UPC · Release
Back Catalogue
Front 242
Last verified:
5413356500424 is the Universal Product Code (UPC barcode) for the release “Back Catalogue” by Front 242, released 1994-01-01 on Red Rhino Europe. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include BEX561100189.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | U‐Men | — | ||
| 2 | Geography II | — | ||
| 3 | Kampfbereit | — | ||
| 4 | Operating Tracks | — | ||
| 5 | Geography I | — | ||
| 6 | Take One | — | ||
| 7 | Controversy Between | — | ||
| 8 | Sample D. | — | ||
| 9 | S.Fr. Nomenklatura, Part 1 | — | ||
| 10 | S.Fr. Nomenklatura, Part 2 | — | ||
| 11 | Lovely Day | — | ||
| 12 | Special Forces | — | ||
| 14 | No Shuffle | Front 242 | T-900.441.960-7 | |
| 15 | Don’t Crash | — | ||
| 16 | Funkahdafi | — | ||
| 17 | Take One (live) | — | ||
| 18 | U‐Men (live) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5413356500424?
5413356500424 is a Universal Product Code (UPC) assigned to Back Catalogue by Front 242. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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