UPC · Release
100 Super Oldies: Too Good to Be Forgotten
Various Artists
5701861990626
100 tracksCompanion
Last verified:
5701861990626 is the Universal Product Code (UPC barcode) for the release “100 Super Oldies: Too Good to Be Forgotten” by Various Artists on Companion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GB01A0800374, NLG620400826, USMC16619959.
Format
570GS1 prefix
1861Company prefix
99062Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Super Oldies: Too Good to Be Forgotten
ISRC39 recordings
ISWC88 works
IPI23 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sixteen Candles | — | ||
| 2 | Runaway | Del Shannon | T-071.212.403-2 | |
| 3 | Tighten Up | — | ||
| 4 | Sugar, Sugar | The Archies | T-070.244.045-6 | |
| 5 | Soldier Boy | — | ||
| 6 | Summertime | Billy Stewart | T-800.364.991-1 | |
| 7 | Wooly Bully (Samudio) | — | ||
| 8 | Walk, Don’t Run | — | ||
| 9 | Kisses Sweeter Than Wine | Jimmie Rodgers | — | |
| 10 | Build Me Up Buttercup | — | ||
| 11 | Maybelline | — | ||
| 12 | Only You | The Platters | T-070.159.445-7 | |
| 13 | It Hurts to Be in Love | — | ||
| 14 | Venus in Blue Jeans | — | ||
| 15 | The Boy From New York City | — | ||
| 16 | Bend Me, Shape Me | — | ||
| 17 | Down in the Boondocks | — | ||
| 18 | Get on Up | — | ||
| 19 | Money (That’s What I Want) | — | ||
| 20 | Farmer John | — | ||
| 21 | Tear Drops | — | ||
| 22 | Hey Girl Don’t Bother Me | — | ||
| 23 | Raindrops Keep Fallin’ on My Head | B.J. Thomas | T-070.128.029-6 | |
| 24 | My Prayer | The Platters | T-039.195.174-8 | |
| 25 | It’s a Man’s, Man’s, Man’s World (But It Would Be Nothing Without a Woman...) | — | ||
| 2-1 | Jingle Jangle | — | ||
| 2-2 | Mother‐In‐Law | — | ||
| 2-3 | For Your Precious Love | Jerry Butler & The Impressions | T-070.055.214-2 | |
| 2-4 | Sheila | — | ||
| 2-5 | The Twist | Chubby Checker | T-070.247.541-9 | |
| 2-6 | Save the Last Dance for Me | — | ||
| 2-7 | Indian Reservation | — | ||
| 2-8 | Blue Suede Shoes | Carl Perkins | T-900.301.723-0 | |
| 2-9 | Louie Louie | The Kingsmen | T-010.768.444-5 | |
| 2-10 | A Groovy Kind of Love | The Mindbenders | T-010.498.260-6 | |
| 2-11 | Rhythm of the Rain | — | ||
| 2-12 | Midnight Confession | — | ||
| 2-13 | Red River Rock | Johnny and the Hurricanes | T-070.243.121-7 | |
| 2-14 | Western Movies | — | ||
| 2-15 | A Summer Song | Chad & Jeremy | T-011.602.083-7 | |
| 2-16 | Harbor Lights | The Platters | T-011.229.032-0 | |
| 2-17 | Ain’t That a Shame | — | ||
| 2-18 | Oh, What a Night | The Dells | T-070.242.628-5 | |
| 2-19 | Early in the Morning | — | ||
| 2-20 | Twenty Four Hours From Tulsa | Gene Pitney | T-070.182.220-9 | |
| 2-21 | Carol | — | ||
| 2-22 | Lucille | — | ||
| 2-23 | The Oogum Boogum Song | — | ||
| 2-24 | Human | — | ||
| 2-25 | Hush | Billy Joe Royal | T-070.240.438-3 | |
| 3-1 | Tequila | The Champs | T-070.178.472-6 | |
| 3-2 | Suspicion | Terry Stafford | T-070.244.097-8 | |
| 3-3 | Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 | |
| 3-4 | Raindrops | — | ||
| 3-5 | The Great Pretender | — | ||
| 3-6 | At the Hop | Danny & the Juniors | T-070.232.042-0 | |
| 3-7 | Tom Dooley | The Kingston Trio | T-070.247.397-9 | |
| 3-8 | Only Love Can Break a Heart | — | ||
| 3-9 | Traces | — | ||
