UPC · Release
50 Best Classical Composers
Various Artists
5099997245629
18 tracks
Last verified:
5099997245629 is the Universal Product Code (UPC barcode) for the release “50 Best Classical Composers” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEA349700031, GBAYC0702145, FRZ118702983.
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509GS1 prefix
9997Company prefix
24562Product
9Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPC50 Best Classical Composers
ISRC18 recordings
ISWC26 works
IPI3 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 3-2 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 3-3 | Suite pastorale : I. Idylle | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 3-4 | Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — | |
| 3-5 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T3067054386 | |
| 3-6 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 3-7 | The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee | Николай Андреевич Римский-Корсаков | T9027999208 | |
| 3-8 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T9211617720 | |
| 3-9 | Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T3158247377 | |
| 3-10 | Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) | Bamberger Symphoniker, Karl Anton Rickenbacher | — | |
| 3-11 | In the mists (V Mlhách), pieces (4) for piano, JW 8/22: 1. Andante | Piotr Anderszewski | — | |
| 3-12 | 5 Pomp and Circumstance Marches, op. 39: No. 1 in D major (excerpt) | Royal Philharmonic Orchestra, Sir Yehudi Menuhin | T9023905488 | |
| 3-13 | Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-14 | Tosca: Act 3: Scene 2: "E lucevan le stelle" (Cavaradossi) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T9050397529 | |
| 3-15 | Suite española no. 1, op. 47: V. Asturias "Leyenda" | Sharon Isbin | — | |
| 3-16 | Symphonie No. 5: IV. Adagietto (excerpt) | Radion sinfoniaorkesteri, Jukka-Pekka Saraste | — | |
| 3-17 | Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrösslein" | Sir Thomas Allen, Geoffrey Parsons | — | |
| 3-18 | Children's Corner, CD 119, L. 113: No. 6. Golliwog's Cake Walk | Jean-Bernard Pommier | — |
Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Suite pastorale : I. Idylle
Orchestre du Capitole de Toulouse, Michel Plasson
—
Slavonic Dances, op. 72: no. 2 in E minor (Dumka)
Berliner Philharmoniker, Lorin Maazel
—
Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding
Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood
Eesti Riiklik Sümfooniaorkester, Paavo Järvi
—
Николай Андреевич Римский-Корсаков
Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill
Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter)
Bamberger Symphoniker, Karl Anton Rickenbacher
—
In the mists (V Mlhách), pieces (4) for piano, JW 8/22: 1. Andante
Piotr Anderszewski
—
Royal Philharmonic Orchestra, Sir Yehudi Menuhin
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti
Suite española no. 1, op. 47: V. Asturias "Leyenda"
Sharon Isbin
—
Symphonie No. 5: IV. Adagietto (excerpt)
Radion sinfoniaorkesteri, Jukka-Pekka Saraste
—
Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrösslein"
Sir Thomas Allen, Geoffrey Parsons
—
Children's Corner, CD 119, L. 113: No. 6. Golliwog's Cake Walk
Jean-Bernard Pommier
—
Additional database matches (48)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Der Freischütz, op. 77, J. 277: Ouvertüre | Berliner Philharmoniker, Joseph Keilberth | T9157132019 |
| Liebestraum no. 3 in A-flat major, S. 541 | François-René Duchâble | — |
| Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T9001428268 |
| Prélude, Fugue et Variation, op. 18, FWV 30: I. Prélude | Aldo Ciccolini | — |
| Ave Maria | Barbara Hendricks, Erik Lundkvist, Stockholms Nya Kammarorkester, Eric Ericson | T0091476673 |
| The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T0702480770 |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — |
| A Midsummer Night's Dream, op. 61, MWV M13: No. 1. Scherzo | Orchestre de chambre de Paris, John Nelson | — |
| Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — |
| L’Elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-310639190-2 |
| Prince Igor: Polovtsian Dances: IV | Mariinsky Choir, Orchestre philharmonique de Radio France, Paavo Järvi | — |
| Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — |
| Schwanengesang, D. 957: No. 4. Ständchen | Gautier Capuçon, Frank Braley | — |
