UPC · Release
Fifty Shades Of Grey: The Classical Album
Various Artists
Last verified:
5099997846628 is the Universal Product Code (UPC barcode) for the release “Fifty Shades Of Grey: The Classical Album” by Various Artists, released 2012-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include FRZ118701170, GBAYC1102578, GBAYC8601685.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 2 | Keyboard Concerto in D Minor | Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | — | |
| 3 | Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | Barbara Hendricks, Eldon Fox, 8 violoncelles du Royal Philharmonic Orchestra, Enrique Bátiz | — | |
| 4 | La traviata: Prelude | — | ||
| 5 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6 | Spem in alium | — | ||
| 7 | Prélude no. 4 en mi mineur, op. 28 | Samson François | — | |
| 8 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 9 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 10 | Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | — | |
| 11 | Nocturne no. 1 in B-flat major, op. 9 no. 1 | Samson François | — | |
| 12 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 13 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 14 | La Fille aux cheveux de lin | Dame Moura Lympany | — | |
| 15 | Cantata no. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) : "Jesu, Joy of Man's Desiring" | Alexis Weissenberg | T-803.065.676-0 |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | Barbara Hendricks, Eldon Fox, 8 violoncelles du Royal Philharmonic Orchestra, Enrique Bátiz | T-905.380.384-2 |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
+22 more
Identifier Graph
People also ask
Verified on
What is UPC 5099997846628?
5099997846628 is a Universal Product Code (UPC) assigned to Fifty Shades Of Grey: The Classical Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm