Miracles of Sant’Iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)

UPC · Release

Miracles of Sant’Iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)

Anonymous 4

5414939992773
21 tracks

Last verified:

5414939992773 is the Universal Product Code (UPC barcode) for the release Miracles of Sant’Iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus) by Anonymous 4. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.

Format

541GS1 prefix
4939Company prefix
99277Product
3Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (21)

Invitatory: Venite onmes cristicole
Invitatory: Venite onmes cristicole
Processional: Salve festa dies
Processional: Salve festa dies
Benedicamus trope: Vox nostra resonet
Benedicamus trope: Vox nostra resonet
Invitatory: Regem regum dominum
Invitatory: Regem regum dominum
Benedicamus trope: Nostra phalanx plaudat leta
Benedicamus trope: Nostra phalanx plaudat leta
Antiphon: Ad sepulcrum beati Iacobi
Antiphon: Ad sepulcrum beati Iacobi
Benedicamus trope: Ad superni regis decus
Benedicamus trope: Ad superni regis decus
Brief responsory: Iacobe servorum
Brief responsory: Iacobe servorum
Benedicamus domino
Benedicamus domino
Conductus: In hac die laudes
Conductus: In hac die laudes
Kyrie trope: Cunctipotens genitor
Kyrie trope: Cunctipotens genitor
Hymn: Psallat chorus celestium
Hymn: Psallat chorus celestium
Prosa: Alleluia: Gratulemur et letemur
Prosa: Alleluia: Gratulemur et letemur
Offeratory: Ascendens Ihesus in montem
Offeratory: Ascendens Ihesus in montem
Agnus dei trope: Qui pius ac mitis
Agnus dei trope: Qui pius ac mitis
Benedicamus trope: Gratulantes celebremus festum
Benedicamus trope: Gratulantes celebremus festum
Conductus: Iacobe sancte tuum
Conductus: Iacobe sancte tuum
Responsory: O adiutor onmium seculorum
Responsory: O adiutor onmium seculorum
Prosa: Portum in ultimo
Prosa: Portum in ultimo
Benedicamus trope: Congaudeant catholici
Benedicamus trope: Congaudeant catholici
Prosa: Clemens servulorum
Prosa: Clemens servulorum

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People also ask

What is UPC 5414939992773?
UPC 5414939992773 is the Universal Product Code (barcode) for "Miracles of Sant’Iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus)" by Anonymous 4.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5414939992773?
UPC 5414939992773 contains 21 tracks.
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Verified on

What is UPC 5414939992773?

5414939992773 is a Universal Product Code (UPC) assigned to Miracles of Sant’Iago (Medieval Chant & Polyphony for St. James from the Codex Calixtinus) by Anonymous 4. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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