UPC · Release
Jérôme Lejeune
Last verified:
The UPC for “L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance” by Jérôme Lejeune is 5400439001060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Ricercar. This release contains 175 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nymphe des bois | — | ||
| 2 | Ile fantaisies | — | ||
| 3 | Illibata dei virgo a 5 | — | ||
| 4 | Allégez moy a 6 | — | ||
| 5 | Faulte d'argent a 5 | — | ||
| 6 | La Spagna | — | ||
| 7 | El grillo | — | ||
| 8 | Missa lesse faire a mi : Sanctus | — | ||
| 9 | Missa lesse faire a mi : Agnus dei | — | ||
| 10 | Mille regretz | — | ||
| 11 | Mille regretz | — | ||
| 12 | Giù per la mala via (Lauda) | — | ||
| 13 | Spero haver felice (Frottola) & Giovanne tutte siano (Frottola) | — | ||
| 14 | Fammi una gratia amore | — | ||
| 15 | Donna di dentro | — | ||
| 16 | Quis dabit capiti meo aquam ? | — | ||
| 17 | Cor mio volunturioso (Strambotto) | — | ||
| 18 | Chi la galiarda | — | ||
| 19 | Ultimi miei sospiri | — | ||
| 20 | Vechie letrose, non valete niente | — | ||
| 21 | Qual docezza giamai | — | ||
| 2-1 | Missa papae marcelli : Kyrie | — | ||
| 2-2 | Missa papae marcelli : Gloria | — | ||
| 2-3 | Missa papae marcelli : Sanctus | — | ||
| 2-4 | Missa papae marcelli : Agnus dei | — | ||
| 2-5 | Magnificat a 4 | — | ||
| 2-6 | Lauda Jerusalem a 8 | — | ||
| 2-7 | Vox in Rama | — | ||
| 2-8 | O vos omnes | — | ||
| 2-9 | Domine dominus noster | — | ||
| 2-10 | Missa sopra ecco si beato giorno a 40 (Credo) | — | ||
| 2-11 | Anchor che col partire | — | ||
| 2-12 | Solo e pensoso | — | ||
| 2-13 | Se quel dolor che va innanzi al morire | — | ||
| 2-14 | Vezzosi augelli | — | ||
| 2-15 | Mercé, grido piangendo | — | ||
| 2-16 | Non sa che sia dolore | — | ||
| 2-17 | Barca di venezia per padova / Madrigale alla romana (Stile del marenzio romano) / Madrigale alla napolitana (A imitazione del spano napolitano) / Seconda ottava all'improvviso nel liuto | — | ||
| 3-1 | Tandernaken | — | ||
| 3-2 | La Strangetta | — | ||
| 3-3 | Tastar de corde & Ricercar dietro | — | ||
| 3-4 | Ricercata | — | ||
| 3-5 | La Piva | — | ||
| 3-6 | La mala vecchi & Il stocco | — | ||
| 3-7 | Ricercar | — | ||
| 3-8 | Ricercar x a 4 | — | ||
| 3-9 | Vestiva i colli | — | ||
| 3-10 | Vestiva i collicontrapunto per sonar in concerto | — | ||
| 3-11 | Consonanze stravaganti | — | ||
| 3-12 | Vergine bella di cipriano dimiuito per la viola | — | ||
| 3-13 | Intonatione primi toni | — | ||
| 3-14 | Toccata decima del 10 tono | — | ||
| 3-15 | Canzona detta petit jacquet | — | ||
| 3-16 | Canzona a 8 primi toni | — | ||
| 3-17 | Balleti (La sirena, amor vittorioso, l'innamorato) | — | ||
| 3-18 | Ave maria a 5 | — | ||
| 3-19 | Missa a gente brunette : Kyrie | — | ||
| 3-20 | Missa a gente brunette : Gloria | — | ||
| 3-21 | Missa a gente brunette : Sanctus | — | ||
| 3-22 | Missa a gente brunette : Agnus dei | — | ||
| 3-23 | Chantez à dieu nouveau cantique | — | ||
| 3-24 | Tant que vivray | — | ||
| 4-1 | Ce moys de may | — | ||
| 4-2 | Au joly boys | — | ||
| 4-3 | Il estoit une fillette | — | ||
| 4-4 | La Bataille | — | ||
