UPC · Release
Orchestral Works
Benjamin Britten
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5099997816027 is the Universal Product Code (UPC barcode) for the release “Orchestral Works” by Benjamin Britten, released 2013-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBAYC8906210, GBAYC8906212, GBAYC8906213.
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Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 7-1 | The Prince of the Pagodas: Prelude | London Sinfonietta, Oliver Knussen | — | |
| 7-2 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Fool and the Dwarf | David Purser, London Sinfonietta, Oliver Knussen | — | |
| 7-3 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - March and Courtiers' Dance | John Harle, London Sinfonietta, Oliver Knussen | — | |
| 7-4 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Pages and the Four Kings | Sebastian Bell, London Sinfonietta, Oliver Knussen | — | |
| 7-5 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the North | London Sinfonietta, Oliver Knussen | — | |
| 7-6 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the East | Michael Thompson, London Sinfonietta, Oliver Knussen | — | |
| 7-7 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the West | London Sinfonietta, Oliver Knussen | — | |
| 7-8 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the South | John Chimes, Kevin Nutty, London Sinfonietta, Oliver Knussen | — | |
| 7-9 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings bow before the Emperor | London Sinfonietta, Oliver Knussen | — | |
| 7-10 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Épine | London Sinfonietta, Oliver Knussen | — | |
| 7-11 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Rose and Pas de deux | Gareth Hulse, John Miller, London Sinfonietta, Oliver Knussen | — | |
| 7-12 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings and Belle Rose | London Sinfonietta, Oliver Knussen | — | |
| 7-13 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Belle Épine and the Four Kings | London Sinfonietta, Oliver Knussen | — | |
| 7-14 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Rage of the Kings | London Sinfonietta, Oliver Knussen | — | |
| 7-15 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Four Winged Frogs | John Orford, London Sinfonietta, Oliver Knussen | — | |
| 7-16 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Introduction: Belle Rose borne in by the Frogs | London Sinfonietta, Oliver Knussen | — | |
| 7-17 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Waltz: Clouds, Stars, and Moon | London Sinfonietta, Oliver Knussen | — | |
| 7-18 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (1) | London Sinfonietta, Oliver Knussen | — | |
| 7-19 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Entrée: Sea Horses, Fish Creatures and Waves | London Sinfonietta, Oliver Knussen | — | |
| 7-20 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Sea Horses | London Sinfonietta, Oliver Knussen | — | |
| 7-21 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Fish Creatures | Joy Farrall, Helen Tunstall, London Sinfonietta, Oliver Knussen | — | |
| 7-22 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (1) | London Sinfonietta, Oliver Knussen | — | |
| 7-23 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (2) | London Sinfonietta, Oliver Knussen | — | |
| 7-24 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Pas de deux: Male and Female Flames | London Sinfonietta, Oliver Knussen | — | |
| 7-25 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Male Flame | London Sinfonietta, Oliver Knussen | — | |
| 7-26 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Female Flame | London Sinfonietta, Oliver Knussen | — | |
| 7-27 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (2) | London Sinfonietta, Oliver Knussen | — | |
| 7-28 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose, exhausted, borne in by the Frogs | London Sinfonietta, Oliver Knussen | — | |
| 7-29 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose in darkness | Nona Liddell, London Sinfonietta, Oliver Knussen | — | |
| 7-30 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Pagodas | John Constable, James Holland, London Sinfonietta, Oliver Knussen | — | |
| 7-31 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Salamander | London Sinfonietta, Oliver Knussen | — | |
| 7-32 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Pas de deux: The Prince and Belle Rose | London Sinfonietta, Oliver Knussen | — | |
| 7-33 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose hunts for the Prince | London Sinfonietta, Oliver Knussen | — |
Additional database matches (120)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Canadian Carnival, op. 19 | Wesley Warren, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| "Young Apollo" for Piano, String Quartet, and Strings, Op.16 | Jeremy Ballard, Peter Cole, Peter Donohoe, Michal Kaznowski, Felix Kok, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Scottish Ballad for 2 Pianos and Orchestra, Op.26 | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Men of Goodwill | Minnesota Orchestra, Sir Neville Marriner | — |
| An American Overture, op. 27 | City of Birmingham Symphony Orchestra, Simon Rattle | T9000935728 |
| Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden) | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Occasional Overture in C major, Op.38 | City of Birmingham Symphony Orchestra, Simon Rattle | T0103023886 |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: I. Dawn | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: II. Sunday Morning | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: III. Moonlight | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: IV. Passacaglia | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: V. Storm | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: I. Theme: Allegro maestoso e largamente | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. A: Flutes and piccolo | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. B: Oboes (Lento) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. C: Clarinets (Moderato) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. D: Bassoons (Allegro alla marcia) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9001074595 |
| The Young Person's Guide to the Orchestra Op.34: Var. E: Violins (Brillante: alla polacca) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. F: Violas (Meno mosso) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9001074595 |
