UPC · Release
Etsuko Hirose
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5709499992951 is the Universal Product Code (UPC barcode) for the release “The Complete Denon Recordings 2003–2007” by Etsuko Hirose. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 3 Old Viennese Dances: I. Liebesfreud | — | ||
| 2 | O du mein holder Abendstern, S. 444 (After Wagner, WWV 70): I. Recitative - II. Romanze | — | ||
| 3 | 6 Melodien von Franz Schubert, S. 563 (After Schubert, D. 550): No. 6. Die Forelle | — | ||
| 4 | 12 Lieder von Franz Schubert, S. 558: No. 12. Ellens dritter Gesang (Ave Maria) | — | ||
| 5 | 12 Lieder von Franz Schubert, S. 558: No. 5. Erlkönig | — | ||
| 6 | Der Lindenbaum, S. 561/7 (After Schubert, D. 911) | — | ||
| 7 | Valse de l’opéra Faust, S. 407 (After Gounod, CG 4) | — | ||
| 8 | Prélude, Fugue et Variation op. 18 | — | ||
| 9 | Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne | — | ||
| 2-1 | Invitation to the Dance, op. 65 | — | ||
| 2-2 | Soirées de Vienne, S. 427 (After Schubert D. 969 and D. 779): No. 6. Allegro con strepito | — | ||
| 2-3 | The Nutcracker, op. 71: IIa. March | — | ||
| 2-4 | The Nutcracker, op. 71: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 2-5 | The Nutcracker, op. 71: Tarantella | — | ||
| 2-6 | The Nutcracker, op. 71: Intermezzo | — | ||
| 2-7 | The Nutcracker, op. 71: IIc. Russian Dance | — | ||
| 2-8 | The Nutcracker, op. 71: IIe. Chinese Dance | — | ||
| 2-9 | The Nutcracker, op. 71: Pas de Deux – Andante maestoso | — | ||
| 2-10 | Trois Mouvements de Pétrouchka: I. Dance russe | — | ||
| 2-11 | Trois Mouvements de Pétrouchka: II. Chez Pétrouchka | — | ||
| 2-12 | Trois Mouvements de Pétrouchka: III. La semaine grasse | — | ||
| 2-13 | La valse, M. 72 | — | ||
| 3-1 | Fantasia in D minor, K. 397/385g | — | ||
| 3-2 | Fantasie, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo: I. Durchaus phantastich und leidenschaftlich vorzutragen | — | ||
| 3-3 | Fantasie, op. 17: II. Mässig. Durchaus energisch. - Etwas bewegter. - Viel bewegter: II. Mäßig | — | ||
| 3-4 | Fantasie, op. 17: III. Langsam getragen. Durchweg leise zu halten. - Etwas bewegter. - Nach und nach bewegter und schneller. - Adagio: III. Langsam getragen Durchweg leise zu halten | — | ||
| 3-5 | Morceaux de fantaisie, op. 3: No. 1. Elégie in E‐flat minor | — | ||
| 3-6 | Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor | — | ||
| 3-7 | Morceaux de fantaisie, op. 3: No. 3. Mélodie in E major | — | ||
| 3-8 | Morceaux de fantaisie, op. 3: No. 4. Polichinelle in F‐sharp minor | — | ||
| 3-9 | Morceaux de fantaisie, op. 3: No. 5. Sérénade in B‐flat minor | — | ||
| 3-10 | Années de pèlerinage II, S. 161: No. 7. Après une lecture du Dante. Fantasia quasi Sonata | — | ||
| 4-1 | Piano Sonata no. 2, op. 35: I. Grave – Doppio movimento | — | ||
| 4-2 | Piano Sonata no. 2, op. 35: II. Scherzo | — | ||
| 4-3 | Piano Sonata no. 2, op. 35: III. Marche funèbre | — | ||
| 4-4 | Piano Sonata no. 2, op. 35: IV. Finale. Presto | — | ||
| 4-5 | 3 Morceaux dans le Genre pathétique, op. 15: II. Le Vent | — | ||
| 4-6 | 12 Études, op. 25 “Aeolian Harp”: No. 1 in A‐flat major | — | ||
| 4-7 | 12 Études, op. 25 “The Bees”: No. 2 in F minor | — | ||
| 4-8 | 12 Études, op. 25 “The Horseman”: No. 3 in F major | — | ||
| 4-9 | 12 Études, op. 25 “Paganini”: No. 4 in A minor | — | ||
| 4-10 | 12 Études, op. 25 “Wrong Note”: No. 5 in E minor | — | ||
| 4-11 | 12 Études, op. 25 “Thirds”: No. 6 in G‐sharp minor | — | ||
| 4-12 | 12 Études, op. 25 “Cello”: No. 7 in C‐sharp‐minor | — | ||
| 4-13 | 12 Études, op. 25 “Sixths”: No. 8 in D‐flat major | — | ||
| 4-14 | 12 Études, op. 25 “Butterfly”: No. 9 in G‐flat major | — | ||
| 4-15 | 12 Études, op. 25 “Octave”: No. 10 in B minor | — | ||
| 4-16 | 12 Études, op. 25 “Winter Wind”: No. 11 in A minor | — | ||
| 4-17 | 12 Études, op. 25 “Ocean”: No. 12 in C minor | — | ||
| 4-18 | 12 Etudes in All the minor Keys, op. 39: No. 12. Le Festin d’Ésope. Allegretto senza licenza quantunque | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
