UPC · Release
French Music
Berlioz, Bizet, Delibes, Debussy, Fauré, Saint‐Saëns, Massenet, Gounod, Chabrier, Sir Thomas Beecham
5099990993220
75 tracksReleased 2011-01-01EMI Classics
Last verified:
5099990993220 is the Universal Product Code (UPC barcode) for the release “French Music” by Berlioz, Bizet, Delibes, Debussy, Fauré, Saint‐Saëns, Massenet, Gounod, Chabrier, Sir Thomas Beecham, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 75 tracks, each with its own ISRC. Tracks include GBAYC9902274, GBAYC9902275, GBAYC9902276.
Format
509GS1 prefix
9990Company prefix
99322Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCFrench Music
ISRC13 recordings
ISWC5 works
Track List (75)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato e appassionato assai) | — | ||
| 2 | Symphonie fantastique, op. 14: II. Un bal (Allegro non troppo) | — | ||
| 3 | Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | — | ||
| 4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | — | ||
| 5 | Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat (Larghetto - Allegro) | — | ||
| 6 | Le Corsaire, op. 21, H. 101 | — | ||
| 7 | Les Troyens: Act I: Marche troyenne | — | ||
| 8 | Les Troyens: Act IV: La Chasse royale et l'Orage | — | ||
| 2-1 | Symphony in C: I. Allegro vivo | Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-070.275.805-1 | |
| 2-2 | Symphony in C: II. Adagio | Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-070.275.805-1 | |
| 2-3 | Symphony in C: III. Allegro vivace | Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-070.275.805-1 | |
| 2-4 | Symphony in C: IV. Allegro vivace | Orchestre national de la Radiodiffusion française, Sir Thomas Beecham | T-070.275.805-1 | |
| 2-5 | L’Arlésienne Suite No. 1: No. 1. Prélude | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-6 | L’Arlésienne Suite No. 1: No. 2. Minuet | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-7 | L’Arlésienne Suite No. 1: No. 3. Adagietto | Royal Philharmonic Orchestra, Sir Thomas Beecham | T-926.359.964-0 | |
| 2-8 | L’Arlésienne Suite No. 1: No.4. Carillon | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-9 | L’Arlésienne Suite No. 2: No. 1. Pastorale | Royal Philharmonic Orchestra, Sir Thomas Beecham | T-071.478.968-0 | |
| 2-10 | L’Arlésienne Suite No. 2: No. 2. Intermezzo | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-11 | L’Arlésienne Suite No. 2: No. 3. Minuet | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 2-12 | L’Arlésienne, suite no. 2 : Farandole | Royal Philharmonic Orchestra, Sir Thomas Beecham | T-010.194.866-6 | |
| 3-1 | Le Roi s'amuse: Gaillarde | — | ||
| 3-2 | Le Roi s'amuse: Pavane | — | ||
| 3-3 | Le Roi s'amuse: Scène de bouquet | — | ||
| 3-4 | Le Roi s'amuse: Lesquercarde | — | ||
| 3-5 | Le Roi s'amuse: Madrigal | — | ||
| 3-6 | Le Roi s'amuse: Passepied | — | ||
| 3-7 | Le Roi s'amuse: Finale | — | ||
| 3-8 | Prélude à l'après-midi d'un faune | — | ||
| 3-9 | L'Enfant prodigue: Cortège et air de danse | — | ||
| 3-10 | Samson et Dalila: Danse des prêtresses de Dagon | — | ||
| 3-11 | Samson et Dalila: Bacchanale | — | ||
| 3-12 | La Damnation de Faust: Danse des sylphes | — | ||
| 3-13 | La Damnation de Faust: Menuet des follets | — | ||
| 3-14 | Cendrillon: Valse | — | ||
| 3-15 | Faust: Les Nubiennes | — | ||
