UPC · Release
Qua
Wim Mertens
5099996446027
348 tracksReleased 2009-01-01EMI Classics
Last verified:
5099996446027 is the Universal Product Code (UPC barcode) for the release “Qua” by Wim Mertens, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 348 tracks, each with its own ISRC.
Format
509GS1 prefix
9996Company prefix
44602Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCQua
IPI2 songwriters
Track List (348)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Geschuifel | — | ||
| 2 | Lenige spieren | — | ||
| 3 | Katachtig op hun gemak | — | ||
| 4 | Kronkelen de armen | — | ||
| 5 | Kruislings | — | ||
| 6 | Gerekt geding | — | ||
| 7 | Fore-Hatch | — | ||
| 8 | Feline-Leisure | — | ||
| 9 | Pad-Foot | — | ||
| 10 | Little Sinews | — | ||
| 11 | Twisted Arms | — | ||
| 12 | Cross-Hold | — | ||
| 13 | Seafoam | — | ||
| 2-1 | So That: | — | ||
| 2-2 | Limes | — | ||
| 2-3 | The Ship | — | ||
| 2-4 | Tiresias | — | ||
| 2-5 | Verses | — | ||
| 2-6 | To Be Done | — | ||
| 2-7 | Later Life | — | ||
| 2-8 | Song and Story | — | ||
| 3-1 | Part I | — | ||
| 3-2 | Part II | — | ||
| 3-3 | Part III | — | ||
| 3-4 | Part IV | — | ||
| 3-5 | Part V | — | ||
| 4-1 | Part VI | — | ||
| 4-2 | Part VII | — | ||
| 5-1 | Zo | — | ||
| 5-2 | Of | — | ||
| 5-3 | Ook | — | ||
| 5-4 | Al | — | ||
| 5-5 | Et | — | ||
| 6-1 | Tot | — | ||
| 6-2 | En | — | ||
| 6-3 | Met | — | ||
| 7-1 | De | — | ||
| 7-2 | Te | — | ||
| 8-1 | No-men | — | ||
| 8-2 | Wo-men | — | ||
| 8-3 | Chasms | — | ||
| 9-1 | Leaps | — | ||
| 9-2 | Laidback | — | ||
| 10-1 | It Serves You Right | — | ||
| 10-2 | What's Mine Is Yours | — | ||
| 10-3 | Letter Of Intent | — | ||
| 10-4 | Quotable Lines | — | ||
| 11-1 | How About It ? | — | ||
| 11-2 | How About What ? | — | ||
| 11-3 | Now You See, Now You Don't | — | ||
| 12-1 | De blik omhoog | — | ||
| 12-2 | Ofwel daar, ofwel hier | — | ||
| 12-3 | Van wie je alles verwacht | — | ||
| 12-4 | De komst van een ander | — | ||
| 12-5 | Buiten het oog | — | ||
| 13-1 | Zie niet | — | ||
| 13-2 | Hoor niet | — | ||
| 13-3 | Wees niet | — | ||
| 13-4 | Altijd haast | — | ||
| 14-1 | Waar ik heers | — | ||
| 14-2 | Schillen | — | ||
| 14-3 | Schorsen | — | ||
| 14-4 | Alles gisteren | — | ||
| 14-5 | Het lied | — | ||
| 14-6 | Retorica | — | ||
| 15-1 | Plus grandes les part de mort | — | ||
| 15-2 | Plus grandes les part de vie | — | ||
| 16-1 | Trouver le repos | — | ||
| 16-2 | Ce qui arrive | — | ||
| 16-3 | Ce qui se produit | — | ||
| 16-4 | Ce qui a lieu | — | ||
| 17-1 | Le vrai | — | ||
| 17-2 | Le héros | — | ||
| 17-3 | Le cas | — | ||
| 17-4 | Le propos | — | ||
| 17-5 | La mesure | — | ||
| 18-1 | As A Rule | — | ||
| 18-2 | Blank Versus | — | ||
| 18-3 | Leap In the Dark | — | ||
| 18-4 | Relatively Spoken | — | ||
| 18-5 | In Line With | — | ||
| 18-6 | Desert Love | — | ||
| 19-1 | Under The Trees | — | ||
| 19-2 | In Terms Of | — | ||
| 19-3 | White Boats | — | ||
| 19-4 | To Stand For | — | ||
| 19-5 | No Darkness | — | ||
| 19-6 | Their Writings | — | ||
| 19-7 | As A Golden Eye | — | ||
| 20-1 | 't is tijd | — | ||
| 20-2 | O weerzien ! | — | ||
| 20-3 | Van Hot naar Haar | — | ||
