UPC · Release
Anthology of the Royal Concertgebouw Orchestra, Volume 6: 1990-2000
Royal Concertgebouw Orchestra
5425008377742
130 tracksReleased 2011-01-01RCO Live
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5425008377742 is the Universal Product Code (UPC barcode) for the release “Anthology of the Royal Concertgebouw Orchestra, Volume 6: 1990-2000” by Royal Concertgebouw Orchestra, released 2011-01-01 on RCO Live. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC.
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UPCAnthology of the Royal Concertgebouw Orchestra, Volume 6: 1990-2000
ISWC2 works
IPI7 songwriters
Track List (130)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Bluebeard's Castle, op. 11: Prologue | — | ||
| 2 | Bluebeard's Castle, op. 11: Opening Scene | — | ||
| 3 | Bluebeard's Castle, op. 11: The Torture Chamber | — | ||
| 4 | Bluebeard's Castle, op. 11: The Armory | — | ||
| 5 | Bluebeard's Castle, op. 11: The Treasury | — | ||
| 6 | Bluebeard's Castle, op. 11: The Garden | — | ||
| 7 | Bluebeard's Castle, op. 11: The Kingdom | — | ||
| 8 | Bluebeard's Castle, op. 11: The Pool of Tears | — | ||
| 9 | Bluebeard's Castle, op. 11: The Wives | — | ||
| 2-1 | Symphony no. 5 in C-sharp major: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt | — | ||
| 2-2 | Symphony no. 5 in C-sharp major: I. Stürmisch bewegt. Mit grösster Vehemenz | — | ||
| 2-3 | Symphony no. 5 in C-sharp major: II. Scherzo. Kräftig, nicht zu schnell | — | ||
| 2-4 | Symphony no. 5 in C-sharp major: III. Adagietto. Sehr langsam | — | ||
| 2-5 | Symphony no. 5 in C-sharp major: III. Rondo-Finale. Allegro | — | ||
| 3-1 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 3-2 | Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso | — | ||
| 3-3 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 3-4 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | — | ||
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare gefühle nach dem sturm. Allegretto | — | ||
| 3-6 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 3-7 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | — | ||
| 3-8 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 3-9 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 4-1 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: I. Allegro | — | ||
| 4-2 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: II. Adagietto | — | ||
| 4-3 | Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: III. Allegro vivace | — | ||
| 4-4 | L'Arbre des songes (Concerto for Violin and Orchestra): I. Librement | — | ||
| 4-5 | L'Arbre des songes (Concerto for Violin and Orchestra): II. Interlude | — | ||
| 4-6 | L'Arbre des songes (Concerto for Violin and Orchestra): III. Vif | — | ||
| 4-7 | L'Arbre des songes (Concerto for Violin and Orchestra): IV. Interlude 2 | — | ||
| 4-8 | L'Arbre des songes (Concerto for Violin and Orchestra): V. Lent | — | ||
| 4-9 | L'Arbre des songes (Concerto for Violin and Orchestra): VI. Interlude 3 | — | ||
| 4-10 | L'Arbre des songes (Concerto for Violin and Orchestra): VII. Large et animé | — | ||
| 4-11 | Symphony no. 1 in F minor, op. 10: I. Allegretto | — | ||
| 4-12 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 4-13 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 4-14 | Symphony no. 1 in F minor, op. 10: IV. Allegro molto | — | ||
| 5-1 | Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente | — | ||
| 5-2 | Symphony no. 2 in E-flat major, op. 63: II. Larghetto | — | ||
| 5-3 | Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto | — | ||
