UPC · Album
Viva 80 · Re(viva) os Grandes Êxitos dos Anos 70, 80 e 90
Various Artists
Last verified:
5602515963389 is the Universal Product Code (UPC barcode) for the release “Viva 80 · Re(viva) os Grandes Êxitos dos Anos 70, 80 e 90” by Various Artists, released 2014-01-01 on Vidisco. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include AUDD32001059, CAA359300084, CLAA20101476.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (120)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Jessie’s Girl | Rick Springfield | AUDD32001059 |
| Mmm Mmm Mmm Mmm | Crash Test Dummies | CAA359300084 |
| Everywhere | Fleetwood Mac | CLAA20101476 |
| (I’ll Never Be) Maria Magdalena | Sandra | DEA340900583 |
| Big in Japan | Alphaville | DEA620101063 |
| Big in Japan | Alphaville | DEA629260030 |
| (I’ll Never Be) Maria Magdalena | Sandra | DEG128700604 |
| (I’ll Never Be) Maria Magdalena | Sandra | DEG129201101 |
| (I’ll Never Be) Maria Magdalena | Sandra | DEG129300031 |
| (I’ll Never Be) Maria Magdalena | Sandra | DEG129901105 |
| Entre dos tierras | Héroes del Silencio | ES5089000064 |
| Do You Really Want to Hurt Me | Culture Club | GB0028230700 |
| To France | Mike Oldfield | GBAAA0000424 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA0201000 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200005 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200048 |
| To France | Mike Oldfield | GBAAA8400081 |
| A Good Heart | Feargal Sharkey | GBAAA8500024 |
| (I Can’t Help) Falling in Love With You | UB40 | GBAAA9300027 |
| (I Can’t Help) Falling in Love With You | UB40 | GBAAA9301303 |
| Bad Case of Lovin’ You (Doctor, Doctor) | Robert Palmer | GBAAN7990001 |
| Never Can Say Goodbye | The Communards | GBAAP0001082 |
| Never Can Say Goodbye | The Communards | GBAAP0200285 |
| Never Can Say Goodbye | The Communards | GBAAP8700195 |
| When the Going Gets Tough, the Tough Get Going | Billy Ocean | GBAHK9700110 |
| When the Going Gets Tough, the Tough Get Going | Billy Ocean | GBAHK9700262 |
| Sweet Harmony | The Beloved | GBAHS0300699 |
| Sweet Harmony | The Beloved | GBAHS0500214 |
| Sweet Harmony | The Beloved | GBAHS1200478 |
| Sweet Harmony | The Beloved | GBAHS9701799 |
| Don’t Get Me Wrong | Pretenders | GBAHT0700200 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | GBAHT0700624 |
| Don’t Get Me Wrong | Pretenders | GBAHT0900198 |
| Don’t Get Me Wrong | Pretenders | GBAHT1200613 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | GBAHT1200627 |
| Don’t Get Me Wrong | Pretenders | GBAHT2500027 |
| Don’t Get Me Wrong | Pretenders | GBAHT8603594 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | GBAHT9400251 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | GBAHT9601125 |
| Life Is a Rollercoaster | Ronan Keating | GBAKW0000051 |
| Lessons in Love | Level 42 | GBAKW8601003 |
| Just Like Heaven | The Cure | GBALB8700003 |
| TrueFaith‐94 | New Order | GBANP9400057 |
| Love Plus One | Haircut One Hundred | GBARK8200002 |
| Love Plus One | Haircut One Hundred | GBARK8200022 |
| Torn | Natalie Imbruglia | GBARL0400487 |
| Right Between the Eyes | Wax | GBARL8600042 |
| Infinity | Guru Josh | GBARL9000068 |
| Infinity | Guru Josh | GBARL9000147 |
| Infinity | Guru Josh | GBARL9100115 |
| Torn | Natalie Imbruglia | GBARL9700412 |
| Torn | Natalie Imbruglia | GBARL9700633 |
| I Don’t Wanna Fight (single edit, 2023 remaster) | Tina Turner | GBAYE2300756 |
| Rise to the Occasion | Climie Fisher | GBAYE8700164 |
| Sleeping Satellite | Tasmin Archer | GBAYE9200025 |
| Ordinary World | Duran Duran | GBAYE9200048 |
