UPC · Release
Leonard Bernstein
Last verified:
The UPC for “Historical Recordings 1941 - 1961” by Leonard Bernstein is 5425008378923. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: West Hill Radio Archives. This release contains 73 tracks, each with its own ISRC. Tracks include USA4A1202183, USA4A1202190, USA4A1202271.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude and Fugue no. 3 in C-sharp: 1. Präludium | — | ||
| 2 | Prelude and Fugue no. 3 in C-sharp: 2. Fuge | — | ||
| 3 | Symphony no. 2 in C major: 1. Sostenuto assai - Allegro ma non troppo | — | ||
| 4 | Symphony no. 2 in C major: 2. Scherzo: Allegro vivace | — | ||
| 5 | Symphony no. 2 in C major: 3. Adagio espressivo | — | ||
| 6 | Symphony no. 2 in C major: 4. Allegro molto vivace | — | ||
| 7 | Symphony no. 7 in C major, op. 60 "Leningrad" (rehearsal) | — | ||
| 2-1 | Symphony no. 7 in C major, op. 60 "Leningrad": 1. Allegretto | — | ||
| 2-2 | Symphony no. 7 in C major, op. 60 "Leningrad": 2. Moderato (poco allegretto) | — | ||
| 2-3 | Symphony no. 7 in C major, op. 60 "Leningrad": 3. Adagio | — | ||
| 2-4 | Symphony no. 7 in C major, op. 60 "Leningrad": 4. Allegro non troppo | — | ||
| 3-1 | Symphony no. 2 in C minor "Resurrection" (rehearsal) | — | ||
| 3-2 | Piano Concerto no. 15 (rehearsal) | — | ||
| 3-3 | TURANGALILA-SYMPHONIE (REHEARSAL) | T-003.017.772-0 | ||
| 4-1 | Symphony no. 2 in C minor "Resurrection": 1. Allegro maestoso | — | ||
| 4-2 | Symphony no. 2 in C minor "Resurrection": 2. Andante moderato | — | ||
| 4-3 | Symphony no. 2 in C minor "Resurrection": 3. In ruhig fließender Bewegung | — | ||
| 4-4 | Symphony no. 2 in C minor "Resurrection": 4. Urlicht: Sehr feierlich, aber schlicht | — | ||
| 4-5 | Symphony no. 2 in C minor "Resurrection": 5. Finale: Im Tempo des Scherzos | — | ||
| 5-1 | Piano Concerto in G (rehearsal) | — | ||
| 5-2 | PREAMBLE FOR A SOLEMN OCCASION | — | ||
| 5-3 | United Nations on the March | — | ||
| 5-4 | Piano Concerto in G: 1. Allegramente | — | ||
| 5-5 | Piano Concerto in G: 2. Adagio assai | — | ||
| 5-6 | Piano Concerto in G: 3. Presto | — | ||
| 5-7 | Symphony no. 9 in D minor "Choral": Finale (excerpt) | — | ||
| 6-1 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 1. Andante tranquillo | — | ||
| 6-2 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 2. Allegro | — | ||
| 6-3 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 3. Adagio | — | ||
| 6-4 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 4. Allegro molto | — | ||
| 6-5 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 6-6 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 6-7 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo: Allegro scherzando | — | ||
| 7-1 | Symphony no. 2 "The Age of Anxiety": 1. The Prologue: Lento moderato | — | ||
| 7-2 | Symphony no. 2 "The Age of Anxiety": 2. The Seven Ages: Variations 1-7 | — | ||
| 7-3 | Symphony no. 2 "The Age of Anxiety": 3. The Seven Stages: Variations 8-14 | — | ||
| 7-4 | Symphony no. 2 "The Age of Anxiety": 4. The Dirge: Largo | — | ||
| 7-5 | Symphony no. 2 "The Age of Anxiety": 5. The Masque: Extremely Fast | — | ||
| 7-6 | Symphony no. 2 "The Age of Anxiety": 6. The Epilogue: Adagio - Andante - Con moto | — | ||
| 7-7 | The Rite of Spring: Adorations of Earth: Introduction | — | ||
| 7-8 | The Rite of Spring: The Augurs of Spring - Dances of the Young Girls | — | ||
| 7-9 | The Rite of Spring: Ritual of Abduction | — | ||
| 7-10 | The Rite of Spring: Spring Rounds | — | ||
| 7-11 | The Rite of Spring: Ritual of the River Tribes | — | ||
| 7-12 | The Rite of Spring: Procession of the Sage | — | ||
| 7-13 | The Rite of Spring: The Sage | — | ||
| 7-14 | The Rite of Spring: Dance of the Earth | — | ||
| 7-15 | The Rite of Spring: The Sacrifice: Introduction | — | ||
| 7-16 | The Rite of Spring: Mystic Circles of the Young Girls | — | ||