| 5-4 | Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso | — | ||
| 5-5 | Concerto for Orchestra: I. Intrada | — | ||
| 5-6 | Concerto for Orchestra: II. Capriccio, notturno e arioso | — | ||
| 5-7 | Concerto for Orchestra: III. Passacaglia, toccata e corale | — | ||
| 6-1 | Overture "Rienzi" | — | ||
| 6-2 | Ma mère l'Oye: Prélude | — | ||
| 6-3 | Ma mère l'Oye: Danse du rouet et scène | — | ||
| 6-4 | Ma mère l'Oye: Pavane de la Belle au bois dormant | — | ||
| 6-5 | Ma mère l'Oye: Les Entretiens de la Belle et de la Bête | — | ||
| 6-6 | Ma mère l'Oye: Petit Poucet | — | ||
| 6-7 | Ma mère l'Oye: Laideronnette, impératrice des pagodes | — | ||
| 6-8 | Ma mère l'Oye: Le Jardin féerique | — | ||
| 6-9 | Symphonische Gesänge, op. 20: I. Lied aus Dixieland | — | ||
| 6-10 | Symphonische Gesänge, op. 20: II. Lied der Baumwollpacker | — | ||
| 6-11 | Symphonische Gesänge, op. 20: III. Totes braunes Mädel | — | ||
| 6-12 | Symphonische Gesänge, op. 20: IV. Übler Bursche | — | ||
| 6-13 | Symphonische Gesänge, op. 20: V. Erkenntnis | — | ||
| 6-14 | Symphonische Gesänge, op. 20: VI. Afrikanischer Tanz | — | ||
| 6-15 | Symphonische Gesänge, op. 20: VII. Arabeske | — | ||
| 7-1 | Piano Concerto no. 3: I. Allegretto | — | ||
| 7-2 | Piano Concerto no. 3: II. Adagio religioso | — | ||
| 7-3 | Piano Concerto no. 3: III. Allegro vivace | — | ||
| 7-4 | Liriche greche per soprano e diversi gruppi strumentali: I. Cinque frammenti di Saffo | — | ||
| 7-5 | Liriche greche per soprano e diversi gruppi strumentali: II. Due liriche di Anacreonte | — | ||
| 7-6 | Liriche greche per soprano e diversi gruppi strumentali: III. Sex carmina Alcaei | — | ||
| 7-7 | Trois Petites Liturgies de la présence divine: I. Antienne de la conversation intérieure | — | ||
| 7-8 | Trois Petites Liturgies de la présence divine: II. Séquence du verbe, cantique divin | — | ||
| 7-9 | Trois Petites Liturgies de la présence divine: III. Psalmodie de l'ubiquité par amour | — | ||
| 8-1 | Prélude à l'après-midi d'un faune | — | ||
| 8-2 | Symphonic Metamorphosis After Themes by Carl Maria von Weber: I. Allegro | — | ||
| 8-3 | Symphonic Metamorphosis After Themes by Carl Maria von Weber: II. Turandot. Scherzo | — | ||
| 8-4 | Symphonic Metamorphosis After Themes by Carl Maria von Weber: III. Andantino | — | ||
| 8-5 | Symphonic Metamorphosis After Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 8-6 | Concerto for Trumpet and Orchestra, 'Nobody Knows de Trouble I See' | — | ||
| 8-7 | Verklärte Nacht, op. 4 (arr. for strings) | — | ||
| 9-1 | Tragic Overture in D minor, op. 81 | — | ||
| 9-2 | Fantasie in C major for Violin and Orchestra, op. 131 | — | ||
| 9-3 | Symphony no. 9 in C major, D 944 "Great": I. Andante - Allegro ma non troppo | — | ||
| 9-4 | Symphony no. 9 in C major, D 944 "Great": II. Andante con moto | — | ||
| 9-5 | Symphony no. 9 in C major, D 944 "Great": III. Scherzo. Allegro vivace | — | ||
| 9-6 | Symphony no. 9 in C major, D 944 "Great": IV. Finale. Allegro vivace | — | ||
| 10-1 | Fünf Orchesterstücke, op. 16: I. Vorgefühle | — | ||
| 10-2 | Fünf Orchesterstücke, op. 16: II. Vergangenes | — | ||
| 10-3 | Fünf Orchesterstücke, op. 16: III. Farben | — | ||
| 10-4 | Fünf Orchesterstücke, op. 16: IV. Peripetie | — | ||
| 10-5 | Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ | — | ||
| 10-6 | Concerto for Piano and Orchestra: I. Lento - Vivo | — | ||
| 10-7 | Concerto for Piano and Orchestra: II. Molto tranquillo - Tempo rigido | — | ||
| 10-8 | Symphony no. 40 in G minor, KV 550: I. Molto allegro | — | ||
| 10-9 | Symphony no. 40 in G minor, KV 550: II. Andante | — | ||