| 20-4 | Dat scheiden | — | ||
| 20-5 | Wederom verdwenen | — | ||
| 20-6 | Zij zingt en wenkt | — | ||
| 20-7 | Overal, altijd | — | ||
| 20-8 | Waar wij niet zijn | — | ||
| 20-9 | Een eigen dagindeling | — | ||
| 20-10 | Amper beschut | — | ||
| 21-1 | Zoet licht | — | ||
| 21-2 | Wat zegt het ? | — | ||
| 21-3 | De enige troost | — | ||
| 21-4 | Elke belofte | — | ||
| 21-5 | De afmatting | — | ||
| 21-6 | Achter me niets | — | ||
| 21-7 | Wat ik doe | — | ||
| 21-8 | Het oude deuntje | — | ||
| 21-9 | De dwarreling | — | ||
| 21-10 | Onderlinge onmin | — | ||
| 21-11 | Tenslotte... | — | ||
| 21-12 | Wat ik zeg | — | ||
| 21-13 | Voor me niets | — | ||
| 21-14 | Waarheen ? | — | ||
| 21-15 | De krater | — | ||
| 21-16 | Nooit genoeg | — | ||
| 21-17 | In u | — | ||
| 22-1 | Altijd Winnen | — | ||
| 22-2 | Dit zegt alles mij | — | ||
| 22-3 | Van eeeee | — | ||
| 22-4 | Olie op het vuur | — | ||
| 22-5 | Zo Was het | — | ||
| 22-6 | Een hoger doel | — | ||
| 22-7 | Tel je polsslagen ! | — | ||
| 22-8 | Met natte schoenen | — | ||
| 22-9 | Men schommelt | — | ||
| 22-10 | Een stomme streek | — | ||
| 22-11 | Later het vervolg | — | ||
| 22-12 | Als muze | — | ||
| 22-13 | Gretig vuur | — | ||
| 22-14 | Nieuwe dwalingen | — | ||
| 22-15 | Zo gaat het voort | — | ||
| 22-16 | Het kortstondige | — | ||
| 22-17 | En aaaaa | — | ||
| 22-18 | Dronkemansliedjes | — | ||
| 22-19 | De wil van één | — | ||
| 22-20 | Weinig meeleven | — | ||
| 22-21 | Heimelijke bijeenkomsten | — | ||
| 22-22 | Maak dat de kat wijs | — | ||
| 22-23 | Egels | — | ||
| 22-24 | Een sierlijk zakdoekje | — | ||
| 22-25 | Een veilge plek | — | ||
| 22-26 | Je hebt van die uren ! | — | ||
| 23-1 | Anéantir | — | ||
| 23-2 | Bienvenir | — | ||
| 23-3 | Cadastrer | — | ||
| 23-4 | Dépasser | — | ||
| 23-5 | Empêcher | — | ||
| 23-6 | Fatiguer | — | ||
| 23-7 | Galoper | — | ||
| 23-8 | Honorer | — | ||
| 23-9 | In situ | — | ||
| 24-1 | Jubiler | — | ||
| 24-2 | Kss ! Kss ! | — | ||
| 24-3 | Laudes | — | ||
| 24-4 | Monter | — | ||
| 24-5 | Nier | — | ||
| 24-6 | Orémus | — | ||
| 24-7 | Posséder | — | ||
| 24-8 | Questionner | — | ||
| 25-1 | If And Only If | — | ||
| 25-2 | Which Connects Them All | — | ||
| 25-3 | Smooth Manifolds | — | ||
| 25-4 | Twice Falsified | — | ||
| 25-5 | Possible Width | — | ||
| 25-6 | Benevolent Murmuring | — | ||
| 25-7 | Unlimited Returns | — | ||
| 25-8 | As Bait | — | ||
| 25-9 | Red Heat | — | ||
| 25-10 | Diagrammic Traits | — | ||
| 25-11 | Nous Sommes À Venir | — | ||
| 25-12 | Secret Of The Stammerer | — | ||
| 25-13 | Whimsical Curiosity | — | ||
| 25-14 | The One And The Many | — | ||
| 25-15 | Still Unbroken | — | ||
| 26-1 | Comme une sonde | — | ||
| 26-2 | Uneven Halfs | — | ||
| 26-3 | Answerless Riddles | — | ||
| 26-4 | Obedience Into Command | — | ||
| 26-5 | Urdoxa | — | ||
| 26-6 | The Throw of the Dice | — | ||
| 26-7 | Level of the Membrane | — | ||
| 26-8 | More Grandiose | — | ||
| 26-9 | One Before Two | — | ||
| 26-10 | Incompossible Worlds | — | ||
| 26-11 | The Breaking of the Shell | — | ||
| 26-12 | With Zones of Clarity | — | ||
| 26-13 | Series of Hungers | — | ||