| 7-17 | The Rite of Spring: Glorification of the Chosen One | — | ||
| 7-18 | The Rite of Spring: Evocation of the Ancestors | — | ||
| 7-19 | The Rite of Spring: Ritual Action of the Ancestors | — | ||
| 7-20 | The Rite of Spring: Sacrificial Dance | — | ||
| 9-1 | Short Symphony "Symphony no. 2": 1. Prelude: Andante | — | ||
| 9-2 | Short Symphony "Symphony no. 2": 2. Scherzo: Molto allegro | — | ||
| 9-3 | Short Symphony "Symphony no. 2": 3. Finale: Lento | — | ||
| 9-4 | American Creed: Free to Dream | — | ||
| 9-5 | American Creed: Free to Build | — | ||
| 9-6 | Concerto for Orchestra: 1. Allegro moderato ma energico | — | ||
| 9-7 | Concerto for Orchestra: 2. Allegro vivace | — | ||
| 9-8 | Concerto for Orchestra: 3. Adagio - Allegro moderato | — | ||
| 9-9 | SERIOUS SONG | — | ||
| 10-1 | Symphony no. 5 in D minor, op. 47 (recording session) | — | ||
| 10-2 | Billy the Kid (recording session) | — | ||
| 11-1 | Symphony no. 4 "Sinfonía romántica": 1. Allegro | — | ||
| 11-2 | Symphony no. 4 "Sinfonía romántica": 2. Molto lento | — | ||
| 11-3 | Symphony no. 4 "Sinfonía romántica": 3. Finale: Vivo troppo mosso | — | ||
| 11-4 | Ich atmet' einen linden Duft | — | ||
| 11-5 | Ich bin der Welt abhanden gekommen | — | ||
| 11-6 | Das irdische Leben (Des Knaben Wunderhorn) | — | ||
| 11-7 | Um Mitternacht | — | ||
| 11-8 | Symphony no. 8: 1. Moderato - Adagio - Allegro vivo | — | ||
| 11-9 | Symphony no. 8: 2. Thema: Adagio - Variationen - Doppelfuge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Unknown | — | |
| Unknown | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: I. SOSTENUTO ASSAI | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: II. SCHERZO | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: III. ADAGIO ESPRESSIVO | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: IV. ALLEGRO MOLTO VIVACE | — | |
| "SYMPHONY NO. 7 IN C MAJOR, OP. 60, ""LENINGRAD"" (REHEARSAL)" | — | |
| I. ALLEGRETTO | BERNSTEIN, LEONARD | — |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"" (REHEARSAL)" | — | |
| PIANO CONCERTO NO. 15 IN B FLAT MAJOR, K. 450 (REHEARSAL) | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": I. ALLEGRO MAESTOSO" | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": II. ANDANTE MODERATO" | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": III. IN RUHIG FLIESSENDER BEWEGUNG" | — | |
| Unknown | — | |
| Unknown | — | |
| PIANO CONCERTO IN G MAJOR: PIANO CONCERTO IN G MAJOR (REHEARSAL) | — | |
| Unknown | — | |
| PIANO CONCERTO IN G MAJOR: I. ALLEGRAMENTE | — | |
| PIANO CONCERTO IN G MAJOR: II. ADAGIO ASSAI | T-003.007.887-5 | |
| PIANO CONCERTO IN G - 3.PRESTO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| I. ALLEGRO CON BRIO | — | |
| Unknown | — | |
| PIANO CONCERTO NO. 1 IN C MAJOR, OP. 15: III. RONDO: ALLEGRO SCHERZANDO | — | |
| SYMPHONY NO.2 ('THE AGE OF ANXIETY'), FOR PIANO AND ORCHESTRA - 1.PART 1A: THE PROLOGUE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: INTRODUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: THE AUGURS OF SPRING - DANCES OF THE YOUNG GIRLS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: RITUAL OF ABDUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: SPRING ROUNDS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: RITUAL OF THE RIVER TRIBES - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: PROCESSION OF THE SAGE - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: THE SAGE - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: DANCE OF THE EARTH | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: INTRODUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: MYSTIC CIRCLES OF THE YOUNG GIRLS - | NEW YORK PHILHARMONIC ORCHESTRA | T-070.257.887-7 |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: GLORIFICATION OF THE CHOSEN ONE - | LUKAS FOSS | T-070.257.887-7 |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: EVOCATION OF THE ANCESTORS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: RITUAL ACTION OF THE ANCESTORS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: SACRIFICIAL DANCE | T-070.257.887-7 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): OVERTURE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): FIVE POINT | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE BALLAD OF MACK THE KNIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MISTER JONATHAN JEREMIAH PEACHUM | — | |