| 10-10 | Symphony no. 40 in G minor, KV 550: III. Menuetto - Trio | — | ||
| 10-11 | Symphony no. 40 in G minor, KV 550: IV. Allegro assai | — | ||
| 11-1 | Symphony no. 3 in D minor: I. Mehr langsam, misterioso | — | ||
| 11-2 | Symphony no. 3 in D minor: II. Adagio, bewegt, quasi andante | — | ||
| 11-3 | Symphony no. 3 in D minor: III. Ziemlich schnell | — | ||
| 11-4 | Symphony no. 3 in D minor: IV. Allegro | — | ||
| 11-5 | Hymne an die Nacht no. 2 "Muss immer der Morgen wiederkommen?" | — | ||
| 12-1 | Divertimento After the Ballet "Le Baiser de la fée": I. Sinfonia | — | ||
| 12-2 | Divertimento After the Ballet "Le Baiser de la fée": II. Danses suisses | — | ||
| 12-3 | Divertimento After the Ballet "Le Baiser de la fée": III. Scherzo | — | ||
| 12-4 | Divertimento After the Ballet "Le Baiser de la fée": IV. Pas de deux | — | ||
| 12-5 | Coptic Light | — | ||
| 12-6 | Sinfonia: I | — | ||
| 12-7 | Sinfonia: II. O King | — | ||
| 12-8 | Sinfonia: III. Im ruhig fliessender Bewegung | — | ||
| 12-9 | Sinfonia: IV | — | ||
| 12-10 | Sinfonia: V | — | ||
| 13-1 | Zes symfonische epigrammen: I. Grave | — | ||
| 13-2 | Zes symfonische epigrammen: II. Grazioso | — | ||
| 13-3 | Zes symfonische epigrammen: III. Molto tranquillo | — | ||
| 13-4 | Zes symfonische epigrammen: IV. Allegro assai | — | ||
| 13-5 | Zes symfonische epigrammen: V. Adagio molto | — | ||
| 13-6 | Zes symfonische epigrammen: VI. Pesante, maestoso | — | ||
| 13-7 | Les Nuits d'été, op. 7: I. Villanelle | — | ||
| 13-8 | Les Nuits d'été, op. 7: II. Le Spectre de la rose | — | ||
| 13-9 | Les Nuits d'été, op. 7: III. Sur les lagunes | — | ||
| 13-10 | Les Nuits d'été, op. 7: IV. Absence | — | ||
| 13-11 | Les Nuits d'été, op. 7: V. Au cimetière | — | ||
| 13-12 | Les Nuits d'été, op. 7: VI. L'Île inconnue | — | ||
| 13-13 | Tod und Verklärung, op. 24 | — | ||
| 13-14 | Three Places in New England: I. The Saint-Gaudens in Boston Common (Col. Shaw and His Colored Regiment) | — | ||
| 13-15 | Three Places in New England: II. Putnam's Camp, Redding, Connecticut | — | ||
| 13-16 | Three Places in New England: III. The Housatonic at Stockbridge | — | ||
| 14-1 | A Flock Descends Into the Pentagonal Garden | — | ||
| 14-2 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 14-3 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 14-4 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 14-5 | Symphony no. 5 in D minor, op. 47: IV. Allegro Non Troppo | — | ||
| 14-6 | Vom ewigen Leben: I | — | ||
| 14-7 | Vom ewigen Leben: II | — |
Bluebeard's Castle, op. 11: Prologue
—
Bluebeard's Castle, op. 11: Opening Scene
—
Bluebeard's Castle, op. 11: The Torture Chamber
—
Bluebeard's Castle, op. 11: The Armory
—
Bluebeard's Castle, op. 11: The Treasury
—
Bluebeard's Castle, op. 11: The Garden
—
Bluebeard's Castle, op. 11: The Kingdom
—
Bluebeard's Castle, op. 11: The Pool of Tears
—
Bluebeard's Castle, op. 11: The Wives
—
Symphony no. 5 in C-sharp major: I. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt
—
Symphony no. 5 in C-sharp major: I. Stürmisch bewegt. Mit grösster Vehemenz
—
Symphony no. 5 in C-sharp major: II. Scherzo. Kräftig, nicht zu schnell
—
Symphony no. 5 in C-sharp major: III. Adagietto. Sehr langsam
—
Symphony no. 5 in C-sharp major: III. Rondo-Finale. Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo
—
Symphony no. 6 in F major, op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso
—
Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro
—
Symphony no. 6 in F major, op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare gefühle nach dem sturm. Allegretto
