UPC · Release
50 Best Classical Composers
Various Artists
5099997245650
34 tracksReleased 2012-10-28
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5099997245650 is the Universal Product Code (UPC barcode) for the release “50 Best Classical Composers” by Various Artists, released 2012-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include GBAYC0003248, GBAYC8801650, GBAYC0201575.
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9997Company prefix
24565Product
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
UPC50 Best Classical Composers
ISRC34 recordings
ISWC26 works
IPI3 songwriters
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T0702480770 | |
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914248874-2 | |
| 3 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 4 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010194871-3 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | The London Classical Players, Roger Norrington | T8037467849 | |
| 6 | 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — | |
| 7 | Der Freischütz, op. 77, J. 277: Ouvertüre | Berliner Philharmoniker, Joseph Keilberth | T9157132019 | |
| 8 | Guillaume Tell: Overture. Andante - Allegro (excerpt) | The London Classical Players, Sir Roger Norrington | T0104663300 | |
| 9 | L’Elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-310639190-2 | |
| 10 | Schwanengesang, D. 957: No. 4. Ständchen | Gautier Capuçon, Frank Braley | — | |
| 11 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 12 | Symphonie fantastique, op. 14: II. Un bal: Valse, Allegro non troppo | The London Classical Players, Roger Norrington | T9220672435 | |
| 13 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 14 | A Midsummer Night's Dream, op. 61, MWV M13: No. 1. Scherzo | Orchestre de chambre de Paris, John Nelson | — | |
| 15 | 12 Études, op. 25: No. 4 in A minor | Leif Ove Andsnes | T3294575007 | |
| 16 | Davidsbündlertänze, op. 6: Heft I: No. 8. Frisch | Stephen Hough | — | |
| 17 | Liebestraum no. 3 in A-flat major, S. 541 | François-René Duchâble | — | |
| 3-1 | Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 3-2 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 3-3 | Suite pastorale : I. Idylle | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 3-4 | Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — | |
| 3-5 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T3067054386 | |
| 3-6 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 3-7 | The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee | Николай Андреевич Римский-Корсаков | T9027999208 | |
| 3-8 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T9211617720 | |
| 3-10 | Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) | Bamberger Symphoniker, Karl Anton Rickenbacher | — | |
| 3-11 | In the mists (V Mlhách), pieces (4) for piano, JW 8/22: 1. Andante | Piotr Anderszewski | — | |
| 3-12 | 5 Pomp and Circumstance Marches, op. 39: No. 1 in D major (excerpt) | Royal Philharmonic Orchestra, Sir Yehudi Menuhin | T9023905488 | |
| 3-13 | Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-14 | Tosca: Act 3: Scene 2: "E lucevan le stelle" (Cavaradossi) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T9050397529 | |
| 3-15 | Suite española no. 1, op. 47: V. Asturias "Leyenda" | Sharon Isbin | — | |
| 3-16 | Symphonie No. 5: IV. Adagietto (excerpt) | Radion sinfoniaorkesteri, Jukka-Pekka Saraste | — | |
| 3-17 | Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrösslein" | Sir Thomas Allen, Geoffrey Parsons | — | |
| 3-18 | Children's Corner, CD 119, L. 113: No. 6. Golliwog's Cake Walk | Jean-Bernard Pommier | — |
Fabio Biondi, Europa Galante
English Chamber Orchestra, Philip Ledger
Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande
Academy of St Martin in the Fields, Alexander Briger
—
Jean-Bernard Pommier, Sinfonia Varsovia
The London Classical Players, Roger Norrington
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
The London Classical Players, Sir Roger Norrington
Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti
Schwanengesang, D. 957: No. 4. Ständchen
Gautier Capuçon, Frank Braley
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
The London Classical Players, Roger Norrington
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
A Midsummer Night's Dream, op. 61, MWV M13: No. 1. Scherzo
Orchestre de chambre de Paris, John Nelson
—
Davidsbündlertänze, op. 6: Heft I: No. 8. Frisch
Stephen Hough
—
Liebestraum no. 3 in A-flat major, S. 541
François-René Duchâble
—
Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Suite pastorale : I. Idylle
Orchestre du Capitole de Toulouse, Michel Plasson
—
Slavonic Dances, op. 72: no. 2 in E minor (Dumka)
Berliner Philharmoniker, Lorin Maazel
—
Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding
Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood
Eesti Riiklik Sümfooniaorkester, Paavo Järvi
—
Николай Андреевич Римский-Корсаков
Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter)
Bamberger Symphoniker, Karl Anton Rickenbacher
—
In the mists (V Mlhách), pieces (4) for piano, JW 8/22: 1. Andante
Piotr Anderszewski
—
Royal Philharmonic Orchestra, Sir Yehudi Menuhin
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti
Suite española no. 1, op. 47: V. Asturias "Leyenda"
Sharon Isbin
—
Symphonie No. 5: IV. Adagietto (excerpt)
Radion sinfoniaorkesteri, Jukka-Pekka Saraste
—
Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrösslein"
Sir Thomas Allen, Geoffrey Parsons
—
Children's Corner, CD 119, L. 113: No. 6. Golliwog's Cake Walk
Jean-Bernard Pommier
—
Additional database matches (33)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T9001428268 |
| Prélude, Fugue et Variation, op. 18, FWV 30: I. Prélude | Aldo Ciccolini | — |
| Ave Maria | Barbara Hendricks, Erik Lundkvist, Stockholms Nya Kammarorkester, Eric Ericson | T0091476673 |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — |
| Prince Igor: Polovtsian Dances: IV | Mariinsky Choir, Orchestre philharmonique de Radio France, Paavo Järvi | — |
| Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — |
| Petite Suite d'orchestre, op. 22 (Jeux d'enfants): Galop (Le Bal). Presto | Orchestre de Paris, Paavo Järvi | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Le Beau Danube bleu (extrait) | Wiener Johann Strauss Orchester | T-916104233-7 |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | — |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | T9025741417 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T9001603174 |
| Má Vlast, JB 1/112: II. Die Moldau | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9026536005 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T0702578877 |
| Symphonie espagnole op. 21: III. Intermezzo (Allegretto non troppo) | Christian Tetzlaff, Czech Philharmonic, Libor Pešek | — |
| Amour et printemps | Orchestre philharmonique de Strasbourg, Theodor Guschlbauer | — |
| Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T3158247377 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Prélude, Fugue et Variation, op. 18, FWV 30: I. Prélude
Aldo Ciccolini
—
Barbara Hendricks, Erik Lundkvist, Stockholms Nya Kammarorkester, Eric Ericson
Symphony no. 3 in F major, op. 90: III. Poco allegretto
Deutsche Kammerphilharmonie, Daniel Harding
—
Prince Igor: Polovtsian Dances: IV
Mariinsky Choir, Orchestre philharmonique de Radio France, Paavo Järvi
—
Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell
Philharmonia Orchestra, Otto Klemperer
—
Petite Suite d'orchestre, op. 22 (Jeux d'enfants): Galop (Le Bal). Presto
Orchestre de Paris, Paavo Järvi
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell
Philharmonia Orchestra, Otto Klemperer
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Wiener Johann Strauss Orchester
Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus)
Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Pagliacci: Atto I. “Vesti la giubba” (Canio)
José Carreras, Philharmonia Orchestra, Riccardo Muti
—
Le carnaval des animaux: VII. Aquarium
Nash Ensemble, Libor Pešek
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
London Symphony Orchestra, André Previn
Royal Liverpool Philharmonic Orchestra, Libor Pešek
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Oslo Philharmonic Orchestra, Mariss Jansons
Symphonie espagnole op. 21: III. Intermezzo (Allegretto non troppo)
Christian Tetzlaff, Czech Philharmonic, Libor Pešek
—
Amour et printemps
Orchestre philharmonique de Strasbourg, Theodor Guschlbauer
—
Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005295990000000000551355440000000055143421000000006097350X00000000783980720000000081255953000000008169243200000000816971530000000081853590000000008218478X
+40 more
0000000083493824000000008366853200000000837446110000000106617448000000010717671X00000001086335640000000108964232000000010911104700000001091441130000000109300665000000010937393600000001093886600000000109426524000000010943345X000000010944014X000000010944213700000001095190340000000109587838000000010995792300000001100934990000000110110842000000011023504700000001103269770000000110363356000000011063348300000001107366180000000110823228000000011082996100000001109287910000000110933953000000011297410X000000011438236X00000001143948890000000114485334000000011449965600000001145512580000000114553392000000011457082X000000011463386X0000000114725481
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What is UPC 5099997245650?
5099997245650 is a Universal Product Code (UPC) assigned to 50 Best Classical Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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