UPC · Release
Trusted Guide to Classical Music
Various Artists
5099990962622
66 tracksReleased 2010-01-01EMI TV
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5099990962622 is the Universal Product Code (UPC barcode) for the release “Trusted Guide to Classical Music” by Various Artists, released 2010-01-01 on EMI TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include GBAYC9001136, GBAYC8800390, GBAYC7000104.
Format
509GS1 prefix
9990Company prefix
96262Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCTrusted Guide to Classical Music
ISRC11 recordings
ISWC7 works
IPI4 songwriters
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sub tuum praesidium | — | ||
| 2 | O nata lux | — | ||
| 3 | Ave verum corpus | — | ||
| 4 | Miserere mei, Deus (vv. 1-4 & 17-20) | — | ||
| 5 | Te Deum: Prelude | — | ||
| 6 | Canon in D | — | ||
| 7 | Funeral Music for Queen Mary: March | — | ||
| 8 | Funeral Music for Queen Mary: Thou Knowest, Lord | — | ||
| 9 | Adagio in G minor | — | ||
| 10 | Trumpet Voluntary (The Prince of Denmark's March) | — | ||
| 11 | The Four Seasons: "Summer": III. Presto | — | ||
| 12 | Gloria in D major, RV 589: I. Gloria in excelsis Deo | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.452.179-8 | |
| 13 | The Arrival of the Queen of Sheba (Solomon) | — | ||
| 14 | Hallelujah Chorus (Messiah, ed. Lam) | — | ||
| 15 | Toccata & Fugue in D minor, BWV 565: Toccata | Wayne Marshall | — | |
| 16 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 17 | Double Violin Concerto in D minor, BWV 1043: II. Largo | — | ||
| 18 | Trumpet Concerto in E-flat: III. Finale: Allegro | — | ||
| 19 | Serenade in G "Eine kleine Nachtmusik", K 525: I. Allegro | — | ||
| 20 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 2-1 | Horn Concerto no. 4 in E-flat, K. 495: III. Rondo. Allegro vivace | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | — | |
| 2-2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-3 | Piano Sonata no. 14 in C-sharp minor "Moonlight", op. 27 no. 2: I. Adagio sostenuto | — | ||
| 2-4 | Symphony no. 9 in D minor "Choral", op. 125: IV. Ode to Joy (extract) | — | ||
| 2-5 | Violin Concerto no. 2 in B minor, op. 6: III. Rondo ("La campanella") | — | ||
| 2-6 | Piano Quintet in A "Trout", D 667: IV. Theme and Variations | — | ||
| 2-7 | Moment Musical no. 3 in F minor | — | ||
| 2-8 | Symphonie Fantastique, op. 14: V. Songe d'une nuit du Sabbat | — | ||
| 2-9 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 2-10 | Träumerei (Kinderszenen) | — | ||
| 2-11 | Nocturne no. 2 in E-flat, op. 9 no. 2 | — | ||
| 2-12 | Waltz no. 6 in D-flat "Minute", op. 64 no. 1 | — | ||
| 2-13 | Liebestraum no. 3 in A-flat | — | ||
| 2-14 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 2-15 | Vltava (Die Moldau) (Má vlast) | — | ||
| 3-1 | An der schönen Blauen Donau (On the Beautiful Blue Danube) (Waltz) | — | ||
| 3-2 | Hungarian Dance no. 5 in F-Sharp minor | — | ||
| 3-3 | String Sextet no. 1 in B-flat, op. 18: III. Scherzo: Allegro molto | — | ||
| 3-4 | Swan Lake: Scene (Act III) | — | ||
| 3-5 | Symphony no. 6 in B minor "Pathétique", op. 74: III. Allegro molto vivace | — | ||
| 3-6 | Serenade for Strings in E, op. 22: I. Moderato | — | ||
| 3-7 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 3-8 | The Flight of the Bumble-Bee (Tsar Saltan) | — | ||
| 3-9 | Nimrod ("Enigma" Variations, op. 36) | — | ||
| 3-10 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 3-11 | Symphony no. 5 in C-sharp minor IV. Adagietto | — | ||
| 3-12 | Clair de lune (Suite bergamasque) | — | ||
| 3-13 | Also sprach Zarathustra | — | ||
| 3-14 | Gymnopédie no. 1 | — | ||
| 3-15 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 3-16 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 4-1 | Jupiter, the Bringer of Jollity (The Planets, op. 32) | — | ||
| 4-2 | Piano Concerto in G: I. Allegramente | — | ||
| 4-3 | Le Sacre du printemps: Danse sacrale (L'Élue) | — | ||
| 4-4 | Dance of the Knights (Romeo & Juliet) | — | ||
| 4-5 | O Fortuna (Carmina Burana) | — | ||
| 4-7 | Fanfare for the Common Man | — | ||
| 4-8 | Adagio for Strings | — | ||
| 4-9 | Candide: Overture | London Symphony Orchestra, André Previn | T-903.288.559-9 | |
| 4-10 | Cantus in Memory of Benjamin Britten | — | ||
