UPC · Release
Complete Big Band Studio Sessions 1946-1960
Dizzy Gillespie
5494239160065
126 tracksReleased 2011-01-01United Archives
Last verified:
5494239160065 is the Universal Product Code (UPC barcode) for the release “Complete Big Band Studio Sessions 1946-1960” by Dizzy Gillespie, released 2011-01-01 on United Archives. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC.
Format
549GS1 prefix
4239Company prefix
16006Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCComplete Big Band Studio Sessions 1946-1960
ISWC1 work
IPI1 songwriter
Track List (126)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Our Delight | — | ||
| 2 | Good Dues Blues | — | ||
| 3 | One Bass Hit 2 | — | ||
| 4 | Ray's Idea | — | ||
| 5 | Tings To Come | — | ||
| 6 | He Bepped When He Shoulda... | — | ||
| 7 | He Beeped When He Should.a.. | — | ||
| 8 | I Waited For You | — | ||
| 9 | Emanon | — | ||
| 10 | Ow ! | — | ||
| 11 | Oop-Pop-A-Da | — | ||
| 12 | Two Bass Hit | — | ||
| 13 | Stay On It ! | — | ||
| 14 | Algo Bueno | — | ||
| 15 | Cool Breeze | — | ||
| 16 | Cubana Be | — | ||
| 17 | Cubana Bop | — | ||
| 18 | Manteca | — | ||
| 19 | Good Bait | — | ||
| 20 | Ool-Ya-Koo | — | ||
| 21 | Minor Walk | — | ||
| 22 | Bonus: Interlude | — | ||
| 23 | Bonus: A Night In Tunisia | — | ||
| 2-1 | Guarachi Guaro | — | ||
| 2-2 | Duff Capers | — | ||
| 2-3 | Lover Come Back To Me | — | ||
| 2-4 | I'm Boppin' Too (Dizziest) | — | ||
| 2-5 | I'm Boppin' Too (Dizziest) | — | ||
| 2-6 | Swdish Suitz | — | ||
| 2-7 | Saint Louis Blues | — | ||
| 2-8 | I Should Care | — | ||
| 2-9 | That Old Black Magic | — | ||
| 2-10 | Katy (Dizzier and Dizzier) | — | ||
| 2-11 | Jump-Did-Le-Ba | — | ||
| 2-12 | Hey Pete, Let's Eat Mo' Meat! | — | ||
| 2-13 | Jumpin' With Symphony Sid | — | ||
| 2-14 | If Love Is Trouble | — | ||
| 2-15 | In The Land Of Oo-Bla-Dee | — | ||
| 2-16 | Say When | — | ||
| 2-17 | Tally Ho | — | ||
| 2-18 | You Stole My Wife, You Horse Thief | — | ||
| 2-19 | I Can't Remember | — | ||
| 2-20 | Coast to Coast | — | ||
| 2-21 | Carambola | — | ||
| 2-22 | Oo-La-La | — | ||
| 2-23 | Honeysuckle Rose | — | ||
| 3-1 | Manteca Suite (Afro) - Manteca Theme, Contraste, Jungla, Rhumba-Finale, 6/8 | — | ||
| 3-2 | Cool Eyes | — | ||
| 3-3 | Confusion | — | ||
| 3-4 | Pile Driver | — | ||
| 3-5 | Hob Nail Special | — | ||
| 3-6 | Seems Like You Just Don't Care | — | ||
| 3-7 | Evening Sound | — | ||
| 3-8 | 'Bout To Wail | — | ||
| 3-9 | Begin The Beguine | — | ||
| 3-10 | Shout By Rail | — | ||
| 3-11 | Bonus: A Night In Tunisia | — | ||
| 3-12 | Bonus: Caravan | — | ||
| 3-13 | Bonus: Con Alma | — | ||
| 4-1 | Taking A Chance On Love | — | ||
| 4-2 | Play Me The Blues | — | ||
| 4-3 | Oasis (?) | — | ||
| 4-4 | Flamingo | — | ||
| 4-5 | Doodlin' | — | ||
| 4-6 | Sometimes I'm Happy | — | ||
| 4-7 | Quincy's Tune | — | ||
| 4-8 | Dizzy's Business | — | ||
| 4-9 | A Night In Tunisia | — | ||
| 4-10 | Jessica's Day | — | ||
| 4-11 | Tour De Force | — | ||
| 4-12 | I Can't Get Started | — | ||
| 4-13 | Stella By Starlight | — | ||
| 4-14 | Swing Low, Sweet Chariot | — | ||
| 4-15 | Lullaby Of The Leaves | — | ||
| 4-16 | I Found A Million Dollar Baby | — | ||
| 4-17 | What Is There To Say | — | ||
| 4-18 | Alone Together | — | ||
| 4-19 | These Are The Things I Love | — | ||
| 4-20 | On The Alamo | — | ||
| 4-21 | Inerlude In C | — | ||
| 5-1 | Doodlin' | — | ||
| 5-2 | Hey Pete, Let's Eat More Meat ! | — | ||
| 5-3 | The Champ | — | ||
| 5-4 | Yesterdays | — | ||
| 5-5 | Tin Tin Deo | — | ||
| 5-6 | Groovin' For Nat | — | ||
| 5-7 | My Reverie | — | ||
| 5-8 | Dizzy's Blues | — | ||
| 5-9 | Annie's Dance | — | ||
| 5-10 | Cool Breeze | — | ||
| 5-11 | School Days | — | ||
| 5-12 | Jordu | — | ||