| 4-5 | Languir me fais | — | ||
| 4-6 | Ramonez moy ma cheminée | — | ||
| 4-7 | La Fricassée | — | ||
| 4-8 | Mignonne allons voir si la rose | — | ||
| 4-9 | Ah seigneur dieu | — | ||
| 4-10 | Qu'est devenu ce bel œil ? | — | ||
| 4-11 | Pauvre cœur entourné | — | ||
| 4-12 | Monsieur l'abbé et monsieur son valet | — | ||
| 4-13 | Mon petit cueur | — | ||
| 4-14 | Doulce mémoire | — | ||
| 4-15 | Doulce mémoire | — | ||
| 4-16 | Branle d'écosse | — | ||
| 4-17 | Basse dance la Magdalena & Tourdion | — | ||
| 4-18 | Bransles d'écosse | — | ||
| 4-19 | Prélude | — | ||
| 4-20 | Pavane | — | ||
| 4-21 | Bransles gays | — | ||
| 4-22 | Troisième fantaisie a 5 ad imitationem moduli / Benedicta est coelorum regina | — | ||
| 4-23 | Magnificat | — | ||
| 4-24 | Missa pro defunctis (Introïtus & Kyrie) | — | ||
| 4-25 | Du fond de ma pensée | — | ||
| 5-1 | O venus bant | — | ||
| 5-2 | Salve quae roseo | — | ||
| 5-3 | Se dire je l'oisoie | — | ||
| 5-4 | Gentils galans | — | ||
| 5-5 | Ardo, donna, per voi | — | ||
| 5-6 | Agnus dei | — | ||
| 5-7 | Allemande & Saltarello "Bruynsmedelyn" / Allemande & Saltarello "Poussinghe" | — | ||
| 5-8 | Pavane & Gaillarde "Mille ducats" | — | ||
| 5-9 | Fantasia prima | — | ||
| 5-10 | Toccata | — | ||
| 5-11 | Triste españa | — | ||
| 5-12 | Dindirin | — | ||
| 5-13 | Al alva venid | — | ||
| 5-14 | Lagrimas de mi consuelo | — | ||
| 5-15 | La Guerra | — | ||
| 5-16 | Claros y frescos rios | — | ||
| 5-17 | A la dulce risa del alva | — | ||
| 5-18 | Doulce mémoire | — | ||
| 5-19 | Recercada sobre doulce mémoire | — | ||
| 5-20 | Diferencias sobre la gallarda milanese | — | ||
| 5-21 | Tiento y discurso de segundo tono | — | ||
| 6-1 | In illo tempore | — | ||
| 6-2 | Pastore, dicite, quidnam vidistis ? | — | ||
| 6-3 | Da pacem domine | — | ||
| 6-4 | Missa domine dominus noster : Kyrie | — | ||
| 6-5 | Missa domine dominus noster : Gloria | — | ||
| 6-6 | In devotione a 8 | — | ||
| 6-7 | Missa pro defunctis (Introïtus & Kyrie) | — | ||
| 6-8 | Ich stund an einem morgen | — | ||
| 6-9 | Es het ein biederman ein weib | — | ||
| 6-10 | Innsbruck ich muss dich lassen | — | ||
| 6-11 | Fantasia "Innsbruck ich muss dich lassen" | — | ||
| 6-12 | Petite nymphe folatre | — | ||
| 6-13 | Jane en te baisant | — | ||
| 6-14 | Mein Mann der ist in Krieg zogen | — | ||
| 6-15 | Organ preludium (improvisation in the style of Hofhaimer) | — | ||
| 6-16 | Pascha nostrum immolatus est Christus | — | ||
| 6-17 | Missa paschale (Kyrie) | — | ||
| 6-18 | Vom ölenberge zeucht daher Christus | — | ||
| 6-19 | Vater unser im Himmelreich | — | ||
| 6-20 | Beata es virgo Maria | — | ||
| 6-21 | Venite exultemus a 16 | — | ||
| 7-1 | Nun welche hoffnung | — | ||
| 7-2 | Ricercar | — | ||
| 7-3 | Ballet des sorciers, ballet du roy | — | ||
| 7-4 | Suite g-moll XIII / Padouana, gaillarda, corrente, allemande | — | ||
| 7-5 | Ah robin | — | ||
| 7-6 | Helas, madame | — | ||
| 7-7 | Pastime with good company | — | ||
| 7-8 | Taunder naken | — | ||
| 7-9 | Now is the month of maying | — | ||
| 7-10 | Zephyrus breathing | — | ||
| 7-11 | O care thou willt despach me | — | ||
