UPC · Release
De Maxx Long Player 32: UK Edition
Various Artists
Last verified:
5414165068815 is the Universal Product Code (UPC barcode) for the release “De Maxx Long Player 32: UK Edition” by Various Artists, released 2014-01-01 on La Musique Fait La Force. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBCEN1401142, USUM71400122, DEA621400666.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What Can I Do | Secondcity, Ali Love | T-915.482.487-0 | |
| 2 | No Enemiesz | Kiesza | T-915.857.458-4 | |
| 3 | Sun Goes Down (radio mix) | Robin Schulz, Jasmine Thompson | T-915.417.932-5 | |
| 4 | Are You With Me (radio edit) | Lost Frequencies | T-906.657.787-5 | |
| 5 | Sweets (Soda Pop) (extended mix) | Fox Stevenson | — | |
| 6 | 1 Bad Bitch | Ten Ven, Ripley, Zebra Katz | — | |
| 7 | GUST OF WIND | PHARRELL WILLIAMS | T-913.999.704-9 | |
| 8 | Losing | Becky Hill | — | |
| 9 | Changing | Paloma Faith | T-914.154.253-2 | |
| 10 | Outlines | Mike Mago, Dragonette | T-304.023.819-1 | |
| 11 | Running (radio edit) | Blende, Gustaph | T-912.670.298-5 | |
| 12 | Bugatti | Tiga | T-919.001.485-8 | |
| 13 | Paradise Awaits | ZHU | T-914.433.788-2 | |
| 14 | Monument (The Inevitable End version) | Röyksopp, Robyn | T-914.432.607-8 | |
| 15 | Get Low (edit) | Dillon Francis, DJ Snake | T-914.235.200-9 | |
| 16 | THIS | Sander van Doorn, Oliver Heldens | T-926.210.692-3 | |
| 17 | Flashlight | Ellie Goulding, DJ Fresh | — | |
| 18 | Ghosts | Higher Self, Lauren Mason | T-915.417.758-9 | |
| 19 | Let's Bounce | James Curd, Yeah Boy | — | |
| 20 | Till It Hurts | Yellow Claw, Ayden | T-915.898.774-7 | |
| 2-1 | When a Fire Starts to Burn | Disclosure | T-910.268.157-2 | |
| 2-2 | The Giver | Duke Dumont | T-917.152.486-0 | |
| 2-4 | What You Came For | Mosca | — | |
| 2-5 | Gotta Get Thru This (DND radio edit) | Daniel Bedingfield | T-010.043.793-1 | |
| 2-6 | Masterblaster 2000 | DJ Luck & MC Neat, JJ | — | |
| 2-7 | Movin’ Too Fast | Artful Dodger, Romina Johnson | T-005.057.762-2 | |
| 2-8 | Battle | Wookie, Lain | T-900.266.032-4 | |
| 2-9 | Destiny (original mix) | Dem 2 | T-914.126.621-9 | |
| 2-10 | Never Gonna Let You Go (Kelly G Bump-N-Go vocal mix) | Tina Moore | T-070.249.049-0 | |
| 2-11 | Something Special | Miguel Campbell | — | |
| 2-13 | Jack | Breach | T-909.341.157-5 | |
| 2-14 | Bump & Grind 2014 (radio edit) | Waze & Odyssey, R. Kelly | — | |
| 2-16 | Deeper (Part One) | Serious Danger | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Say You Love Me (Gorgon City remix) | Jessie Ware | T-914.394.431-4 |
| Time (Joe Goddard remix) | Jungle | T-914.232.298-3 |
| Spin Spin Sugar (Armand's Dark Garage mix) | Sneaker Pimps | T-010.357.203-7 |
| Destiny (original mix) | Dem 2 | T-001.624.876-2 |
| Flashlight | Ellie Goulding, DJ Fresh | T-913.016.850-2 |
| Changing | Sigma, Paloma Faith | T-905.576.526-9 |
| Sweets (Soda Pop) | Fox Stevenson | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+35 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
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People also ask
What is UPC 5414165068815?
5414165068815 is a Universal Product Code (UPC) assigned to De Maxx Long Player 32: UK Edition by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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