UPC · Release
World of Electronic Body Music
Various Artists
Last verified:
5413443911126 is the Universal Product Code (UPC barcode) for the release “World of Electronic Body Music” by Various Artists, released 1989-01-01 on Antler Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include BEN582300430.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (12)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Factory Walk | — | ||
| 2 | Bend My Body Armour | — | ||
| 3 | Würm | — | ||
| 4 | Adaptation | — | ||
| 5 | The Long Run | — | ||
| 6 | Memories | — | ||
| 7 | Two Miles Up | — | ||
| 8 | In Sotto Voce | In Sotto Voce | — | |
| 9 | Hound | — | ||
| 10 | Breakdown | — | ||
| 11 | Tank Hymn | — | ||
| 12 | Fresh Kills | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5413443911126?
5413443911126 is a Universal Product Code (UPC) assigned to World of Electronic Body Music by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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