5709499992951 is a Universal Product Code (UPC) assigned to The Complete Denon Recordings 2003–2007 by Etsuko Hirose. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5709499992951 is the Universal Product Code (UPC barcode) for the release “The Complete Denon Recordings 2003–2007” by Etsuko Hirose. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 3 Old Viennese Dances: I. Liebesfreud | — | ||
| 2 | O du mein holder Abendstern, S. 444 (After Wagner, WWV 70): I. Recitative - II. Romanze | — | ||
| 3 | 6 Melodien von Franz Schubert, S. 563 (After Schubert, D. 550): No. 6. Die Forelle | — | ||
| 4 | 12 Lieder von Franz Schubert, S. 558: No. 12. Ellens dritter Gesang (Ave Maria) | — | ||
| 5 | 12 Lieder von Franz Schubert, S. 558: No. 5. Erlkönig | — | ||
| 6 | Der Lindenbaum, S. 561/7 (After Schubert, D. 911) | — | ||
| 7 | Valse de l’opéra Faust, S. 407 (After Gounod, CG 4) | — | ||
| 8 | Prélude, Fugue et Variation op. 18 | — | ||
| 9 | Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne | — | ||
| 2-1 | Invitation to the Dance, op. 65 | — | ||
| 2-2 | Soirées de Vienne, S. 427 (After Schubert D. 969 and D. 779): No. 6. Allegro con strepito | — | ||
| 2-3 | The Nutcracker, op. 71: IIa. March | — | ||
| 2-4 | The Nutcracker, op. 71: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 2-5 | The Nutcracker, op. 71: Tarantella | — | ||
| 2-6 | The Nutcracker, op. 71: Intermezzo | — | ||
| 2-7 | The Nutcracker, op. 71: IIc. Russian Dance | — | ||
| 2-8 | The Nutcracker, op. 71: IIe. Chinese Dance | — | ||
| 2-9 | The Nutcracker, op. 71: Pas de Deux – Andante maestoso | — | ||
| 2-10 | Trois Mouvements de Pétrouchka: I. Dance russe | — | ||
| 2-11 | Trois Mouvements de Pétrouchka: II. Chez Pétrouchka | — | ||
| 2-12 | Trois Mouvements de Pétrouchka: III. La semaine grasse | — | ||
| 2-13 | La valse, M. 72 | — | ||
| 3-1 | Fantasia in D minor, K. 397/385g | — | ||
| 3-2 | Fantasie, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo: I. Durchaus phantastich und leidenschaftlich vorzutragen | — | ||
| 3-3 | Fantasie, op. 17: II. Mässig. Durchaus energisch. - Etwas bewegter. - Viel bewegter: II. Mäßig | — | ||
| 3-4 | Fantasie, op. 17: III. Langsam getragen. Durchweg leise zu halten. - Etwas bewegter. - Nach und nach bewegter und schneller. - Adagio: III. Langsam getragen Durchweg leise zu halten | — | ||
| 3-5 | Morceaux de fantaisie, op. 3: No. 1. Elégie in E‐flat minor | — | ||
| 3-6 | Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor | — | ||
| 3-7 | Morceaux de fantaisie, op. 3: No. 3. Mélodie in E major | — | ||
| 3-8 | Morceaux de fantaisie, op. 3: No. 4. Polichinelle in F‐sharp minor | — | ||
| 3-9 | Morceaux de fantaisie, op. 3: No. 5. Sérénade in B‐flat minor | — | ||
| 3-10 | Années de pèlerinage II, S. 161: No. 7. Après une lecture du Dante. Fantasia quasi Sonata | — | ||
| 4-1 | Piano Sonata no. 2, op. 35: I. Grave – Doppio movimento | — | ||
| 4-2 | Piano Sonata no. 2, op. 35: II. Scherzo | — | ||
| 4-3 | Piano Sonata no. 2, op. 35: III. Marche funèbre | — | ||
| 4-4 | Piano Sonata no. 2, op. 35: IV. Finale. Presto | — | ||
| 4-5 | 3 Morceaux dans le Genre pathétique, op. 15: II. Le Vent | — | ||
| 4-6 | 12 Études, op. 25 “Aeolian Harp”: No. 1 in A‐flat major | — | ||
| 4-7 | 12 Études, op. 25 “The Bees”: No. 2 in F minor | — | ||
| 4-8 | 12 Études, op. 25 “The Horseman”: No. 3 in F major | — | ||
| 4-9 | 12 Études, op. 25 “Paganini”: No. 4 in A minor | — | ||
| 4-10 | 12 Études, op. 25 “Wrong Note”: No. 5 in E minor | — | ||
| 4-11 | 12 Études, op. 25 “Thirds”: No. 6 in G‐sharp minor | — | ||
| 4-12 | 12 Études, op. 25 “Cello”: No. 7 in C‐sharp‐minor | — | ||
| 4-13 | 12 Études, op. 25 “Sixths”: No. 8 in D‐flat major | — | ||
| 4-14 | 12 Études, op. 25 “Butterfly”: No. 9 in G‐flat major | — | ||
| 4-15 | 12 Études, op. 25 “Octave”: No. 10 in B minor | — | ||
| 4-16 | 12 Études, op. 25 “Winter Wind”: No. 11 in A minor | — | ||
| 4-17 | 12 Études, op. 25 “Ocean”: No. 12 in C minor | — | ||
| 4-18 | 12 Etudes in All the minor Keys, op. 39: No. 12. Le Festin d’Ésope. Allegretto senza licenza quantunque | — |
