‘They'll be good yet’

UPC · Release

‘They'll be good yet’

Kitty Hayes, Peter Laban

5392000032217
15 tracksReleased 2005-01-01Not On Label

Last verified:

5392000032217 is the Universal Product Code (UPC barcode) for the release ‘They'll be good yet’ by Kitty Hayes, Peter Laban, released 2005-01-01 on Not On Label. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC.

Format

539GS1 prefix
2000Company prefix
03221Product
7Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (15)

The Newport Lass, Mist on the Meadow, The Legacy (jigs)
The Newport Lass, Mist on the Meadow, The Legacy (jigs)
The Concert Reel, The Hare's Paw, Garret Barry's Reel (reels)
The Concert Reel, The Hare's Paw, Garret Barry's Reel (reels)
The Humours of Tulla, Tear The Callico (reels)
The Humours of Tulla, Tear The Callico (reels)
The Girl that broke my Heart, The Sligo Maid (reels, concertina solo)
The Girl that broke my Heart, The Sligo Maid (reels, concertina solo)
The Wandering Minstrel, Fasten the Leg in her (jigs)
The Wandering Minstrel, Fasten the Leg in her (jigs)
Hills of Coore, The Stack of Oats (hornpipes)
Hills of Coore, The Stack of Oats (hornpipes)
The Pigeon on the Gate, The Drunken Landlady, Sporting Nell (reels)
The Pigeon on the Gate, The Drunken Landlady, Sporting Nell (reels)
Winnie Hayes', The Rose in the Heather (jigs)
Winnie Hayes', The Rose in the Heather (jigs)
Corney is coming, An Bhean Tincéara, The Collier's Reel (reels, pipes solo)
Corney is coming, An Bhean Tincéara, The Collier's Reel (reels, pipes solo)
Na Ceannabháin Bhána, Hardiman the Fiddler (slip jigs)
Na Ceannabháin Bhána, Hardiman the Fiddler (slip jigs)
Ar Éirinn Ni 'Neosfainn Ce Hi (slow air, concertina solo)
Ar Éirinn Ni 'Neosfainn Ce Hi (slow air, concertina solo)
John Egan's 1 and John Egan's 2 (jigs)
John Egan's 1 and John Egan's 2 (jigs)
The Porthole of the Kelp, The Maids of Mitchellstown (reels)
The Porthole of the Kelp, The Maids of Mitchellstown (reels)
Lost and Found, The Haunted House, The Luthradán (jigs)
Lost and Found, The Haunted House, The Luthradán (jigs)
The Mountain Top, Tom Ward's Downfall, The Honeymoon Reel (reels)
The Mountain Top, Tom Ward's Downfall, The Honeymoon Reel (reels)
SourcesMusicBrainzDiscogs2 sources

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People also ask

What is UPC 5392000032217?
UPC 5392000032217 is the Universal Product Code (barcode) for "‘They'll be good yet’" by Kitty Hayes, Peter Laban, released on Not On Label.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5392000032217?
UPC 5392000032217 contains 15 tracks.

What is UPC 5392000032217?

5392000032217 is a Universal Product Code (UPC) assigned to ‘They'll be good yet’ by Kitty Hayes, Peter Laban. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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