| 4-11 | Agnus Dei (The Armed Man: A Mass for Peace) | — | ||
| 4-12 | The Heart Asks Pleasure First / The Promise (from the film The Piano) | — | ||
| 4-13 | The Protecting Veil: The Incarnation | — | ||
| 4-14 | Pie Jesu (Requiem) | — | ||
| 4-15 | Short Ride in a Fast Machine | — | ||
| 4-16 | Violin Concerto "Concentric Paths": I. Rings | — |
Sub tuum praesidium
—
O nata lux
—
Ave verum corpus
—
Miserere mei, Deus (vv. 1-4 & 17-20)
—
Te Deum: Prelude
—
Canon in D
—
Funeral Music for Queen Mary: March
—
Funeral Music for Queen Mary: Thou Knowest, Lord
—
Adagio in G minor
—
Trumpet Voluntary (The Prince of Denmark's March)
—
The Four Seasons: "Summer": III. Presto
—
Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
The Arrival of the Queen of Sheba (Solomon)
—
Hallelujah Chorus (Messiah, ed. Lam)
—
Toccata & Fugue in D minor, BWV 565: Toccata
Wayne Marshall
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Double Violin Concerto in D minor, BWV 1043: II. Largo
—
Trumpet Concerto in E-flat: III. Finale: Allegro
—
Serenade in G "Eine kleine Nachtmusik", K 525: I. Allegro
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Horn Concerto no. 4 in E-flat, K. 495: III. Rondo. Allegro vivace
Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Piano Sonata no. 14 in C-sharp minor "Moonlight", op. 27 no. 2: I. Adagio sostenuto
—
Symphony no. 9 in D minor "Choral", op. 125: IV. Ode to Joy (extract)
—
Violin Concerto no. 2 in B minor, op. 6: III. Rondo ("La campanella")
—
Piano Quintet in A "Trout", D 667: IV. Theme and Variations
—
Moment Musical no. 3 in F minor
—
Symphonie Fantastique, op. 14: V. Songe d'une nuit du Sabbat
—
Violin Concerto in E minor, op. 64: II. Andante
—
Träumerei (Kinderszenen)
—
Nocturne no. 2 in E-flat, op. 9 no. 2
—
Waltz no. 6 in D-flat "Minute", op. 64 no. 1
—
Liebestraum no. 3 in A-flat
—
Vltava (Die Moldau) (Má vlast)
—
An der schönen Blauen Donau (On the Beautiful Blue Danube) (Waltz)
—
Hungarian Dance no. 5 in F-Sharp minor
—
String Sextet no. 1 in B-flat, op. 18: III. Scherzo: Allegro molto
—
Swan Lake: Scene (Act III)
—
Symphony no. 6 in B minor "Pathétique", op. 74: III. Allegro molto vivace
—
Serenade for Strings in E, op. 22: I. Moderato
—
Academy of St Martin in the Fields, Sir Neville Marriner
The Flight of the Bumble-Bee (Tsar Saltan)
—
Nimrod ("Enigma" Variations, op. 36)
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Symphony no. 5 in C-sharp minor IV. Adagietto
—
Clair de lune (Suite bergamasque)
—
Also sprach Zarathustra
—
Gymnopédie no. 1
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Jupiter, the Bringer of Jollity (The Planets, op. 32)
—
Piano Concerto in G: I. Allegramente
—
Le Sacre du printemps: Danse sacrale (L'Élue)
—
Dance of the Knights (Romeo & Juliet)
—
O Fortuna (Carmina Burana)
—
Fanfare for the Common Man
—
Adagio for Strings
—
Cantus in Memory of Benjamin Britten
—
Agnus Dei (The Armed Man: A Mass for Peace)
—
The Heart Asks Pleasure First / The Promise (from the film The Piano)
—
The Protecting Veil: The Incarnation
—
Pie Jesu (Requiem)
—
Short Ride in a Fast Machine
—
Violin Concerto "Concentric Paths": I. Rings
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000004287851700000000551429120000000063086703000000006308963X000000006309843X00000000737002870000000078391938000000007839603400000000784154420000000078514248
+40 more
00000000810854640000000081604500000000008161053X0000000081773005000000008356206800000000835932190000000083835863000000008398109400000000841631220000000106617448000000010724217400000001078863400000000108061519000000010863356400000001086750190000000108854623000000010911085300000001091274790000000109144113000000010930050X000000010938414100000001094265240000000109435228000000010962415X00000001096459620000000110111570000000011013657500000001101426250000000110164752000000011017739300000001103269770000000110332568000000011034017000000001103861010000000110552771000000011082996100000001108520100000000110928863000000011297410X0000000114524428
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What is UPC 5099990962622?
5099990962622 is a Universal Product Code (UPC) assigned to Trusted Guide to Classical Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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