| 7-12 | The cries of London (Part I) | — | ||
| 7-13 | O grief | — | ||
| 7-14 | Can she excuse | — | ||
| 7-15 | I saw my lady weep | — | ||
| 7-16 | O death, rock me asleep | — | ||
| 7-17 | When Daphne from fair Phoebus did fly | — | ||
| 7-18 | Fortune my foe | — | ||
| 7-19 | In nomine a 6 | — | ||
| 7-20 | Fantasia a 6 | — | ||
| 7-21 | The king of Denmarke his galliard | — | ||
| 7-22 | Goe from my window | — | ||
| 7-23 | The quadran pavin | — | ||
| 8-1 | The first lamentation of Jeremiah | — | ||
| 8-2 | This is the record of John | — | ||
| 8-3 | O clap your hands together | — | ||
| 8-4 | Out of the deep | — | ||
| 8-5 | Prophetiae sibyllarum (Prologus & Sibylla persica) | — | ||
| 8-6 | Chi chilichi | — | ||
| 8-7 | Cantai, hor piango | — | ||
| 8-8 | Cantione sine textu n°16 | — | ||
| 8-9 | Chanter je veux | — | ||
| 8-10 | Sauter, danser, faire des tours | — | ||
| 8-11 | Susanne un jour | — | ||
| 8-12 | Susanne un jour | — | ||
| 8-13 | Hispanum ad coenam mercator belga | — | ||
| 8-14 | Martgot, labourez les vignes | — | ||
| 8-15 | Du fond de ma pensée | — | ||
| 8-16 | Zu dir von herzensgrunde | — | ||
| 8-17 | Timor et tremor | — | ||
| 8-18 | Missa ad imitationem bonum vinum : Kyrie | — | ||
| 8-19 | Missa ad imitationem bonum vinum : Gloria | — | ||
| 8-20 | Missa ad imitationem bonum vinum : Credo | — | ||
| 8-21 | Missa ad imitationem bonum vinum : Sanctus | — | ||
| 8-22 | Missa ad imitationem bonum vinum : Agnus dei | — | ||
| 8-23 | In hora ultima | — |
Songwriters/Publishers (IPI)
Credits Graph
5400439001060 is a Universal Product Code (UPC) assigned to L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance by Jérôme Lejeune. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 175 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance” by Jérôme Lejeune is 5400439001060. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Ricercar. This release contains 175 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nymphe des bois | — | ||
| 2 | Ile fantaisies | — | ||
| 3 | Illibata dei virgo a 5 | — | ||
| 4 | Allégez moy a 6 | — | ||
| 5 | Faulte d'argent a 5 | — | ||
| 6 | La Spagna | — | ||
| 7 | El grillo | — | ||
| 8 | Missa lesse faire a mi : Sanctus | — | ||
| 9 | Missa lesse faire a mi : Agnus dei | — | ||
| 10 | Mille regretz | — | ||
| 11 | Mille regretz | — | ||
| 12 | Giù per la mala via (Lauda) | — | ||
| 13 | Spero haver felice (Frottola) & Giovanne tutte siano (Frottola) | — | ||
| 14 | Fammi una gratia amore | — | ||
| 15 | Donna di dentro | — | ||
| 16 | Quis dabit capiti meo aquam ? | — | ||
| 17 | Cor mio volunturioso (Strambotto) | — | ||
| 18 | Chi la galiarda | — | ||
| 19 | Ultimi miei sospiri | — | ||
| 20 | Vechie letrose, non valete niente | — | ||
| 21 | Qual docezza giamai | — | ||
| 2-1 | Missa papae marcelli : Kyrie | — | ||
| 2-2 | Missa papae marcelli : Gloria | — | ||
| 2-3 | Missa papae marcelli : Sanctus | — | ||
| 2-4 | Missa papae marcelli : Agnus dei | — | ||
| 2-5 | Magnificat a 4 | — | ||
| 2-6 | Lauda Jerusalem a 8 | — | ||
| 2-7 | Vox in Rama | — | ||
| 2-8 | O vos omnes | — | ||
| 2-9 | Domine dominus noster | — | ||
