UPC · Release
Amália Rodrigues
Last verified:
5604931126027 is the Universal Product Code (UPC barcode) for the release “Amália no Olympia” by Amália Rodrigues, released 2008-01-01 on Som Livre. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include PTVC11100001, PTVC11100002, PTVC11100003.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Uma casa portuguesa | Amália Rodrigues | T-045.507.238-4 | |
| 2 | Nem às paredes confesso | Amália Rodrigues | T-045.602.306-5 | |
| 3 | Ai Mouraria | Amália Rodrigues | T-045.603.201-1 | |
| 4 | Perseguição | Amália Rodrigues | T-045.515.114-0 | |
| 5 | Tudo isto é fado | Amália Rodrigues | T-045.613.017-8 | |
| 6 | Lá porque tens cinco pedras | Amália Rodrigues | T-045.533.482-3 | |
| 7 | Barco negro | Amália Rodrigues | — | |
| 8 | Coimbra | Amália Rodrigues | T-045.599.017-6 | |
| 9 | Sabe-se lá | Amália Rodrigues | T-045.515.340-8 | |
| 10 | A tendinha | Amália Rodrigues | T-045.598.875-6 | |
| 11 | Lá vai Lisboa | Amália Rodrigues | T-315.469.734-0 | |
| 12 | Que Deus me perdoe | Amália Rodrigues | T-045.515.230-3 | |
| 13 | Lisboa antiga | Amália Rodrigues | T-045.602.689-3 | |
| 14 | Fado Amália | Amália Rodrigues | T-045.513.576-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5604931126027 is a Universal Product Code (UPC) assigned to Amália no Olympia by Amália Rodrigues. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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