UPC · Release
Various Artists
Last verified:
The UPC for “Guide des instruments anciens” by Various Artists is 5400439001008. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Ricercar. This release contains 206 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Appels | — | ||
| 2 | Ut queant laxis | — | ||
| 3 | Cantiga No. 77 "Da que Deus mamou" | — | ||
| 4 | Cantiga No. 421 "Nembressete, madre de Deus" | — | ||
| 5 | Cantiga No. 37 "Miragres fremosos" | — | ||
| 6 | Cantiga No. 10 "Rosas das rosas" | — | ||
| 7 | Cantiga No. 123 "De Santa Maria sinal" | — | ||
| 8 | Cantiga No. 119 "Come somos" | — | ||
| 9 | Cantigas de Amigo: Mia Yrmana | — | ||
| 10 | Saltarello IV | — | ||
| 11 | La quinte estampie real | — | ||
| 12 | Sire cuens j'ai viélé | — | ||
| 13 | Kalenda maia | — | ||
| 14 | Ja nuns hons pris | — | ||
| 15 | Plainte | — | ||
| 16 | Se j'onques à mon vivant | — | ||
| 17 | En Egipte m'en veuil aller (chanson pieuse) | — | ||
| 18 | Belle Aelis | — | ||
| 19 | Trotto | — | ||
| 20 | Apor Lazar Tancz | — | ||
| 21 | Trop est mes maris jalos | — | ||
| 22 | Danxa aurea du Phebo (d'après Carmina Burana No. 71) | — | ||
| 23 | Sirventois sonnerie | — | ||
| 24 | A dieu comant amouretes | — | ||
| 25 | Va t'en souspier | — | ||
| 26 | Tres douce dame | — | ||
| 27 | Pucelette - Je languis - Domino | — | ||
| 28 | Inter amenitatis tripudia | — | ||
| 29 | Gloria ad modum tubae (ténor) | — | ||
| 30 | Filles à marier | — | ||
| 31 | J'ai grant dolour | — | ||
| 32 | Amor c'al tuo sogetto ognor mi trovo | — | ||
| 33 | Mille bonjours je vous présente | — | ||
| 34 | Appels miltaires | — | ||
| 35 | Donnes l'assault à la fortresse | — | ||
| 36 | Buxheimer Orgelbuch: Redeuntes in Idem | — | ||
| 37 | Buxheimer Orgelbuch: Esclaphe | — | ||
| 38 | Mit ganzem Willen | — | ||
| 39 | Ave Maria - O Maria | — | ||
| 40 | Tuba Gallicalis | — | ||
| 2-1 | Saltarello - Piva | — | ||
| 2-2 | Padouana alla Veneciana | — | ||
| 2-3 | Pavana "El todescho" - Saltarello "El machese di Saluzzo" | — | ||
| 2-4 | Padouana "La morte de la ragione" | — | ||
| 2-5 | Il ballo di Mantua | — | ||
| 2-6 | Pavana - Romanesca | — | ||
| 2-7 | Pavane | — | ||
| 2-8 | Bransle de Champagne | — | ||
| 2-9 | Allemande IV | — | ||
| 2-10 | Devenus suis amoureux | — | ||
| 2-11 | Pavane de la Bataille | — | ||
| 2-12 | Ballet des Amazones - La Rosette | — | ||
| 2-13 | Bransles gay - Bransles de Montirandé | — | ||
| 2-14 | Ballet à 4 | — | ||
| 2-15 | Courant de Battaglia | — | ||
| 2-16 | Ballet de la Reine | — | ||
| 2-17 | Padouana à 5 | — | ||
| 2-18 | Padouana - Gagliarda - Almand à 5 | — | ||
| 2-19 | The Queens Alman | — | ||
| 2-20 | Pavane Quadro - Wilssons wyde | — | ||
| 2-21 | The Earl of Salisbury his Pavan | — | ||
| 2-22 | Almain - Two Thumps | — | ||
| 2-23 | Praeludium - Gailliard | — | ||
| 2-24 | Allemandes - Bransle de Champagne | — | ||