| 2-10 | Missa sopra ecco si beato giorno a 40 (Credo) | — | ||
| 2-11 | Anchor che col partire | — | ||
| 2-12 | Solo e pensoso | — | ||
| 2-13 | Se quel dolor che va innanzi al morire | — | ||
| 2-14 | Vezzosi augelli | — | ||
| 2-15 | Mercé, grido piangendo | — | ||
| 2-16 | Non sa che sia dolore | — | ||
| 2-17 | Barca di venezia per padova / Madrigale alla romana (Stile del marenzio romano) / Madrigale alla napolitana (A imitazione del spano napolitano) / Seconda ottava all'improvviso nel liuto | — | ||
| 3-1 | Tandernaken | — | ||
| 3-2 | La Strangetta | — | ||
| 3-3 | Tastar de corde & Ricercar dietro | — | ||
| 3-4 | Ricercata | — | ||
| 3-5 | La Piva | — | ||
| 3-6 | La mala vecchi & Il stocco | — | ||
| 3-7 | Ricercar | — | ||
| 3-8 | Ricercar x a 4 | — | ||
| 3-9 | Vestiva i colli | — | ||
| 3-10 | Vestiva i collicontrapunto per sonar in concerto | — | ||
| 3-11 | Consonanze stravaganti | — | ||
| 3-12 | Vergine bella di cipriano dimiuito per la viola | — | ||
| 3-13 | Intonatione primi toni | — | ||
| 3-14 | Toccata decima del 10 tono | — | ||
| 3-15 | Canzona detta petit jacquet | — | ||
| 3-16 | Canzona a 8 primi toni | — | ||
| 3-17 | Balleti (La sirena, amor vittorioso, l'innamorato) | — | ||
| 3-18 | Ave maria a 5 | — | ||
| 3-19 | Missa a gente brunette : Kyrie | — | ||
| 3-20 | Missa a gente brunette : Gloria | — | ||
| 3-21 | Missa a gente brunette : Sanctus | — | ||
| 3-22 | Missa a gente brunette : Agnus dei | — | ||
| 3-23 | Chantez à dieu nouveau cantique | — | ||
| 3-24 | Tant que vivray | — | ||
| 4-1 | Ce moys de may | — | ||
| 4-2 | Au joly boys | — | ||
| 4-3 | Il estoit une fillette | — | ||
| 4-4 | La Bataille | — | ||
| 4-5 | Languir me fais | — | ||
| 4-6 | Ramonez moy ma cheminée | — | ||
| 4-7 | La Fricassée | — | ||
| 4-8 | Mignonne allons voir si la rose | — | ||
| 4-9 | Ah seigneur dieu | — | ||
| 4-10 | Qu'est devenu ce bel œil ? | — | ||
| 4-11 | Pauvre cœur entourné | — | ||
| 4-12 | Monsieur l'abbé et monsieur son valet | — | ||
| 4-13 | Mon petit cueur | — | ||
| 4-14 | Doulce mémoire | — | ||
| 4-15 | Doulce mémoire | — | ||
| 4-16 | Branle d'écosse | — | ||
| 4-17 | Basse dance la Magdalena & Tourdion | — | ||
| 4-18 | Bransles d'écosse | — | ||
| 4-19 | Prélude | — | ||
| 4-20 | Pavane | — | ||
| 4-21 | Bransles gays | — | ||
| 4-22 | Troisième fantaisie a 5 ad imitationem moduli / Benedicta est coelorum regina | — | ||
| 4-23 | Magnificat | — | ||
| 4-24 | Missa pro defunctis (Introïtus & Kyrie) | — | ||
| 4-25 | Du fond de ma pensée | — | ||
| 5-1 | O venus bant | — | ||
| 5-2 | Salve quae roseo | — | ||
| 5-3 | Se dire je l'oisoie | — | ||
| 5-4 | Gentils galans | — | ||
| 5-5 | Ardo, donna, per voi | — | ||
| 5-6 | Agnus dei | — | ||
| 5-7 | Allemande & Saltarello "Bruynsmedelyn" / Allemande & Saltarello "Poussinghe" | — | ||
| 5-8 | Pavane & Gaillarde "Mille ducats" | — | ||
| 5-9 | Fantasia prima | — | ||
| 5-10 | Toccata | — | ||
| 5-11 | Triste españa | — | ||
| 5-12 | Dindirin | — | ||
| 5-13 | Al alva venid | — | ||
| 5-14 | Lagrimas de mi consuelo | — | ||
| 5-15 | La Guerra | — | ||
| 5-16 | Claros y frescos rios | — | ||
| 5-17 | A la dulce risa del alva | — | ||
