UPC · Release
Hans de Booij
Last verified:
5411704421537 is the Universal Product Code (UPC barcode) for the release “Geduld: Het beste van Hans de Booij” by Hans de Booij, released 2002-01-01 on HKM. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include NLA241400166, BEJ010200052, BEJ010200054.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Alle vrouwen | Hans de Booij | — | |
| 2-2 | De kussers | — | ||
| 2-3 | Aruba Ariba | — | ||
| 2-4 | Fles op je rug | — | ||
| 2-5 | Maastricht | — | ||
| 2-6 | Jijbijmij | — | ||
| 2-7 | Vlinderhart | — | ||
| 2-8 | Fles met inhoud | — | ||
| 2-9 | Hart horen kloppen | — | ||
| 2-10 | Toverstok | — | ||
| 2-11 | De zotte morgen | Hans de Booij | T-001.891.108-4 | |
| 2-12 | De dood van een zanger | — | ||
| 2-13 | Lichtjes van de Schelde | Hans de Booij, Wannes Van de Velde | T-901291337-0 | |
| 2-14 | Vermoeden van vrijheid | — | ||
| 2-15 | Paraplu | — | ||
| 2-16 | Iedereen het zijne | — | ||
| 2-17 | De tolerantie | — | ||
| 2-18 | Wil het niet weten | — | ||
| 2-19 | Laat mie maar lopen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Annabel | Hans de Booij | T-031685429-1 |
| Annabel | Hans de Booij | T-031.685.429-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5411704421537 is a Universal Product Code (UPC) assigned to Geduld: Het beste van Hans de Booij by Hans de Booij. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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