| 3-10 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 3-11 | Angel Baby | — | ||
| 3-12 | Under the Boardwalk | The Drifters | T-070.247.569-1 | |
| 3-13 | (Your Love Keeps Lifting Me) Higher and Higher | — | ||
| 3-14 | Johnny B. Goode | Chuck Berry | T-070.939.624-6 | |
| 3-15 | Be‐Bop‐A‐Lula | Gene Vincent & His Blue Caps | T-070.880.754-8 | |
| 3-16 | Let's Twist Again | Chubby Checker | T-070.095.613-3 | |
| 3-17 | Papa’s Got a Brand New Bag | — | ||
| 3-18 | Backfield in Motion | — | ||
| 3-19 | My Own True Love | — | ||
| 3-20 | Tutti Frutti | Little Richard | T-070.247.531-7 | |
| 3-21 | Twist and Shout | The Isley Brothers | T-071.214.645-6 | |
| 3-22 | Reveille Rock | — | ||
| 3-23 | Try the Impossible | — | ||
| 3-24 | Dedicated to the One I Love | The Shirelles | T-070.881.723-5 | |
| 3-25 | Keep Searchin’ (We’ll Follow the Sun) | — | ||
| 4-1 | Dizzy | — | ||
| 4-2 | Stagger Lee | — | ||
| 4-3 | Kansas City | Wilbert Harrison | T-010.434.450-4 | |
| 4-4 | The Game of Love | Wayne Fontana, The Mindbenders | T-070.065.821-4 | |
| 4-5 | Good Thing | — | ||
| 4-6 | Sleep Walk | — | ||
| 4-7 | Love Potion Number Nine | — | ||
| 4-8 | Blueberry Hill (live) | — | ||
| 4-9 | Charlie Brown | — | ||
| 4-10 | Come Go With Me | The Del-Vikings | T-070.233.422-2 | |
| 4-11 | (The Man Who Shot) Liberty Valance | Gene Pitney | T-070.111.669-9 | |
| 4-12 | Hawaii Five‐O | — | ||
| 4-13 | Stormy | — | ||
| 4-14 | Hitchin’ a Ride | — | ||
| 4-15 | Barefootin’ | — | ||
| 4-16 | You Belong to Me | — | ||
| 4-17 | Good Golly, Miss Molly | — | ||
| 4-18 | I Can’t Stop Dancin’ | — | ||
| 4-19 | Tobacco Road | The Nashville Teens | T-070.247.387-7 | |
| 4-20 | Sea Cruise | — | ||
| 4-21 | Willow Weep for Me | — | ||
| 4-22 | La bamba | Ritchie Valens | T-071.000.650-0 | |
| 4-23 | Roll Over Beethoven | Chuck Berry | T-070.940.070-3 | |
| 4-24 | Stay in My Corner | The Dells | T-070.243.938-0 | |
| 4-25 | What Kind of Fool Do You Think I Am? | — |
Sixteen Candles
—
Tighten Up
—
Soldier Boy
—
Wooly Bully (Samudio)
—
Walk, Don’t Run
—
Kisses Sweeter Than Wine
Jimmie Rodgers
—
Build Me Up Buttercup
—
Maybelline
—
It Hurts to Be in Love
—
Venus in Blue Jeans
—
The Boy From New York City
—
Bend Me, Shape Me
—
Down in the Boondocks
—
Get on Up
—
Money (That’s What I Want)
—
Farmer John
—
Tear Drops
—
Hey Girl Don’t Bother Me
—
It’s a Man’s, Man’s, Man’s World (But It Would Be Nothing Without a Woman...)
—
Jingle Jangle
—
Mother‐In‐Law
—
Sheila
—
Save the Last Dance for Me
—
Indian Reservation
—
Rhythm of the Rain
—
Midnight Confession
—
Western Movies
—
Ain’t That a Shame
—
Early in the Morning
—
Carol
—
Lucille
—
The Oogum Boogum Song
—
Human
—
Raindrops
—
The Great Pretender
—
Only Love Can Break a Heart
—
Traces
—
Angel Baby
—
(Your Love Keeps Lifting Me) Higher and Higher
—
Papa’s Got a Brand New Bag
—
Backfield in Motion
—
My Own True Love
—
Reveille Rock
—
Try the Impossible
—
Keep Searchin’ (We’ll Follow the Sun)
—
Dizzy
—
Stagger Lee
—
Good Thing
—
Sleep Walk
—
Love Potion Number Nine
—
Blueberry Hill (live)
—
Charlie Brown
—
Hawaii Five‐O
—
Stormy
—
Hitchin’ a Ride
—
Barefootin’
—
You Belong to Me
—
Good Golly, Miss Molly
—
I Can’t Stop Dancin’
—
Sea Cruise
—
Willow Weep for Me
—
What Kind of Fool Do You Think I Am?