| 2-25 | Padouana - Tanz | — | ||
| 2-26 | Padouana | — | ||
| 2-27 | Pavana del Francisco Segario | — | ||
| 3-1 | Ricercare | — | ||
| 3-2 | Fantasia del primero tono | — | ||
| 3-3 | Ricercar primi toni | — | ||
| 3-4 | Fuga quinti toni | — | ||
| 3-5 | Praeambulum | — | ||
| 3-6 | Fantasia No. 8 | — | ||
| 3-7 | Tiento tercero sobra la Battala de Morales | — | ||
| 3-8 | Fantasia que contrahaze la harpe en la manera de Luduvico | — | ||
| 3-9 | Fantasia à 6 | — | ||
| 3-10 | The Lady Frances Sidneys' Felicity | — | ||
| 3-11 | Fantasia à 3 | — | ||
| 3-12 | Je porte tes couleurs | — | ||
| 3-13 | La morra | — | ||
| 3-14 | Spero haver felice | — | ||
| 3-15 | Chi non crede | — | ||
| 3-16 | Guardane almo pastore | — | ||
| 3-17 | Tant que vivray | — | ||
| 3-18 | Tant que vivray | — | ||
| 3-19 | Si bon amour | — | ||
| 3-20 | Parle qui veut | — | ||
| 3-21 | Ein guter Wein ist lobenswert | — | ||
| 3-22 | O haylige onbeflecte | — | ||
| 3-23 | Magnificat | — | ||
| 3-24 | Creator alme siderum | — | ||
| 3-25 | Ecce tempus idoneum | — | ||
| 3-26 | Ad te levavi | — | ||
| 3-27 | Douze coups de minuit | — | ||
| 3-28 | O zalig heilig Bethlehem | — | ||
| 3-29 | Ground | — | ||
| 3-30 | A division | — | ||
| 3-31 | Goe from my window | — | ||
| 3-32 | Divisions in G | — | ||
| 4-1 | A la fontana (Adrian Willaert) | — | ||
| 4-2 | Anchor che col partire (Cipriano di Rore) | — | ||
| 4-3 | Vergine bella di Cipriano di Rore | — | ||
| 4-4 | Ancidetemi pur | — | ||
| 4-5 | Io son ferito, ahi lasso (Palestrina) | — | ||
| 4-6 | L'Orfeo: Toccata | — | ||
| 4-7 | La morte d'Orfeo: Lamento di Calliope | — | ||
| 4-8 | Toccata terza da sonarsi alla levatione | — | ||
| 4-9 | Sonata decima terza | — | ||
| 4-10 | Fantasia per fagotto solo | — | ||
| 4-11 | Canzona decimasesta a due bassi detta la Diodata | — | ||
| 4-12 | Bergamasca "La barchetta passagiera" | — | ||
| 4-13 | Toccata V | — | ||
| 4-14 | Sonata "La Farina" | — | ||
| 4-15 | Toccata ottava | — | ||
| 4-16 | Airs for the flageolet | — | ||
| 4-17 | Divisions by Mr. Hills | — | ||
| 4-18 | Concerto No. 5 in D: Allegro | — | ||
| 4-19 | Slow Ayre, Jig & Bore | — | ||
| 4-20 | A Ground | — | ||
| 4-21 | Concerto: Siciliana | — | ||
| 5-1 | Autre suite faite pour Mr. de Comte Darcours: Petit Bransle - Autre Bransle - Gavotte en suite | — | ||
| 5-2 | Appels de trompettes | — | ||
| 5-3 | Der schene neue Aufzug | — | ||
| 5-4 | Marche pour les timbales | — | ||
| 5-5 | La Mendiante | — | ||
| 5-6 | Pavane en Fa dièse mineur | — | ||
| 5-7 | Menuet (pour le Bourgeois gentilhomme) | — | ||
| 5-8 | Les Sylvains de Mr Couperin | — | ||
| 5-9 | Suite en Ré mineur du Ier Livre: Prélude | — | ||
| 5-10 | La Belle Homicide | — | ||
| 5-11 | Suite en Si bémol majeur: Plainte | — | ||
| 5-12 | Sarabande | — | ||
| 5-13 | Passacaglie | — | ||
| 5-14 | Te Deum: Prélude | — | ||
