UPC · Release
Broadcast Collection 1973-1978
Tom Waits
Last verified:
5294162602027 is the Universal Product Code (UPC barcode) for the release “Broadcast Collection 1973-1978” by Tom Waits, released 2017-01-01 on Sound Stage (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Virginia Avenue | — | ||
| 2 | San Diego Serenade | — | ||
| 3 | Ol' 55 | — | ||
| 4 | Semi Suite | — | ||
| 5 | Fumblin' With the Blues | — | ||
| 6 | Rosie | — | ||
| 7 | Depot, Depot | — | ||
| 8 | I Hope That I Don't Fall in Love With You | — | ||
| 9 | Heart of Saturday Night | — | ||
| 10 | Better Off Without a Wife | — | ||
| 11 | On a Foggy Night | — | ||
| 14 | Drunk on the Moon | — | ||
| 18 | New Coat of Paint | — | ||
| 19 | Nobody | — | ||
| 21 | The Heart of Saturday Night | — | ||
| 25 | Big Joe and Phantom 309 | — | ||
| 2-1 | Dave Gordon Intro | — | ||
| 2-2 | Diamonds on My Windshield | — | ||
| 2-5 | Tom Gets Hustled at 9 Ball | — | ||
| 2-7 | Truckdriver's Wife / Semi Suite | — | ||
| 2-8 | Travelling Salesman / On a Foggy Road | — | ||
| 2-9 | Formula 44 vs. NyQuil / (Looking for) The Heart of Saturday Night | — | ||
| 2-10 | Easy Street | — | ||
| 2-11 | Denver's Terminal Bar / Fumblin' With the Blues | — | ||
| 2-12 | Motel 6 Magic Fingers / San Diego Serenade | — | ||
| 2-13 | Bus Culture / The Ghosts of Saturday Night | — | ||
| 2-14 | Ice Cream Man | — | ||
| 2-20 | Please Call Me, Baby | — | ||
| 2-21 | DJ Outro | — | ||
| 3-1 | Introduction | — | ||
| 3-2 | Emotional Weather Report | — | ||
| 3-3 | Eggs & Sausage (In a Cadilac With Susan Michelson) | — | ||
| 3-6 | Spare Parts | — | ||
| 3-7 | The Ghosts of Saturday Night / (Looking for) The Heart of Saturday Night | — | ||
| 3-9 | Warm Beer & Cold Women | — | ||
| 3-12 | Putnam County | — | ||
| 4-2 | Invitation to the Blues | — | ||
| 4-4 | Jitterbug Boy | — | ||
| 4-5 | I Can't Wait to Get Off Work | — | ||
| 4-7 | Pasties & a G-String | — | ||
| 4-8 | Small Change | — | ||
| 4-9 | Eggs & Sausage | — | ||
| 4-10 | The Piano Has Been Drinking (Not Me) | — | ||
| 4-11 | Tom Traubert's Blues | — | ||
| 5-2 | A Sight for Sore Eyes | — | ||
| 5-3 | Step Right Up | — | ||
| 5-4 | Eggs & Sausage / Invitation to the Blues | — | ||
| 6-1 | WBCN Intro | — | ||
| 6-2 | Standing on the Corner | — | ||
| 6-3 | Muriel | — | ||
| 6-7 | I Never Talk to Strangers | — | ||
| 6-12 | Bad Liver & a Broken Heart | — | ||
| 6-15 | WBCN Announcer | — | ||
| 7-1 | Burma Shave | — | ||
| 7-2 | Annie's Back in Town / I Wish I Was in New Orleans | — | ||
| 7-3 | A Sweet Little Bullet From a Pretty Blue Gun | — | ||
| 7-4 | On the Nickel | — | ||
| 7-5 | Romeo Is Bleeding | — | ||
| 7-6 | Silent Night / Christmas Card From a Hooker in Minneapolis / Silent Night (reprise) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5294162602027?
5294162602027 is a Universal Product Code (UPC) assigned to Broadcast Collection 1973-1978 by Tom Waits. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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