| 26-14 | From the Whole to the Parts | — | ||
| 27-1 | Two Before Three | — | ||
| 27-2 | With Sensibilia | — | ||
| 27-3 | From Within | — | ||
| 27-4 | Logical Shell | — | ||
| 27-5 | And Yet To Come | — | ||
| 27-6 | Een Verlegenheidsnaam | — | ||
| 27-7 | Âme - Chair | — | ||
| 27-8 | Against All Deaths | — | ||
| 27-9 | This Lustful Note | — | ||
| 27-10 | In Its Hardness | — | ||
| 27-11 | Subtle Schematism | — | ||
| 27-12 | Large Too Small | — | ||
| 27-13 | At Arm's Length | — | ||
| 27-14 | A World Of Born | — | ||
| 27-15 | SouFFrance | — | ||
| 27-16 | With All His Might | — | ||
| 27-17 | Through Self-Sameness | — | ||
| 27-18 | With Outstretched Wings | — | ||
| 27-19 | Hitherto | — | ||
| 27-20 | The Mildest Of All | — | ||
| 27-21 | With A Ploughshare | — | ||
| 28-1 | Trouvaille | — | ||
| 28-2 | Obsessional Paths | — | ||
| 28-3 | In the Meanderings | — | ||
| 28-4 | Pious Intentions | — | ||
| 28-5 | Four Before Five | — | ||
| 28-6 | Withdrawn Voices | — | ||
| 28-7 | Diumal Rêverie | — | ||
| 28-8 | Incerto Tempore | — | ||
| 28-9 | Just As the Swerve | — | ||
| 28-10 | Of Theft and Gift | — | ||
| 28-11 | Silent Imaginings | — | ||
| 29-1 | Of Animal Habit | — | ||
| 29-2 | What It Can Grasp | — | ||
| 29-3 | Xerophyte | — | ||
| 29-4 | School of Thought | — | ||
| 29-5 | Perpetuum Quietum | — | ||
| 29-6 | And Holding a Sheaf | — | ||
| 29-7 | Weight of the Heights | — | ||
| 29-8 | Whole Bundles | — | ||
| 29-9 | Wandelende Pijnen | — | ||
| 29-10 | In the Swarm | — | ||
| 29-11 | Reaped in Silence | — | ||
| 29-12 | Great Health | — | ||
| 29-13 | Een last over de grond trekken | — | ||
| 30-1 | As Expansive Fluidium | — | ||
| 30-2 | Taille de la vie | — | ||
| 30-3 | Seafaring | — | ||
| 30-4 | Interweaving | — | ||
| 30-5 | Angular Momentum | — | ||
| 30-6 | Happy Harvest | — | ||
| 30-7 | Useful to Us | — | ||
| 30-8 | The Goose for the Fox | — | ||
| 30-9 | Irrational Rhythms | — | ||
| 30-10 | At First Glance | — | ||
| 30-11 | As in Wooden Wedges | — | ||
| 30-12 | As in a Mould | — | ||
| 30-13 | Over het water glijden | — | ||
| 31-1 | Water Into Vapor | — | ||
| 31-2 | Selective Pressure | — | ||
| 31-3 | Within a Larger Ring | — | ||
| 31-4 | Truth on Its Side | — | ||
| 31-5 | Artificial Instruments | — | ||
| 31-6 | Returned to Its Giver | — | ||
| 31-7 | Like Inner Commands | — | ||
| 31-8 | The Stag and the Wolf | — | ||
| 31-9 | Working Backwards | — | ||
| 31-10 | As Sole Begetter | — | ||
| 31-11 | This Undoing | — | ||
| 31-12 | In Packs | — | ||
| 31-13 | Absolute Heteron | — | ||
| 32-1 | Primordial Fire | — | ||
| 32-2 | Called Caloric | — | ||
| 32-3 | As Place Holder | — | ||
| 32-4 | Phenomenae of Heat | — | ||
| 32-5 | Motor - Habits | — | ||
| 32-6 | Quite the Reverse | — | ||
| 32-7 | Rapid Impact | — | ||
| 32-8 | Quivering Timpani | — | ||
| 32-9 | In the Midst | — | ||
| 32-10 | Always Already | — | ||
| 32-11 | Ideals of Quietism | — | ||
| 32-12 | As a Lack | — | ||
| 32-13 | Gensters slaan | — | ||
| 33-1 | As Inmixing | — | ||
| 33-2 | First Things | — | ||
| 33-3 | At All Costs | — | ||
| 33-4 | Monstrous Couplings | — | ||
