UPC · Release
Various Artists
Last verified:
The UPC for “Best Tangos 100” by Various Artists is 5099994831924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC0000961, GBAYC0000962.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Cumparsita | — | ||
| 2 | El choclo | — | ||
| 3 | De vuelta y media | — | ||
| 4 | Quejas de bandoneon | — | ||
| 5 | Rodríguez Peña | — | ||
| 6 | La cachila | — | ||
| 7 | A media luz | — | ||
| 8 | Grisel | — | ||
| 9 | La puñalada | — | ||
| 10 | Yira, yira | — | ||
| 11 | La yumba | — | ||
| 12 | Ojos negros | — | ||
| 13 | Margarita de Agosto | — | ||
| 14 | El firulete | — | ||
| 15 | Taquito militar | — | ||
| 16 | La tablada | — | ||
| 17 | Danzarín | — | ||
| 18 | La Morocha | — | ||
| 19 | Adiós muchachos | — | ||
| 20 | Mi Buenos Aires querido | — | ||
| 2-1 | Lo que vendrá | — | ||
| 2-2 | Adiós Nonino | — | ||
| 2-3 | Villeguita | — | ||
| 2-4 | Decarísimo | — | ||
| 2-5 | Para lucirse | — | ||
| 2-6 | Marrón y azul | — | ||
| 2-7 | Invierno porteño | — | ||
| 2-8 | Verano porteño | — | ||
| 2-9 | El desbande | — | ||
| 2-10 | Triunfal | — | ||
| 2-11 | Nonino | — | ||
| 2-12 | Prepárense | — | ||
| 2-13 | Zum | — | ||
| 2-14 | Otoño porteño | — | ||
| 2-15 | Se armó | — | ||
| 2-16 | Libertango | — | ||
| 2-17 | Adiós Nonino | — | ||
| 3-1 | Tango del Ángel | — | ||
| 3-2 | Adiós Nonino | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 3-3 | Decarísimo | — | ||
| 3-4 | Primavera porteña | — | ||
| 3-5 | Oblivion | — | ||
| 3-6 | Revolucionario | — | ||
| 3-7 | Otoño porteño | — | ||
| 3-8 | Fuga y misterio | — | ||
| 3-9 | Chiquilín de Bachín | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-037.095.306-2 | |
| 3-10 | Milonga del Ángel | — | ||
| 3-11 | Histoire du tango : Bordel 1900 | — | ||
| 3-12 | Histoire du tango : Café 1930 | — | ||
| 3-13 | Histoire du tango : Night-Club 1960 | — | ||
| 3-14 | Histoire du tango : Concert d'aujourd'hui | — | ||
| 3-15 | La muerte del Ángel | — | ||
| 4-1 | Asleep | — | ||
| 4-2 | Anxiety | — | ||
| 4-3 | Awake | — | ||
| 4-4 | Fear | — | ||
| 4-5 | El Marne (Gran tango de salón) | — | ||
| 4-6 | Mi refugio (Gran tango de moda) | — | ||
| 4-7 | La rayuela (Gran tango milonga) | — | ||
| 4-8 | I. Parade Très Modére Et Un Peu Sec | — | ||
| 4-9 | II. Darius En Vacances Tranquille Et À L'aise | — | ||
| 4-10 | III. Le Coq Et L'Arlequin Sans Gêne, Assez Vite | — | ||
| 4-11 | IV. Gymnopédie Valse Très Lente | — | ||
| 4-12 | V. Clownerie Acrobatique Très Vite | — | ||
| 4-13 | Tristezas de un doble a | — | ||
| 5-1 | Mi Buenos Aires querido | — | ||
| 5-2 | Volver | — | ||
| 5-3 | Golondrinas | — | ||
| 5-4 | Por una cabeza | — | ||
| 5-5 | Melodía de arrabal | — | ||
| 5-6 | Cuesta abajo | — | ||
| 5-7 | Sus ojos se cerraron | — | ||
| 5-8 | Estudiante | — | ||
| 5-9 | Amargura | — | ||
| 5-10 | El día que me quieras | — | ||
| 5-11 | Soledad | — | ||
| 5-12 | Volvió una noche | — | ||
| 5-13 | Cuando tú no estás | — | ||
| 5-14 | Arrabal amargo | — | ||
| 5-15 | Toulouse - Buenos Aires | — | ||
| 6-1 | Movimiento continuo | — | ||
| 6-2 | Chinchin | — | ||
| 6-3 | Mumuki | — | ||
| 6-4 | Tango del diablo | — | ||
| 6-5 | La fleur de mon secret: IV. Casa con ventanas y libros | — | ||
| 6-6 | La fleur de mon secret: II. Retrato de Amanda Gris | — | ||
| 6-7 | La fleur de mon secret: I. Existe alguna... | — | ||
| 6-8 | La fleur de mon secret: III. Tango de Parla | — | ||
| 6-9 | Concierto para quinteto | — | ||
| 6-10 | Suite Latino-américaine: Danse I | — | ||
| 6-11 | Suite Latino-américaine: Danse IV | — | ||
| 6-12 | Passage à 5: Introduction, thème & variations 1&2 | — | ||
| 6-13 | Passage à 5: Variations 3&4 | — | ||
| 6-14 | Passage à 5: Finale | — | ||
| 6-15 | Michelangelo 70 | — | ||
| 6-16 | Escualo | — | ||
| 6-17 | Tango Pour Claude | — | ||
| 6-18 | Tango | — | ||
| 6-19 | Habanera | — | ||