—
Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio
—
Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace
—
Symphony no. 4 in A minor, op. 63: III. Il tempo largo
—
Symphony no. 4 in A minor, op. 63: IV. Allegro
—
Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: I. Allegro
—
Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: II. Adagietto
—
Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: III. Allegro vivace
—
L'Arbre des songes (Concerto for Violin and Orchestra): I. Librement
—
L'Arbre des songes (Concerto for Violin and Orchestra): II. Interlude
—
L'Arbre des songes (Concerto for Violin and Orchestra): III. Vif
—
L'Arbre des songes (Concerto for Violin and Orchestra): IV. Interlude 2
—
L'Arbre des songes (Concerto for Violin and Orchestra): V. Lent
—
L'Arbre des songes (Concerto for Violin and Orchestra): VI. Interlude 3
—
L'Arbre des songes (Concerto for Violin and Orchestra): VII. Large et animé
—
Symphony no. 1 in F minor, op. 10: I. Allegretto
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Symphony no. 1 in F minor, op. 10: II. Allegro
—
Symphony no. 1 in F minor, op. 10: III. Lento
—
Symphony no. 1 in F minor, op. 10: IV. Allegro molto
—
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
—
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
—
Symphony no. 2 in E-flat major, op. 63: III. Rondo. Presto
—
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
—
Concerto for Orchestra: I. Intrada
—
Concerto for Orchestra: II. Capriccio, notturno e arioso
—
Concerto for Orchestra: III. Passacaglia, toccata e corale
—
Overture "Rienzi"
—
Ma mère l'Oye: Prélude
—
Ma mère l'Oye: Danse du rouet et scène
—
Ma mère l'Oye: Pavane de la Belle au bois dormant
—
Ma mère l'Oye: Les Entretiens de la Belle et de la Bête
—
Ma mère l'Oye: Petit Poucet
—
Ma mère l'Oye: Laideronnette, impératrice des pagodes
—
Ma mère l'Oye: Le Jardin féerique
—
Symphonische Gesänge, op. 20: I. Lied aus Dixieland
—
Symphonische Gesänge, op. 20: II. Lied der Baumwollpacker
—
Symphonische Gesänge, op. 20: III. Totes braunes Mädel
—
Symphonische Gesänge, op. 20: IV. Übler Bursche
—
Symphonische Gesänge, op. 20: V. Erkenntnis
—
Symphonische Gesänge, op. 20: VI. Afrikanischer Tanz
—
Symphonische Gesänge, op. 20: VII. Arabeske
—
Piano Concerto no. 3: I. Allegretto
—
Piano Concerto no. 3: II. Adagio religioso
—
Piano Concerto no. 3: III. Allegro vivace
—
Liriche greche per soprano e diversi gruppi strumentali: I. Cinque frammenti di Saffo
—
Liriche greche per soprano e diversi gruppi strumentali: II. Due liriche di Anacreonte
—
Liriche greche per soprano e diversi gruppi strumentali: III. Sex carmina Alcaei
—
Trois Petites Liturgies de la présence divine: I. Antienne de la conversation intérieure
—
Trois Petites Liturgies de la présence divine: II. Séquence du verbe, cantique divin
—
Trois Petites Liturgies de la présence divine: III. Psalmodie de l'ubiquité par amour
—
Prélude à l'après-midi d'un faune
—
Symphonic Metamorphosis After Themes by Carl Maria von Weber: I. Allegro
—
Symphonic Metamorphosis After Themes by Carl Maria von Weber: II. Turandot. Scherzo
—
Symphonic Metamorphosis After Themes by Carl Maria von Weber: III. Andantino
—
Symphonic Metamorphosis After Themes by Carl Maria von Weber: IV. Marsch
—
Concerto for Trumpet and Orchestra, 'Nobody Knows de Trouble I See'
—
Verklärte Nacht, op. 4 (arr. for strings)
—
Tragic Overture in D minor, op. 81
—
Fantasie in C major for Violin and Orchestra, op. 131
—
Symphony no. 9 in C major, D 944 "Great": I. Andante - Allegro ma non troppo
—
Symphony no. 9 in C major, D 944 "Great": II. Andante con moto