| 33-5 | Chains of Phenomena | — | ||
| 33-6 | Ongoing, Within Us | — | ||
| 33-7 | Theory of Everything | — | ||
| 33-8 | But Must Be Made | — | ||
| 33-9 | The Grain of the Mebrane | — | ||
| 33-10 | Pure Whimsicality | — | ||
| 33-11 | Undulging Wheat | — | ||
| 33-12 | Canons of Taste and Habit | — | ||
| 33-13 | Its Media Infantilism | — | ||
| 34-1 | Initial Enthusiasm | — | ||
| 34-2 | Nature as Music | — | ||
| 34-3 | Qualitas Occultas | — | ||
| 34-4 | Aether Proofs | — | ||
| 34-5 | By Penetrating It | — | ||
| 34-6 | Originarie Expansiva | — | ||
| 34-7 | Room For Faith | — | ||
| 34-8 | Per Spontaneitatem | — | ||
| 34-9 | Innocent Enough | — | ||
| 35-1 | Its Maschinewesen | — | ||
| 35-2 | Its Long Sought Principle | — | ||
| 35-3 | As Instrumentum | — | ||
| 35-4 | Cumbrous Notations | — | ||
| 35-5 | Random Groping | — | ||
| 35-6 | The Whole of the Past | — | ||
| 35-7 | Such a Transition | — | ||
| 35-8 | Par chance, sans effort | — | ||
| 35-9 | Apatride | — | ||
| 35-10 | This Necessary Willkür | — | ||
| 35-11 | Without Example | — | ||
| 35-12 | Unless the Hand Obeys | — | ||
| 35-13 | Stolen Legends | — | ||
| 36-1 | Next Nearest | — | ||
| 36-2 | Various Alphabets | — | ||
| 36-3 | For the Ausführbarkeit | — | ||
| 36-4 | At Every Instant | — | ||
| 36-5 | Methode of Intuition | — | ||
| 36-6 | Sine Missione | — | ||
| 36-7 | Benen Bol | — | ||
| 36-8 | Alongside and Successively | — | ||
| 36-9 | Arranged, Simplified | — | ||
| 36-10 | You Northerners | — | ||
| 36-11 | Fewer Refrains | — | ||
| 36-12 | Most Untamed | — | ||
| 36-13 | In Fits and Starts | — | ||
| 36-14 | Luxta et post | — | ||
| 36-15 | As a Fabulated Giant | — | ||
| 36-16 | Bodies Into Planes | — | ||
| 36-17 | Periods of Tasting | — | ||
| 36-18 | Far Enough | — | ||
| 36-19 | Within a Wider Cartography | — | ||
| 36-20 | Most Secure Bastion | — | ||
| 36-21 | Into a Bundle | — | ||
| 37-1 | Eerste aanzet | — | ||
| 37-2 | Den enkelte | — | ||
| 37-3 | Four Northern Mists | — | ||
| 37-4 | All Desirability | — | ||
| 37-5 | In Fluvia | — | ||
| 37-6 | Begerige deel | — | ||
| 37-7 | In the Caesura | — | ||
| 37-8 | What You See Is What You Hear | — | ||
| 37-9 | Membrane States | — | ||
| 37-10 | Connections Of Possibility | — | ||
| 37-11 | Silent Echoes | — | ||
| 37-12 | Featherless Biped | — | ||
| 37-13 | The Gorged Tick | — | ||
| 37-14 | Of Hand and Fingers | — | ||
| 37-15 | Clinamen | — | ||
| 37-16 | In Close Embrace | — | ||
| 37-17 | Of niet | — | ||
| 37-18 | Third Kinds | — | ||
| 37-19 | Essence Of Modes | — | ||
| 37-20 | Then, and Only Then | — |
Geschuifel
—
Lenige spieren
—
Katachtig op hun gemak
—
Kronkelen de armen
—
Kruislings
—
Gerekt geding
—
Fore-Hatch
—
Feline-Leisure
—
Pad-Foot
—
Little Sinews
—
Twisted Arms
—
Cross-Hold
—
Seafoam
—
So That:
—
Limes
—
The Ship
—
Tiresias
—
Verses
—
To Be Done
—
Later Life
—
Song and Story
—
Part I
—
Part II
—
Part III
—
Part IV
—
Part V
—
Part VI
—
Part VII
—
Zo
—
Of
—
Ook
—
Al
—
Et
—
Tot
—
En
—
Met
—
De
—
Te
—
No-men
—
Wo-men
—
Chasms
—
Leaps
—
Laidback
—
It Serves You Right
—
What's Mine Is Yours
—
Letter Of Intent
—
Quotable Lines
—
How About It ?
—
How About What ?
—
Now You See, Now You Don't
—
De blik omhoog
—
Ofwel daar, ofwel hier
—
Van wie je alles verwacht
—
De komst van een ander
—
Buiten het oog
—
Zie niet
—
Hoor niet
—
Wees niet
—
Altijd haast
—
Waar ik heers
—
Schillen
—
Schorsen
—
Alles gisteren
—
Het lied
—
Retorica
—
Plus grandes les part de mort
—
Plus grandes les part de vie
—
Trouver le repos
—
Ce qui arrive
—
Ce qui se produit
—
Ce qui a lieu
—
Le vrai
—
Le héros
—
Le cas
—
Le propos
—
La mesure
—
As A Rule
—
Blank Versus
—
Leap In the Dark
—
Relatively Spoken
—
In Line With
—
Desert Love
—
Under The Trees
—
In Terms Of
—
White Boats
—
To Stand For
—
No Darkness
—
Their Writings
—
As A Golden Eye
—
't is tijd
—
O weerzien !
—
Van Hot naar Haar
—
Dat scheiden
—
Wederom verdwenen
—
Zij zingt en wenkt
—
Overal, altijd
—
Waar wij niet zijn
—
Een eigen dagindeling
—
Amper beschut
—
Zoet licht
—
Wat zegt het ?
—
De enige troost
—
Elke belofte
—
De afmatting
—
Achter me niets
—
Wat ik doe
—
Het oude deuntje
—
De dwarreling
—
Onderlinge onmin
—
Tenslotte...
—
Wat ik zeg
—
Voor me niets
—
Waarheen ?
—
De krater
—
Nooit genoeg
—
In u
—
Altijd Winnen
—
Dit zegt alles mij
—
Van eeeee
—
Olie op het vuur
—
Zo Was het
—
Een hoger doel
—
Tel je polsslagen !
—
Met natte schoenen
—
Men schommelt
—
Een stomme streek
—
Later het vervolg
—
Als muze
—
Gretig vuur
—
Nieuwe dwalingen
—
Zo gaat het voort
—
Het kortstondige
—
En aaaaa
—
Dronkemansliedjes
—
De wil van één
—
Weinig meeleven
—
Heimelijke bijeenkomsten
—
Maak dat de kat wijs
—
Egels
—
Een sierlijk zakdoekje
—
Een veilge plek
—
Je hebt van die uren !
—
Anéantir
—
Bienvenir
—
Cadastrer
—
Dépasser
—
Empêcher
—
Fatiguer
—
Galoper
—
Honorer
—
In situ
—
Jubiler
—
Kss ! Kss !
