UPC · Release
Green Carnation
Last verified:
5907785024946 is the Universal Product Code (UPC barcode) for the release “Alive and Well… In Krakow” by Green Carnation, released 2004-01-01 on Metal Mind Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC. Tracks include FR33T0308832.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Into Deep | — | ||
| 2 | Crushed to Dust | — | ||
| 3 | Writings on the Wall | — | ||
| 4 | Light of Day, Day of Darkness, 1st Part | — | ||
| 5 | The Boy in the Attic | — | ||
| 6 | Myron & Cole | — | ||
| 7 | Rain | — | ||
| 8 | As Life Flows By | — | ||
| 13 | Stay on These Roads | — | ||
| 14 | Wicked Game | Green Carnation | T-070.205.906-0 | |
| 15 | Pre Production Demo Track From the Forthcoming Album | — | ||
| 16 | Recording of drums of “Into Deep” | — | ||
| 17 | “Crushed to Dust” bootleg video (recorded at Hole in the Sky) | — | ||
| 18 | “Boy in the Attic” bootleg video (recorded at Hole in the Sky) | — | ||
| 19 | “Writings on the Wall” bootleg video (recorded at Hole in the Sky) | — | ||
| 20 | How Did Your Musical Adventure Begin? | — | ||
| 21 | Tchort, What Made You Return to Green Carnation After Leaving It Years Ago? | — | ||
| 22 | Why Did the Botteri Brothers Quit Green Carnation? | — | ||
| 23 | How Would You Classify Green Carnation Music? | — | ||
| 24 | Would You Compromise Artistically to Achieve Commercial Success? | — | ||
| 25 | What Does the Term “Metal” Mean to You? | — | ||
| 26 | “Light of Day, Day of Darkness” | — | ||
| 27 | What Is the Difference Between Other Bands You Have Worked With and Green Carnation? | — | ||
| 28 | Do You Believe That Being Scandinavian Has Any Special Influence on Your Music? | — | ||
| 29 | Does Anyone in the Band Have Musical Training or Education? | — | ||
| 30 | Will the Band Ever Record a Concept Album Like “Light of Day, Day of Darkness” Again? | — | ||
| 31 | Live Performance or Studio Work? | — | ||
| 32 | Anders Kobro | — | ||
| 33 | Bernt André Moen | — | ||
| 34 | Bjørn Harstad | — | ||
| 35 | Kjetil Nordhus | — | ||
| 36 | Michael Smith Krumins | — | ||
| 37 | Stein Roger Sordal | — | ||
| 38 | Tchort / Terje Vik Schei | — | ||
| 39 | Band History | — | ||
| 41 | Journey to the End of the Night | — | ||
| 42 | Light of Day, Day of Darkness | — | ||
| 43 | A Blessing in Disguise | — | ||
| 44 | Promotional Pictures | — | ||
| 45 | Crew | — | ||
| 46 | Discography | — | ||
| 47 | Desktop Images | — | ||
| 48 | Art Gallery | — | ||
| 49 | Websites | — | ||
| 50 | Logo | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
5907785024946 is a Universal Product Code (UPC) assigned to Alive and Well… In Krakow by Green Carnation. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5907785024946 is the Universal Product Code (UPC barcode) for the release “Alive and Well… In Krakow” by Green Carnation, released 2004-01-01 on Metal Mind Productions. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC. Tracks include FR33T0308832.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Into Deep | — | ||
| 2 | Crushed to Dust | — | ||
| 3 | Writings on the Wall | — | ||
| 4 | Light of Day, Day of Darkness, 1st Part | — | ||
| 5 | The Boy in the Attic | — | ||
| 6 | Myron & Cole | — | ||
| 7 | Rain | — | ||
| 8 | As Life Flows By | — | ||
| 13 | Stay on These Roads | — | ||
| 14 | Wicked Game | Green Carnation | T-070.205.906-0 | |
| 15 | Pre Production Demo Track From the Forthcoming Album | — | ||
| 16 | Recording of drums of “Into Deep” | — | ||
| 17 | “Crushed to Dust” bootleg video (recorded at Hole in the Sky) | — | ||
| 18 | “Boy in the Attic” bootleg video (recorded at Hole in the Sky) | — | ||
| 19 | “Writings on the Wall” bootleg video (recorded at Hole in the Sky) | — | ||
| 20 | How Did Your Musical Adventure Begin? | — | ||
| 21 | Tchort, What Made You Return to Green Carnation After Leaving It Years Ago? | — | ||
| 22 | Why Did the Botteri Brothers Quit Green Carnation? | — | ||
| 23 | How Would You Classify Green Carnation Music? | — | ||
| 24 | Would You Compromise Artistically to Achieve Commercial Success? | — | ||
| 25 | What Does the Term “Metal” Mean to You? | — | ||
| 26 | “Light of Day, Day of Darkness” | — | ||
| 27 | What Is the Difference Between Other Bands You Have Worked With and Green Carnation? | — | ||
| 28 | Do You Believe That Being Scandinavian Has Any Special Influence on Your Music? | — | ||
| 29 | Does Anyone in the Band Have Musical Training or Education? | — | ||
| 30 | Will the Band Ever Record a Concept Album Like “Light of Day, Day of Darkness” Again? | — | ||
| 31 | Live Performance or Studio Work? | — | ||
| 32 | Anders Kobro | — | ||
| 33 | Bernt André Moen | — | ||
| 34 | Bjørn Harstad | — | ||
| 35 | Kjetil Nordhus | — | ||
| 36 | Michael Smith Krumins | — | ||
| 37 | Stein Roger Sordal | — | ||
| 38 | Tchort / Terje Vik Schei | — | ||
| 39 | Band History | — | ||
| 41 | Journey to the End of the Night | — | ||
| 42 | Light of Day, Day of Darkness | — | ||
| 43 | A Blessing in Disguise | — | ||
| 44 | Promotional Pictures | — | ||
| 45 | Crew | — | ||
| 46 | Discography | — | ||
| 47 | Desktop Images | — | ||
| 48 | Art Gallery | — | ||
| 49 | Websites | — | ||
| 50 | Logo | — |