| MORNING ANTHEM | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): NOW MRS. PEACHUM APPEARS | — | |
| INSTEAD-OF SONG | T-071.397.840-5 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THEY ARE QUITE CORRECT | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA): ARMY SONG [ARR. M. BLITZSTEIN] | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MACHEATH KEEPS WAITING | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): WEDDING SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE WEDDING IN THE STABLE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): LOVE SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MACHEATH'S INTERESTS | — | |
| BARBARA SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE WORLD IS MEAN | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): POLLY RUSHES TO THE HONEYMOON STABLE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MELODRAMA AND POLLY'S SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MRS. PEACHUM FINDS JENNY | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): PIRATE JENNY | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE SCENE IS NOW THE ESTABLISHMENT ON GREENE STREET | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): TANGO-BALLAD | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE COPS STAND | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): BALLAD OF THE EASY LIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE CAPTURE OF MACK THE KNIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): JEALOUSY DUET | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): LUCY IS TIGER BROWN'S DAUGHTER | — | |
| HOW TO SURVIVE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): IT IS JUST BEFORE DAWN | — | |
| USELESS SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MAC HAS BEEN RECAPTURED | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): SOLOMON SONG | — | |
| CALL FROM THE GRAVE | T-929.837.798-7 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): BUT IT IS NO USE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): O BROTHERS WHO LIVE ON | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA): AND MACHEATH WALKS SLOWLY UP TO THE GALLOWS [ARR. M. BLITZSTEIN] | — | |
| DEATH MESSAGE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): AS HIS FIRST ACT IN OFFICE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): REPRIEVED | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): FINALE | — | |
| SYMPHONY NO.2 ('SHORT SYMPHONY') - 1.INCISIVO | — | |
| SYMPHONY NO.2 ('SHORT SYMPHONY') - 2.ESPRESSIVO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SYMPHONY NO. 5 IN D MINOR, OP. 47: RECORDING SESSION | T-902.876.200-7 | |
| BILLY THE KID SUITE: RECORDING SESSION | — | |
| "SYMPHONY NO. 4, ""SINFONIA ROMANTICA"": I. ALLEGRO" | — | |
| """SYMPHONY NO. 4, """"SINFONIA ROMANTICA"""": II. MOLTO LENTO""" | — | |
| Unknown | — | |
| RUCKERT-LIEDER (VERSION FOR VOICE AND ORCHESTRA): NO. 4. ICH ATMET' EINEN LINDEN DUFT | — | |
| RUCKERT-LIEDER (VERSION FOR VOICE AND ORCHESTRA): NO. 5. ICH BIN DER WELT ABHANDEN GEKOMMEN | — | |