—
Laudes
—
Monter
—
Nier
—
Orémus
—
Posséder
—
Questionner
—
If And Only If
—
Which Connects Them All
—
Smooth Manifolds
—
Twice Falsified
—
Possible Width
—
Benevolent Murmuring
—
Unlimited Returns
—
As Bait
—
Red Heat
—
Diagrammic Traits
—
Nous Sommes À Venir
—
Secret Of The Stammerer
—
Whimsical Curiosity
—
The One And The Many
—
Still Unbroken
—
Comme une sonde
—
Uneven Halfs
—
Answerless Riddles
—
Obedience Into Command
—
Urdoxa
—
The Throw of the Dice
—
Level of the Membrane
—
More Grandiose
—
One Before Two
—
Incompossible Worlds
—
The Breaking of the Shell
—
With Zones of Clarity
—
Series of Hungers
—
From the Whole to the Parts
—
Two Before Three
—
With Sensibilia
—
From Within
—
Logical Shell
—
And Yet To Come
—
Een Verlegenheidsnaam
—
Âme - Chair
—
Against All Deaths
—
This Lustful Note
—
In Its Hardness
—
Subtle Schematism
—
Large Too Small
—
At Arm's Length
—
A World Of Born
—
SouFFrance
—
With All His Might
—
Through Self-Sameness
—
With Outstretched Wings
—
Hitherto
—
The Mildest Of All
—
With A Ploughshare
—
Trouvaille
—
Obsessional Paths
—
In the Meanderings
—
Pious Intentions
—
Four Before Five
—
Withdrawn Voices
—
Diumal Rêverie
—
Incerto Tempore
—
Just As the Swerve
—
Of Theft and Gift
—
Silent Imaginings
—
Of Animal Habit
—
What It Can Grasp
—
Xerophyte
—
School of Thought
—
Perpetuum Quietum
—
And Holding a Sheaf
—
Weight of the Heights
—
Whole Bundles
—
Wandelende Pijnen
—
In the Swarm
—
Reaped in Silence
—
Great Health
—
Een last over de grond trekken
—
As Expansive Fluidium
—
Taille de la vie
—
Seafaring
—
Interweaving
—
Angular Momentum
—
Happy Harvest
—
Useful to Us
—
The Goose for the Fox
—
Irrational Rhythms
—
At First Glance
—
As in Wooden Wedges
—
As in a Mould
—
Over het water glijden
—
Water Into Vapor
—
Selective Pressure
—
Within a Larger Ring
—
Truth on Its Side
—
Artificial Instruments
—
Returned to Its Giver
—
Like Inner Commands
—
The Stag and the Wolf
—
Working Backwards
—
As Sole Begetter
—
This Undoing
—
In Packs
—
Absolute Heteron
—
Primordial Fire
—
Called Caloric
—
As Place Holder
—
Phenomenae of Heat
—
Motor - Habits
—
Quite the Reverse
—
Rapid Impact
—
Quivering Timpani
—
In the Midst
—
Always Already
—
Ideals of Quietism
—
As a Lack
—
Gensters slaan
—
As Inmixing
—
First Things
—
At All Costs
—
Monstrous Couplings
—
Chains of Phenomena
—
Ongoing, Within Us
—
Theory of Everything
—
But Must Be Made
—
The Grain of the Mebrane
—
Pure Whimsicality
—
Undulging Wheat
—
Canons of Taste and Habit
—
Its Media Infantilism
—
Initial Enthusiasm
—
Nature as Music
—
Qualitas Occultas
—
Aether Proofs
—
By Penetrating It
—
Originarie Expansiva
—
Room For Faith
—
Per Spontaneitatem
—
Innocent Enough
—
Its Maschinewesen
—
Its Long Sought Principle
—
As Instrumentum
—
Cumbrous Notations
—
Random Groping
—
The Whole of the Past
—
Such a Transition
—
Par chance, sans effort
—
Apatride
—
This Necessary Willkür
—
Without Example
—
Unless the Hand Obeys
—
Stolen Legends
—
Next Nearest
—
Various Alphabets
—
For the Ausführbarkeit
—
At Every Instant
—
Methode of Intuition
—
Sine Missione
—
Benen Bol
—
Alongside and Successively
—
Arranged, Simplified
—
You Northerners
—
Fewer Refrains
—
Most Untamed
—
In Fits and Starts
—
Luxta et post
—
As a Fabulated Giant
—
Bodies Into Planes
—
Periods of Tasting
—
Far Enough
—
Within a Wider Cartography
—
Most Secure Bastion
—
Into a Bundle
—
Eerste aanzet
—
Den enkelte
—
Four Northern Mists
—
All Desirability
—
In Fluvia
—
Begerige deel
—
In the Caesura
—
What You See Is What You Hear
—
Membrane States
—
Connections Of Possibility
—
Silent Echoes
—
Featherless Biped
—
The Gorged Tick
—
Of Hand and Fingers
—
Clinamen
—
In Close Embrace
—
Of niet
—
Third Kinds
—
Essence Of Modes
—
Then, and Only Then
—
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What is UPC 5099996446027?
5099996446027 is a Universal Product Code (UPC) assigned to Qua by Wim Mertens. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 348 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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