—
Symphony no. 9 in C major, D 944 "Great": III. Scherzo. Allegro vivace
—
Symphony no. 9 in C major, D 944 "Great": IV. Finale. Allegro vivace
—
Fünf Orchesterstücke, op. 16: I. Vorgefühle
—
Fünf Orchesterstücke, op. 16: II. Vergangenes
—
Fünf Orchesterstücke, op. 16: III. Farben
—
Fünf Orchesterstücke, op. 16: IV. Peripetie
—
Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ
—
Concerto for Piano and Orchestra: I. Lento - Vivo
—
Concerto for Piano and Orchestra: II. Molto tranquillo - Tempo rigido
—
Symphony no. 40 in G minor, KV 550: I. Molto allegro
—
Symphony no. 40 in G minor, KV 550: II. Andante
—
Symphony no. 40 in G minor, KV 550: III. Menuetto - Trio
—
Symphony no. 40 in G minor, KV 550: IV. Allegro assai
—
Symphony no. 3 in D minor: I. Mehr langsam, misterioso
—
Symphony no. 3 in D minor: II. Adagio, bewegt, quasi andante
—
Symphony no. 3 in D minor: III. Ziemlich schnell
—
Symphony no. 3 in D minor: IV. Allegro
—
Hymne an die Nacht no. 2 "Muss immer der Morgen wiederkommen?"
—
Divertimento After the Ballet "Le Baiser de la fée": I. Sinfonia
—
Divertimento After the Ballet "Le Baiser de la fée": II. Danses suisses
—
Divertimento After the Ballet "Le Baiser de la fée": III. Scherzo
—
Divertimento After the Ballet "Le Baiser de la fée": IV. Pas de deux
—
Coptic Light
—
Sinfonia: I
—
Sinfonia: II. O King
—
Sinfonia: III. Im ruhig fliessender Bewegung
—
Sinfonia: IV
—
Sinfonia: V
—
Zes symfonische epigrammen: I. Grave
—
Zes symfonische epigrammen: II. Grazioso
—
Zes symfonische epigrammen: III. Molto tranquillo
—
Zes symfonische epigrammen: IV. Allegro assai
—
Zes symfonische epigrammen: V. Adagio molto
—
Zes symfonische epigrammen: VI. Pesante, maestoso
—
Les Nuits d'été, op. 7: I. Villanelle
—
Les Nuits d'été, op. 7: II. Le Spectre de la rose
—
Les Nuits d'été, op. 7: III. Sur les lagunes
—
Les Nuits d'été, op. 7: IV. Absence
—
Les Nuits d'été, op. 7: V. Au cimetière
—
Les Nuits d'été, op. 7: VI. L'Île inconnue
—
Tod und Verklärung, op. 24
—
Three Places in New England: I. The Saint-Gaudens in Boston Common (Col. Shaw and His Colored Regiment)
—
Three Places in New England: II. Putnam's Camp, Redding, Connecticut
—
Three Places in New England: III. The Housatonic at Stockbridge
—
A Flock Descends Into the Pentagonal Garden
—
Symphony no. 5 in D minor, op. 47: I. Moderato
—
Symphony no. 5 in D minor, op. 47: II. Allegretto
—
Symphony no. 5 in D minor, op. 47: III. Largo
—
Symphony no. 5 in D minor, op. 47: IV. Allegro Non Troppo
—
Vom ewigen Leben: I
—
Vom ewigen Leben: II
—
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0000000028253908000000005517843X00000000783905480000000080869961000000008096923300000000816971530000000108634479000000010890262100000001091441130000000109296766
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00000001093501360000000109380917000000010962415X0000000109961877000000011032697700000001105919650000000110793217000000011438111300000001145069830000000114513235000000011454217500000001145501830000000114684026000000011480352300000001149727730000000121008966000000012102087700000001210391560000000121076723000000012120429700000001213129170000000121463088000000012146879400000001228245430000000122841423000000036312725500000004244893650000000445072876
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What is UPC 5425008377742?
5425008377742 is a Universal Product Code (UPC) assigned to Anthology of the Royal Concertgebouw Orchestra, Volume 6: 1990-2000 by Royal Concertgebouw Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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