UPC · Release
50 Best American Classics
Various Artists
Last verified:
5099997244851 is the Universal Product Code (UPC barcode) for the release “50 Best American Classics” by Various Artists, released 2012-10-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include FRZ119404790, USAR29700004, GBAYC9603860.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Mood Indigo | Barbara Hendricks, The Monty Alexander Trio | T-901.136.164-1 | |
| 2-2 | Grand Canyon Suite: On the Trail | The Hollywood Bowl Symphony Orchestra, Felix Slatkin | — | |
| 2-3 | Smoke Gets in Your Eyes | Barry Tuckwell, Neil Richardson | T0701993136 | |
| 2-4 | Anything Goes: Overture | London Symphony Orchestra, John McGlinn | T0106545918 | |
| 2-5 | Adagio for Strings, op. 11 (extract) | London Symphony Orchestra, Michael Tilson Thomas | T-070.000.199-5 | |
| 2-6 | The Plow That Broke the Plains, Suite for orchestra: II. Pastorale (Grass) | Los Angeles Chamber Orchestra, Sir Neville Marriner | — | |
| 2-7 | The Plow That Broke the Plains, Suite for orchestra: III. Cattle | Los Angeles Chamber Orchestra, Sir Neville Marriner | — | |
| 2-8 | The Plow That Broke the Plains, Suite for orchestra: IV. Blues (Speculation) | Los Angeles Chamber Orchestra, Sir Neville Marriner | — | |
| 2-9 | Bewitched, Bothered and Bewildered (From 'Pal Joey') | Frederica von Stade | T-070.011.110-9 | |
| 2-10 | Take the "A" Train | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.177.920-5 | |
| 2-11 | Fanfare for the Common Man | Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz | T-070.054.000-6 | |
| 2-12 | Appalachian Spring: I. Very Slowly | Saint Louis Symphony Orchestra, Leonard Slatkin | — | |
| 2-13 | Appalachian Spring: II. Allegro | Saint Louis Symphony Orchestra, Leonard Slatkin | T0700016121 | |
| 2-14 | Undertow: The Transgressor and Medusa - Love and Death | Ballet Theatre Orchestra, Joseph Levine | — | |
| 2-15 | Undertow: Alone, the Transgressor writhes in fear | Ballet Theatre Orchestra, Joseph Levine | — | |
| 2-16 | Undertow: Finale - The Transgressor atones for his fatal act | Ballet Theatre Orchestra, Joseph Levine | — | |
| 2-17 | Second Sonata for Piano: III. Misurato e pesante | Peter Lawson | — | |
| 2-18 | Annie Get Your Gun: Overture | London Sinfonietta, John McGlinn | T0700014465 | |
| 2-19 | The Lordly Hudson | Nathan Gunn, Kevin Murphy | — |
Additional database matches (31)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rozart Mix | Members of the Ensemble Musica Negativa | T0709225615 |
| Three Canons for Ursula: No. 1. Canon 5/7 | Thomas Adès | — |
| At the River | Marni Nixon, John McCabe | — |
| To a Wild Rose | Dame Moura Lympany | — |
| Façades | Christopher Warren-Green, London Chamber Orchestra | — |
| Three Occasions for Orchestra: No. 3. Anniversary | London Sinfonietta, Oliver Knussen | — |
| Two Fanfares: 2. Short Ride in a Fast Machine | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Rhapsody in Blue - Jazz Band Version (Arr. Grofé) (Opening) | Wayne Marshall, City of Birmingham Symphony Orchestra, Simon Rattle | T0701265373 |
| Over the Piano | Nathan Gunn, Kevin Murphy | — |
| The Half-Ring Moon | Deborah Voigt | T0700720826 |
| The Entertainer | Joshua Rifkin | T-307.274.394-9 |
| Skyscrapers | London Symphony Orchestra, Kenneth Klein | — |
| Oedipus Tyrannus, op. 35 | London Symphony Orchestra, Kenneth Klein | — |
| Suite in E for Strings, op. 63: Pizzicato and Adagietto (Capriccioso. Allegretto) | London Symphony Orchestra, Kenneth Klein | — |
| Prelude no. 2 in C-sharp minor | Leonard Pennario | — |
| My Old Kentucky Home | Salli Terri | — |
| Vermont Counterpoint | Ransom Wilson | — |
| Candide: Overture | Saint Louis Symphony Orchestra, Leonard Slatkin | T-903.288.559-9 |
| Symphony no. 2 "Romantic": II. Andante con tenerezza | Saint Louis Symphony Orchestra, Leonard Slatkin | — |
| The Liberty Bell | The Great American Main Street Band, Timothy W. Foley | T-902.818.324-6 |
| Old American Songs II. The Dodger (Campaign Song) | Bruce Hubbard, Orchestra of St. Luke’s, Dennis Russell Davies | — |
| Old American Songs III. Long Time Ago (Ballad) | Bruce Hubbard, Orchestra of St. Luke’s, Dennis Russell Davies | T0701024954 |
| Old American Songs IV. Simple Gifts (Shaker Song) | Bruce Hubbard, Orchestra of St. Luke’s, Dennis Russell Davies | — |
| Old American Songs VI. The Little Horses (Lullaby) | Bruce Hubbard, Orchestra of St. Luke’s, Dennis Russell Davies | — |
| Bamboula | Leonard Pennario | — |
| Festival Overture on 'The Star Spangled Banner' | London Symphony Orchestra, Kenneth Klein | — |
| Capital of the World: Part 1. The Street - Paco Into Shop - Imaginary Bullfight - Owner- Enrique - The Seamstresses | Ballet Theatre Orchestra, Joseph Levine | — |
| Fall River Legend: Elegy | Ballet Theatre Orchestra, Joseph Levine | T0700539156 |
| Fall River Legend: Church social | Ballet Theatre Orchestra, Joseph Levine | T0700539156 |
| Fall River Legend: Hymnal variations | Ballet Theatre Orchestra, Joseph Levine | T0700539156 |
| Fall River Legend: Cotillion | Ballet Theatre Orchestra, Joseph Levine | T0700539156 |
What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5099997244851?
5099997244851 is a Universal Product Code (UPC) assigned to 50 Best American Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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