UPC · Release
Unsurpassed Masters, Vol. 17 (1966-1967): Smile Sessions
The Beach Boys
Last verified:
5419990500523 is the Universal Product Code (UPC barcode) for the release “Unsurpassed Masters, Vol. 17 (1966-1967): Smile Sessions” by The Beach Boys, released 1999-01-01 on Sea Of Tunes. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (109)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Heroes and Villains Theme (take 14) | — | ||
| 2 | Heroes and Villains Theme (take unknown) | — | ||
| 3 | Heroes and Villains (Part 1, 1st vocal overdub) | — | ||
| 4 | Heroes and Villains (Part 1, 2nd vocal overdub) | — | ||
| 5 | Heroes and Villains (Part 1, 3rd vocal overdub) | — | ||
| 6 | Heroes and Villains (Part 1, 4th vocal overdub) | — | ||
| 7 | Heroes and Villains (Part 1, 5th vocal overdub) | — | ||
| 8 | In the Cantina (vocal overdub, take unknown) | — | ||
| 9 | My Children Were Raised (vocal overdub, take unknown) | — | ||
| 10 | How I Love My Girl (vocal overdub, take 10) | — | ||
| 11 | Heroes and Villains (Last Part, mono mix) | — | ||
| 12 | Heroes and Villains (Last Part, stereo mix) | — | ||
| 13 | Heroes and Villains (Last Part, stereo mix) | — | ||
| 14 | Heroes and Villains (mono mix Attempt) | — | ||
| 15 | Heroes and Villains (mono mix Attempt) | — | ||
| 16 | Heroes and Villains (mono mix Attempt) | — | ||
| 17 | Heroes and Villains (Part 2, takes 1 & 2) | — | ||
| 18 | Heroes and Villains (Part 2, takes 4-8) | — | ||
| 19 | Heroes and Villains (Part 2, take 14 & 15) | — | ||
| 20 | Bicycle Rider (1st vocal overdub) | — | ||
| 21 | Bicycle Rider (2nd vocal overdub) | — | ||
| 22 | Bicycle Rider (3rd vocal overdub) | — | ||
| 23 | Do You Like Worms (Part 1, takes 23 & 24) | — | ||
| 24 | Do You Like Worms (Part 1, 1st vocal overdub) | — | ||
| 25 | Do You Like Worms (Part 1, 2nd vocal overdub) | — | ||
| 26 | Do You Like Worms (Part 2, rehearsal final part) | — | ||
| 27 | Do You Like Worms (Part 2, 1st vocal overdub) | — | ||
| 28 | Do You Like Worms (Part 2, 2nd vocal overdub) | — | ||
| 29 | The Old Master Painter / You Are My Sunshine (takes 1 & 2) | — | ||
| 30 | The Old Master Painter / You Are My Sunshine (take 4) | — | ||
| 31 | The Old Master Painter / You Are My Sunshine (takes 6 & 7) | — | ||
| 32 | The Old Master Painter / You Are My Sunshine (takes 10 & 11) | — | ||
| 33 | The Old Master Painter / You Are My Sunshine (mono mix) | — | ||
| 34 | He Gives Speeches (take unknown) | — | ||
| 35 | He Gives Speeches (lead vocal overdub) | — | ||
| 36 | He Gives Speeches (backing vocal overdub) | — | ||
| 37 | Wonderful (takes 1-3) | — | ||
| 38 | Wonderful (takes 6-8) | — | ||
| 39 | Wonderful (takes 16-18) | — | ||
| 40 | Wonderful (take unknown) | — | ||
| 41 | Wonderful (instrumental overdub) | — | ||
| 42 | Wonderful (1st vocal overdub) | — | ||
| 43 | Wonderful (vocal insert rehearsals) | — | ||
| 44 | Wonderful (1st vocal insert) | — | ||
| 45 | Wonderful (2nd vocal insert) | — | ||
| 46 | Wonderful (vocal insert stereo mix) | — | ||
| 2-1 | Child is Father of the Man (Part 1, takes 1-4) | — | ||
| 2-2 | Child is Father of the Man (Part 1, take 8) | — | ||
| 2-3 | Child is Father of the Man (Verse, takes 1-10) | — | ||
| 2-4 | Child is Father of the Man (take unknown) | — | ||
| 2-5 | Look (takes 1 & 2) | — | ||