| Petite Suite d'orchestre, op. 22 (Jeux d'enfants): Galop (Le Bal). Presto | Orchestre de Paris, Paavo Järvi | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Le Beau Danube bleu (extrait) | Wiener Johann Strauss Orchester | T-916104233-7 |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | — |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | T9025741417 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914248874-2 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | The London Classical Players, Roger Norrington | T8037467849 |
| Davidsbündlertänze, op. 6: Heft I: No. 8. Frisch | Stephen Hough | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T9001603174 |
| Symphonie fantastique, op. 14: II. Un bal: Valse, Allegro non troppo | The London Classical Players, Roger Norrington | T9220672435 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010194871-3 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Má Vlast, JB 1/112: II. Die Moldau | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9026536005 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Guillaume Tell: Overture. Andante - Allegro (excerpt) | The London Classical Players, Sir Roger Norrington | T0104663300 |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T0702578877 |
| 12 Études, op. 25: No. 4 in A minor | Leif Ove Andsnes | T3294575007 |
| Symphonie espagnole op. 21: III. Intermezzo (Allegretto non troppo) | Christian Tetzlaff, Czech Philharmonic, Libor Pešek | — |
| Amour et printemps | Orchestre philharmonique de Strasbourg, Theodor Guschlbauer | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
Berliner Philharmoniker, Joseph Keilberth
Liebestraum no. 3 in A-flat major, S. 541
François-René Duchâble
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Prélude, Fugue et Variation, op. 18, FWV 30: I. Prélude
Aldo Ciccolini
—
Barbara Hendricks, Erik Lundkvist, Stockholms Nya Kammarorkester, Eric Ericson
Fabio Biondi, Europa Galante
Symphony no. 3 in F major, op. 90: III. Poco allegretto
Deutsche Kammerphilharmonie, Daniel Harding
—
A Midsummer Night's Dream, op. 61, MWV M13: No. 1. Scherzo
Orchestre de chambre de Paris, John Nelson
—
Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande
Academy of St Martin in the Fields, Alexander Briger
—
Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti
Prince Igor: Polovtsian Dances: IV
Mariinsky Choir, Orchestre philharmonique de Radio France, Paavo Järvi
—
Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell
Philharmonia Orchestra, Otto Klemperer
—
Schwanengesang, D. 957: No. 4. Ständchen
Gautier Capuçon, Frank Braley
—
Petite Suite d'orchestre, op. 22 (Jeux d'enfants): Galop (Le Bal). Presto
Orchestre de Paris, Paavo Järvi
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Wiener Johann Strauss Orchester
Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus)
Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Le carnaval des animaux: VII. Aquarium
Nash Ensemble, Libor Pešek
—
English Chamber Orchestra, Philip Ledger
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
The London Classical Players, Roger Norrington
Davidsbündlertänze, op. 6: Heft I: No. 8. Frisch
Stephen Hough
—
London Symphony Orchestra, André Previn
The London Classical Players, Roger Norrington
Jean-Bernard Pommier, Sinfonia Varsovia
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Royal Liverpool Philharmonic Orchestra, Libor Pešek
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
The London Classical Players, Sir Roger Norrington
Oslo Philharmonic Orchestra, Mariss Jansons
Leif Ove Andsnes
Symphonie espagnole op. 21: III. Intermezzo (Allegretto non troppo)
Christian Tetzlaff, Czech Philharmonic, Libor Pešek
—
Amour et printemps
Orchestre philharmonique de Strasbourg, Theodor Guschlbauer
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005295990000000000551355440000000055143421000000006097350X00000000783980720000000081255953000000008169243200000000816971530000000081853590000000008218478X
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0000000083493824000000008366853200000000837446110000000106617448000000010717671X00000001086335640000000108964232000000010911104700000001091441130000000109300665000000010937393600000001093886600000000109426524000000010943345X000000010944014X000000010944213700000001095190340000000109587838000000010995792300000001100934990000000110110842000000011023504700000001103269770000000110363356000000011063348300000001107366180000000110823228000000011082996100000001109287910000000110933953000000011297410X000000011438236X00000001143948890000000114485334000000011449965600000001145512580000000114553392000000011457082X000000011463386X0000000114725481
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What is UPC 5099997245629?
5099997245629 is a Universal Product Code (UPC) assigned to 50 Best Classical Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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