UPC · Release
Rapattitude
Various Artists
Last verified:
5099994126525 is the Universal Product Code (UPC barcode) for the release “Rapattitude” by Various Artists, released 2012-01-01 on Hostile Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include SR8W10600049, FRZ111200301, FRY689100350.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Paname City Rappin’ | — | ||
| 2 | On l’balance | — | ||
| 3 | La Formule secrète | Assassin | T-303.319.681-1 | |
| 4 | Élément dangereux | — | ||
| 5 | Rouleurs à l’heure | Saï Saï | — | |
| 6 | Peuples du monde | Tonton David | T-003.067.149-8 | |
| 7 | Le Monde de demain | Suprême NTM | T-900.763.617-1 | |
| 8 | Planète Mars | — | ||
| 9 | Ressens le son | — | ||
| 10 | Élucider ce mystère | Soon E MC | — | |
| 11 | Je danse le Mia | IAM | T-900.784.499-7 | |
| 12 | Plus vite que les balles | Ministère AMER | — | |
| 13 | J’ai pas de face | Akhenaton | T-004.153.470-6 | |
| 14 | Respect | Alliance Ethnik, Vinia Mojica | — | |
| 15 | Qu’est‐ce qui fait marcher les sages ? | Les Sages Poètes de la Rue | — | |
| 16 | À propos de tass | Tout Simplement Noir | — | |
| 17 | Pendez-les, bandez-les, descendez-les ! | X Men | — | |
| 18 | Viens voir le docteur | — | ||
| 2-1 | Requiem | La Cliqua | — | |
| 2-2 | Dealer pour survivre | — | ||
| 2-3 | Mon papa à moi est un gangster (Mon papa à moi remix) | Stomy Bugsy | — | |
| 2-4 | Bad Boys de Marseille | Akhenaton, la Fonky Family | T-003.106.091-9 | |
| 2-5 | La Magie du tiroir | — | ||
| 2-7 | Undaground Connexion | — | ||
| 2-8 | J’fais mon job à plein temps | Busta Flex | T-003.113.868-7 | |
| 2-9 | Mon pote et moi | — | ||
| 2-10 | Mama Lova | Kheops, Oxmo Puccino | T-927.665.590-4 | |
| 2-11 | Mots vrais | — | ||
| 2-12 | Petit Frère | IAM | — | |
| 2-13 | Les Flammes du mal | Passi | T-003.111.308-2 | |
| 2-14 | Lève‐toi, bats‐toi | Neg’Marrons | — | |
| 2-15 | Faut pas me prendre pour un âne | Raggasonic | — | |
| 2-16 | Les Jeunes de l’univers | — | ||
| 2-17 | L’Impertinent | — | ||
| 2-18 | L’Enfant seul | Oxmo Puccino | T-003.117.112-6 | |
| 3-1 | Hardcore | — | ||
| 3-2 | Boxe avec les mots | — | ||
| 3-3 | La garde meurt mais ne se rend pas | Faf Larage, Shurik’n | T-004.192.417-7 | |
| 3-4 | Seine‐Saint‐Denis Style | Suprême NTM | T-003.118.400-5 | |
| 3-5 | Samouraï | — | ||
| 3-6 | Tonton du bled | — | ||
| 3-7 | Syndikat du rap | D. Abuz System | — | |
| 3-8 | Loins des rèves | — | ||
| 3-9 | Les Rues électriques | — | ||
| 3-10 | Belsunce breakdown | — | ||
| 3-11 | Sérieux dans nos affaires | — | ||
| 3-12 | J'pête les blombs | Disiz la Peste | T-004.265.517-3 | |
| 3-13 | Pas l’temps pour les regrets | Lunatic | — | |
| 3-14 | Week‐end à Meda | — | ||
| 3-15 | Strass et paillettes | — | ||
| 3-16 | On s’habitue | — | ||
| 3-17 | Introduxion | — | ||
| 3-18 | Pour ceux | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pendez-les, bandez-les, descendez-les ! | X Men | — |
| Mama Lova | Kheops, Oxmo Puccino | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 5099994126525?
5099994126525 is a Universal Product Code (UPC) assigned to Rapattitude by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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