| 5-15 | Hymne de l'Avent | — | ||
| 5-16 | Livre d'orgue: Prélude - Christe - Kyrie - Élevation - Dialogue | — | ||
| 5-17 | Messe pour les instruments au lieu des orgues: Tu solus altissimus | — | ||
| 5-18 | Capriccio primo | — | ||
| 5-19 | Bicinia variorum instrumentorum: Intrada - Allemande - Chique | — | ||
| 5-20 | Capriccio I | — | ||
| 5-21 | Canzon C-Dur | — | ||
| 5-22 | Suite e-moll: Alleman - Gigue | — | ||
| 5-23 | Sonata 6 a 4 | — | ||
| 5-24 | Praeludium - Allemanda - Bourrée | — | ||
| 5-25 | Kantate "Dies ist der Tag": Arie "Nun bin ich vergnügt" | — | ||
| 5-26 | Praeludium e-moll | — | ||
| 6-1 | Pedalexercitium, BWV 598 | — | ||
| 6-2 | Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" | — | ||
| 6-3 | Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V: Aria (Tenor) "Erschrecke doch" | — | ||
| 6-4 | Choralvorspiel, BWV 659 "Nun komm' der Heiden Heiland" | — | ||
| 6-5 | Suite en Sol majeur, BWV 1007: Prélude | — | ||
| 6-6 | Ouverture en Do mineur | — | ||
| 6-7 | Suite en Ré majeur, BWV 1012: Prélude | — | ||
| 6-8 | Sonate en Fa majeur: Vivace - Largo - Allegro | — | ||
| 6-9 | Menuet a deux cornes de chasse | — | ||
| 6-10 | L'hiver | — | ||
| 6-11 | Napolitana, pour hautbois d'amour | — | ||
| 6-12 | Sonate en Fa mineur: Triste - Presto | — | ||
| 6-13 | Sonate en La mineur: Siciliana - Spirituoso - Andante - Vivace | — | ||
| 6-14 | Concerto per flauto terzetto: Allegro | — | ||
| 6-15 | Trio en Ré majeur: Allegro | — | ||
| 6-16 | Suite à 3 Chalumeaux: Ouverture - La speranza - Air | — | ||
| 6-17 | Ouverture | — | ||
| 6-18 | Sonata No. 7 en Do majeur: Grave | — | ||
| 6-19 | Abschied vom Silbermannschen Klavier, Wq 66 | — | ||
| 6-20 | Trio a viola, flauto basso e basso continuo: Allegretto | — | ||
| 7-1 | Sonata prima | — | ||
| 7-2 | Sonate No. 6: Ciciliane - Ecco | — | ||
| 7-3 | Gioseffo, che interpreta i sogni: Aria (alto) "Libertà cara e gradita" | — | ||
| 7-4 | Sonata No. 4 en Si bémol majeur: Andante - Allegro moderato - Grave - Allegro | — | ||
| 7-5 | Sonata No. 2 en Mi mineur: Adagio - Allegro - Minuetto | — | ||
| 7-6 | Suonata: Allegro | — | ||
| 7-7 | Concerto del Sigr Vivaldi accomodato a cembalo solo e flautino | — | ||
| 7-8 | Inno per il festo di Santa Teresia | — | ||
| 7-9 | Sonata en Fa mineur, K 386 | — | ||
| 7-10 | Sonata seconda: Andante "La Vibray" | — | ||
| 7-11 | J'ai du bon tabac | — | ||
| 7-12 | Concerto comique "La Choisy" | — | ||
| 7-13 | Fanfare No. 12 - Fanfare No. 19 (Gavotte) | — | ||
| 7-14 | L'amour m'a fait un beau présent - Je me levé par un matin - Malbrough - La Missisipy | — | ||
| 7-15 | La Poule | — | ||
| 7-16 | Concerto en Si bémol majeur: Poco presto | — | ||
| 7-17 | Concerto en Si bémol majeur: Rondo | — | ||
| 7-18 | Nocturne No. 2 | — | ||
| 7-19 | Sonate No. 1 | — | ||
| 7-20 | Sonate en Sol majeur: Rondo | — | ||