| 6-20 | Nuestro tiempo | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099994831924 is a Universal Product Code (UPC) assigned to Best Tangos 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Best Tangos 100” by Various Artists is 5099994831924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC0000961, GBAYC0000962.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La Cumparsita | — | ||
| 2 | El choclo | — | ||
| 3 | De vuelta y media | — | ||
| 4 | Quejas de bandoneon | — | ||
| 5 | Rodríguez Peña | — | ||
| 6 | La cachila | — | ||
| 7 | A media luz | — | ||
| 8 | Grisel | — | ||
| 9 | La puñalada | — | ||
| 10 | Yira, yira | — | ||
| 11 | La yumba | — | ||
| 12 | Ojos negros | — | ||
| 13 | Margarita de Agosto | — | ||
| 14 | El firulete | — | ||
| 15 | Taquito militar | — | ||
| 16 | La tablada | — | ||
| 17 | Danzarín | — | ||
| 18 | La Morocha | — | ||
| 19 | Adiós muchachos | — | ||
| 20 | Mi Buenos Aires querido | — | ||
| 2-1 | Lo que vendrá | — | ||
| 2-2 | Adiós Nonino | — | ||
| 2-3 | Villeguita | — | ||
| 2-4 | Decarísimo | — | ||
| 2-5 | Para lucirse | — | ||
| 2-6 | Marrón y azul | — | ||
| 2-7 | Invierno porteño | — | ||
| 2-8 | Verano porteño | — | ||
| 2-9 | El desbande | — | ||
| 2-10 | Triunfal | — | ||
| 2-11 | Nonino | — | ||
| 2-12 | Prepárense | — | ||
| 2-13 | Zum | — | ||
| 2-14 | Otoño porteño | — | ||
| 2-15 | Se armó | — | ||
| 2-16 | Libertango | — | ||
| 2-17 | Adiós Nonino | — | ||
| 3-1 | Tango del Ángel | — | ||
| 3-2 | Adiós Nonino | Die 12 Cellisten der Berliner Philharmoniker | — | |
| 3-3 | Decarísimo | — | ||
| 3-4 | Primavera porteña | — | ||
| 3-5 | Oblivion | — | ||
| 3-6 | Revolucionario | — | ||
| 3-7 | Otoño porteño | — | ||
| 3-8 | Fuga y misterio | — | ||
| 3-9 | Chiquilín de Bachín | Juliane Banse, Die 12 Cellisten der Berliner Philharmoniker | T-037.095.306-2 | |
| 3-10 | Milonga del Ángel | — | ||
| 3-11 | Histoire du tango : Bordel 1900 | — | ||
| 3-12 | Histoire du tango : Café 1930 | — | ||
| 3-13 | Histoire du tango : Night-Club 1960 | — | ||
| 3-14 | Histoire du tango : Concert d'aujourd'hui | — | ||
| 3-15 | La muerte del Ángel | — | ||
| 4-1 | Asleep | — | ||
| 4-2 | Anxiety | — | ||
| 4-3 | Awake | — | ||
| 4-4 | Fear | — | ||
| 4-5 | El Marne (Gran tango de salón) | — | ||
| 4-6 | Mi refugio (Gran tango de moda) | — | ||
| 4-7 | La rayuela (Gran tango milonga) | — | ||
| 4-8 | I. Parade Très Modére Et Un Peu Sec | — | ||
| 4-9 | II. Darius En Vacances Tranquille Et À L'aise | — | ||
| 4-10 | III. Le Coq Et L'Arlequin Sans Gêne, Assez Vite | — | ||
| 4-11 | IV. Gymnopédie Valse Très Lente | — | ||
| 4-12 | V. Clownerie Acrobatique Très Vite | — | ||
| 4-13 | Tristezas de un doble a | — | ||
| 5-1 | Mi Buenos Aires querido | — | ||
| 5-2 | Volver | — | ||
| 5-3 | Golondrinas | — | ||
| 5-4 | Por una cabeza | — | ||
| 5-5 | Melodía de arrabal | — | ||
| 5-6 | Cuesta abajo | — | ||
| 5-7 | Sus ojos se cerraron | — | ||
| 5-8 | Estudiante | — | ||
| 5-9 | Amargura | — | ||
| 5-10 | El día que me quieras | — | ||
| 5-11 | Soledad | — | ||
| 5-12 | Volvió una noche | — | ||
| 5-13 | Cuando tú no estás | — | ||
| 5-14 | Arrabal amargo | — | ||
| 5-15 | Toulouse - Buenos Aires | — | ||
| 6-1 | Movimiento continuo | — | ||
| 6-2 | Chinchin | — | ||
| 6-3 | Mumuki | — | ||
| 6-4 | Tango del diablo | — | ||
| 6-5 | La fleur de mon secret: IV. Casa con ventanas y libros | — | ||
| 6-6 | La fleur de mon secret: II. Retrato de Amanda Gris | — | ||
| 6-7 | La fleur de mon secret: I. Existe alguna... | — | ||
| 6-8 | La fleur de mon secret: III. Tango de Parla | — | ||
| 6-9 | Concierto para quinteto | — | ||
| 6-10 | Suite Latino-américaine: Danse I | — | ||
| 6-11 | Suite Latino-américaine: Danse IV | — | ||
| 6-12 | Passage à 5: Introduction, thème & variations 1&2 | — | ||
| 6-13 | Passage à 5: Variations 3&4 | — | ||
| 6-14 | Passage à 5: Finale | — | ||
| 6-15 | Michelangelo 70 | — | ||
| 6-16 | Escualo | — | ||
| 6-17 | Tango Pour Claude | — | ||
| 6-18 | Tango | — | ||
| 6-19 | Habanera | — | ||
| 6-20 | Nuestro tiempo | — |
