. 8 in B minor D. 759 ‘Unfinished’: II. Andante con moto | — | ||
| 20-8 | Les Préludes S. 97 | — | ||
| 21-1 | Introduction: Brahms Symphony no. 3 - I. Allegro / John Meek and Hugh Bean | — | ||
| 21-2 | Furtwängler's Audiences in the 1930s: Peter Gellhorn | — | ||
| 21-3 | Furtwängler's Audiences in the 1930s: Beethoven Symphony no. 9 - I. Allegro ma non troppo, un poco maestoso, with Narration | — | ||
| 21-4 | Furtwängler's Audiences in the 1930s: Beethoven Symphony no. 9 - II. Adagio molto e cantabile, with Narration | — | ||
| 21-5 | Furtwängler's Audiences in the 1930s: Brahms Symphony no. 4 - IV. Allegro energico e passionato, with Narration | — | ||
| 21-6 | Furtwängler's Reputation in the 1940s: Bernard Dennis-Browne | — | ||
| 21-7 | Furtwängler's Reputation in the 1940s: Beethoven Symphony no. 5 - III. Allegro - IV. Allegro (excerpt) | — | ||
| 21-8 | Furtwängler in Rehearsal: Introduction | — | ||
| 21-9 | Furtwängler in Rehearsal: Beethoven Leonore no. 3 Overture in Rehearsal | — | ||
| 21-10 | The Philharmonia Orchestra and Furtwängler: Hugh Bean | — | ||
| 21-11 | The Philharmonia Orchestra and Furtwängler: Beethoven Violin Concerto - I. Allegro ma non troppo / John Meek | — | ||
| 21-12 | The Philharmonia Orchestra and Furtwängler: Beethoven Symphony no. 6 - V. Allegro / John Meek | — | ||
| 21-13 | The Philharmonia Orchestra and Furtwängler: Hugh Maguire & Harold Nash | — | ||
| 21-14 | The Philharmonia Orchestra and Furtwängler: Wagner Tristan und Isolde - Prelude (excerpt) | — | ||
| 21-15 | Furtwängler and Soloists: Dietrich Fischer-Dieskau | — | ||
| 21-16 | Furtwängler and Soloists: Mahler Lieder eines fahrenden gesellen - Wenn mein Schatz Hochzeit macht, with Narration | — | ||
| 21-17 | Furtwängler and Soloists: Dietrich Fischer-Dieskau & Yehudi Menuhin | — | ||
| 21-18 | Furtwängler and Soloists: Brahms Violin Concerto - II. Adagio, with Narration | — | ||
| 21-19 | Furtwängler and Soloists: Aldo Ciccolini | — | ||
| 21-20 | Furtwängler the Man: Dietrich Fischer-Dieskau & Elisabeth Furtwängler | — | ||
| 21-21 | Furtwängler the Man: Beethoven Symphony no. 9 - IV. Finale (excerpt) | — |