| 7-21 | La Caravane du Caire: Ouverture - Pas de trois - Marche du Pacha | — | ||
| 8-1 | Divertimento en La majeur, Hob. X:3: III. Finale. Allegretto (Thème et variations) | — | ||
| 8-2 | Sonate No. 44, Hob. XVI:29: I. Moderato | — | ||
| 8-3 | Concerto en Mi bémol majeur, Hob. VIIe:1: III. Finale. Allegro | — | ||
| 8-4 | Duo pour alto et contrebasse: V. Thème et variations | — | ||
| 8-5 | Adagio, KV 580a | — | ||
| 8-6 | Fantaisie en Ré mineur, KV 397 (385g) | — | ||
| 8-7 | Quatuor en Ré majeur, KV 285: II. Adagio - III. Rondo. Allegro (extrait) | — | ||
| 8-8 | Sonate en Si bémol majeur, KV 281: III. Rondeau. Allegro | — | ||
| 8-9 | Divertimento, KV 439b No. 3: V. Rondo | — | ||
| 8-10 | Sonate brillante pour le Csakan: Rondo presto | — | ||
| 8-11 | Don Giovanni: Canzonetta "Deh vieni alla finestra" (Don Giovanni) | — | ||
| 8-12 | Variations sur "Là ci darem la mano", WoO. 28 (extrait) | — | ||
| 8-13 | Die Zauberflöte: Arie "Ein Mädchen oder Weibchen" (Papageno) | — | ||
| 8-14 | Variations sur "O cara armonia" | — | ||
| 8-15 | Capriccio en Do majeur, KV 395 (300g) | — | ||
| 8-16 | Adagio en Do majeur, KV 356 (617a) | — | ||
| 8-17 | Sonate pour cor et piano, Op. 17: III. Rondo. Allegro moderato | — | ||
| 8-18 | Valse des Huguenots | — | ||
| 8-19 | L'Italiana in Algeri: Ouverture | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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5400439001008 is a Universal Product Code (UPC) assigned to Guide des instruments anciens by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 206 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Guide des instruments anciens” by Various Artists is 5400439001008. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Ricercar. This release contains 206 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Appels | — | ||
| 2 | Ut queant laxis | — | ||
| 3 | Cantiga No. 77 "Da que Deus mamou" | — | ||
| 4 | Cantiga No. 421 "Nembressete, madre de Deus" | — | ||
| 5 | Cantiga No. 37 "Miragres fremosos" | — | ||
| 6 | Cantiga No. 10 "Rosas das rosas" | — | ||
| 7 | Cantiga No. 123 "De Santa Maria sinal" | — | ||
| 8 | Cantiga No. 119 "Come somos" | — | ||
| 9 | Cantigas de Amigo: Mia Yrmana | — | ||
| 10 | Saltarello IV | — | ||
| 11 | La quinte estampie real | — | ||
| 12 | Sire cuens j'ai viélé | — | ||
| 13 | Kalenda maia | — | ||
| 14 | Ja nuns hons pris | — | ||
| 15 | Plainte | — | ||
| 16 | Se j'onques à mon vivant | — | ||
| 17 | En Egipte m'en veuil aller (chanson pieuse) | — | ||
| 18 | Belle Aelis | — | ||
| 19 | Trotto | — | ||
| 20 | Apor Lazar Tancz | — | ||
| 21 | Trop est mes maris jalos | — | ||
| 22 | Danxa aurea du Phebo (d'après Carmina Burana No. 71) | — | ||
| 23 | Sirventois sonnerie | — | ||
| 24 | A dieu comant amouretes | — | ||
| 25 | Va t'en souspier | — | ||
| 26 | Tres douce dame | — | ||