| 5-18 | Doulce mémoire | — | ||
| 5-19 | Recercada sobre doulce mémoire | — | ||
| 5-20 | Diferencias sobre la gallarda milanese | — | ||
| 5-21 | Tiento y discurso de segundo tono | — | ||
| 6-1 | In illo tempore | — | ||
| 6-2 | Pastore, dicite, quidnam vidistis ? | — | ||
| 6-3 | Da pacem domine | — | ||
| 6-4 | Missa domine dominus noster : Kyrie | — | ||
| 6-5 | Missa domine dominus noster : Gloria | — | ||
| 6-6 | In devotione a 8 | — | ||
| 6-7 | Missa pro defunctis (Introïtus & Kyrie) | — | ||
| 6-8 | Ich stund an einem morgen | — | ||
| 6-9 | Es het ein biederman ein weib | — | ||
| 6-10 | Innsbruck ich muss dich lassen | — | ||
| 6-11 | Fantasia "Innsbruck ich muss dich lassen" | — | ||
| 6-12 | Petite nymphe folatre | — | ||
| 6-13 | Jane en te baisant | — | ||
| 6-14 | Mein Mann der ist in Krieg zogen | — | ||
| 6-15 | Organ preludium (improvisation in the style of Hofhaimer) | — | ||
| 6-16 | Pascha nostrum immolatus est Christus | — | ||
| 6-17 | Missa paschale (Kyrie) | — | ||
| 6-18 | Vom ölenberge zeucht daher Christus | — | ||
| 6-19 | Vater unser im Himmelreich | — | ||
| 6-20 | Beata es virgo Maria | — | ||
| 6-21 | Venite exultemus a 16 | — | ||
| 7-1 | Nun welche hoffnung | — | ||
| 7-2 | Ricercar | — | ||
| 7-3 | Ballet des sorciers, ballet du roy | — | ||
| 7-4 | Suite g-moll XIII / Padouana, gaillarda, corrente, allemande | — | ||
| 7-5 | Ah robin | — | ||
| 7-6 | Helas, madame | — | ||
| 7-7 | Pastime with good company | — | ||
| 7-8 | Taunder naken | — | ||
| 7-9 | Now is the month of maying | — | ||
| 7-10 | Zephyrus breathing | — | ||
| 7-11 | O care thou willt despach me | — | ||
| 7-12 | The cries of London (Part I) | — | ||
| 7-13 | O grief | — | ||
| 7-14 | Can she excuse | — | ||
| 7-15 | I saw my lady weep | — | ||
| 7-16 | O death, rock me asleep | — | ||
| 7-17 | When Daphne from fair Phoebus did fly | — | ||
| 7-18 | Fortune my foe | — | ||
| 7-19 | In nomine a 6 | — | ||
| 7-20 | Fantasia a 6 | — | ||
| 7-21 | The king of Denmarke his galliard | — | ||
| 7-22 | Goe from my window | — | ||
| 7-23 | The quadran pavin | — | ||
| 8-1 | The first lamentation of Jeremiah | — | ||
| 8-2 | This is the record of John | — | ||
| 8-3 | O clap your hands together | — | ||
| 8-4 | Out of the deep | — | ||
| 8-5 | Prophetiae sibyllarum (Prologus & Sibylla persica) | — | ||
| 8-6 | Chi chilichi | — | ||
| 8-7 | Cantai, hor piango | — | ||
| 8-8 | Cantione sine textu n°16 | — | ||
| 8-9 | Chanter je veux | — | ||
| 8-10 | Sauter, danser, faire des tours | — | ||
| 8-11 | Susanne un jour | — | ||
| 8-12 | Susanne un jour | — | ||
| 8-13 | Hispanum ad coenam mercator belga | — | ||
| 8-14 | Martgot, labourez les vignes | — | ||
| 8-15 | Du fond de ma pensée | — | ||
| 8-16 | Zu dir von herzensgrunde | — | ||
| 8-17 | Timor et tremor | — | ||
| 8-18 | Missa ad imitationem bonum vinum : Kyrie | — | ||
| 8-19 | Missa ad imitationem bonum vinum : Gloria | — | ||
| 8-20 | Missa ad imitationem bonum vinum : Credo | — | ||
| 8-21 | Missa ad imitationem bonum vinum : Sanctus | — | ||
| 8-22 | Missa ad imitationem bonum vinum : Agnus dei | — | ||
| 8-23 | In hora ultima | — |