| 3-16 | Faust: Adagio | — | ||
| 3-17 | Faust: Danse antique | — | ||
| 3-18 | Faust: Variations de Cléopâtre | — | ||
| 3-19 | Faust: Les Troyennes | — | ||
| 3-20 | Faust: Variations du miroir | — | ||
| 3-21 | Faust: Danse de Phryné | — | ||
| 4-1 | Carmen, Suite no. 1: Prelude, Act 1 (Les toréadors) | — | ||
| 4-2 | Carmen, Suite no. 1: Entr' Acte, Act 2 (Les Dragons D'alcala) | — | ||
| 4-3 | Carmen, Suite no. 1: Entr' Acte, Act 3 (Intermezzo) | — | ||
| 4-4 | Carmen, Suite no. 1: Entr' Acte, Act 4 (Aragonaise) | — | ||
| 4-5 | Gwendoline Overture | — | ||
| 4-6 | Dolly Suite, op. 56: 1. Berceuse | — | ||
| 4-7 | Dolly Suite, op. 56: 2. Mi - A- Ou | — | ||
| 4-8 | Dolly Suite, op. 56: 3. Le Jardin de Dolly | — | ||
| 4-9 | Dolly Suite, op. 56: 4. Kitty - Valse | — | ||
| 4-10 | Dolly Suite, op. 56: 5. Tendresse | — | ||
| 4-11 | Dolly Suite, op. 56: 6. Le Pas espagnol | — | ||
| 4-12 | Le Rouet d'Omphale, op. 31 | — | ||
| 4-13 | Joyeuse Marche | — | ||
| 4-14 | España - Rapsodie | — | ||
| 4-15 | Patrie, op. 19 | — | ||
| 4-16 | Allegro vivacissimo (Carnaval) from Roma (Suite de Concert no. 3) | — | ||
| 5-1 | Symphony in D minor: I. Lento - Allegro non troppo | — | ||
| 5-2 | Symphony in D minor: II. Allegretto - Poco più lento - Tempo I | — | ||
| 5-3 | Symphony in D minor: III. Allegro non troppo | — | ||
| 5-4 | Symphony in G minor: Andante - Allegro non troppo | — | ||
| 5-5 | Symphony in G minor: Vivace | — | ||
| 5-6 | Symphony in G minor: Adagio | — | ||
| 5-7 | Symphony in G minor: Allegro | — | ||
| 5-8 | Pavane, op. 50 | Gareth Morris, Orchestre national de l’ORTF, Sir Thomas Beecham | T-909.340.218-7 | |
| 6-1 | Le Carnaval romain - Ouverture caractéristique,, op. 9 | — | ||
| 6-2 | King Lear - Grande Ouverture, op. 4 | — | ||
| 6-3 | La Vierge: Le Dernier Sommeil de la Vierge | — | ||
| 6-4 | Zémire et Azor - Ballet Music: Entrée. Ballet (Entrée des génies) | — | ||
| 6-5 | Zémire et Azor - Ballet Music: Passepied (2me air de ballet) | — | ||
| 6-6 | Zémire et Azor - Ballet Music: Pantomime (1er air de ballet) | — | ||
| 6-7 | Zémire et Azor - Ballet Music: Entr'acte (Introduction to Act III) | — | ||
| 6-8 | Zémire et Azor - Ballet Music: Finale (Ali's Ariette ''Je suis encore tremblant'') | — | ||
| 6-9 | Gavotte (from Zino - Zina) | — | ||
| 6-10 | Roméo et Juliette: Le Sommeil de Juliette | — |
Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato e appassionato assai)
—
Symphonie fantastique, op. 14: II. Un bal (Allegro non troppo)
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Symphonie fantastique, op. 14: III. Scène aux champs (Adagio)
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Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo)
—
Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat (Larghetto - Allegro)
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Le Corsaire, op. 21, H. 101
—
Les Troyens: Act I: Marche troyenne
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Les Troyens: Act IV: La Chasse royale et l'Orage
—
Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
Orchestre national de la Radiodiffusion française, Sir Thomas Beecham
L’Arlésienne Suite No. 1: No. 1. Prélude
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
L’Arlésienne Suite No. 1: No. 2. Minuet
