UPC · Album
Complete Symphonies
Vaughan Williams, London Philharmonic Orchestra, Bernard Haitink
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5099998475926 is the Universal Product Code (UPC barcode) for the release “Complete Symphonies” by Vaughan Williams, London Philharmonic Orchestra, Bernard Haitink, released 2022-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include GBAYD8600226, GBAYD8600227, GBAYD8600228.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (58)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Behold, the sea itself (chorus) | — | |
| 2 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus) | — | |
| 3 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Flaunt out, O sea, your separate flags of nations (soprano & chorus) | — | |
| 4 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus) | — | |
| 5 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus) | — | |
| 6 | A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus) | — | |
| 7 | A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus) | — | |
| 8 | A Sea Symphony (Symphony no. 1): III. Scherzo: The Waves (Allegro brillante) | — | |
| 9 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus) | — | |
| 10 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Down from the gardens of Asia descending (chorus) | — | |
| 11 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano) | — | |
| 12 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus) | — | |
| 13 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone) | — | |
| 14 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone) | — | |
| 15 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus) | — | |
| 2-1 | A London Symphony (Symphony no. 2): I. Lento - Allegro risoluto (molto pesante) | London Philharmonic Orchestra, Bernard Haitink | GBAYD8600226 |
| 2-2 | A London Symphony (Symphony no. 2): II. Lento | London Philharmonic Orchestra, Bernard Haitink | GBAYD8600227 |
| 2-3 | A London Symphony (Symphony no. 2): III. Scherzo (Nocturne): Allegro vivace | London Philharmonic Orchestra, Bernard Haitink | GBAYD8600228 |
| 2-4 | A London Symphony (Symphony no. 2): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro | London Philharmonic Orchestra, Bernard Haitink | GBAYD8600229 |
| 2-5 | Fantasia on a Theme by Thomas Tallis | London Philharmonic Orchestra, Bernard Haitink | GBAYD8600230 |
| 3-1 | A Pastoral Symphony (Symphony no. 3): I. Molto moderato | — | |
| 3-2 | A Pastoral Symphony (Symphony no. 3): II. Lento moderato | — | |
| 3-3 | A Pastoral Symphony (Symphony no. 3): III. Moderato pesante — Presto | — | |
| 3-4 | A Pastoral Symphony (Symphony no. 3): IV. Lento — Moderato maestoso | — | |
| 3-5 | Symphony no. 4 in F minor: I. Allegro | — | |
| 3-6 | Symphony no. 4 in F minor: II. Andante moderato | — | |
| 3-7 | Symphony no. 4 in F minor: III. Scherzo: Allegro molto | — | |
| 3-8 | Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto | — | |
| 4-1 | Symphony no. 5 in D: I. Preludio: Moderato | — | |
| 4-2 | Symphony no. 5 in D: II. Scherzo: Presto | — | |
| 4-3 | Symphony no. 5 in D: III. Romanza: Lento | — | |
| 4-4 | Symphony no. 5 in D: IV. Passacaglia: Moderato | — | |
| 4-5 | Norfolk Rhapsody no. 1 | — | |
| 4-6 | The Lark Ascending — Romance for violin and orchestra | — | |
| 5-1 | Symphony no. 6 in E minor: I. Allegro | London Philharmonic Orchestra, Bernard Haitink | GBAYC9702727 |
| 5-2 | Symphony no. 6 in E minor: II. Moderato | London Philharmonic Orchestra, Bernard Haitink | GBAYC9702728 |
| 5-3 | Symphony no. 6 in E minor: III. Scherzo: Allegro vivace | London Philharmonic Orchestra, Bernard Haitink | GBAYC9702729 |
| 5-4 | Symphony no. 6 in E minor: IV. Epilogue: Moderato | London Philharmonic Orchestra, Bernard Haitink | GBAYC9702730 |
| 5-5 | In the Fen Country | London Philharmonic Orchestra, Bernard Haitink | GBAYC9702738 |
| 5-6 | On Wenlock Edge: 1. On Wenlock Edge | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702732 |
| 5-7 | On Wenlock Edge: 2. From far, from eve and morning | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702733 |
| 5-8 | On Wenlock Edge: 3. Is my team ploughing | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702734 |
| 5-9 | On Wenlock Edge: 4. Oh, when I was in love with you | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702735 |
| 5-10 | On Wenlock Edge: 5. Bredon Hill | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702736 |
| 5-11 | On Wenlock Edge: 6. Clun | Ian Bostridge, London Philharmonic Orchestra, Bernard Haitink | GBAYC9702737 |
| 6-1 | Sinfonia antartica (Symphony no. 7): I. Prelude: Maestoso | — | |
| 6-2 | Sinfonia antartica (Symphony no. 7): II. Scherzo: Moderato | — | |
| 6-3 | Sinfonia antartica (Symphony no. 7): III. Landscape: Lento | — | |
| 6-4 | Sinfonia antartica (Symphony no. 7): IV. Intermezzo: Andante sostenuto | — | |
| 6-5 | Sinfonia antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro) | — | |
| 7-1 | Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema): Moderato – Presto – Andante sostenuto – Allegretto – Andante non troppo – Allegro vivace – Andante sostenuto – Tempo I, ma tranquillo | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002923 |
| 7-2 | Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia – Andante – Tempo (Allegro) | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002924 |
| 7-3 | Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002925 |
| 7-4 | Symphony no. 8 in D minor: IV. Toccata: Moderato maestoso | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002926 |
| 7-5 | Symphony no. 9 in E minor: I. Moderato maestoso | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002928 |
| 7-6 | Symphony no. 9 in E minor: II. Andante sostenuto | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002929 |
| 7-7 | Symphony no. 9 in E minor: III. Scherzo: Allegro pesante | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002930 |
| 7-8 | Symphony no. 9 in E minor: IV. Andante tranquillo | London Philharmonic Orchestra, Bernard Haitink | GBAYC0002931 |
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What is UPC 5099998475926?
5099998475926 is a Universal Product Code (UPC) assigned to Complete Symphonies by Vaughan Williams, London Philharmonic Orchestra, Bernard Haitink. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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