UPC · Release
Various Artists
Last verified:
5099997245650 is the Universal Product Code (UPC barcode) for the release “50 Best Classical Composers” by Various Artists, released 2012-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBAYC0003248, GBAYC8801650, GBAYC0201575.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T-070.248.077-0 | |
| 2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 3 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 4 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-010.194.871-3 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | The London Classical Players, Roger Norrington | T-803.746.784-9 | |
| 6 | 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — | |
| 7 | Der Freischütz, op. 77, J. 277: Ouvertüre | Berliner Philharmoniker, Joseph Keilberth | T-915.713.201-9 | |
| 8 | Guillaume Tell: Overture. Andante - Allegro (excerpt) | The London Classical Players, Sir Roger Norrington | T-010.466.330-0 | |
| 9 | L’Elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-310.639.190-2 | |
| 10 | Schwanengesang, D. 957: No. 4. Ständchen | Gautier Capuçon, Frank Braley | — | |
| 11 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 12 | Symphonie fantastique, op. 14: II. Un bal: Valse, Allegro non troppo | The London Classical Players, Roger Norrington | T-922.067.243-5 | |
| 13 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 14 | A Midsummer Night's Dream, op. 61, MWV M13: No. 1. Scherzo | Orchestre de chambre de Paris, John Nelson | — | |
| 15 | 12 Études, op. 25: No. 4 in A minor | Leif Ove Andsnes | T-329.457.500-7 | |
| 16 | Davidsbündlertänze, op. 6: Heft I: No. 8. Frisch | Stephen Hough | — | |
| 17 | Liebestraum no. 3 in A-flat major, S. 541 | François-René Duchâble | — | |
| 2-1 | Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 2-3 | Ave Maria | Barbara Hendricks, Erik Lundkvist, Stockholms Nya Kammarorkester, Eric Ericson | T-009.147.667-3 | |
| 2-4 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 2-5 | Prélude, Fugue et Variation, op. 18, FWV 30: I. Prélude | Aldo Ciccolini | — | |
| 2-6 | Symphonie espagnole op. 21: III. Intermezzo (Allegretto non troppo) | Christian Tetzlaff, Czech Philharmonic, Libor Pešek | — | |
| 2-7 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — | |
| 2-8 | Má Vlast, JB 1/112: II. Die Moldau | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T-902.653.600-5 | |
| 2-9 | Le Beau Danube bleu (extrait) | Wiener Johann Strauss Orchester | T-916.104.233-7 | |
| 2-10 | Prince Igor: Polovtsian Dances: IV | Mariinsky Choir, Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 2-11 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 2-12 | Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — | |
| 2-13 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-900.142.826-8 | |
| 2-14 | Amour et printemps | Orchestre philharmonique de Strasbourg, Theodor Guschlbauer | — | |
| 2-15 | Petite Suite d'orchestre, op. 22 (Jeux d'enfants): Galop (Le Bal). Presto | Orchestre de Paris, Paavo Järvi | — | |
| 3-1 | Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 3-2 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 3-3 | Suite pastorale : I. Idylle | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 3-4 | Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — | |
| 3-5 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 3-6 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 3-7 | The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee | Николай Андреевич Римский-Корсаков | T-902.799.920-8 | |
| 3-8 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 3-10 | Dornröschen, EHWV 121: Vorspiel (Mässig langsam - Ein wenig lebhafter) | Bamberger Symphoniker, Karl Anton Rickenbacher | — | |
| 3-11 | In the mists (V Mlhách), pieces (4) for piano, JW 8/22: 1. Andante | Piotr Anderszewski | — | |
| 3-12 | 5 Pomp and Circumstance Marches, op. 39: No. 1 in D major (excerpt) | Royal Philharmonic Orchestra, Sir Yehudi Menuhin | T-902.390.548-8 | |
| 3-13 | Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-14 | Tosca: Act 3: Scene 2: "E lucevan le stelle" (Cavaradossi) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-905.039.752-9 | |
| 3-15 | Suite española no. 1, op. 47: V. Asturias "Leyenda" | Sharon Isbin | — | |
| 3-16 | Symphonie No. 5: IV. Adagietto (excerpt) | Radion sinfoniaorkesteri, Jukka-Pekka Saraste | — | |
| 3-17 | Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrösslein" | Sir Thomas Allen, Geoffrey Parsons | — | |
| 3-18 | Children's Corner, CD 119, L. 113: No. 6. Golliwog's Cake Walk | Jean-Bernard Pommier | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T-315.824.737-7 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | T-902.574.141-7 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Pictures at an Exhibition: No. 15. The Knight's Gate in the Old Capital of Kiev | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099997245650 is a Universal Product Code (UPC) assigned to 50 Best Classical Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099997245650 is the Universal Product Code (UPC barcode) for the release “50 Best Classical Composers” by Various Artists, released 2012-10-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBAYC0003248, GBAYC8801650, GBAYC0201575.