| 27 | Pucelette - Je languis - Domino | — | ||
| 28 | Inter amenitatis tripudia | — | ||
| 29 | Gloria ad modum tubae (ténor) | — | ||
| 30 | Filles à marier | — | ||
| 31 | J'ai grant dolour | — | ||
| 32 | Amor c'al tuo sogetto ognor mi trovo | — | ||
| 33 | Mille bonjours je vous présente | — | ||
| 34 | Appels miltaires | — | ||
| 35 | Donnes l'assault à la fortresse | — | ||
| 36 | Buxheimer Orgelbuch: Redeuntes in Idem | — | ||
| 37 | Buxheimer Orgelbuch: Esclaphe | — | ||
| 38 | Mit ganzem Willen | — | ||
| 39 | Ave Maria - O Maria | — | ||
| 40 | Tuba Gallicalis | — | ||
| 2-1 | Saltarello - Piva | — | ||
| 2-2 | Padouana alla Veneciana | — | ||
| 2-3 | Pavana "El todescho" - Saltarello "El machese di Saluzzo" | — | ||
| 2-4 | Padouana "La morte de la ragione" | — | ||
| 2-5 | Il ballo di Mantua | — | ||
| 2-6 | Pavana - Romanesca | — | ||
| 2-7 | Pavane | — | ||
| 2-8 | Bransle de Champagne | — | ||
| 2-9 | Allemande IV | — | ||
| 2-10 | Devenus suis amoureux | — | ||
| 2-11 | Pavane de la Bataille | — | ||
| 2-12 | Ballet des Amazones - La Rosette | — | ||
| 2-13 | Bransles gay - Bransles de Montirandé | — | ||
| 2-14 | Ballet à 4 | — | ||
| 2-15 | Courant de Battaglia | — | ||
| 2-16 | Ballet de la Reine | — | ||
| 2-17 | Padouana à 5 | — | ||
| 2-18 | Padouana - Gagliarda - Almand à 5 | — | ||
| 2-19 | The Queens Alman | — | ||
| 2-20 | Pavane Quadro - Wilssons wyde | — | ||
| 2-21 | The Earl of Salisbury his Pavan | — | ||
| 2-22 | Almain - Two Thumps | — | ||
| 2-23 | Praeludium - Gailliard | — | ||
| 2-24 | Allemandes - Bransle de Champagne | — | ||
| 2-25 | Padouana - Tanz | — | ||
| 2-26 | Padouana | — | ||
| 2-27 | Pavana del Francisco Segario | — | ||
| 3-1 | Ricercare | — | ||
| 3-2 | Fantasia del primero tono | — | ||
| 3-3 | Ricercar primi toni | — | ||
| 3-4 | Fuga quinti toni | — | ||
| 3-5 | Praeambulum | — | ||
| 3-6 | Fantasia No. 8 | — | ||
| 3-7 | Tiento tercero sobra la Battala de Morales | — | ||
| 3-8 | Fantasia que contrahaze la harpe en la manera de Luduvico | — | ||
| 3-9 | Fantasia à 6 | — | ||
| 3-10 | The Lady Frances Sidneys' Felicity | — | ||
| 3-11 | Fantasia à 3 | — | ||
| 3-12 | Je porte tes couleurs | — | ||
| 3-13 | La morra | — | ||
| 3-14 | Spero haver felice | — | ||
| 3-15 | Chi non crede | — | ||
| 3-16 | Guardane almo pastore | — | ||
| 3-17 | Tant que vivray | — | ||
| 3-18 | Tant que vivray | — | ||
| 3-19 | Si bon amour | — | ||
| 3-20 | Parle qui veut | — | ||
| 3-21 | Ein guter Wein ist lobenswert | — | ||
| 3-22 | O haylige onbeflecte | — | ||
| 3-23 | Magnificat | — | ||
| 3-24 | Creator alme siderum | — | ||
| 3-25 | Ecce tempus idoneum | — | ||
| 3-26 | Ad te levavi | — | ||
| 3-27 | Douze coups de minuit | — | ||
| 3-28 | O zalig heilig Bethlehem | — | ||
| 3-29 | Ground | — | ||
| 3-30 | A division | — | ||
| 3-31 | Goe from my window | — | ||
| 3-32 | Divisions in G | — | ||
