UPC · Release
Heroines of the Venetian Baroque
Francesco Cavalli, Mariana Flores, Anna Reinhold, Cappella Mediterranea, Leonardo García Alarcón
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5400439003590 is the Universal Product Code (UPC barcode) for the release “Heroines of the Venetian Baroque” by Francesco Cavalli, Mariana Flores, Anna Reinhold, Cappella Mediterranea, Leonardo García Alarcón, released 2015-01-01 on Ricercar. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Teti e di Peleo, Atto II, Scena 11: Mira questi duo lumi | — | |
| 2 | Le nozze di Teti e di Peleo, Atto II, Scena 6: Sinfonia di viole a 5 | — | |
| 3 | Le nozze di Teti e di Peleo, Atto I, Scena 3: Hor con pania e con esca | — | |
| 4 | Gli amori di Apollo e di Dafne, Atto I, Scena 8: Volgli, deh volgi il piede | — | |
| 5 | Didone, Atto II, Scena 2: Didone, ohimè, non mi riceve amante | — | |
| 6 | Didone, Atto II, Scena 2: Re de’ Getuli altero | — | |
| 7 | La virtù dei strali d’Amore, Atto I, Scena 3: Occhi per pianger nati | — | |
| 8 | Egisto, Atto III, Scena 10: Amanti, se credete | — | |
| 9 | L’Ormindo, Atto I, Scena 3: Aprite, aprite gl’occhi | — | |
| 10 | La Doriclea, Atto I, Scena 6: Udite amanti | — | |
| 11 | Giasone, Atto I, Scena 15: Dell,antro magico | — | |
| 12 | Giasone, Atto II, Scena 1: Lamento “Lassa, che far degg’io” | — | |
| 13 | Orimonte, Atto III, Scena 12: Caro Ernesto / Mia Cleanta | — | |
| 14 | Oristeo, Atto I, Scena 4: Dimmi amor, che farò? | — | |
| 15 | La Rosinda, Atto I, Scena 7: Non col ramo di Cuma | — | |
| 16 | La Calisto, Atto III, Scena 1: Restino imbalsamate | — | |
| 17 | La Calisto, Atto III, Scena 1: T’aspetto, e tu non vieni | — | |
| 18 | L’Eritrea, Prólogo: Ne le grotte arimaspe | — | |
| 19 | La Veremonda, Atto III, Scena 6: Tardano molto? – Qui si fa il ballo de’ tori | — | |
| 20 | La Veremonda, Atto III, Scena 6: Che rumori, che voci – Qui se replica il ballo de’ tori | — | |
| 2-1 | L’Orione, Prologo: Sinfonia a 3 | — | |
| 2-2 | Il Ciro, Atto III, Scena ultima: Mia vita – Moi bene | — | |
| 2-3 | Xerse, Atto II, Scena 18: Ed è pur vero, o core | — | |
| 2-4 | Xerse, Atto II, Scena 18: Luci mie che miraste | — | |
| 2-5 | Erismena, Atto I, Scena 4: Speranze voi che siete | — | |
| 2-6 | Erismena, Atto I, Scena 5: O stelle, a che mi sforzate | — | |
| 2-7 | Erismena, Atto I, Scena 5: A me il veleno | — | |
| 2-8 | La Statira, Atto II, Scena 9: Menfi, mi patria, regno | — | |
| 2-9 | Artemisia, Atto II, Scena 6: Regina, udiste mai | — | |
| 2-10 | Hipermestra, Atto III, Scena 14: Quest’è un gran caso al certo | — | |
| 2-11 | Elena, Atto II, Scena 14: Amazone non son | — | |
| 2-12 | Xerse, Atto II, Scena 1: Speranze, fermate | — | |
| 2-13 | Ercole amante, Atto IV, Scena 7: Una stila di speme | — | |
| 2-14 | Ercole amante, Atto I, Scena 3: E vuol dunque Ciprigna | — | |
| 2-15 | Ercole amante, Atto I, Scena 3: Ma in amor ciò ch’altri fura | — | |
| 2-16 | Scipione affricano, Atto III, Scena 3: A tuo dispetto amor | — | |
| 2-17 | Mutio Scevola, Atto I, Scena 7: Né fastosa allor che ride – Né dolente allor che freme | — | |
| 2-18 | Pompeo Magno, Atto I, Scena 17: Come al mar corrono i fiumi | — | |
| 2-19 | Eliogabalo, Atto III, Scena 2: Giuliano al tuo ferro | — | |
| 2-20 | Eliogabalo, Atto III, Scena 15: Pur ti stringo, pur t’annodo | — |
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Creative Contributors (ISNI)
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What is UPC 5400439003590?
5400439003590 is a Universal Product Code (UPC) assigned to Heroines of the Venetian Baroque by Francesco Cavalli, Mariana Flores, Anna Reinhold, Cappella Mediterranea, Leonardo García Alarcón. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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