| Sleeping Satellite | Tasmin Archer | GBAYE9200052 |
| Ordinary World | Duran Duran | GBAYE9300094 |
| Living in a Box | Living in a Box | GBAYK8700002 |
| Living in a Box | Living in a Box | GBAYK8700020 |
| Millennium | Robbie Williams | GBAYK9800003 |
| Do You Really Want to Hurt Me | Culture Club | GBC780800053 |
| Lessons in Love | Level 42 | GBF068625600 |
| Lessons in Love | Level 42 | GBF068990024 |
| Inner Smile | Texas | GBF080000323 |
| Build | The Housemartins | GBF080080415 |
| Born of Frustration | James | GBF089290349 |
| Inner Smile | Texas | GBFO80000323 |
| I Don’t Wanna Fight | Tina Turner | GBTM19300003 |
| To France | Mike Oldfield | GBUM71504725 |
| Somebody’s Watching Me | Rockwell | NLD910701710 |
| Flash in the Night | Secret Service | SEBFO8112010 |
| Erase / Rewind | The Cardigans | SEBKB9802030 |
| Flash in the Night | Secret Service | SETGM9906020 |
| Flash in the Night | Secret Service | SEUM70601435 |
| Missing (Todd Terry club mix, Ben Watt’s ‘Blanco–Eternal’ radio edit) | Everything but the Girl | UKLT91300051 |
| School | Supertramp | USAM17404299 |
| Eye in the Sky | The Alan Parsons Project | USAR10500379 |
| Eye in the Sky | The Alan Parsons Project | USAR18200010 |
| Eye in the Sky | The Alan Parsons Project | USAR19700019 |
| Sweet Harmony | The Beloved | USAT20110509 |
| I Like Chopin | Gazebo | USBI10000192 |
| I Like Chopin | Gazebo | USBI10100556 |
| Build | The Housemartins | USEE10183040 |
| Just Like Heaven | The Cure | USEE10608907 |
| Just Like Heaven | The Cure | USEE18700009 |
| Maniac | Michael Sembello | USF078300090 |
| What’s Up | 4 Non Blondes | USIR19200553 |
| Bad Case of Lovin’ You (Doctor, Doctor) | Robert Palmer | USIR27900020 |
| Somebody’s Watching Me | Rockwell | USM018400484 |
| Somebody’s Watching Me | Rockwell | USMO10000307 |
| Somebody's Watching Me | Rockwell | USMO18400484 |
| Do You Really Want to Hurt Me | Culture Club | USMV28200001 |
| Maniac | Michael Sembello | USPR38302462 |
| Jessie’s Girl | Rick Springfield | USRC10100218 |
| Jessie’s Girl | Rick Springfield | USRC18108188 |
| Everywhere | Fleetwood Mac | USRH11602189 |
| Everywhere | Fleetwood Mac | USRH11603546 |
| Everywhere | Fleetwood Mac | USRH11802597 |
| Don’t Stop Believin’ | Journey | USSM10015423 |
| Don’t Stop Believin’ | Journey | USSM10314021 |
| Smooth Criminal | Michael Jackson | USSM11204989 |
| Killing Me Softly | Fugees | USSM11508624 |
| Don’t Stop Believin’ | Journey | USSM18100116 |
| Don’t Stop Believin’ | Journey | USSM18100642 |
| Thought You Were on My Side | Cock Robin | USSM18500474 |
| Black | Pearl Jam | USSM19100412 |
| Runaway Train | Soul Asylum | USSM19200235 |
| Runaway Train | Soul Asylum | USSM19200612 |
| Killing Me Softly | Fugees | USSM19502699 |
| Killing Me Softly With His Song | Fugees | USSM19600055 |
| Smooth Criminal | Michael Jackson | USSM19909073 |
| Don’t Stop Believin’ | Journey | USSM19932790 |
| Maniac | Michael Sembello | USUM70600581 |
| School | Supertramp | USUM71022291 |
| Everywhere | Fleetwood Mac | USWB10202628 |
| Everywhere | Fleetwood Mac | USWB11301894 |
| Everywhere | Fleetwood Mac | USWB19900202 |
| Don’t Get Me Wrong | Pretenders | USWB19900773 |
| Bad Case of Lovin’ You (Doctor, Doctor) | Robert Palmer | USWWW0127580 |
What other identifiers does this connect to?
Musical Works (ISWC)
+86 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 5602515963389?
5602515963389 is a Universal Product Code (UPC) assigned to Viva 80 · Re(viva) os Grandes Êxitos dos Anos 70, 80 e 90 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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