| 4-1 | A la fontana (Adrian Willaert) | — | ||
| 4-2 | Anchor che col partire (Cipriano di Rore) | — | ||
| 4-3 | Vergine bella di Cipriano di Rore | — | ||
| 4-4 | Ancidetemi pur | — | ||
| 4-5 | Io son ferito, ahi lasso (Palestrina) | — | ||
| 4-6 | L'Orfeo: Toccata | — | ||
| 4-7 | La morte d'Orfeo: Lamento di Calliope | — | ||
| 4-8 | Toccata terza da sonarsi alla levatione | — | ||
| 4-9 | Sonata decima terza | — | ||
| 4-10 | Fantasia per fagotto solo | — | ||
| 4-11 | Canzona decimasesta a due bassi detta la Diodata | — | ||
| 4-12 | Bergamasca "La barchetta passagiera" | — | ||
| 4-13 | Toccata V | — | ||
| 4-14 | Sonata "La Farina" | — | ||
| 4-15 | Toccata ottava | — | ||
| 4-16 | Airs for the flageolet | — | ||
| 4-17 | Divisions by Mr. Hills | — | ||
| 4-18 | Concerto No. 5 in D: Allegro | — | ||
| 4-19 | Slow Ayre, Jig & Bore | — | ||
| 4-20 | A Ground | — | ||
| 4-21 | Concerto: Siciliana | — | ||
| 5-1 | Autre suite faite pour Mr. de Comte Darcours: Petit Bransle - Autre Bransle - Gavotte en suite | — | ||
| 5-2 | Appels de trompettes | — | ||
| 5-3 | Der schene neue Aufzug | — | ||
| 5-4 | Marche pour les timbales | — | ||
| 5-5 | La Mendiante | — | ||
| 5-6 | Pavane en Fa dièse mineur | — | ||
| 5-7 | Menuet (pour le Bourgeois gentilhomme) | — | ||
| 5-8 | Les Sylvains de Mr Couperin | — | ||
| 5-9 | Suite en Ré mineur du Ier Livre: Prélude | — | ||
| 5-10 | La Belle Homicide | — | ||
| 5-11 | Suite en Si bémol majeur: Plainte | — | ||
| 5-12 | Sarabande | — | ||
| 5-13 | Passacaglie | — | ||
| 5-14 | Te Deum: Prélude | — | ||
| 5-15 | Hymne de l'Avent | — | ||
| 5-16 | Livre d'orgue: Prélude - Christe - Kyrie - Élevation - Dialogue | — | ||
| 5-17 | Messe pour les instruments au lieu des orgues: Tu solus altissimus | — | ||
| 5-18 | Capriccio primo | — | ||
| 5-19 | Bicinia variorum instrumentorum: Intrada - Allemande - Chique | — | ||
| 5-20 | Capriccio I | — | ||
| 5-21 | Canzon C-Dur | — | ||
| 5-22 | Suite e-moll: Alleman - Gigue | — | ||
| 5-23 | Sonata 6 a 4 | — | ||
| 5-24 | Praeludium - Allemanda - Bourrée | — | ||
| 5-25 | Kantate "Dies ist der Tag": Arie "Nun bin ich vergnügt" | — | ||
| 5-26 | Praeludium e-moll | — | ||
| 6-1 | Pedalexercitium, BWV 598 | — | ||
| 6-2 | Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" | — | ||
| 6-3 | Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V: Aria (Tenor) "Erschrecke doch" | — | ||
| 6-4 | Choralvorspiel, BWV 659 "Nun komm' der Heiden Heiland" | — | ||
| 6-5 | Suite en Sol majeur, BWV 1007: Prélude | — | ||
| 6-6 | Ouverture en Do mineur | — | ||
| 6-7 | Suite en Ré majeur, BWV 1012: Prélude | — | ||
| 6-8 | Sonate en Fa majeur: Vivace - Largo - Allegro | — | ||
| 6-9 | Menuet a deux cornes de chasse | — | ||
| 6-10 | L'hiver | — | ||
| 6-11 | Napolitana, pour hautbois d'amour | — | ||
| 6-12 | Sonate en Fa mineur: Triste - Presto | — | ||