| 5-13 | Birks' Works | — | ||
| 5-14 | Umbrella Man | — | ||
| 5-15 | Autumn Leaves | — | ||
| 6-1 | Tangerine | — | ||
| 6-2 | Over The Rainbow | — | ||
| 6-3 | Yo No Quiero Bailar | — | ||
| 6-4 | If You Could See Me Now | — | ||
| 6-5 | Lef Hand Corner | — | ||
| 6-6 | Whisper not | — | ||
| 6-7 | Stablemates | — | ||
| 6-8 | That's All | — | ||
| 6-9 | Groovin' High | — | ||
| 6-10 | Mayflower Rock | — | ||
| 6-11 | Joogie Boogie | — | ||
| 6-12 | I Remember Clifford | — | ||
| 6-13 | Bonus: Rose Of Picardy | — | ||
| 6-14 | Bonus: Silhouette | — | ||
| 6-15 | Bonus: Can You Recall ? | — | ||
| 6-16 | O Solow | — | ||
| 7-1 | Caravan | — | ||
| 7-2 | Come Sunday | — | ||
| 7-3 | In A Mellow Tone | — | ||
| 7-4 | Sophisticated Lady | — | ||
| 7-5 | Serenade To Sweden | — | ||
| 7-6 | Do Nothin' Till | — | ||
| 7-7 | Chelsea bridge | — | ||
| 7-8 | Upper Manhattan Medical Group | — | ||
| 7-9 | Johnny come lately | — | ||
| 7-10 | Perdido | — | ||
| 7-11 | Prelude | — | ||
| 7-12 | Blues | — | ||
| 7-13 | Panamericana | — | ||
| 7-14 | Africana | — | ||
| 7-15 | Toccata | — |
Our Delight
—
Good Dues Blues
—
One Bass Hit 2
—
Ray's Idea
—
Tings To Come
—
He Bepped When He Shoulda...
—
He Beeped When He Should.a..
—
I Waited For You
—
Emanon
—
Ow !
—
Oop-Pop-A-Da
—
Two Bass Hit
—
Stay On It !
—
Algo Bueno
—
Cool Breeze
—
Cubana Be
—
Cubana Bop
—
Manteca
—
Good Bait
—
Ool-Ya-Koo
—
Minor Walk
—
Bonus: Interlude
—
Bonus: A Night In Tunisia
—
Guarachi Guaro
—
Duff Capers
—
Lover Come Back To Me
—
I'm Boppin' Too (Dizziest)
—
I'm Boppin' Too (Dizziest)
—
Swdish Suitz
—
Saint Louis Blues
—
I Should Care
—
That Old Black Magic
—
Katy (Dizzier and Dizzier)
—
Jump-Did-Le-Ba
—
Hey Pete, Let's Eat Mo' Meat!
—
Jumpin' With Symphony Sid
—
If Love Is Trouble
—
In The Land Of Oo-Bla-Dee
—
Say When
—
Tally Ho
—
You Stole My Wife, You Horse Thief
—
I Can't Remember
—
Coast to Coast
—
Carambola
—
Oo-La-La
—
Honeysuckle Rose
—
Manteca Suite (Afro) - Manteca Theme, Contraste, Jungla, Rhumba-Finale, 6/8
—
Cool Eyes
—
Confusion
—
Pile Driver
—
Hob Nail Special
—
Seems Like You Just Don't Care
—
Evening Sound
—
'Bout To Wail
—
Begin The Beguine
—
Shout By Rail
—
Bonus: A Night In Tunisia
—
Bonus: Caravan
—
Bonus: Con Alma
—
Taking A Chance On Love
—
Play Me The Blues
—
Oasis (?)
—
Flamingo
—
Doodlin'
—
Sometimes I'm Happy
—
Quincy's Tune
—
Dizzy's Business
—
A Night In Tunisia
—
Jessica's Day
—
Tour De Force
—
I Can't Get Started
—
Stella By Starlight
—
Swing Low, Sweet Chariot
—
Lullaby Of The Leaves
—
I Found A Million Dollar Baby
—
What Is There To Say
—
Alone Together
—
These Are The Things I Love
—
On The Alamo
—
Inerlude In C
—
Doodlin'
—
Hey Pete, Let's Eat More Meat !
—
The Champ
—
Yesterdays
—
Tin Tin Deo
—
Groovin' For Nat
—
My Reverie
—
Dizzy's Blues
—
Annie's Dance
—
Cool Breeze
—
School Days
—
Jordu
—
Birks' Works
—
Umbrella Man
—
Autumn Leaves
—
Tangerine
—
Over The Rainbow
—
Yo No Quiero Bailar
—
If You Could See Me Now
—
Lef Hand Corner
—
Whisper not
—
Stablemates
—
That's All
—
Groovin' High
—
Mayflower Rock
—
Joogie Boogie
—
I Remember Clifford
—
Bonus: Rose Of Picardy
—
Bonus: Silhouette
—
Bonus: Can You Recall ?
—
O Solow
—
Caravan
—
Come Sunday
—
In A Mellow Tone
—
Sophisticated Lady
—
Serenade To Sweden
—
Do Nothin' Till
—
Chelsea bridge
—
Upper Manhattan Medical Group
—
Johnny come lately
—
Perdido
—
Prelude
—
Blues
—
Panamericana
—
Africana
—
Toccata
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 5494239160065?
5494239160065 is a Universal Product Code (UPC) assigned to Complete Big Band Studio Sessions 1946-1960 by Dizzy Gillespie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 126 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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