| DES KNABEN WUNDERHORN: NO. 5, DAS IRDISCHE LEBEN | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5425008378923 is a Universal Product Code (UPC) assigned to Historical Recordings 1941 - 1961 by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Historical Recordings 1941 - 1961” by Leonard Bernstein is 5425008378923. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: West Hill Radio Archives. This release contains 73 tracks, each with its own ISRC. Tracks include USA4A1202183, USA4A1202190, USA4A1202271.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude and Fugue no. 3 in C-sharp: 1. Präludium | — | ||
| 2 | Prelude and Fugue no. 3 in C-sharp: 2. Fuge | — | ||
| 3 | Symphony no. 2 in C major: 1. Sostenuto assai - Allegro ma non troppo | — | ||
| 4 | Symphony no. 2 in C major: 2. Scherzo: Allegro vivace | — | ||
| 5 | Symphony no. 2 in C major: 3. Adagio espressivo | — | ||
| 6 | Symphony no. 2 in C major: 4. Allegro molto vivace | — | ||
| 7 | Symphony no. 7 in C major, op. 60 "Leningrad" (rehearsal) | — | ||
| 2-1 | Symphony no. 7 in C major, op. 60 "Leningrad": 1. Allegretto | — | ||
| 2-2 | Symphony no. 7 in C major, op. 60 "Leningrad": 2. Moderato (poco allegretto) | — | ||
| 2-3 | Symphony no. 7 in C major, op. 60 "Leningrad": 3. Adagio | — | ||
| 2-4 | Symphony no. 7 in C major, op. 60 "Leningrad": 4. Allegro non troppo | — | ||
| 3-1 | Symphony no. 2 in C minor "Resurrection" (rehearsal) | — | ||
| 3-2 | Piano Concerto no. 15 (rehearsal) | — | ||
| 3-3 | TURANGALILA-SYMPHONIE (REHEARSAL) | T-003.017.772-0 | ||
| 4-1 | Symphony no. 2 in C minor "Resurrection": 1. Allegro maestoso | — | ||
| 4-2 | Symphony no. 2 in C minor "Resurrection": 2. Andante moderato | — | ||
| 4-3 | Symphony no. 2 in C minor "Resurrection": 3. In ruhig fließender Bewegung | — | ||
| 4-4 | Symphony no. 2 in C minor "Resurrection": 4. Urlicht: Sehr feierlich, aber schlicht | — | ||
| 4-5 | Symphony no. 2 in C minor "Resurrection": 5. Finale: Im Tempo des Scherzos | — | ||
| 5-1 | Piano Concerto in G (rehearsal) | — | ||
| 5-2 | PREAMBLE FOR A SOLEMN OCCASION | — | ||
| 5-3 | United Nations on the March | — | ||
| 5-4 | Piano Concerto in G: 1. Allegramente | — | ||
| 5-5 | Piano Concerto in G: 2. Adagio assai | — | ||
| 5-6 | Piano Concerto in G: 3. Presto | — | ||
| 5-7 | Symphony no. 9 in D minor "Choral": Finale (excerpt) | — | ||
| 6-1 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 1. Andante tranquillo | — | ||
| 6-2 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 2. Allegro | — | ||
| 6-3 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 3. Adagio | — | ||
| 6-4 | Music for Strings, Percussion and Celesta, Sz 106, BB 114: 4. Allegro molto | — | ||
| 6-5 | Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | — | ||
| 6-6 | Piano Concerto no. 1 in C major, op. 15: 2. Largo | — | ||
| 6-7 | Piano Concerto no. 1 in C major, op. 15: 3. Rondo: Allegro scherzando | — | ||
| 7-1 | Symphony no. 2 "The Age of Anxiety": 1. The Prologue: Lento moderato | — | ||
| 7-2 | Symphony no. 2 "The Age of Anxiety": 2. The Seven Ages: Variations 1-7 | — | ||
| 7-3 | Symphony no. 2 "The Age of Anxiety": 3. The Seven Stages: Variations 8-14 | — | ||
| 7-4 | Symphony no. 2 "The Age of Anxiety": 4. The Dirge: Largo | — | ||
| 7-5 | Symphony no. 2 "The Age of Anxiety": 5. The Masque: Extremely Fast | — | ||
| 7-6 | Symphony no. 2 "The Age of Anxiety": 6. The Epilogue: Adagio - Andante - Con moto | — | ||
| 7-7 | The Rite of Spring: Adorations of Earth: Introduction | — | ||
| 7-8 | The Rite of Spring: The Augurs of Spring - Dances of the Young Girls | — | ||
| 7-9 | The Rite of Spring: Ritual of Abduction | — | ||
| 7-10 | The Rite of Spring: Spring Rounds | — | ||
| 7-11 | The Rite of Spring: Ritual of the River Tribes | — | ||
| 7-12 | The Rite of Spring: Procession of the Sage | — | ||
| 7-13 | The Rite of Spring: The Sage | — | ||
| 7-14 | The Rite of Spring: Dance of the Earth | — | ||
| 7-15 | The Rite of Spring: The Sacrifice: Introduction | — | ||
| 7-16 | The Rite of Spring: Mystic Circles of the Young Girls | — | ||
