UPC · Release
The Complete 1978 Radio Broadcasts
Bruce Springsteen, The E Street Band
Last verified:
5294162601020 is the Universal Product Code (UPC barcode) for the release “The Complete 1978 Radio Broadcasts” by Bruce Springsteen, The E Street Band, released 2015-01-01 on Sound Stage (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 131 tracks, each with its own ISRC. Tracks include USSM17800210.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (131)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | [intro] / [ ‘no private parties’] | — | ||
| 2 | Rave On | — | ||
| 3 | Badlands | — | ||
| 4 | Spirit in the Night | — | ||
| 5 | Darkness on the Edge of Town | — | ||
| 6 | Candy’s Room | — | ||
| 7 | For You | — | ||
| 8 | Point Blank | — | ||
| 9 | The Promised Land | — | ||
| 10 | Prove It All Night | — | ||
| 11 | [intro] / [‘Alice in Wonderland’] | — | ||
| 12 | Racing in the Street | — | ||
| 13 | Thunder Road | — | ||
| 14 | [outro] / [‘incredible performance’] | — | ||
| 2-1 | Paradise by the ‘C’ | — | ||
| 2-2 | Fire | — | ||
| 2-3 | Adam Raised a Cain | — | ||
| 2-4 | Mona | — | ||
| 2-5 | She’s the One | — | ||
| 2-6 | Growin’ Up | — | ||
| 2-7 | It’s Hard to Be a Saint in the City | — | ||
| 2-8 | Backstreets | — | ||
| 2-9 | Heartbreak Hotel | — | ||
| 2-10 | Rosalita (Come Out Tonight) | — | ||
| 3-1 | Independence Day (solo piano) | — | ||
| 3-2 | Born to Run | — | ||
| 3-3 | Because the Night | — | ||
| 3-4 | Raise Your Hand | — | ||
| 3-5 | [radio comments] / [‘incredible’] | — | ||
| 3-6 | Twist & Shout | — | ||
| 4-1 | [intro] | — | ||
| 4-2 | Summertime Blues | — | ||
| 4-3 | Badlands | — | ||
| 4-4 | Spirit in the Night | — | ||
| 4-5 | Darkness on the Edge of Town | — | ||
| 4-6 | Factory | — | ||
| 4-7 | The Promised Land | — | ||
| 4-8 | Prove It All Night | — | ||
| 4-9 | Racing in the Street / Thunder Road | — | ||
| 4-10 | Jungleland | — | ||
| 5-1 | Kitty’s Back | — | ||
| 5-2 | Paradise by the “C” | Bruce Springsteen, The E Street Band | T-070.120.698-5 | |
| 5-3 | Fire | — | ||
| 5-4 | Sherry Darling | — | ||
| 5-5 | Not Fade Away | — | ||
| 5-6 | Gloria / She’s Gone | — | ||
| 5-7 | Growin’ Up | — | ||
| 5-8 | Backstreets | — | ||
| 5-9 | Rosalita (Come Out Tonight) | — | ||
| 6-1 | Born to Run | — | ||
| 6-2 | 4th of July, Asbury Park (Sandy) | — | ||
| 6-3 | Born to Run | — | ||
| 6-4 | Because the Night | — | ||
| 6-5 | Raise Your Hand | — | ||
| 6-6 | Twist & Shout | — | ||
| 7-1 | [intro] | — | ||
| 7-2 | Badlands | — | ||
| 7-3 | Streets of Fire | — | ||
| 7-4 | Spirit in the Night | — | ||
| 7-5 | Darkness on the Edge of Town | — | ||
| 7-6 | Independence Day | — | ||
| 7-7 | The Promised Land | — | ||
| 7-8 | Prove It All Night | — | ||
| 7-9 | Racing in the Street | — | ||
| 7-10 | Thunder Road | — | ||
| 7-11 | Meeting Across the River | — | ||
| 7-12 | Jungleland | — | ||
| 8-1 | Kitty’s Back | — | ||
| 8-2 | Fire | — | ||
| 8-3 | Candy’s Room | — | ||
| 8-4 | Because the Night | — | ||
| 8-5 | Point Blank | — | ||
| 8-6 | Not Fade Away | — | ||
| 8-7 | She’s the One | — | ||
| 8-8 | Backstreets | — | ||
| 8-9 | Rosalita | — | ||
| 8-10 | Sandy | — | ||
| 9-1 | Born to Run | — | ||
| 9-2 | 10th Avenue Freeze‐Out | — | ||
| 9-3 | Detroit Medley | — | ||
| 9-4 | Raise Your Hand | — | ||
| 10-1 | Good Rockin’ Tonight | — | ||
| 10-2 | Badlands | — | ||
| 10-3 | Spirit in the Night | — | ||
| 10-4 | Darkness on the Edge of Town | — | ||
| 10-5 | Independence Day | — | ||
| 10-6 | The Promised Land | — | ||
| 10-7 | Prove It All Night | — | ||
| 10-8 | Racing in the Street | — | ||
| 10-9 | Thunder Road | — | ||
| 10-10 | Jungleland | — | ||
| 11-1 | Santa Claus Is Comin’ to Town | — | ||
| 11-2 | Night Train | — | ||
| 11-3 | Fire | — | ||
| 11-4 | Candy’s Room | — | ||
| 11-5 | Because the Night | — | ||
| 11-6 | Point Blank | — | ||
| 11-7 | Not Fade Away / Gloria / She’s the One | — | ||
| 11-8 | Backstreets / Sad Eyes | — | ||
| 12-1 | Rosalita (Come Out Tonight) | — | ||
| 12-2 | Born to Run | — | ||
| 12-3 | Tenth Avenue Freeze‐Out | — | ||
| 12-4 | Detroit Medley | — | ||
| 12-5 | Raise Your Hand | — | ||
| 13-1 | Badlands | — | ||
| 13-2 | Streets of Fire | — | ||
| 13-3 | Spirit in the Night | — | ||
| 13-4 | Darkness on the Edge of Town | — | ||
| 13-5 | Factory | — | ||
| 13-6 | The Promised Land | — | ||
| 13-7 | Prove It All Night | — | ||
| 13-8 | Racing in the Street | — | ||
| 13-9 | Thunder Road | — | ||
| 13-10 | Jungleland | — | ||
| 14-1 | The Ties That Bind | — | ||
| 14-2 | [Santa story] | — | ||
| 14-3 | Santa Claus Is Coming to Town | — | ||
| 14-4 | The Fever | — | ||
| 14-5 | Fire | — | ||
| 14-6 | Candy’s Room | — | ||
| 14-7 | Because the Night | — | ||
| 14-8 | Point Blank | — | ||
| 14-9 | Mona / Preacher’s Daughter | — | ||
| 14-10 | She’s the One | — | ||
| 14-11 | Backstreets | — | ||
| 15-1 | Rosalita (Come Out Tonight) | — | ||
| 15-2 | Born to Run | — | ||
| 15-3 | Detroit Medley | — | ||
| 15-4 | 10th Avenue Freeze‐Out | — | ||
| 15-5 | Raise Your Hand | — | ||
| 15-6 | Quarter to Three | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+38 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5294162601020?
5294162601020 is a Universal Product Code (UPC) assigned to The Complete 1978 Radio Broadcasts by Bruce Springsteen, The E Street Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 131 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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