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Only You (re‐recorded) | The Platters | T-070.159.445-7 |
| Stand by Me (Remastered LP version) | Ben E. King | T-011.233.891-6 |
| (We’re Gonna) Rock Around the Clock | Bill Haley and His Comets | T-070.922.116-8 |
| Rock Around the Clock | Bill Haley and His Comets | — |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Kisses Sweeter Than Wine | Jimmie Rodgers | — |
| Tutti Frutti (take 2) | Little Richard | T-070.247.531-7 |
Kisses Sweeter Than Wine
Jimmie Rodgers
—
The Platters
Bill Haley and His Comets
Rock Around the Clock
Bill Haley and His Comets
—
Kisses Sweeter Than Wine
Jimmie Rodgers
—
Kisses Sweeter Than Wine
Jimmie Rodgers
—
Little Richard
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.450-4T-010.498.260-6T-010.768.444-5T-010.433.556-9T-010.434.450-4T-010.437.753-8T-010.494.482-2T-010.498.260-6T-010.768.444-5T-011.229.032-0
+78 more
T-011.233.891-6T-011.602.083-7T-011.229.032-0T-011.233.891-6T-011.602.083-7T-039.195.174-8T-039.195.174-8T-070.055.214-2T-070.065.821-4T-070.095.613-3T-070.111.669-9T-070.128.029-6T-070.159.445-7T-070.178.472-6T-070.182.220-9T-070.232.042-0T-070.240.438-3T-070.242.628-5T-070.243.121-7T-070.243.938-0T-070.244.045-6T-070.244.097-8T-070.247.387-7T-070.247.531-7T-070.247.541-9T-070.247.569-1T-070.880.754-8T-070.881.723-5T-070.939.624-6T-070.940.070-3T-070.011.858-6T-070.024.462-7T-070.055.214-2T-070.065.300-4T-070.065.821-4T-070.075.780-7T-070.092.221-9T-070.095.613-3T-070.109.796-2T-070.111.288-0T-070.111.669-9T-070.128.029-6T-070.139.172-1T-070.159.445-7T-070.178.472-6T-070.182.220-9T-070.200.285-4T-070.207.741-5T-070.231.863-5T-070.232.042-0T-070.233.123-4T-070.233.174-5T-070.233.669-3T-070.234.370-1T-070.240.279-6T-070.240.303-9T-070.240.438-3T-070.241.242-7T-070.242.628-5T-070.242.824-7T-070.243.121-7T-070.243.162-6T-070.243.401-2T-070.243.552-6T-070.243.664-3T-070.243.898-9T-070.243.938-0T-070.244.045-6T-070.244.097-8T-070.247.345-7T-071.000.650-0T-071.212.403-2T-071.214.645-6T-800.364.991-1T-900.301.723-0T-070.233.422-2T-070.247.397-9T-070.922.116-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000007270362000000005513493900000000551439740000000055155262000000005519100100000000595144100000000063024422000000006389958700000000735792610000000077040466
+42 more
00000000772909670000000078237703000000008189715500000000818997590000000082189046000000008337522X0000000083988253000000008416382700000000852425940000000091205845000000009755646X00000001002653730000000103361969000000010433439900000001065718220000000106580649000000010673800400000001072510700000000107301832000000010776479X0000000107850225000000010796821500000001084476490000000110092584000000011087481800000001126111730000000112819150000000011431825300000001143917840000000114508233000000011467141X000000011508089X0000000115108055000000011512824000000001160090590000000118446199000000011875318000000001194169360000000119455548000000012029358200000001203520870000000363314798
Identifier Graph
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What is UPC 5701861990626?
5701861990626 is a Universal Product Code (UPC) assigned to 100 Super Oldies: Too Good to Be Forgotten by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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