| 7-17 | The Rite of Spring: Glorification of the Chosen One | — | ||
| 7-18 | The Rite of Spring: Evocation of the Ancestors | — | ||
| 7-19 | The Rite of Spring: Ritual Action of the Ancestors | — | ||
| 7-20 | The Rite of Spring: Sacrificial Dance | — | ||
| 9-1 | Short Symphony "Symphony no. 2": 1. Prelude: Andante | — | ||
| 9-2 | Short Symphony "Symphony no. 2": 2. Scherzo: Molto allegro | — | ||
| 9-3 | Short Symphony "Symphony no. 2": 3. Finale: Lento | — | ||
| 9-4 | American Creed: Free to Dream | — | ||
| 9-5 | American Creed: Free to Build | — | ||
| 9-6 | Concerto for Orchestra: 1. Allegro moderato ma energico | — | ||
| 9-7 | Concerto for Orchestra: 2. Allegro vivace | — | ||
| 9-8 | Concerto for Orchestra: 3. Adagio - Allegro moderato | — | ||
| 9-9 | SERIOUS SONG | — | ||
| 10-1 | Symphony no. 5 in D minor, op. 47 (recording session) | — | ||
| 10-2 | Billy the Kid (recording session) | — | ||
| 11-1 | Symphony no. 4 "Sinfonía romántica": 1. Allegro | — | ||
| 11-2 | Symphony no. 4 "Sinfonía romántica": 2. Molto lento | — | ||
| 11-3 | Symphony no. 4 "Sinfonía romántica": 3. Finale: Vivo troppo mosso | — | ||
| 11-4 | Ich atmet' einen linden Duft | — | ||
| 11-5 | Ich bin der Welt abhanden gekommen | — | ||
| 11-6 | Das irdische Leben (Des Knaben Wunderhorn) | — | ||
| 11-7 | Um Mitternacht | — | ||
| 11-8 | Symphony no. 8: 1. Moderato - Adagio - Allegro vivo | — | ||
| 11-9 | Symphony no. 8: 2. Thema: Adagio - Variationen - Doppelfuge | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Unknown | — | |
| Unknown | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: I. SOSTENUTO ASSAI | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: II. SCHERZO | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: III. ADAGIO ESPRESSIVO | — | |
| SYMPHONY NO. 2 IN C MAJOR, OP. 61: IV. ALLEGRO MOLTO VIVACE | — | |
| "SYMPHONY NO. 7 IN C MAJOR, OP. 60, ""LENINGRAD"" (REHEARSAL)" | — | |
| I. ALLEGRETTO | BERNSTEIN, LEONARD | — |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"" (REHEARSAL)" | — | |
| PIANO CONCERTO NO. 15 IN B FLAT MAJOR, K. 450 (REHEARSAL) | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": I. ALLEGRO MAESTOSO" | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": II. ANDANTE MODERATO" | — | |
| "SYMPHONY NO. 2 IN C MINOR, ""RESURRECTION"": III. IN RUHIG FLIESSENDER BEWEGUNG" | — | |
| Unknown | — | |
| Unknown | — | |
| PIANO CONCERTO IN G MAJOR: PIANO CONCERTO IN G MAJOR (REHEARSAL) | — | |
| Unknown | — | |
| PIANO CONCERTO IN G MAJOR: I. ALLEGRAMENTE | — | |
| PIANO CONCERTO IN G MAJOR: II. ADAGIO ASSAI | T-003.007.887-5 | |
| PIANO CONCERTO IN G - 3.PRESTO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| I. ALLEGRO CON BRIO | — | |
| Unknown | — | |
| PIANO CONCERTO NO. 1 IN C MAJOR, OP. 15: III. RONDO: ALLEGRO SCHERZANDO | — | |
| SYMPHONY NO.2 ('THE AGE OF ANXIETY'), FOR PIANO AND ORCHESTRA - 1.PART 1A: THE PROLOGUE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: INTRODUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: THE AUGURS OF SPRING - DANCES OF THE YOUNG GIRLS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: RITUAL OF ABDUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: SPRING ROUNDS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: RITUAL OF THE RIVER TRIBES - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: PROCESSION OF THE SAGE - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: THE SAGE - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART I: ADORATION OF THE EARTH: DANCE OF THE EARTH | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: INTRODUCTION - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: MYSTIC CIRCLES OF THE YOUNG GIRLS - | NEW YORK PHILHARMONIC ORCHESTRA | T-070.257.887-7 |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: GLORIFICATION OF THE CHOSEN ONE - | LUKAS FOSS | T-070.257.887-7 |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: EVOCATION OF THE ANCESTORS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: RITUAL ACTION OF THE ANCESTORS - | T-070.257.887-7 | |
