UPC · Release
Arcade Hot 100
Various Artists
Last verified:
5709703100172 is the Universal Product Code (UPC barcode) for the release “Arcade Hot 100” by Various Artists, released 1999-01-01 on Arcade. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include NLC529811150, AUMU08700142, FR3HK1000250.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Boom, Boom, Boom, Boom!! | Vengaboys | T-000105827-0 | |
| 3-2 | Lambada | — | ||
| 3-3 | Macarena | — | ||
| 3-4 | The Loco‐Motion | Kylie Minogue | T-071000781-0 | |
| 3-5 | Words | F.R. David | T-071017467-6 | |
| 3-6 | The Safety Dance | Men Without Hats | T-071515183-9 | |
| 3-7 | Popmuzik | — | ||
| 3-8 | Used to Be My Girl | — | ||
| 3-9 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | T-911053586-9 | |
| 3-10 | When Will I See You Again | — | ||
| 3-11 | When a Man Loves a Woman | Percy Sledge | T-011238602-3 | |
| 3-12 | Light My Fire | José Feliciano | T-070.098.574-5 | |
| 3-13 | Clair | — | ||
| 3-14 | Sylvia’s Mother | Dr. Hook & the Medicine Show | T-070244143-7 | |
| 3-15 | Don’t It Make My Brown Eyes Blue | Crystal Gayle | T-902705911-6 | |
| 3-16 | Sympathy | — | ||
| 3-17 | Waterloo Sunset | — | ||
| 3-18 | Itcycoo Park | — | ||
| 3-19 | Happy Together | The Turtles | T-070.234.423-7 | |
| 3-20 | Boom Boom | John Lee Hooker | T-070.233.099-1 | |
| 3-21 | I Get the Sweetest Feeling | — | ||
| 3-22 | Venus | Shocking Blue | T-030.275.121-8 | |
| 3-23 | Stumblin’ In | — | ||
| 3-24 | Eye in the Sky (live) | — | ||
| 3-25 | Radar Love | — | ||
| 4-1 | Love Hurts | Nazareth | T-072.287.071-4 | |
| 4-2 | It’s a Heartache | Bonnie Tyler | T-011412601-0 | |
| 4-3 | Brown Eyed Girl | Van Morrison | T-011353528-6 | |
| 4-4 | Two Tribes | Frankie Goes to Hollywood | T-011295553-9 | |
| 4-5 | p:Machinery | Propaganda | T-801031499-6 | |
| 4-6 | Blinded by the Light | Manfred Mann’s Earth Band | T-070014620-8 | |
| 4-7 | Save Me | — | ||
| 4-8 | Hit Me With Your Rhythm Stick | — | ||
| 4-9 | More Than I Can Bear | — | ||
| 4-10 | Can’t Take My Eyes Off You | Boys Town Gang | T-070.881.004-1 | |
| 4-11 | Just an Illusion | — | ||
| 4-12 | Lady | Kenny Rogers | T-914915117-7 | |
| 4-13 | Time in a Bottle | Jim Croce | T-070278739-0 | |
| 4-14 | Kiss Me Kiss Your Baby | — | ||
| 4-15 | Spicks and Specks | Bee Gees | T-010.435.150-9 | |
| 4-16 | Lady Love | — | ||
| 4-17 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 4-18 | Dancing in the Street | — | ||
| 4-19 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 4-20 | Great Balls of Fire | — | ||
| 4-21 | Nutbush City Limits | — | ||
| 4-22 | Standing in the Rain | — | ||
| 4-23 | I Love to Love | — | ||
| 4-24 | Boys, Boys, Boys | — | ||
| 4-25 | Chirpy, Chirpy, Cheep, Cheep | — |
Additional database matches (25)
What other identifiers does this connect to?
Musical Works (ISWC)
+75 more
Songwriters/Publishers (IPI)
+33 more
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 5709703100172?
5709703100172 is a Universal Product Code (UPC) assigned to Arcade Hot 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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