UPC · Release
Tribal Rites
Bill Brewster
Last verified:
5414165087434 is the Universal Product Code (UPC barcode) for the release “Tribal Rites” by Bill Brewster, released 2017-01-01 on Eskimo Recordings. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include BEN581700628, USAJE0500168, BEN581700629.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (37)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rejoice | Agape | — | |
| 2 | Reggae Makossa | Brent Dowe, The Gaytones | — | |
| 3 | Issmak | Apatchi Band | T-010.453.099-5 | |
| 4 | Parts of My Body | General Strike | — | |
| 5 | Attitude Dancing (Land of a 1000 Dunces) | Gaffa | — | |
| 6 | Walking in the Jungle | Urang Otan | — | |
| 7 | Stavolta | Surprize | — | |
| 8 | Side A Side B Side | Deborah & The Puerto Ricans | — | |
| 9 | Mein Walkman ist kaputt | P!OFF? | T-801.718.714-4 | |
| 11 | Push Yourself (Make It Work) | Ruts DC | T-011.364.269-5 | |
| 12 | Crazy Beat | Motion | — | |
| 13 | Turning Black | Peter Accident | — | |
| 15 | Walk on the Wild Side | Jeff Duff | T-070.940.718-0 | |
| 2-1 | Thunder in the Afternoon | Bobbie Gentry | — | |
| 2-2 | Maranatha | Latin Breed | — | |
| 2-3 | Rhythm Kung Fu | Banzai | — | |
| 2-4 | Cartoon People | Freddi & Henchi | — | |
| 2-5 | Golden Cage | Aax Donnell, Eric Malone | — | |
| 2-6 | Life in the Big City | The General | — | |
| 2-7 | No Limit | Final Edition | — | |
| 2-8 | Hot Disco Night (Are You Ready?) | Sweet Potato Pie | — | |
| 2-9 | (I Am) Drum | Little Reuben | — | |
| 2-10 | What Time It Is, Part II + Part I (Bill Brewster edit) | General Crook | — | |
| 2-11 | I Just Gotta Get Down, Part I | Curtis Green | T-904.007.396-9 | |
| 2-12 | I Can’t Go for That | Nashville Rhythm Section | T-071.278.416-1 | |
| 2-13 | Mr Deluxe, Part I & Part II (Bill Brewster edit) | Dooley Silverspoon | — | |
| 2-14 | Party Is the Solution | Floyd Beck | — | |
| 2-15 | Don’t Stay for Breakfast | Stroer | — | |
| 3-1 | Message of Love | Mother Tongue | — | |
| 3-2 | Excursion 2 | B. McCarthy & Rasoul | — | |
| 3-5 | Family Prayer | Clifton King | — | |
| 3-6 | Desire (Fabrice Africa Pain) | Aural | T-900.086.070-8 | |
| 3-7 | [untitled] | Swag | — | |
| 3-8 | [untitled] | Swag | — | |
| 3-9 | M04A | Maurizio | T-800.833.092-6 | |
| 3-10 | Precision Spanner | Silverlining | T-011.667.845-5 | |
| 3-11 | Fire Walk With Me | Kate-Olivia Martinez | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Animal Rhapsody (version) | The Raincoats | — |
| Caravan (dub version) | Reggae Clinic 65 | — |
| Keep Rockin’ (Thumping House mix) | Love From San Francisco | — |
| Night Images (Swayzak Early Mid Afternoon mix) | Larry Heard | T-905.381.820-5 |
| I Can’t Go for That | Nashville Rhythm Section | T-918.232.711-3 |
| Hot Disco Night (Are You Ready?) | Sweet Potato Pie | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 5414165087434?
5414165087434 is a Universal Product Code (UPC) assigned to Tribal Rites by Bill Brewster. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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