| 2-6 | Look (takes 4 & 5) | — | ||
| 2-7 | Look (takes 6-13) | — | ||
| 2-8 | Look (takes 14-19) | — | ||
| 2-9 | Look (take 20) | — | ||
| 2-10 | Vega-Tables (Part 1, piano track) | — | ||
| 2-11 | Vega-Tables (Part 1, vocal overdub) | — | ||
| 2-12 | Vega-Tables (Part 1, vocal overdub attempt) | — | ||
| 2-13 | Vega-Tables (Part 1, instrumental & vocal overdub attempt) | — | ||
| 2-14 | Vega-Tables (Part 1, instrumental & vocal overdub attempt) | — | ||
| 2-15 | Vega-Tables (Part 1, instrumental & vocal overdub attempt) | — | ||
| 2-16 | Vega-Tables (Part 1, vocal overdub attempts) | — | ||
| 2-17 | Vega-Tables (Part 1, vocal overdub attempts) | — | ||
| 2-18 | Vega-Tables (Part 1, vocal overdub attempts) | — | ||
| 2-19 | Vega-Tables (Part 1, vocal overdub attempts) | — | ||
| 2-20 | Vega-Tables (Part 1, instrumental insert takes 1 - 8) | — | ||
| 2-21 | Vega-Tables (Part 1, vocal insert rehearsals) | — | ||
| 2-22 | Vega-Tables (Part 1, mono mix rehearsals) | — | ||
| 2-23 | Vega-Tables (Part 2, take unknown) | — | ||
| 2-24 | Vega-Tables (Part 2, 1st vocal overdub) | — | ||
| 2-25 | Vega-Tables (Part 2, 2nd vocal overdub) | — | ||
| 2-26 | Vega-Tables (Part 2, track rehearsal) | — | ||
| 2-27 | Vega-Tables (Part 2, 1st vocal overdub) | — | ||
| 2-28 | Vega-Tables (Part 2, 2nd vocal overdub) | — | ||
| 2-29 | Vega-Tables (Part 2, 3rd vocal overdub) | — | ||
| 2-30 | Vega-Tables (Part 2, 4th vocal overdub) | — | ||
| 2-31 | Vega-Tables (Part 2, mono mix) | — | ||
| 2-32 | Vega-Tables (Part 3, take 12) | — | ||
| 2-33 | Vega-Tables (Part 3, 1st vocal overdub) | — | ||
| 2-34 | Vega-Tables (Part 3, 2nd vocal overdub) | — | ||
| 2-35 | Vega-Tables (Part 3, mono mix) | — | ||
| 2-36 | Vega-Tables (various mix rehearsals) | — | ||
| 3-1 | Wind Chimes (takes 1-3) | — | ||
| 3-2 | Wind Chimes (take 4) | — | ||
| 3-3 | Wind Chimes (take 5) | — | ||
| 3-4 | Wind Chimes (takes 6 & 7) | — | ||
| 3-5 | Wind Chimes (pick-up takes 1 - 5) | — | ||
| 3-6 | Wind Chimes (takes 8 & 9) | — | ||
| 3-7 | Wind Chimes (track) | — | ||
| 3-8 | Wind Chimes (1st vocal overdub) | — | ||
| 3-9 | Wind Chimes (Last Part take 3) | — | ||
| 3-10 | Mrs O'Leary's Cow (take unknown) | — | ||
| 3-11 | Mrs O'Leary's Cow (take 1) | — | ||
| 3-12 | Mrs O'Leary's Cow (take 2) | — | ||
| 3-13 | Mrs O'Leary's Cow (takes 3-7) | — | ||
| 3-14 | Mrs O'Leary's Cow (takes 11 & 12) | — | ||
| 3-15 | Mrs O'Leary's Cow (takes 15-18) | — | ||
| 3-16 | Mrs O'Leary's Cow (overdub take 1) | — | ||
| 3-17 | Mrs O'Leary's Cow (mono mix) | — | ||
| 3-18 | Friday Night (take 1) | — | ||
| 3-19 | Friday Night (take 2) | — | ||
| 3-20 | Friday Night (takes 6-10) | — | ||
| 3-21 | Water (take unknown) | — | ||
| 3-22 | Water (1st vocal overdub) | — | ||
| 3-23 | Water (2nd vocal overdub) | — | ||
| 3-24 | Water (3rd vocal overdub) | — | ||
| 3-25 | Water (4th vocal overdub) | — | ||
| 3-26 | Water (stereo mix) | — | ||
| 3-27 | Vega-Tables radio spot rehearsals | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 5419990500523?
5419990500523 is a Universal Product Code (UPC) assigned to Unsurpassed Masters, Vol. 17 (1966-1967): Smile Sessions by The Beach Boys. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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