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Royal Philharmonic Orchestra, Sir Thomas Beecham
L’Arlésienne Suite No. 1: No.4. Carillon
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Royal Philharmonic Orchestra, Sir Thomas Beecham
L’Arlésienne Suite No. 2: No. 2. Intermezzo
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
L’Arlésienne Suite No. 2: No. 3. Minuet
Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Royal Philharmonic Orchestra, Sir Thomas Beecham
Le Roi s'amuse: Gaillarde
—
Le Roi s'amuse: Pavane
—
Le Roi s'amuse: Scène de bouquet
—
Le Roi s'amuse: Lesquercarde
—
Le Roi s'amuse: Madrigal
—
Le Roi s'amuse: Passepied
—
Le Roi s'amuse: Finale
—
Prélude à l'après-midi d'un faune
—
L'Enfant prodigue: Cortège et air de danse
—
Samson et Dalila: Danse des prêtresses de Dagon
—
Samson et Dalila: Bacchanale
—
La Damnation de Faust: Danse des sylphes
—
La Damnation de Faust: Menuet des follets
—
Cendrillon: Valse
—
Faust: Les Nubiennes
—
Faust: Adagio
—
Faust: Danse antique
—
Faust: Variations de Cléopâtre
—
Faust: Les Troyennes
—
Faust: Variations du miroir
—
Faust: Danse de Phryné
—
Carmen, Suite no. 1: Prelude, Act 1 (Les toréadors)
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Carmen, Suite no. 1: Entr' Acte, Act 2 (Les Dragons D'alcala)
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Carmen, Suite no. 1: Entr' Acte, Act 3 (Intermezzo)
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Carmen, Suite no. 1: Entr' Acte, Act 4 (Aragonaise)
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Gwendoline Overture
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Dolly Suite, op. 56: 1. Berceuse
—
Dolly Suite, op. 56: 2. Mi - A- Ou
—
Dolly Suite, op. 56: 3. Le Jardin de Dolly
—
Dolly Suite, op. 56: 4. Kitty - Valse
—
Dolly Suite, op. 56: 5. Tendresse
—
Dolly Suite, op. 56: 6. Le Pas espagnol
—
Le Rouet d'Omphale, op. 31
—
Joyeuse Marche
—
España - Rapsodie
—
Patrie, op. 19
—
Allegro vivacissimo (Carnaval) from Roma (Suite de Concert no. 3)
—
Symphony in D minor: I. Lento - Allegro non troppo
—
Symphony in D minor: II. Allegretto - Poco più lento - Tempo I
—
Symphony in D minor: III. Allegro non troppo
—
Symphony in G minor: Andante - Allegro non troppo
—
Symphony in G minor: Vivace
—
Symphony in G minor: Adagio
—
Symphony in G minor: Allegro
—
Le Carnaval romain - Ouverture caractéristique,, op. 9
—
King Lear - Grande Ouverture, op. 4
—
La Vierge: Le Dernier Sommeil de la Vierge
—
Zémire et Azor - Ballet Music: Entrée. Ballet (Entrée des génies)
—
Zémire et Azor - Ballet Music: Passepied (2me air de ballet)
—
Zémire et Azor - Ballet Music: Pantomime (1er air de ballet)
—
Zémire et Azor - Ballet Music: Entr'acte (Introduction to Act III)
—
Zémire et Azor - Ballet Music: Finale (Ali's Ariette ''Je suis encore tremblant'')
—
Gavotte (from Zino - Zina)
—
Roméo et Juliette: Le Sommeil de Juliette
—
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What is UPC 5099990993220?
5099990993220 is a Universal Product Code (UPC) assigned to French Music by Berlioz, Bizet, Delibes, Debussy, Fauré, Saint‐Saëns, Massenet, Gounod, Chabrier, Sir Thomas Beecham. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 75 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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