| The Young Person's Guide to the Orchestra Op.34: Var. G: Cellos | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. H: Double basses (Cominciando lento ma poco a poco accel. al Allegro) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. I: Harp (Maestoso) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. J: Horns (L'istesso tempo) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. K: Trumpets (Vivace) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var L: Trombones and bass tuba (Allegro pomposo) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: V. The Percussion Var. M (Moderato) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: VI. Fugue: Allegro molto - Con slancio | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: I. Lacrymosa | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: II. Dies irae | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: II. Requiem aeternam | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Empress Belle Épine | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - The Old Emperor | John Harle, London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Appearance of Belle Rose and the Salamander | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Transformation | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de six: Entrée | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 1: Pas de deux | Christopher van Kampen, Nona Liddell, London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 2: Girl's solo | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 3: Boy's solo | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de trois | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Coda | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de caractére: The Emperor and the Fool | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de deux: Belle Rose and the Prince of the Pagodas | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation IV: The Prince | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation V: Belle Rose | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Finale | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Apotheosis | London Sinfonietta, Oliver Knussen | — |
| Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2 | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| The Building of the House, op. 79 | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Piano Concerto, op. 13: I. Toccata. Allegro molto e con brio | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: II. Waltz. Allegretto | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: III. Impromptu. Andante lento - | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: IV. March. Allegro moderato - sempre alla marcia | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Symphonic Suite from 'Gloriana' Op.53a: I. The Tournament | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: II. The Lute Song | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - March | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Coranto | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Pavane | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Morris Dance | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Galliard | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Lavolta | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: IV. Gloriana moritura | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Matinées musicales Op.24: March | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Canzonetta | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Tirolese | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Bolero | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Tarantella | English Chamber Orchestra, Sir Alexander Gibson | — |
| Cello Symphony Op. 68: I. Allegro maestoso | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Symphony for Cello and Orchestra, op. 68: II. Presto inquieto | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: III. Adagio | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: III. Cadenza | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: IV. Passacaglia (Andante allegro) | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Rossini Suite: I. March. Allegro brillante | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: II. Canzonetta. Allegretto | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: III. Allegretto | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: IV. Bolero. Allegro moderato | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: V. Allegro con brio | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Violin Concerto, op. 15: I. Moderato con moto | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Violin Concerto, op. 15: II. Vivace — | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Violin Concerto, op. 15: III. Passacaglia (Andante lento — Un poco meno mosso) | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Matinées musicales Op.24: March | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Nocturne | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Waltz | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Pantomime | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Moto perpetuo | English Chamber Orchestra, Sir Alexander Gibson | — |
| Sinfonietta Op.1: I. Poco presto ed agitato | Britten Sinfonia, Daniel Harding | — |
| Sinfonietta Op.1: II. Andante lento | Britten Sinfonia, Daniel Harding | — |
| Sinfonietta Op.1: III. Tarantella: Presto vivace | Britten Sinfonia, Daniel Harding | — |
| Prelude and Fugue, Op. 29 | Norwegian Chamber Orchestra, Iona Brown | — |
| Lachrymae, Op. 48a | Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: II. Playful Pizzicato | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Norwegian Chamber Orchestra, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Adagio | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: March | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Romance | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Aria Italiana | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Bourée Classique | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Wiener Walzer | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Moto Perpetuo | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Funeral March | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Chant | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Fuge and Finale | Det Norske Kammerorkester, Iona Brown | — |
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What is UPC 5099997816027?
5099997816027 is a Universal Product Code (UPC) assigned to Orchestral Works by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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