UPC · Release
Requiem and Miserere
Niccolò Jommelli, Il Gardellino, Peter Van Heyghen
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5425004840769 is the Universal Product Code (UPC barcode) for the release “Requiem and Miserere” by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen, released 2020-01-01 on Passacaille. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | — | ||
| 2 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | — | ||
| 3 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison | — | ||
| 4 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | — | ||
| 5 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | — | ||
| 6 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 2. Salva me, fons pietatis | — | ||
| 7 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | — | ||
| 8 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu Domine | — | ||
| 9 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (a) Domine Jesu Christe, Rex gloriae | — | ||
| 10 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | — | ||
| 11 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisisti | — | ||
| 12 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | — | ||
| 13 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti | — | ||
| 14 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | — | ||
| 15 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | — | ||
| 16 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | — | ||
| 17 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis | — | ||
| 18 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundi | — | ||
| 19 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 2. Dona eis requiem | — | ||
| 20 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | — | ||
| 21 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | — | ||
| 22 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 3. Cum sanctis tuis in aeternum | — | ||
| 23 | Libera me in C Minor, HocJ E.2: I. Libera me | — | ||
| 24 | Libera me in C Minor, HocJ E.2: II. Quando cœli movendi sunt et terra | — | ||
| 25 | Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | — | ||
| 26 | Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | — | ||
| 27 | Libera me in C Minor, HocJ E.2: V. Quando cœli movendi sunt et terra | — | ||
| 28 | Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | — | ||
| 29 | Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare | — | ||
| 30 | Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | — | ||
| 31 | Miserere in G Minor, HocJ C1.23: I. Miserere, 2. Et secundum multitudinem | — | ||
| 32 | Miserere in G Minor, HocJ C1.23: II. Amplius lava me ab iniquitate mea | — | ||
| 33 | Miserere in G Minor, HocJ C1.23: III. Quoniam iniquitatem meam | — | ||
| 34 | Miserere in G Minor, HocJ C1.23: IV. Tibi soli peccavi | — | ||
| 35 | Miserere in G Minor, HocJ C1.23: V. Ecce enim in iniquitatibus conceptus sum | — | ||
| 36 | Miserere in G Minor, HocJ C1.23: VI. Ecce enim veritatem | — | ||
| 37 | Miserere in G Minor, HocJ C1.23: VII. Asparges me hysopo et mundabor | — | ||
| 38 | Miserere in G Minor, HocJ C1.23: VIII. Auditui meo dabis gaudium | — | ||
| 39 | Miserere in G Minor, HocJ C1.23: IX. Averte faciem tuam | — | ||
| 40 | Miserere in G Minor, HocJ C1.23: X. Cor mundum crea in me Deus | — | ||
| 41 | Miserere in G Minor, HocJ C1.23: XI. Ne proicias me a facie tua | — | ||
| 42 | Miserere in G Minor, HocJ C1.23: XII. Redde mihi laetitiam | — | ||
| 43 | Miserere in G Minor, HocJ C1.23: XIII. Docebo iniquos vias tuas | — | ||
| 44 | Miserere in G Minor, HocJ C1.23: XIV. Libera me de sanguinibus, Deus | — | ||
| 45 | Miserere in G Minor, HocJ C1.23: XV. Domine labia mea aperies | — | ||
| 46 | Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluisses | — | ||
| 47 | Miserere in G Minor, HocJ C1.23: XVII. Sacrificium Deo | — | ||
| 48 | Miserere in G Minor, HocJ C1.23: XVIII. Benigne fac Domine | — | ||
| 49 | Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 1. Tunc acceptabis sacrificium | — | ||
| 50 | Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 2. Tunc imponent | — |
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What is UPC 5425004840769?
5425004840769 is a Universal Product Code (UPC) assigned to Requiem and Miserere by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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