| LE SACRE DU PRINTEMPS (THE RITE OF SPRING): PART II: THE SACRIFICE: SACRIFICIAL DANCE | T-070.257.887-7 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): OVERTURE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): FIVE POINT | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE BALLAD OF MACK THE KNIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MISTER JONATHAN JEREMIAH PEACHUM | — | |
| MORNING ANTHEM | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): NOW MRS. PEACHUM APPEARS | — | |
| INSTEAD-OF SONG | T-071.397.840-5 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THEY ARE QUITE CORRECT | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA): ARMY SONG [ARR. M. BLITZSTEIN] | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MACHEATH KEEPS WAITING | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): WEDDING SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE WEDDING IN THE STABLE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): LOVE SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MACHEATH'S INTERESTS | — | |
| BARBARA SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE WORLD IS MEAN | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): POLLY RUSHES TO THE HONEYMOON STABLE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MELODRAMA AND POLLY'S SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MRS. PEACHUM FINDS JENNY | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): PIRATE JENNY | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE SCENE IS NOW THE ESTABLISHMENT ON GREENE STREET | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): TANGO-BALLAD | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE COPS STAND | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): BALLAD OF THE EASY LIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): THE CAPTURE OF MACK THE KNIFE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): JEALOUSY DUET | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): LUCY IS TIGER BROWN'S DAUGHTER | — | |
| HOW TO SURVIVE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): IT IS JUST BEFORE DAWN | — | |
| USELESS SONG | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): MAC HAS BEEN RECAPTURED | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): SOLOMON SONG | — | |
| CALL FROM THE GRAVE | T-929.837.798-7 | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): BUT IT IS NO USE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): O BROTHERS WHO LIVE ON | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA): AND MACHEATH WALKS SLOWLY UP TO THE GALLOWS [ARR. M. BLITZSTEIN] | — | |
| DEATH MESSAGE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): AS HIS FIRST ACT IN OFFICE | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): REPRIEVED | — | |
| DIE DREIGROSCHENOPER (THE THREEPENNY OPERA) (ARR. M. BLITZSTEIN): FINALE | — | |
| SYMPHONY NO.2 ('SHORT SYMPHONY') - 1.INCISIVO | — | |
| SYMPHONY NO.2 ('SHORT SYMPHONY') - 2.ESPRESSIVO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SYMPHONY NO. 5 IN D MINOR, OP. 47: RECORDING SESSION | T-902.876.200-7 | |
| BILLY THE KID SUITE: RECORDING SESSION | — | |
| "SYMPHONY NO. 4, ""SINFONIA ROMANTICA"": I. ALLEGRO" | — | |
| """SYMPHONY NO. 4, """"SINFONIA ROMANTICA"""": II. MOLTO LENTO""" | — | |
| Unknown | — | |
| RUCKERT-LIEDER (VERSION FOR VOICE AND ORCHESTRA): NO. 4. ICH ATMET' EINEN LINDEN DUFT | — | |
| RUCKERT-LIEDER (VERSION FOR VOICE AND ORCHESTRA): NO. 5. ICH BIN DER WELT ABHANDEN GEKOMMEN | — | |
| DES KNABEN WUNDERHORN: NO. 5, DAS IRDISCHE LEBEN | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — |
