UPC · Release
Rendez-vous with Martha Argerich
Martha Argerich
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5414706105726 is the Universal Product Code (UPC barcode) for the release “Rendez-vous with Martha Argerich” by Martha Argerich, released 2019-01-01 on Avanti Classic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 122 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (122)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nocturnes: Fêtes (Arranged for 2 pianos by Maurice Ravel) | — | ||
| 2 | Sonata for Violin and Piano in G Minor: I. Allegro vivo | — | ||
| 3 | Sonata for Violin and Piano in G Minor: II. Intermède: fantasque et léger | — | ||
| 4 | Sonata for Violin and Piano in G Minor: III. Finale: très animé | — | ||
| 5 | Prélude à l'Après-Midi d'un Faune (Arranged for 2 pianos by Claude Debussy) | — | ||
| 6 | Sonata for Violoncello and Piano in D Minor: I. Prologue | — | ||
| 7 | Sonata for Violoncello and Piano in D Minor: II. Sérénade | — | ||
| 8 | Sonata for Violoncello and Piano in D Minor: III. Final | — | ||
| 9 | La Valse (Arranged for 2 pianos by Maurice Ravel) | — | ||
| 10 | Sonata for Violin & Cello: I. Allegro | — | ||
| 11 | Sonata for Violin & Cello: II. Très Vif | — | ||
| 12 | Sonata for Violin & Cello: III. Lent | — | ||
| 13 | Sonata for Violin & Cello: IV. Vif | — | ||
| 2-1 | Symphony No. 1 in D Major, Op. 25 "Classical Symphony": I. Allegro (Arranged for 2 pianos by Riyuka Terashima) | — | ||
| 2-2 | Symphony No. 1 in D Major, Op. 25 "Classical Symphony" (Arranged for 2 pianos by Riyuka Terashima) | — | ||
| 2-3 | Symphony No. 1 in D Major, Op. 25 "Classical Symphony": III. Gavotta (Arranged for 2 pianos by Riyuka Terashima) | — | ||
| 2-4 | Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Arranged for 2 pianos by Riyuka Terashima) | — | ||
| 2-5 | Overture on Hebrew Themes for Piano, Clarinet and String Quartet, Op. 34 | — | ||
| 2-6 | Cinderella, Op. 87 - Suite From The Ballet: Introduction. Andante dolce (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-7 | Cinderella, Op. 87 - Suite From The Ballet: Quarrel. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-8 | Cinderella, Op. 87 - Suite From The Ballet: Winter. Adagio (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-9 | Cinderella, Op. 87 - Suite From The Ballet: Spring. Vivace con brio (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-10 | Cinderella, Op. 87 - Suite From The Ballet: Cinderella's Valse. Andante - Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-11 | Cinderella, Op. 87 - Suite From The Ballet: Gavotte. Allegretto (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-12 | Cinderella, Op. 87 - Suite From The Ballet: Gallop. Presto (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-13 | Cinderella, Op. 87 - Suite From The Ballet: Valse lente. Adagio (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-14 | Cinderella, Op. 87 - Suite From The Ballet: Finale. Allegro moderato (Transcribed for 2 pianos by Mikhail Pletnev) | — | ||
| 2-15 | Sonata for Two Violins in C, Op. 56: I. Andante Cantabile | — | ||
| 2-16 | Sonata for Two Violins in C, Op. 56: II. Allegro | — | ||
| 2-17 | Sonata for Two Violins in C, Op. 56: III. Commodo | — | ||
| 2-18 | Sonata for Two Violins in C, Op. 56: IV. Allegro con brio | — | ||
| 3-1 | Concerto No. 1 for Piano, Trumpet, and String Orchestra in C Minor, Op. 35: I. Allegro moderato | — | ||
| 3-2 | Concerto No. 1 for Piano, Trumpet, and String Orchestra in C Minor, Op. 35: II. Lento | — | ||
| 3-3 | Concerto No. 1 for Piano, Trumpet, and String Orchestra in C Minor, Op. 35: III. Moderato | — | ||
| 3-4 | Concerto No. 1 for Piano, Trumpet, and String Orchestra in C Minor, Op. 35: IV. Allegro con brio | — | ||
| 3-5 | Trio No. 2 for Violin, Cello and Piano in E Minor, Op. 67: I. Andante | — | ||
| 3-6 | Trio No. 2 for Violin, Cello and Piano in E Minor, Op. 67: II. Allegro con brio | — | ||
| 3-7 | Trio No. 2 for Violin, Cello and Piano in E Minor, Op. 67: III. Largo | — | ||
| 3-8 | Trio No. 2 for Violin, Cello and Piano in E Minor, Op. 67: IV. Allegretto | — | ||
| 3-9 | Duo for Violin and Cello, Op. 7: I. Allegro serioso, non troppo | — | ||
| 3-10 | Duo for Violin and Cello, Op. 7: II. Adagio - Andante | — | ||
| 3-11 | Duo for Violin and Cello, Op. 7: III. Maestoso e largamente, ma non troppo lento - Presto | — | ||
| 4-1 | Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro ed agitato (transcr. for flute, cello & piano) | — | ||
| 4-2 | Piano Trio No. 1 in D Minor, Op. 49: II. Andante espressivo (transcr. for flute, cello & piano) | — | ||
| 4-3 | Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo (transcr. for flute, cello & piano) | — | ||
| 4-4 | Piano Trio No. 1 in D Minor, Op. 49: IV. Finale (transcr. for flute, cello & piano) | — | ||
| 4-5 | Concerto for Violin, Cello, and Piano in C Major, Op. 56: I. Allegro | — | ||
| 4-6 | Concerto for Violin, Cello, and Piano in C Major, Op. 56: II. Largo | — | ||
| 4-7 | Concerto for Violin, Cello, and Piano in C Major, Op. 56: III. Rondo alla polacca | — | ||
| 5-1 | Fantasiestücke, Op. 73: I. Zart und mit Ausdruck | — | ||
| 5-2 | Fantasiestücke, Op. 73: II. Lebhaft, leicht | — | ||
| 5-3 | Fantasiestücke, Op. 73: III. Rasch und mit Feuer | — | ||
| 5-4 | Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (First Edition from 1840) | — | ||
| 5-5 | Dichterliebe, Op. 48: II. Aus meinen Tränen sprießen (First Edition from 1840) | — | ||
| 5-6 | Dichterliebe, Op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (First Edition from 1840) | — | ||
| 5-7 | Dichterliebe, Op. 48: IV. Wenn ich in deine Augen seh (First Edition from 1840) | — | ||
| 5-8 | Dichterliebe, Op. 48: V. Dein Angesicht so lieb und schön (First Edition from 1840) | — | ||
| 5-9 | Dichterliebe, Op. 48: VI. Lehn' deine Wang' an meine Wang' (First Edition from 1840) | — | ||
| 5-10 | Dichterliebe, Op. 48: VII. Ich will meine Seele tauchen (First Edition from 1840) | — | ||
| 5-11 | Dichterliebe, Op. 48: VIII. Im Rhein, im heiligen Strome (First Edition from 1840) | — | ||
| 5-12 | Dichterliebe, Op. 48: IX. Ich grolle nicht (First Edition from 1840) | — | ||
| 5-13 | Dichterliebe, Op. 48: X. Und wüßten's die Blumen, die kleinen (First Edition from 1840) | — | ||
| 5-14 | Dichterliebe, Op. 48: XI. Das ist ein Flöten und Geigen (First Edition from 1840) | — | ||
| 5-15 | Dichterliebe, Op. 48: XII. Hör' ich das Liedchen klingen (First Edition from 1840) | — | ||
| 5-16 | Dichterliebe, Op. 48: XIII. Ein Jüngling liebt ein Mädchen (First Edition from 1840) | — | ||
| 5-17 | Dichterliebe, Op. 48: XIV. Am leuchtenden Sommermorgen (First Edition from 1840) | — | ||
| 5-18 | Dichterliebe, Op. 48: XV. Es leuchtet meine Liebe in ihrer dunkeln Pracht (First Edition from 1840) | — | ||
| 5-19 | Dichterliebe, Op. 48: XVI. Meine Wagen rollet langsam durch lustiges Waldesgrün (First Edition from 1840) | — | ||
| 5-20 | Dichterliebe, Op. 48: XVII. Ich hab' im Traum geweinet (First Edition from 1840) | — | ||
| 5-21 | Dichterliebe, Op. 48: XVIII. Allnächtlich im Traume (First Edition from 1840) | — | ||
| 5-22 | Dichterliebe, Op. 48: XIX. Aus alten Märchen winkt es (First Edition from 1840) | — | ||
| 5-23 | Dichterliebe, Op. 48: XX. Die alten, bösen Lieder (First Edition from 1840) | — | ||
| 6-1 | Sonata No. 2 for Violin and Piano in A Major, Op. 100: I. Allegro amabile | — | ||
| 6-2 | Sonata No. 2 for Violin and Piano in A Major, Op. 100: II. Andante tranquillo | — | ||
| 6-3 | Sonata No. 2 for Violin and Piano in A Major, Op. 100: III. Allegretto grazioso | — | ||
| 6-4 | Sonata for Cello and Piano in G Minor, Op.19: I. Lento – Allegro moderato | — | ||
| 6-5 | Sonata for Cello and Piano in G Minor, Op.19: II. Allegro scherzando | — | ||
| 6-6 | Sonata for Cello and Piano in G Minor, Op.19: III. Andante | — | ||
| 6-7 | Sonata for Cello and Piano in G Minor, Op.19: IV. Allegro mosso | — | ||
| 7-1 | Le Carnaval Des Animaux: Texte I | — | ||
| 7-2 | Le Carnaval Des Animaux: Introduction | — | ||
| 7-3 | Le Carnaval Des Animaux: Texte II | — | ||
| 7-4 | Le Carnaval Des Animaux: I. Marche Royale Du Lion | — | ||
| 7-5 | Le Carnaval Des Animaux: Texte III | — | ||
| 7-6 | Le Carnaval Des Animaux: II. Poules Et Coqs | — | ||
| 7-7 | Le Carnaval Des Animaux: Texte IV | — | ||
| 7-8 | Le Carnaval Des Animaux: III. Hémiones (Ou Animaux Véloces) | — | ||
| 7-9 | Le Carnaval Des Animaux: Texte V | — | ||
| 7-10 | Le Carnaval Des Animaux: IV. Tortues | — | ||
| 7-11 | Le Carnaval Des Animaux: Texte VI | — | ||
| 7-12 | Le Carnaval Des Animaux: V. L'Éléphant | — | ||
| 7-13 | Le Carnaval Des Animaux: Texte VII | — | ||
| 7-14 | Le Carnaval Des Animaux: VI. Kangourous | — | ||
| 7-15 | Le Carnaval Des Animaux: Texte VIII | — | ||
| 7-16 | Le Carnaval Des Animaux: VII. Aquarium | — | ||
| 7-17 | Le Carnaval Des Animaux: Texte IX | — | ||
| 7-18 | Le Carnaval Des Animaux: VIII. Personnages À Longues Oreilles | — | ||
| 7-19 | Le Carnaval Des Animaux: Texte X | — | ||
| 7-20 | Le Carnaval Des Animaux: IX. Le Coucou Au Fond Des Bois | — | ||
| 7-21 | Le Carnaval Des Animaux: Texte XI | — | ||
| 7-22 | Le Carnaval Des Animaux: X. Volière | — | ||
| 7-23 | Le Carnaval Des Animaux: Texte XII | — | ||
| 7-24 | Le Carnaval Des Animaux: XI. Pianistes | — | ||
| 7-25 | Le Carnaval Des Animaux: Texte XIII | — | ||
| 7-26 | Le Carnaval Des Animaux: XII. Fossiles | — | ||
| 7-27 | Le Carnaval Des Animaux: Texte XIV | — | ||
| 7-28 | Le Carnaval Des Animaux: XIII. Le Cygne | — | ||
| 7-29 | Le Carnaval Des Animaux: Texte XV | — | ||
| 7-30 | Le Carnaval Des Animaux: XIV. Final | — | ||
| 7-31 | Four Cuban Dances: A la antigua | — | ||
| 7-32 | Four Cuban Dances: Al fin te ví | — | ||
| 7-33 | Four Cuban Dances: No hables más! | — | ||
| 7-34 | Four Cuban Dances: En tres por cuatro | — | ||
| 7-35 | Three Afro-Cuban Dances: La Conga de Medianoche | — | ||
| 7-36 | Three Afro-Cuban Dances: La Comparsa | — | ||
| 7-37 | Three Afro-Cuban Dances: Danza de los Ñáñigos | — | ||
| 7-38 | Tango | — | ||
| 7-39 | El Choclo | — | ||
| 7-40 | A Evaristo Carriego | — | ||
| 7-41 | Triunfal | — | ||
| 7-42 | Adios Noninos | — | ||
| 7-43 | Musiquita Nocturna | — |
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What is UPC 5414706105726?
5414706105726 is a Universal Product Code (UPC) assigned to Rendez-vous with Martha Argerich by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 122 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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