| 6-13 | Sonate en La mineur: Siciliana - Spirituoso - Andante - Vivace | — | ||
| 6-14 | Concerto per flauto terzetto: Allegro | — | ||
| 6-15 | Trio en Ré majeur: Allegro | — | ||
| 6-16 | Suite à 3 Chalumeaux: Ouverture - La speranza - Air | — | ||
| 6-17 | Ouverture | — | ||
| 6-18 | Sonata No. 7 en Do majeur: Grave | — | ||
| 6-19 | Abschied vom Silbermannschen Klavier, Wq 66 | — | ||
| 6-20 | Trio a viola, flauto basso e basso continuo: Allegretto | — | ||
| 7-1 | Sonata prima | — | ||
| 7-2 | Sonate No. 6: Ciciliane - Ecco | — | ||
| 7-3 | Gioseffo, che interpreta i sogni: Aria (alto) "Libertà cara e gradita" | — | ||
| 7-4 | Sonata No. 4 en Si bémol majeur: Andante - Allegro moderato - Grave - Allegro | — | ||
| 7-5 | Sonata No. 2 en Mi mineur: Adagio - Allegro - Minuetto | — | ||
| 7-6 | Suonata: Allegro | — | ||
| 7-7 | Concerto del Sigr Vivaldi accomodato a cembalo solo e flautino | — | ||
| 7-8 | Inno per il festo di Santa Teresia | — | ||
| 7-9 | Sonata en Fa mineur, K 386 | — | ||
| 7-10 | Sonata seconda: Andante "La Vibray" | — | ||
| 7-11 | J'ai du bon tabac | — | ||
| 7-12 | Concerto comique "La Choisy" | — | ||
| 7-13 | Fanfare No. 12 - Fanfare No. 19 (Gavotte) | — | ||
| 7-14 | L'amour m'a fait un beau présent - Je me levé par un matin - Malbrough - La Missisipy | — | ||
| 7-15 | La Poule | — | ||
| 7-16 | Concerto en Si bémol majeur: Poco presto | — | ||
| 7-17 | Concerto en Si bémol majeur: Rondo | — | ||
| 7-18 | Nocturne No. 2 | — | ||
| 7-19 | Sonate No. 1 | — | ||
| 7-20 | Sonate en Sol majeur: Rondo | — | ||
| 7-21 | La Caravane du Caire: Ouverture - Pas de trois - Marche du Pacha | — | ||
| 8-1 | Divertimento en La majeur, Hob. X:3: III. Finale. Allegretto (Thème et variations) | — | ||
| 8-2 | Sonate No. 44, Hob. XVI:29: I. Moderato | — | ||
| 8-3 | Concerto en Mi bémol majeur, Hob. VIIe:1: III. Finale. Allegro | — | ||
| 8-4 | Duo pour alto et contrebasse: V. Thème et variations | — | ||
| 8-5 | Adagio, KV 580a | — | ||
| 8-6 | Fantaisie en Ré mineur, KV 397 (385g) | — | ||
| 8-7 | Quatuor en Ré majeur, KV 285: II. Adagio - III. Rondo. Allegro (extrait) | — | ||
| 8-8 | Sonate en Si bémol majeur, KV 281: III. Rondeau. Allegro | — | ||
| 8-9 | Divertimento, KV 439b No. 3: V. Rondo | — | ||
| 8-10 | Sonate brillante pour le Csakan: Rondo presto | — | ||
| 8-11 | Don Giovanni: Canzonetta "Deh vieni alla finestra" (Don Giovanni) | — | ||
| 8-12 | Variations sur "Là ci darem la mano", WoO. 28 (extrait) | — | ||
| 8-13 | Die Zauberflöte: Arie "Ein Mädchen oder Weibchen" (Papageno) | — | ||
| 8-14 | Variations sur "O cara armonia" | — | ||
| 8-15 | Capriccio en Do majeur, KV 395 (300g) | — | ||
| 8-16 | Adagio en Do majeur, KV 356 (617a) | — | ||
| 8-17 | Sonate pour cor et piano, Op. 17: III. Rondo. Allegro moderato | — | ||
| 8-18 | Valse des Huguenots | — | ||
| 8-19 | L'Italiana in Algeri: Ouverture | — |
